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Oral history interview with Isamu Noguchi

Interviewee:
Noguchi, Isamu, 1904-1988  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Artists' Union (New York, N.Y.)  Search this
Bollingen Foundation  Search this
Brummer Gallery (New York, N.Y.)  Search this
Japanese American Citizens' League  Search this
Japanese American Citizens' League  Search this
Leonardo da Vinci Art School  Search this
Skidmore, Owings & Merrill  Search this
UNESCO  Search this
Barnard, George Grey, 1863-1938  Search this
Becker, John Bruere, 1915-  Search this
Borglum, Gutzon, 1867-1941  Search this
Brancusi, Constantin, 1876-1957  Search this
Breton, André, 1896-1966  Search this
Brummer, Joseph  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander Stirling, 1870-1945  Search this
Calder, Alexander, 1898-1976  Search this
Collier, John, Jr., 1913-1992  Search this
Covarrubias, Miguel, 1904-1957  Search this
Davis, Stuart, 1892-1964  Search this
De Kooning, Willem, 1904-1997  Search this
Duchamp, Marcel, 1887-1968  Search this
Egan, Charles, 1911-  Search this
Fraser, James Earle, 1876-1953  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gorky, Arshile, 1904-1948  Search this
Graham, John, 1887-1961  Search this
Graham, Martha  Search this
Gregory, Peter Ronald, 1947-  Search this
Guston, Philip, 1913-1980  Search this
Hare, David, 1917-1992  Search this
Hasegawa, Saburō, 1906-1957  Search this
Hopkins, Harry Lloyd, 1890-1946  Search this
Itō, Michio, 1893-1961  Search this
Kahn, Louis I., 1901-1974  Search this
Kantor, Morris, 1896-1974  Search this
Kline, Franz, 1910-1962  Search this
Knoll, Hans  Search this
Levy, Julien  Search this
Léger, Fernand, 1881-1955  Search this
McMahon, Audrey, 1900?-1981  Search this
Moore, Henry, 1898-1986  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Price, Edison A., d. 1997  Search this
Raymond, Antonin, 1888-  Search this
Reynal, Jeanne, 1903-  Search this
Rivera, Diego, 1886-1957  Search this
Ruellan, Andrée, 1905-2006  Search this
Ruotolo, Onorio, 1888-1966  Search this
Schoen, Eugene, 1880-1957  Search this
Shoji, Sadao, 1937-  Search this
Stieglitz, Alfred, 1864-1946  Search this
Taniguchi, Yoshirō, 1904-  Search this
Ward, Eleanor, 1912-1984  Search this
Zorach, William, 1887-1966  Search this
Extent:
148 Pages (Transcript)
1 Item (Audio excerpt: 1 sound file (5 min. 29 sec.), digital)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Japan -- Description and Travel
Italy -- description and travel
Egypt -- description and travel
India -- description and travel
Date:
1973 Nov. 7-Dec. 26
Scope and Contents:
An interview of Isamu Noguchi conducted 1973 Nov. 7-Dec. 26, by Paul Cummings, for the Archives of American Art.
NOVEMBER 7, 1973 session: Noguchi discusses his family background; growing up in Japan; returning to the United States in 1917; his identity as an artist; Gutzon Borglum; Columbia University and studying pre-med; attending Leonardo da Vinci Art School; apprenticing to Onorio Ruotolo; quitting Columbia to become a sculptor; Guggenheim Fellowship in 1927; J.B. Neumann; Alfred Stieglitz; George Grey Barnard; James Earle Fraser; Brummer and the Brummer Gallery; studying at Chaumiere and Collarosi; working with Brancusi; meeting Sandy Calder in Paris; Stuart Davis; Morris Kantor; Andrée Ruellan; his work, "Sphere"; reacting against Brancusi; Eugene Schoen's; his Carnegie Hall studio; Michio Ito; Martha Graham; Buckminster Fuller; traveling in China and Japan; meeting Chi Pai Shi; John Becker; his works, "Play Mountain," "Monument to the Plow," "Monument to Ben Franklin," and "Orpheus" for Balanchine; designing for the stage; Audrey McMahon; Harry Hopkins; Holger Cahill; Mexico; Diego Rivera; Miguel Covarrubias; and the Artists Union.
DECEMBER 10, 1973 Session: His reaction to the Spanish Civil War- avoided direct involvement; Stuart Davis; Gorky; Andre Breton; David Hare; Marcel Duchamp; John Graham; Julien Levy; his artist friends dying at the peak of their success; Leger; Stirling Calder; associating himself with the laboring class; Buckminster Fuller; being American; expanding the possibilities of sculpture; his Associated Press Building project in Rockefeller Center, it being done in stainless steel instead of bronze; John Collier; Japanese-American Citizens League; organizing Nisei Artists and Writers Mobilization for Democracy; Jeanne Reynal; going to Poston, Ariz. to assist with American Indian Service camp under John Collier and becoming an internee there; returning to New York in 1942; Bollingen Foundation; trip around the world in 1949; and Philip Guston.
DECEMBER 18, 1973 session: Best work in studio; reaction against expressionism; artists protesting against the Establishment; his objection to the WPA, influenced by William Zorach; exhibiting in group show called, "Fourteen Americans at the Museum of Modern Art"; show at Egan Gallery in 1949; accepting art in its most aesthetically pure form without reference to social issues; movement in Japan since war to get away from refinement of Japan; Yoshiro Hiro responsible for Gutai and the happenings; his work, "Monument to Heroes," using bones; his work takes years to do; materials used in his work; his work, "Cronos"; doing theater stage sets for the Library of Congress including, "Appalachian Spring" and "Herodiade"; wants a given space which he can call his own and do something with it, has to be a work of art.
DECEMBER 26, 1973 Session: Show with Charles Egan in 1948 arranged by de Kooning; applying to the Bollingen Foundation to write a book on leisure, which was never written; traveling to Italy, Egypt, and India for two years; being removed from the New York scene with Franz Kline and de Kooning; his light objects; sculpture as environment; respect for material; Mondrian and his art deriving from nature; his time in Japan in 1931; visiting Japan in 1951; working in stone; projects in Japan; Taniguchi; Antonin Raymond; designing Japanese gardens; discovery of Zen; Hasegawa Saburo; Skidmore; Hans Knoll; Edison Price; Italy in the 1960s; Peter Gregory; Henry Moore; Louis Kahn; UNESCO; Noguchi Foundation and Plaza Company; Shoji; Eleanor Ward; and his autobiography, "A Sculptor's World."
Biographical / Historical:
Isamu Noguchi (1904-1988) was a Japanese American sculptor based in Long Island City, New York.
General:
Originally recorded on 4 sound tape reels. Reformatted in 2010 as 7 digital wav files. Duration is 6 hrs., 25 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Asian American art  Search this
Asian American artists  Search this
Sculpture, Modern -- 20th century  Search this
Sculpture, American  Search this
Gardens, Japanese  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.noguch73
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-noguch73

