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Dale-Patterson Family collection

Creator:
Dale, Dianne  Search this
Polk, P. H., 1898-1985  Search this
Names:
Barry, Marion, 1936-2014  Search this
Dale, Almore M., 1911-1984  Search this
Dale, Dianne  Search this
Dale, John Henry, Jr., 1888-1973  Search this
Dale, Lucille Emma Patterson, 1889-1973  Search this
Dale, Marie Howard, 1914-2011  Search this
Dale, Norman Edward, 1908-1991  Search this
Garner, Araminta Dale, 1913-1987  Search this
Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this
Patterson, Wilhelmina Bessie, 1888-1962  Search this
Extent:
6 Linear feet (9 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Place:
Anacostia (Washington, D.C.)
Date:
1866 - 1990.
Summary:
The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.
Scope and Contents note:
The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.
Arrangement note:
The collection is arranged in four series:

Series 1: Dale-Patterson Family papers Series 2: Charles Qualls papers Series 3: Community Organizations Series 4: Subject Files
Biographical/Historical note:
The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.
General Note:
Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883
Provenance:
The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African Americans  Search this
African American families  Search this
Genre/Form:
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Citation:
Dale-Patterson Family collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dianne Dale.
Identifier:
ACMA.06-074
See more items in:
Dale-Patterson Family collection
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7c29572e9-2bd6-4b2a-8982-b527693b7885
EDAN-URL:
ead_collection:sova-acma-06-074
Online Media:

Exploring Dr. Frederick Douglass Patterson's papers with Anacostia Community Museum

Creator:
Smithsonian Institution  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2017-02-17T21:30:50.000Z
YouTube Category:
Education  Search this
Topic:
Transcription  Search this
See more by:
SmithsonianTranscription
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianTranscription
EDAN-URL:
edanmdm:yt_IvvUH5-xyhc

Promo for Freedmen's Bureau Transcription Project: North Carolina Records

Creator:
Smithsonian Institution  Search this
Type:
YouTube Videos
Uploaded:
2021-04-13T15:03:29.000Z
YouTube Category:
Education  Search this
Topic:
Transcription  Search this
See more by:
SmithsonianTranscription
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianTranscription
EDAN-URL:
edanmdm:yt_Mb0ShLmMzoQ

Training for Freedmen's Bureau Transcription Project: North Carolina Records

Creator:
Smithsonian Institution  Search this
Type:
YouTube Videos
Uploaded:
2021-04-13T15:04:11.000Z
YouTube Category:
Education  Search this
Topic:
Transcription  Search this
See more by:
SmithsonianTranscription
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianTranscription
EDAN-URL:
edanmdm:yt_sS5nqbrncRI

Searching the Freedmen's Bureau Records

Creator:
Smithsonian Institution  Search this
Type:
YouTube Videos
Uploaded:
2022-02-28T14:26:46.000Z
YouTube Category:
Entertainment  Search this
Topic:
Transcription  Search this
See more by:
SmithsonianTranscription
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianTranscription
EDAN-URL:
edanmdm:yt_umWUSW6-tCw

Freedmen's Bureau cover

Associated Person:
Honorable Edward McPherson  Search this
Major General Oliver O. Howard, American, 1830 - 1909  Search this
Medium:
paper; ink
Dimensions:
Height x Width: 3 1/16 x 5 1/2 in. (7.78 x 13.97 cm)
Type:
Covers & Associated Letters
Date:
c. 1865-1872
Topic:
Civil War and Reconstruction (1860-1877)  Search this
Object number:
2014.2004.1
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm8882b6150-ac57-4368-bff9-52047ba031d2
EDAN-URL:
edanmdm:npm_2014.2004.1

Portrait of Non-Native Man, General Oliver O. Howard, Civil War Hero, Head of Freedmen's Bureau, Founder of Howard University, and Chosen by President Grant to Map Out Four Indian Reservations in Az. and NM with Vincent Colyer

Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (002 in x 002 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 97
Type:
Archival materials
Photographic prints
Photographs
Date:
undated
Local Numbers:
NAA INV.01604803

NAA MS.MS 4605

OPPS NEG.77-13334
Local Note:
Black and white Photoprint on Paper Mount in Album
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 97
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw38a88370c-d062-4f44-9758-c02befb02188
EDAN-URL:
ead_component:sova-naa-ms4605-ref1295