William Henry Holmes artists' files

Creator:
Holmes, William Henry, 1846-1933  Search this
Names:
Smithsonian American Art Museum  Search this
Washington Water Color Club (Washington, D.C.)  Search this
Brooke, Richard Norris, 1847-1920  Search this
Closson, William Baxter Palmer, 1848-1926  Search this
Fraser, James Earle, 1876-1953  Search this
Johnston, Reuben Le Grand, 1850-1914  Search this
La Farge, John, 1835-1910  Search this
Melchers, Gari, 1860-1932  Search this
Messer, Edmund Clarence, 1842-1919  Search this
Moran, Thomas, 1837-1926  Search this
Moser, James Henry, 1854-1913  Search this
Nichols, Hobart, 1869-1962  Search this
Oakley, Violet, 1874-1961  Search this
Pennell, Joseph, 1857-1926  Search this
Ream, Vinnie, 1847-1914  Search this
Sharp, Joseph Henry, 1859-1953  Search this
Walcott, Mary Vaux, 1860-1940  Search this
Weller, Carl F., 1853-1920  Search this
Weyl, Max, 1837-1914  Search this
Wiles, Irving Ramsay, 1861-1948  Search this
Zolnay, George Julian, 1862 or 1863-1949  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Place:
Museum directors -- Washington (D.C.)
Date:
1879-1955
Summary:
The artists' files of William Henry Holmes, curator and director of the Smithsonian's National Collection of Fine Arts (now the Smithsonian American Art Museum) in Washington, D.C., measure 0.2 linear feet and date from 1879 to 1955. The artists' files consist mostly of correspondence, but also include a few photographs, artwork in the form of sketches, and printed material. There is also one file relating to Holmes' affiliation with the Washington Water Color Club.
Scope and Contents:
The artists' files of William Henry Holmes, curator and director of the Smithsonian's National Collection of Fine Arts (now the Smithsonian American Art Museum) in Washington, D.C., measure 0.2 linear feet and date from 1879 to 1955. The artists' files consist mostly of correspondence, but also include a few photographs, artwork in the form of sketches, and printed material. There is also one file relating to Holmes' affiliation with the Washington Water Color Club.

Notable artists represented in the files include R.N. Brooke, William B. P. Closson, James Earle Fraser, Vinnie Ream Hoxie, Reuben Le Grand Johnston, John LaFarge, Gari Melchers, Thomas Moran, Henry Moser, Hobart Nichols, Violet Oakley, Joseph Pennell, Joseph Henry Sharp, Mary Vaux Walcott, Carl F. Weller, Max Weyl, Irving R. Wiles and George Julian Zolnay.
Arrangement:
This collection is arranged as 1 series.

Series 1: Artists' Files, 1879-1955 (0.2 linear feet; Box 1)
Biographical / Historical:
William Henry Holmes (1846-1933) was a curator, museum director, artist, scientific illustrator, archaeologist, geologist, and anthropologist. He served in various positions in the Smithsonian Institution, and finally as director of the Smithsonian's National Gallery of Art (now the Smithsonian American Art Museum) from 1920-1932.

Holmes was born in Harrison County, Ohio in 1846. In 1870, he graduated from McNeely Normal School in Ohio and, after a short time of teaching at that school, moved to Washington, D.C. in 1871 to study art under Theodore Kaufmann. Thanks to his artistic skills, he was soon hired by Smithsonian paleontologist Francis B. Meek to do scientific drawings. In 1872, Holmes joined the geological survey of Ferdinand Vandeveer Hayden, as an artist and topographer of the survey of Yellowstone National Park and surrounding area, and other regions in the west. In 1879, Holmes went to work for the newly founded U.S. Geological Survey. There he worked as a geologist and chief of scientific illustration. In addition to art and geology, his interests and expertise expanded into archaeology and anthropology.

Holmes worked as chief curator at the Field Columbian Museum (now the Field Museum of Natural History) in Chicago before returning to the Smithsonian in 1897, where he served as curator of anthropology and chief of the Bureau of American Ethnology. In 1910, he became chairman of the Division of Anthropology. In 1920, Holmes became director of the Smithsonian Institution's National Gallery of Art (now the Smithsonian American Art Museum), a position he held until 1932. William Henry Holmes died one year later.
Related Materials:
Collections about William Henry Holmes are also located at other Smithsonian Institution archival units, including the National Anthropological Archives and Smithsonian Institution Archives.
Provenance:
These files were transferred from the Smithsonian Institution's National Museum of American Art Library (now the Smithsonian American Art Museum) to the Archives of American Art in two installments in 1981 and 1992.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Curators -- Washington (D.C.)  Search this
Topic:
Art, American  Search this
Artists -- United States  Search this
Genre/Form:
Photographs
Sketches
Citation:
William Henry Holmes artists' files, 1879-1955. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.holmwill
See more items in:
William Henry Holmes artists' files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-holmwill
Online Media:

Albert Laessle papers

Creator:
Laessle, Albert, 1877-1954  Search this
Names:
Boutier, E.  Search this
Fraser, James Earle, 1876-1953  Search this
Fraser, Laura Gardin, 1889-1966  Search this
Grafly, Charles, 1862-1929  Search this
Zoll, Victor Hugo  Search this
Photographer:
Chappel, Vivian  Search this
Extent:
1.2 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1897-1971
Scope and Contents:
Letters, photographs, sketches, printed material and miscellany.
REEL 74: Photocopies of letters received commenting on specific sculptures and discussing such matters as exhibitions of his work and the theft of several of his sculptures from an art gallery. Includes letters from James Earle Fraser and his wife, Laura G. Fraser, David French of the Metropolitan Museum of Art, as well as Mrs. Albert Laessle's correspondence with the National Collection of Fine Arts. Also included are copies of sketches, biographical data, D. Roy Miller's article about Laessle entitled "A Sculptor of Animal Life," and clippings.
UNMICROFILMED: Correspondence from colleagues, patrons and students; photographs of Laessle's work as a student and sculptor, clippings, and articles. Among the photos are one of him with a penguin sculpture taken by Vivian Chappel, 1917, and a group photo of Laessle, Charles Grafly, E. Boutier, and Victor Hugo Zoll in front of a sculpture, 1904. [Copyprints of these 2 photographs were microfilmed on reel 1817 with AAA's Photographs of Artists-Collection II].
Biographical / Historical:
Animal sculptor; Miami, Fla.
Provenance:
Donated 1971-1972 by Laessle's widow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Animal sculptors  Search this
Sculptors -- Florida -- Miami  Search this
Identifier:
AAA.laesalbe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-laesalbe