Charles Sumner

Attribution:
Mathew Brady Studio, active 1844 - 1894  Search this
Sitter:
Charles Sumner, 6 Jan 1811 - 11 Mar 1874  Search this
Medium:
Glass plate collodion negative
Dimensions:
Plate: 8.8 × 5.9 × 0.2 cm (3 7/16 × 2 5/16 × 1/16")
Type:
Photographic Negative
Place:
United States\District of Columbia\Washington
Date:
c. 1860-70
Topic:
Interior  Search this
Home Furnishings\Furniture  Search this
Printed Material\Book  Search this
Home Furnishings\Furniture\Table  Search this
Equipment\Walking stick\Cane  Search this
Costume\Headgear\Hat\Top hat  Search this
Home Furnishings\Curtain  Search this
Container\Inkwell  Search this
Costume\Dress Accessory\Neckwear\Tie\Necktie  Search this
Personal Attribute\Facial Hair\Muttonchops  Search this
Charles Sumner: Male  Search this
Charles Sumner: Law and Law Enforcement\Lawyer  Search this
Charles Sumner: Politics and Government\Statesman  Search this
Charles Sumner: Education and Scholarship\Educator\Lecturer  Search this
Charles Sumner: Politics and Government\US Senator\Massachusetts  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; Frederick Hill Meserve Collection
Object number:
NPG.81.M1470
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4408f371c-25b4-48a4-a7b5-23997b465683
EDAN-URL:
edanmdm:npg_NPG.81.M1470

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Crispus Attucks, American, 1723 - 1770  Search this
Sojourner Truth, American, 1797 - 1883  Search this
Harriet Tubman, American, 1822 - 1913  Search this
Sarah C. Roberts, American, born 1844  Search this
Susan McKinney Steward, American, 1847 - 1918  Search this
Dred Scott, American, ca 1800 - 1858  Search this
Frederick Douglass, American, 1818 - 1895  Search this
Booker T. Washington, American, 1856 - 1915  Search this
George Washington Carver, American, 1860s - 1943  Search this
W.E.B. Du Bois, American, 1868 - 1963  Search this
Scott Joplin, American, 1867 - 1917  Search this
Marcus Garvey, Jamaican, 1887 - 1940  Search this
James Weldon Johnson, American, 1871 - 1938  Search this
Father Divine, American, ca. 1876 - 1965  Search this
A. Philip Randolph, American, 1889 - 1979  Search this
Adam Clayton Powell Jr., American, 1908 - 1972  Search this
Rosa Parks, American, 1913 - 2005  Search this
Medgar Evers, American, 1925 - 1963  Search this
Dr. Martin Luther King Jr., American, 1929 - 1968  Search this
President Lyndon Baines Johnson, American, 1908 - 1973  Search this
Mary McLeod Bethune, American, 1875 - 1955  Search this
National Association of Black Social Workers, American, founded 1968  Search this
Congressional Black Caucus, American, founded 1971  Search this
Prince Hall Freemasonry, founded 1784  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Shriners International, American, founded 1870  Search this
National Pan-Hellenic Council, American, founded 1930  Search this
National Dental Association, American, founded 1913  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
Democratic Party, American, founded 1828  Search this
Republican Party, American, founded 1854  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
Zeta Phi Beta Sorority, American, founded 1920  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Eta Phi Beta Sorority, Inc., American, founded 1943  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
National Urban League, American, founded 1910  Search this
Sigma Gamma Rho Sorority, Inc., founded 1922  Search this
National Medical Association, American, founded 1895  Search this
Kappa Alpha Psi Fraternity, Inc., American, founded 1911  Search this
National Council of Negro Women, founded 1935  Search this
Daughters of Isis, American, founded 1910  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
369th Veterans Association, American  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
Langston Hughes, American, 1902 - 1967  Search this
Paul Robeson, American, 1898 - 1976  Search this
Ezzard Mack Charles, American, 1921 - 1975  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 3/8 in. (27.5 × 21.4 × 1 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Date:
1976
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religion  Search this
Social life and customs  Search this
Sororities  Search this
U.S. History, 1969-2001  Search this
U.S. History, Colonial period, 1600-1775  Search this
United States History  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.10
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5e57ffdd9-2ab1-46da-b6e7-10757007351f
EDAN-URL:
edanmdm:nmaahc_2012.167.10
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>Delegate</I> digital asset number 1