Janet deCoux papers

Creator:
deCoux, Janet, 1904-1999  Search this
Names:
Guild of Liturgy, Art and Design  Search this
Liturgical Arts Society  Search this
Fraser, James Earle, 1876-1953  Search this
Fraser, Laura Gardin, 1889-1966  Search this
Gurney, George  Search this
Jennewein, Carl Paul, 1890-  Search this
Lindbergh, Anne Morrow, 1906-2001  Search this
Manship, Paul, 1885-1966  Search this
Milles, Carl, 1875-1955  Search this
Moore, Bruce, 1905-1980  Search this
Extent:
3.92 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketchbooks
Drawings
Poetry
Interviews
Sound recordings
Date:
1895-2000
Summary:
The papers of sculptor Janet DeCoux date from 1895-2000 and measure 3.92 linear feet. The collection documents DeCoux's career through scattered biographical material, correspondence, audio cassette tapes of an autobiographical narrative, an interview transcript, miscellaneous notes and writings, sketchbooks and drawings, files for commissioned sculpture projects, printed material, photographs of DeCoux, family members, friends, colleagues, and artwork.
Scope and Content Note:
The papers of sculptor Janet deCoux measure 3.92 linear feet and date from 1895 to 2000. Found within the papers are scattered biographical material, including curriculum vitae and a file concerning deCoux's induction as a Distinguished Daughter of Pennsylvania. Correspondence is primarily between family, friends, and colleagues. It includes letters from Carl Milles, Bruce Moore, C.P. Jennewein, the Guild of Liturgy, Art and Design (GLAD), the Liturgical Arts Society, Inc., sculptor James Earle Fraser, offering advice on various sculpture projects, his wife Laura Gardin Fraser, a letter of congratulations from Paul Manship on the occasion of deCoux's election to the National Academy of Design, and approximately fifty letters, 1944-1952, from Anne Morrow Lindbergh, writer and wife of aviator Charles Lindbergh. There are also one or two letters from Lu Duble, Joseph Bailey Ellis, Mark Tobey, and Albert Wein.

Found within the papers are a transcript of an interview of deCoux by George Gurney, and audio cassettes with transcripts of an autobiographical narrative by deCoux. Miscellaneous notes and writings include autobiographical accounts and poems by deCoux and miscellaneous writings by others. Seven of deCoux's sketchbooks and a folder of drawings by deCoux, as well as a portrait of deCoux by C. Paul Jennewein are found in the Artwork series. Project files contain letters, receipts, clippings, brochures, and photographs for sculpture projects primarily commissioned by religious organizations. Printed material includes clippings, exhibition catalogs, and miscellaneous brochures. Photographs are of deCoux, family members, friends including Anne Morrow Lindbergh and her children, colleagues including James Earle Fraser, Laura Gardin Fraser, Carl Milles, and Bruce Moore, and sculpture.
Arrangement:
The collection is arranged as 8 series. Glass plate negative housed separately and closed to researchers.

Series 1: Biographical Material, 1895-1993 (Box 1; 13 folders)

Series 2: Correspondence, 1895-2000 (Boxes 1-2; 1.0 linear feet)

Series 3: Interviews, 1978, 1990 (Box 2; 3 folders)

Series 4: Notes and Writings, 1937-1996 (Box 2; 23 folders)

Series 5: Artwork, 1928-1929 (Boxes 2, 6; 9 folders)

Series 6: Project Files, 1942-1982 (Boxes 2-3, 6; 36 folders)

Series 7: Printed Material, 1906-2000 (Box 3; 20 folders)