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
National Association for the Advancement of Colored People, American, founded 1909  Search this
National Urban League, American, founded 1910  Search this
Sigma Phi Rho Fraternity, American, founded 1978  Search this
National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this
Association of Black Women Attorneys, American, founded 1976  Search this
National Urban Affairs Council, American, founded 1971  Search this
Raymond A. Jordan Jr., American, born 1943  Search this
National Association of Market Developers, American, founded 1953  Search this
The Links, Incorporated, American, founded 1946  Search this
Northside Center for Child Development, Inc., founded 1946  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Prince Hall Freemasonry, founded 1784  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
Top Ladies of Distinction, Inc., American, founded 1964  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Carats, Inc., American, founded 1959  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
National Medical Association, American, founded 1895  Search this
Dr. Leslie L. Alexander, Jamaican American, 1917 - 2002  Search this
Smithsonian Institution, American, founded 1846  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1923  Search this
Morehouse College, American, founded 1867  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
Shriners International, American, founded 1870  Search this
Dr. Benjamin Elijah Mays, American, 1894 - 1984  Search this
Count Basie, American, 1904 - 1984  Search this
National Coalition of 100 Black Women, American, founded 1981  Search this
National Bankers Association, American, founded 1927  Search this
369th Veterans Association, American  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
Signed by:
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 9/16 in. (27.5 × 21.4 × 1.5 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Washington, District of Columbia, United States, North and Central America
Date:
1985
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Enterprise  Search this
Black Press  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religion  Search this
Social life and customs  Search this
Sororities  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.19
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5ee110782-b949-43b4-bbec-56a00d4f086e
EDAN-URL:
edanmdm:nmaahc_2012.167.19
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>Delegate</I> digital asset number 1

The Anacostia Story: Narration

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
United States. Bureau of Refugees, Freedmen, and Abandoned Lands  Search this
Douglass, Frederick, 1817?-1895  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 Sound recording (audio cassette)
Type:
Archival materials
Sound recordings
Place:
Anacostia (Washington, D.C.)
Barry Farms (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1977
Scope and Contents:
An overview of the history of Anacostia from 1608 when Captain John Smith explored the region of the Chesapeake Bay and the Nacotchtank Indians to the establishment of small businesses, churches, and schools. Aspects included or discussed: first European settlers, slavery, tobacco, James Barry, establishment of Uniontown, St. Elizabeth's Hospital, Congress Heights, establishment of Freedmen's Bureau, settlement of Barry Farms, Solomon G. Brown, community churches, small businesses and commercial enterprises, schools and public education, Frederick Douglass, opening of a bank in Anacostia, expansion of transportation and Suitland Parkway, fight for public services, and public housing.
Narration. Audio only. Related to exhibition 'The Anacostia Story.' Undated.
Biographical / Historical:
The exhibition 'The Anacostia Story' presented the history and development of Anacostia between 1608 and 1930 told through artifacts, photographs, early prints, documents and memorabilia. Well-known residents of the area, including Frederick Douglass, Elzie Hoffman, Dr. Charles Nichols, and Solomon G. Brown, were featured. The exhibition was organized by the Anacostia Neighborhood Museum and held there from March of 1977 to March 1978.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
Communities  Search this
Neighborhoods  Search this
African American neighborhoods  Search this
Slavery  Search this
African American churches  Search this
Schools  Search this
African American business enterprises  Search this
Small business  Search this
African American churches  Search this
Community development, Urban  Search this
Genre/Form:
Sound recordings
Citation:
The Anacostia Story: Narration, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-039, Item ACMA AV001360
See more items in:
Anacostia story: 1608-1930 exhibition records
Anacostia story: 1608-1930 exhibition records / Series ACMA 03-039: Anacostia Story:1608-1930 audiovisual records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7838ff92e-87c3-4b3b-92d2-55eace7bdfab
EDAN-URL:
ead_component:sova-acma-03-039-ref923

The Anacostia Story Programmer

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
United States. Bureau of Refugees, Freedmen, and Abandoned Lands  Search this
Douglass, Frederick, 1817?-1895  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 Sound recording (audio cassette)
Type:
Archival materials
Sound recordings
Place:
Anacostia (Washington, D.C.)
Barry Farms (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1977
Scope and Contents:
An overview of the history of southeast Washington, D.C. from the Nacotchtank Indians to the establishment of small businesses, churches, and public housing at Barry Farms. Aspects included Captain John Smith and first European settlers, slavery, tobacco plantations, establishment of Washington D.C. as the capital, James Barry, establishment of Uniontown, emancipation of slaves, establishment of Freedmen's Bureau, settlement of Barry Farms, Solomon G. Brown, community churches, small businesses and commercial enterprises, schools and public education, Frederick Douglass, opening of a bank in Anacostia, expansion of transportation and Suitland Parkway, and public housing.
Narration. Audio only. Related to exhibition 'The Anacostia Story.' Undated.
Biographical / Historical:
The exhibition 'The Anacostia Story' presented the history and development of Anacostia between 1608 and 1930 told through artifacts, photographs, early prints, documents and memorabilia. Well-known residents of the area, including Frederick Douglass, Elzie Hoffman, Dr. Charles Nichols, and Solomon G. Brown, were featured. The exhibition was organized by the Anacostia Neighborhood Museum and held there from March of 1977 to March 1978.
Local Numbers:
ACMA AV001391_B
General:
Title transcribed from physical asset.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
Communities  Search this
Neighborhoods  Search this
African American neighborhoods  Search this
Slavery  Search this
African American churches  Search this
Schools  Search this
African American business enterprises  Search this
Small business  Search this
African American churches  Search this
Community development, Urban  Search this
Genre/Form:
Sound recordings
Citation:
The Anacostia Story Programmer, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-039, Item ACMA AV001391_A
See more items in:
Anacostia story: 1608-1930 exhibition records
Anacostia story: 1608-1930 exhibition records / Series ACMA 03-039: Anacostia Story:1608-1930 audiovisual records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa77441d337-0fa7-4c08-8501-86ae0b4d2475
EDAN-URL:
ead_component:sova-acma-03-039-ref924

Fractious Family Papers

Extent:
1.7 Linear feet (5 boxes)
Type:
Collection descriptions
Archival materials
Correspondence
Photographs
Certificates
Place:
Anacostia (Washington, D.C.)
Date:
1916-1981
bulk 1940-1970
Arrangement note:
The papers are organized in five series.

Series 1: Biographical Material Series 2: Correspondence Series 3: Legal Files Series 4: Printed Materials Series 5: Photographs
Biographical / Historical:
William Fractious was born in Virginia around 1827. He and his wife Lucy were likely part of the 40,000 formerly enslaved African American refugees who came to Washington, D.C., during the Civil War. A carpenter by profession, William acquired lot 7 of section 3 of a new development, Barry Farm. The settlement was created by the Freedmen's Bureau who sold building lots to the newly freed men and women.

Robert "Bobbie" Fractious (1920 – 1996) was the son of William II and Mary V. Fractious. He had two sisters, Bessie (1918) and Lillian (1915) and one brother, Preston "Bootsie" (1922). He attended elementary school and one year of high school before joining the Civilian Conservation Corps. Robert served in New Cumberland, Pennsylvania in 1939 and Camp Ellis, Illinois in 1940. He enlisted in the United States Army in 1941 as a corporal in Croft, South Carolina and eventually moved up in rank to Staff Sargent. During his service in World War II, he was assigned to the Quartermasters Corps in the Pacific Theater, in Australia. After the war, Robert continued serving in the army for over 20 years.

Blanche Lucille Queen (1923 – 2001) married Robert Fractious on December 2, 1945. She was the daughter of Robert H. and Louise E. Queen. Blanche had two sisters, Thelma (1923 – 2005) and Roberta "Diddie" (1924 – 2013). Blanche graduated from Shaw Junior High in 1938 and Armstrong High School in 1941. After marriage, Robert and Blanche settled on Shannon Place in Southeast, D.C., and the couple had two children, Deborah Camille (1952 – 1995) and Rene Emil (1954 – 2017). She worked for the State Department then at the Central Intelligence Agency (CIA) for 30 years.

A fifth generation Fractious, Rene Emil Fractious was a proud descendant of the original Barry farm settlers. He spoke at the 2009 Washington Historical Studies Conference about his family legacy and the strong postbellum African American community.
Provenance:
The Fractious Family papers were donated to the Anacostia Community Museum on February 1, 2017, by Kristina Leszczak and Rene Fracticious.
Rights:
The Fractious Family papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African Americans -- Washington (D.C.)  Search this
African American families  Search this
Military service -- World War, 1914-1918  Search this
Genre/Form:
Correspondence
Photographs
Certificates
Citation:
Fractious Family papers, Anacostia Comunity Museum, Smithsonian Institution, gift of Kristina Leszczak and Rene Fracticious.
Identifier:
ACMA.06-086
See more items in:
Fractious Family Papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa79ec21a07-8bae-484c-9b33-f0e787079983
EDAN-URL:
ead_collection:sova-acma-06-086
Online Media:

Memorial Verse: In Memory of Isaac Brown

Creator:
Brown, Solomon G., 1829?-1906  Search this
Collection Creator:
Henson family  Search this
Extent:
4 Pages (20cm)
Type:
Archival materials
Pages
Leaflets
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
Date:
1894
Scope and Contents:
The first African American employee of the Smithsonian Institution, Solomon G. Brown (1829?-1906) dedicated 54 years of service to the Smithsonian under three Secretaries: Joseph Henry, Spencer Baird, and Samuel P. Langley. The Social Habits of Insects, his first public lecture, was given before the Young People's Literary Society on January 10, 1855. Dedicated to his community, Brown was involved with a citizens' group that encouraged the Freedmen's Bureau to purchase land in the District of Columbia for homesteading by African Americans&#x2014some recently freed from slavery. He also served as a member of the House of Delegates under the Territorial Government of the District of Columbia in which he represented both blacks and whites residing in the Anacostia (Hillsdale) section of Washington, D. C. Solomon G. Brown retired from the Smithsonian on February 14, 1906, and died at his home in Anacostia, D.C., on June 24, 1906.
Biographical / Historical:
Information from "Kind Regards of S. G. Brown" selected Poems of Solomon G. Brown compiled by Lousie Daniel Hutchinson and Gail Sylvia Lowe, reads, "Brown wrote this 'memorial verse' in honor of his friend, Isaac Brown, who died April 26, 1894. Isaac Brown had been president of the Pioneer Sunday School Association, founded by S. G. Brown. This poem was read at the memorial service May 13, 1894. Privately printed."
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
African Americans  Search this
Poetry  Search this
Genre/Form:
Leaflets
Citation:
Henson Family papers, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dr. Myrtle Henry.
Identifier:
ACMA.06-030, Item ACMA 06-030.4
See more items in:
Henson Family Papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa757942665-dbd8-44df-a1cf-8e8ca7d78b87
EDAN-URL:
ead_component:sova-acma-06-030-ref529

Alma Thomas papers

Creator:
Thomas, Alma  Search this
Names:
Art in Embassies Program (U.S.)  Search this
Martha Jackson Gallery  Search this
Bader, Franz, 1903-1994  Search this
Breeskin, Adelyn Dohme, 1896-1986  Search this
Johnson, Nathalie J. Cole  Search this
Sarg, Tony, 1882-1942  Search this
Tarbary, Celine  Search this
Taylor, Joshua Charles, 1917-  Search this
Thomas, J. Maurice (John Maurice), 1900 or 1901-  Search this
Extent:
5.5 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Audiocassettes
Video recordings
Photographs
Date:
circa 1894-2001
Summary:
The papers of Washington, D.C. painter and art educator Alma Thomas, date from circa 1894-2001 and measure 5.5 linear feet. The papers document Thomas's work as a teacher, and her development and success as a painter of the Washington Color School, through biographical material, letters, notes and writings, personal business records, exhibition files, printed materials, scrapbooks, photographs, an audio recording, and two video recordings.
Scope and Contents note:
The papers of Washington, D.C. painter and art educator Alma Thomas, date from circa 1894-2001 and measure 5.5 linear feet. The papers document Thomas's work as a teacher, and her development and success as a painter of the Washington Color School, through biographical material, letters, notes and writings, personal business records, exhibition files, printed materials, scrapbooks, photographs, an audio recording, and two video recordings.

Biographical material includes identity cards, chronologies, an audio recording including a biographical account, and scattered documentation of Thomas's education and teaching careers with D.C. Public Schools, Howard University, and Thomas Garrett Settlement in Wilmington, Delaware. Also found are records relating to Thomas's participation in a summer marionette class taught by Tony Sarg in 1934, and a tour of European art centers which Thomas took in 1958.

Letters relate primarily to the exhibition of Thomas's work and related events and are from galleries, museums, other art institutions, colleagues, and friends including Franz Bader, Adelyn Breeskin, Corcoran Gallery of Art, Howard University Gallery of Art, Martha Jackson Gallery, Nathalie J. Cole Johnson, Vincent Melzac, Celine Tabary, and Joshua Taylor.