Series 8: Photographs, 1926-1996 (Boxes 3-6, MGP 1; 1.3 linear feet)
Biographical Note:
Janet deCoux was born on October 5, 1904 in Niles, Michigan, the youngest of the five children of Bertha Wright deCoux and Rev. Charles John deCoux, an Episcopal clergyman. The family moved to Grand Rapids in 1908 and four years later to a farm in Gibsonia, outside Pittsburgh, Pennsylvania.

deCoux studied with Joseph Bailey Ellis at the Carnegie Institute of Technology from 1925 to 1927. She then apprenticed in the New York studio of C. Paul Jennewein for fifteen months, followed by a year at the Gorham Bronze Division learning architectural modeling. She also worked with Aristide Cianfarani in Providence, and for Alvin Meyer in Chicago. While serving her apprenticeships, she attended night school at the New York School of Industrial Arts, the Rhode Island School of Design, and the Art Institute of Chicago. deCoux was then employed in James Earle Fraser's studio where she had previously assisted Gozo Kawamura.

In 1932 deCoux met Eliza Miller in the sculpture department of Carnegie Tech, beginning a sixty-year relationship in which they shared a shop and adjoining studios in Gibsonia, Pennsylvania. For several months in 1935, deCoux traveled to Germany, Italy, and Switzerland, where she joined her friend Aly Moore, the wife of sculptor Bruce Moore. She first met longtime friend Father Hughson on a ship returning to the United States from Europe.

A Guggenheim Fellowship awarded to deCoux in 1938 was renewed for a second year. In 1943, she became resident instructor at Cranbrook Academy of Art.

Janet deCoux died in December 1999.
Related Material:
Also found in the Archives of American Art is an oral history interview with Janet deCoux done by George Gurney, May 5, 1978.
Provenance:
The Janet deCoux papers were donated in 1992 by the artist and in two later installments in 2000-2001 by her longtime companion, Eliza Miller.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Genre/Form:
Photographs
Sketchbooks
Drawings
Poetry
Interviews
Sound recordings
Citation:
Janet deCoux papers, 1895-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.decojane
See more items in:
Janet deCoux papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-decojane
Online Media:

Artists' biographical questionnaires

Creator:
Art League Publishing Co. (Chicago, Ill.)  Search this
Names:
Ballin, Hugo, 1879-1956  Search this
Bartlett, Frederick Eugene, 1852-1911  Search this
Beckwith, J. Carroll (James Carroll), 1852-1917  Search this
Birney, William Verplanck, 1858-1909  Search this
Bitter, Karl Theodore Francis, 1867-1915  Search this
Blashfield, Albert Dodd, 1860-1920  Search this
Blenner, Carle Joan, 1864-1952  Search this
Bridgman, Frederick Arthur, 1847-1928  Search this
Brown, Bolton, 1864-1936  Search this
Brown, Ray, 1865-1944  Search this
Browne, George Elmer, 1871-1946  Search this
Brush, George de Forest, 1855-1941  Search this
Bush-Brown, Henry Kirke, 1857-1935  Search this
Clark, Walter Appleton, 1876-1906  Search this
Cox, Kenyon, 1856-1919  Search this
De Forest, Lockwood, 1850-1932  Search this
Fenn, Harry, 1838-1911  Search this
Fraser, James Earle, 1876-1953  Search this
Granville-Smith, Walter, 1870-1938  Search this
Guérin, Jules Vallée, 1866-1946  Search this
Harrison, Birge, 1854-1929  Search this
Harrison, Thomas Alexander, 1853-1930  Search this
Haskell, Ernest, 1876-1925  Search this
Herter, Albert, 1871-  Search this
Hitchcock, George, 1850-1913  Search this
Hitchcock, Lucius Wolcott, 1868-1942  Search this
Hosking, Arthur Nicholas, b. 1874  Search this
Kemeys, Edward, 1843-1907  Search this
Kendall, William Sergeant, 1869-1938  Search this
Kimball, Alonzo M., 1874-1923  Search this
MacCord, Charles William, 1852-1923  Search this
Manley, Thomas R., 1853-1938  Search this
Maynard, Richard Field, 1875-1964  Search this
McCord, George Herbert, 1848-1909  Search this
Meteyard, Thomas Buford, 1865-1928  Search this
Millet, Francis Davis, 1846-1912  Search this
Mills, John Harrison, 1842-1916  Search this
Moran, Percy, 1862-1935  Search this
Mosler, Henry, 1841-1920  Search this
Murphy, Hermann Dudley, 1867-1945  Search this
Ochtman, Leonard, 1854-1934  Search this
Opper, Frederick Burr, 1857-1937  Search this
Pape, Eric, b. 1870  Search this
Peixotto, Ernest, b. 1869  Search this
Penfield, Edward, 1866-1925  Search this
Potter, Louis McClellan, 1873-1912  Search this
Redfield, Edward Willis, 1869-1965  Search this
Reuterdahl, Henry, 1871-1925  Search this
Rhead, Louis, 1857-1926  Search this
Sandham, Henry, 1842-1910  Search this
Sartain, William, 1843-1924  Search this
Shepperson, Claude Allin, 1867-1921  Search this
Shinn, Florence Scovel, d. 1940  Search this
Smillie, George H. (George Henry), 1840-1921  Search this
Smillie, James David, 1833-1909  Search this
Steele, Frederic Dorr, 1873-1944  Search this
Story, Julian, 1857-1919  Search this
Taft, Lorado, 1860-1936  Search this
Tanner, Henry Ossawa, 1859-1937  Search this
Taylor, F. Walter (Frank Walter), 1874-1921  Search this
Tryon, Dwight William, 1849-1925  Search this
Turner, Charles Henry, 1848-1908  Search this
Turner, Charles Yardley, 1850-1918  Search this
Turner, Ross, 1847-1915  Search this
Vedder, Simon Harmon, 1866-  Search this
Wiggins, Carleton, 1848-1932  Search this
Wiles, Irving Ramsay, 1861-1948  Search this
Wolf, Henry, 1852-1916  Search this
Woodbury, Charles H. (Charles Herbert), 1864-1940  Search this
Zogbaum, Rufus Fairchild, 1849-1925  Search this
Zolnay, George Julian, 1862 or 3-1949  Search this
Extent:
0.4 Linear feet ((68 items on 3 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1905
Scope and Contents:
Biographical forms completed by artists and illustrators for the Art League Publishing Company's ARTISTS YEAR BOOK. Each contains details written by the artist concerning parentage, exhibitions and collections containing his work, books illustrated, memberships in clubs, etc.
Included are forms from: Hugo Ballin, Frederick E. Bartlett, James C. Beckwith, William V. Birney, Karl Bitter, Albert D. Blashfield, Carle Joan Blenner, Frederick A. Bridgman, Bolton Brown, Ray Brown, George Elmer Browne, George De Forest Brush, Henry Kirke Bush-Brown, Walter A. Clark, Kenyon Cox, Lockwood De Forest, Harry Fenn, James E. Fraser, Walter Granville-Smith, Jules Guerin, Birge Harrison, Thomas A. Harrison, Ernest Haskell, Albert Herter, George Hitchcock, Lucius Wolcott Hitchcock, Edward Kemeys, William S. Kendall, Alonzo Kimball, Charles MacCord, Thomas R. Manley, Richard F. Maynard, George H. McCord, Thomas Meteyard, Francis D. Millet, John H. Mills, Edward P. Moran, Henry Mosler,
Herman D. Murphy, Leonard Ochtman, Frederick B. Opper, Eric Pape, Ernest Peixotto, Edward Penfield, Louis M. Potter, Edward W. Redfield, Henry Reuterdahl, Louis J. Rhead, Henry Sandham, William Sartain, Claude A. Shepperson, Florence Scovel Shinn, George H. Smillie, James D. Smillie, Frederic D. Steele, Julian Story, Lorado Taft, Henry O. Tanner, Frank W. Taylor, Dwight W. Tryon, Charles Henry Turner, Charles Yardley Turner, Ross S. Turner, Simon H. Vedder, Carleton Wiggins, Irving R. Wiles, Henry Wolf, Charles H. Woodbury, Rufus F. Zogbaum, and George J. Zolnay.
Biographical / Historical:
Art publishing house; Chicago, Ill. Published, THE ARTISTS YEAR BOOK: A HANDY REFERENCE BOOK WHEREIN MAY BE FOUND INTERESTING DATA PERTAINING TO ARTISTS, AND THEIR STUDIO, HOME, AND SUMMER ADDRESSES, FOR 1905-1906. Arthur Hosking was the editor.
Provenance:
Donated 1958.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Artists -- United States  Search this
Illustrators -- United States  Search this
Topic:
Art publishing -- Illinois -- Chicago  Search this
Identifier:
AAA.artleag
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artleag