Notes and writings include four notebooks and autobiographical writings by Thomas, a "Birthday Book," and an annotated engagement calendar. J. Maurice Thomas's writings about Alma Thomas, her research for a bibliography on James Weldon Johnson, and writings by others, including Jacob Kainen, about Alma Thomas, are also found here.

Exhibition files contain a wide variety of documentation for many group and solo exhibitions of Thomas's work from the early 1950s through a 1998-2000 traveling retrospective exhibition, including solo exhibitions at the Whitney Museum of American Art and the Corcoran Gallery of Art in 1972. The records include letters from Franz Bader Gallery, David Driskell at Fisk University, and Vincent Melzac. Photographs include Thomas with individuals including William Buckner, Jeff Donaldson, David Driskell, James W. Herring, and Vincent Melzac. Also found is a photograph of the 1951 Little Paris Studio Group picturing Lois Mailou Jones, Celine Tabary, Alma Thomas, and others. Two video recordings are of events related to the 1998-2000 retrospective at the Fort Wayne Museum of Art and the Columbus Museum of Art. Records documenting a 1981-1982 exhibition at the Smithsonian National Museum of American Art, A Life in Art: Alma Thomas, includes the script of a video written by Adolphus Ealey.

Personal business records include price lists, gift and loan receipts, and files concerning the Art in Embassies Program, the Martha Jackson Gallery, a benefit auction for the Corcoran School of Art, and the designation of the Thomas family home in Washington, D.C. as a historic property.

Eleven scrapbooks document Thomas's teaching career through the activities of the art classes she taught at Shaw Junior High School.

Printed materials include announcements and catalogs for exhibitions and other events; clippings which document Thomas's career and subjects of interest to her; Christmas cards featuring block prints designed by Thomas; and other programs and publications featuring Thomas.

Photographs are of Alma Thomas, family, and friends and colleagues including Sam Gilliam, James V. Herring, and Nathalie V. Cole Johnson; art classes taught by Thomas; Thomas's homes in Columbus, Georgia and Washington, D.C.; and exhibitions not documented in Series 4: Exhibition Files, including photographs of Alma Thomas at an opening at Barnett Aden Gallery with Alonzo Aden and others.
Arrangement note:
The papers have been arranged into 8 series:

Missing Title

Series 1: Biographical Material, 1911-2001 (Box 1; 0.5 linear feet)

Series 2: Letters, circa 1930-2001 (Boxes 1-2; 0.6 linear feet)

Series 3: Notes and Writings, circa 1920s-circa 1998 (Box 2; 0.7 linear feet)

Series 4: Exhibition Files, 1951-2000 (Boxes 2-3, OV 7; 0.8 linear feet)

Series 5: Personal Business Records, circa 1950s-1994 (Box 3; 0.2 linear feet)

Series 6: Printed Material, circa 1908-2000 (Boxes 3-5, OV 7; 1.8 linear feet)

Series 7: Scrapbooks, 1930-1946 (Box 5; 0.3 linear feet)

Series 8: Photographs, circa 1894-2001 (Boxes 5-6; 0.6 linear feet)
Biographical/Historical note:
Washington, D.C. painter and art educator Alma Thomas (1891-1978) was known for her abstract paintings filled with dense patterns of color, and was considered a major artist of the Washington Color School.

Thomas was born in Columbus, Georgia, in 1894, and was the eldest of the four daughters of John Harris Thomas and Amelia Cantey Thomas. The family moved to Washington, D.C. in 1906 and Thomas was first introduced to art classes at Armstrong Technical High School. Following her graduation in 1911 she took a course in kindergarten teaching at the Miner Normal School, and subsequently worked as a substitute teacher in the Washington, D.C. public school system until 1914, when she took a teaching position on the Eastern shore of Maryland. From 1916 to 1923 she taught kindergarten at Thomas Garrett Settlement House in Wilmington, Delaware.

Thomas originally enrolled at Howard University in Washington, D.C. as a home economics major in 1921, but after studying under Lois Mailou Jones amd James V. Herring in Herring's newly established art department, she earned a Bachelor's degree in Fine Art in 1924, and became the first person to graduate from the program. Thomas then began her teaching career at Shaw Junior High School in Washington, D.C. that lasted from 1924, until her retirement in 1960. During this time she established community arts programs that would encourage her students to develop an appreciation of fine arts. Activities included marionette programs, distribution of student-designed holiday menu cards for dinners given for soldiers at the Tuskegee Veterans' Hospital, art clubs, lectures, and student exhibitions. In 1943 she became the founding vice president of Barnett Aden Gallery, which was established by James V. Herring and Alonzo Aden and was the first integrated gallery in Washington, D.C.

In 1934 Thomas earned an M.A. degree in Art Education from Columbia University. At American University in Washington, D.C., she studied creative painting under Joe Summerford, Robert Gates, and Jacob Kainen from 1950 to 1960, and began to break away from representational painting and experiment more seriously with Abstract Expressionism. In 1958 she participated in a tour of the art centers of Western Europe under the auspices of the Tyler School of Fine Arts at Temple University in Philadelphia.

Following her retirement from teaching in 1960, Thomas devoted herself full-time to painting, and continued to develop her signature style. She was inspired by nature and the desire to express beauty through composition and color, and refused to be constrained by societal expectations related to her race, gender, and age, achieving her greatest success in the last decade of her life. Her work was exhibited at the Dupont Theatre Art Gallery, Franz Bader Gallery, and the Howard University Gallery of Art, before she was honored in 1972 with exhibitions at the Whitney Museum of American Art and the Corcoran Gallery of Art in Washington, D.C.

Thomas's work has been exhibited at the White House and can be found in the permanent collections of major museums, including the Metropolitan Museum of Art, the National Museum of Women in the Arts, and the Smithsonian American Art Museum.
Separated Materials note:
In 1979, J. Maurice Thomas loaned papers for microfilming. Most, but not all, of the loaned material was later donated and is described in this finding aid. Loaned materials not donated at a later date are available on reels 1541-1543 and are not described in the container listing of this finding aid.
Provenance:
J. Maurice Thomas, the artist's sister, loaned portions of the collection for microfilming in 1979. Most, but not all of this material was then later donated in several accretions by J. Maurice Thomas, between 1979 and 2004. Charles Thomas Lewis, Thomas' nephew, gave additional papers in 2010.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Educators -- Washington (D.C.)  Search this
Topic:
Painting, American  Search this
African American artists  Search this
Women artists  Search this
Washington Color School (Group of artists)  Search this
Women educators  Search this
Women painters  Search this
African American educators  Search this
African American painters  Search this
Genre/Form:
Scrapbooks
Audiocassettes
Video recordings
Photographs
Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.thomalma
See more items in:
Alma Thomas papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98cd54656-ee02-4a0d-81ad-6db24f1be010
EDAN-URL:
ead_collection:sova-aaa-thomalma
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Online Media:

Benjamin, Tritobia Hayes, "What is More Far Reaching Than Beauty?: From Academic Representation to Poetic Abstraction in the Art of Alma Woodsey Thomas"

Collection Creator:
Thomas, Alma  Search this
Container:
Box 2, Folder 34
Type:
Archival materials
Date:
circa 1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 3: Notes and Writings / 3.3: By Others
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw970259d33-d961-4051-a92e-46af8239db8b
EDAN-URL:
ead_component:sova-aaa-thomalma-ref790
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Fitzpatrick, Sandra, Thesis, "The Path to Creativity: The Life and Career of Alma W. Thomas in Washington, D.C."

Collection Creator:
Thomas, Alma  Search this
Container:
Box 2, Folder 35
Type:
Archival materials
Date:
1981-1983
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 3: Notes and Writings / 3.3: By Others
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a7d7b114-9ac9-400a-ae97-de57b2f519c5
EDAN-URL:
ead_component:sova-aaa-thomalma-ref791
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Social History: Anacostia and Barry Farms

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Dale, John Henry, Jr.  Search this
Collection Creator:
Anacostia Community Museum  Search this
Extent:
1 Sound recording (open reel, 1/4 inch)
Type:
Archival materials
Sound recordings
Interviews
Place:
Barry Farms (Washington, D.C.)
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1970s
Scope and Contents:
Residents of Anacostia talk about the early history of Barry Farms, Anacostia, and the Freedmen's Bureau. They describe the boundaries of Anacostia and Barry Farms, the relationship between black people and white people, the police-community relationship, and sanitization conditions. John Dale is one of the residents.
Interview clips. AV003502: copy #2, content consists of interview clips from other audiovisual assets. Part of ACM Museum Events, PR, and Ceremonies Recordings. Undated.
Collection Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
Neighborhoods  Search this
African American neighborhoods  Search this
Communities  Search this
Race relations  Search this
Police-community relations  Search this
Sanitation  Search this
Social history  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Social History: Anacostia and Barry Farms, Record Group AV09-023, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.09-023, Item ACMA AV003502
See more items in:
Museum Events, Programs, and Projects, 1967-1989
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7647ea4a9-6a92-44a1-a3c3-dcc3f170f348
EDAN-URL:
ead_component:sova-acma-09-023-ref651