A. Contini & Son records

Creator:
A. Contini & Son  Search this
Names:
Baker, Bryant, 1881-1970  Search this
Calder, Alexander Stirling, 1870-1945  Search this
Contini, Attilio J., 1884-1960  Search this
Contini, Cesare, 1907-  Search this
Evans, Rudulph, 1878-1960  Search this
Fraser, James Earle, 1876-1953  Search this
Fraser, Laura Gardin, 1889-1966  Search this
Gregory, John, 1879-1958  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Huntington, Anna Hyatt, 1876-1973  Search this
Lachaise, Gaston, 1882-1935  Search this
Moore, Bruce, 1905-1980  Search this
Proctor, Alexander Phimister, 1862-1950  Search this
Recchia, Richard, 1885-1983  Search this
Rubins, David K.  Search this
Weinman, Adolph A. (Adolph Alexander), 1870-1952  Search this
Extent:
1.1 Linear feet ((partially microfilmed on two reels))
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Date:
1916-1981
Scope and Contents:
Correspondence (1916-1981); business records (1922-1971); notes (undated and 1929); interview transcript (1978); printed material (1929-1981); and photographs (1920-1945).
REELS 3612-3613: Correspondence concerning work done by the Continis for sculptors, including letters from Bryant Baker, A. Stirling Calder, Rudolph Evans, James Earle Fraser, John Gregory, Walker Hancock, Anna Hyatt Huntington, Gaston Lachaise, Bruce Moore, A. Phimister Proctor, Richard Recchia, David Rubins, and Adolph Weinman; photographs of the Contini family and of works of art, including "End of the Trail" by James Earle Fraser and works by Rudolph Evans, Anna Hyatt Huntington, and Richard Recchia (1920-1945); Attilio Contini's address book; and a notebook listing works of art.
Also, receipts and invoices addressed to various sculptors (1922-1971) and a contract for work on Frederic Remington's sculpture "Coming Through the Rye" for the National Cowboy Hall of Fame; a transcript of an interview with Cesare Contini conducted by George Gurney on August 26, 1978; clippings (1950-1981), exhibition catalogs (1929-1939), and 2 programs for the unveiling of the Martin Luther monument in Baltimore, Maryland (1936) and the Bing Crosby statue in Spokane, Washington (1981).
UNMICROFILMED: Three undated photographs mounted on board of historical panels at the West Point Library executed by Laura Gardin Fraser.
Biographical / Historical:
Plaster casting firm; New York, N.Y. Following training in Italy, Attilio (1884-1960) and his son Cesare (b. 1907) came to America and operated A. Contini and Son, New York, N.Y, making plaster molds for sculptures by wide group of artists, including James Earle Fraser, Ivan Mestrovic, Herbert Haseltine, A. Stirling Calder, Adolph Weinman, Gaston Lachaise, and Gertrude Vanderbilt Whitney.
Provenance:
Donated 1984 by Cesare Contini.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors  Search this
Topic:
Plaster casts  Search this
Sculpture -- Technique  Search this
Genre/Form:
Drawings
Interviews
Identifier:
AAA.acontson
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-acontson

James Earle and Laura Gardin Fraser papers

Creator:
Fraser, James Earle, 1876-1953  Search this
Fraser, Laura Gardin, 1889-1966  Search this
Names:
Goff, Mary  Search this
Extent:
2 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Interviews
Date:
1913-1970
Scope and Contents:
A transcript of an interview with James Earle and Laura Gardin Fraser; biographical data; letters to Laura Fraser; general correspondence; lists of people and their addresses; unpublished manuscripts and notes, including James Fraser's INDIAN PRAIRIE, recording his childhood memories in the Dakota territory of 1880; financial material; printed material, including catalogs, brochures, announcements, scholarship data, newspaper clippings, magazine articles, and reproductions; drawings and sketches; Mary Goff's undated sketchbook; and ca. 900 photographs of the Frasers and their works of art.
Biographical / Historical:
Sculptors; Westport, Connecticut.
Provenance:
Lent 1982 by Mrs. Erving Wolf. It is unclear how she acquired the papers.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Sculptors -- Connecticut -- Westport  Search this
Topic:
Sculpture, American  Search this
Genre/Form:
Interviews
Identifier:
AAA.frasjame
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-frasjame