Black Records Conference

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Howard University  Search this
Morgan State College  Search this
United States. Bureau of Refugees, Freedmen, and Abandoned Lands  Search this
United States.. National Archives and Records Administration  Search this
Berry, Mary Frances  Search this
Bethune, Mary McLeod, 1875-1955  Search this
Billingsley, Andrew  Search this
Crouch, Barry A., 1941-  Search this
Gutman, Herbert G. (Herbert George), 1928-1985  Search this
Haley, Alex  Search this
Johnson, Anthony, c. 1600 - 1670  Search this
Logan, Rayford Whittingham, 1897-1982  Search this
Low, W. Augustus  Search this
McConnell, Roland C. (Roland Calhoun), 1910-2007  Search this
Pinkett, Harold T.  Search this
Smith, Elaine M., 1942-  Search this
Collection Creator:
Anacostia Community Museum  Search this
Extent:
6 Video recordings (open reel, 1/2 inch)
Type:
Archival materials
Video recordings
Museum records
Conferences
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
Texas
United States
Date:
1973
Scope and Contents:
Scholars, historians, and archivists speak about their experiences working in archives and with archival materials, specifically negro, black, and African American records. W. Augustus Low speaks about his experience working in archives and with archivists as well as his work with the Freedmen Bureau records, and researching Civil Rights and Anthony Johnson (Jamestown colonist); he also speaks about other scholars who used archives for their articles published in the Journal of Negro History, which Low is editor. Harold Pinkett presents his paper about how records useful for research enter the documentary preserve designated as archives; the formation of the National Archives; early development of archival standards; and scattered government records related to black experience. Mary Frances Berry speaks about her good and challenging experiences working with National Archives records for her research on black soldiers, and later law and policing as related to African Americans. Elaine M. Smith explains her research on Mary McLeod Bethune using the National Archives. Roland C. Connell describes his experience working for the National Archives, and later researching Andrew Jackson and the negro soldier; he also speaks about his experience working with the archives at Morgan State College. Barry A. Crouch speaks about researching the Texas Freedmen's Bureau, Reconstruction, crime, black prisoners, and black schools in the National Archives. Andrew Billingsley talks about conducting research on slavery and the Freedmen's Bureau at the National Archives and Howard University. Herbert G. Gutman speaks about his research and work about black families and freedmen. Alex Haley talks about his study of African American families and working with archival material. Other scholars and archival professionals speak about using oral histories, specifically oral tradition and eyewitness accounts, to research Afro-American experience; using presidential libraries as a source for research on Afro-Americans; and the work of the special advisory committee to the National Historical Publication Commission, a committee on the publication on the papers of blacks.
Conference. Part of Conference Recordings. AV003052: part 1, dated 19730603. AV003539: part 2, dated 19730603. AV000825: part 3, dated 19730603 and 19730604. AV000813: part 4, dated 19730605. AV003048: part 5, dated 19730605. AV003072: part 6, dated 19730605. Presentations often continue onto the following recording.
Local Numbers:
ACMA AV003539

ACMA AV000825

ACMA AV000813

ACMA AV003048

ACMA AV003072
General:
Title transcribed from physical asset.
Collection Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
Archives  Search this
Public records  Search this
Oral history  Search this
Archivists  Search this
African American historians  Search this
Historians  Search this
African Americans  Search this
African American women  Search this
Civil rights leaders  Search this
African American families  Search this
Blacks -- Study and teaching  Search this
Blacks -- History  Search this
Slavery  Search this
Freedmen  Search this
Reconstruction, U.S. history, 1865-1877  Search this
Crime  Search this
Schools  Search this
African American schools  Search this
African American military personnel  Search this
Racism  Search this
Civil rights  Search this
Genre/Form:
Video recordings
Museum records
Conferences
Citation:
Black Records Conference, Record Group AV09-021, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.AV09-021, Item ACMA AV003052
See more items in:
Conference Recordings
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7604bd4c9-365f-4bb8-843e-2b6bb09282ae
EDAN-URL:
ead_component:sova-acma-av09-021-ref506

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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