Barry Faulkner papers

Creator:
Faulkner, Barry, 1881-1966  Search this
Names:
MacDowell Colony  Search this
Beal, Gifford, 1879-1956  Search this
Brush, George de Forest, 1855-1941  Search this
Bynner, Witter, 1881-1968  Search this
Fraser, James Earle, 1876-1953  Search this
Gibran, Kahlil, 1922-  Search this
Grimes, Frances, 1869-1963  Search this
Gugler, Eric, 1889-1974  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Kent, Rockwell, 1882-1971  Search this
Kroll, Leon, 1884-1974  Search this
Manship, Paul, 1885-1966  Search this
Parrish, Maxfield, 1870-1966  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Powers, Hiram, 1805-1873  Search this
Redfield, Edward Willis, 1869-1965  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Smith, Joseph Lindon, 1863-1950  Search this
Sweeney, James Johnson, 1900-  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Tonetti, Mary Lawrence  Search this
Twain, Mark, 1835-1910  Search this
White, Lawrence Grant  Search this
Young, Mahonri Sharp, 1911-1996  Search this
Extent:
2.82 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Place:
New Hampshire
Date:
circa 1858-1973
Summary:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, two photograph albums and photographs, and one scrapbook. Correspondents include family members, Witter Bynner, Ann and Eric Gugler, Leon Kroll, Isabel Manship, James Johnson Sweeney, Maxfield Parrish and others. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.
Scope and Content Note:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, photograph albums and photographs, and one scrapbook. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.

Biographical materials include biographical sketches, awards, and records documenting Faulkner's military service. Also found are a list of medications, a list of Faulkner's writings, party guest lists, an address book, a calendar, and materials related to the posthumous publication of Sketches From an Artist's Life. Of special interest are oversized architectural drawings by Eric Gugler for Faulkner's Keene, New Hampshire house.

Correspondence includes letters from Faulkner's friends, family, fellow artists, and art organizations and institutions. Faulkner's correspondence with his parents document his 1900-1901 trip to Italy with the Thayer family. Of special interest is his correspondence with writer Witter Bynner about Faulkner's daily life in New Hampshire, his travels through Europe, his artistic practice and career, Bynner's writings, his opinions on artistic and literary works, and his service in World War One. Many of the letters to Bynner include sketches by Faulkner of Abbott Handerson Thayer, Rockwell Kent, Augustus Saint-Gaudens, Homer Saint-Gaudens, George de Forest Brush, Kahlil Gibran, and Mark Twain. Additional correspondents include sculptor Frances Grimes, architect Eric Gugler, painter Leon Kroll, and museum director James Johnson Sweeney.

Faulkner's writings are about art, artists, and the New Hampshire art community. Found are essays on Gifford Beal, George de Forest Brush, James Earle Fraser, Harriet Hosmer, Paul Manship, Charles Adams Platt, Hiram Powers, Edward Willis Redfield, Joseph Lindon Smith, Mary Lawrence Tonetti, Mark Twain, Lawrence Grant White, and Mahonri Young. Other writings discuss Faulkner's mural commissions, various aspects of New Hampshire history, and the history of the Dublin and Cornish art colonies whose inhabitants included George de Forest Brush, Augustus Saint-Gaudens, and Abbott Handerson Thayer. Of special interest is a manuscript for Faulkner's posthumously published memoir Sketches From an Artist's Life, and an unpublished manuscript titled A Neighborhood of Artists about the history and culture of the Connecticut River Valley.

Four sketchbooks by Faulkner contain drawings of landscapes, city scenes, architecture, people, nature, and studies of artwork by others. Also found are two loose sketches.

Five diaries document Faulkner's 1922-1924 trip through Europe, Africa, and Asia including stops in France, Italy, Egypt, and Turkey. Diaries record Faulkner's thoughts on architecture, tourist sites, and travel amenities. Found is one diary from 1956 that discusses social events, the Saint-Gaudens Memorial, the MacDowell Colony of artists, and various artists including Gifford Beal, Maxfield Parrish, Paul Manship, and Eric Gugler.

The bulk of printed material consists of clippings which document published writings by Faulkner, obituaries and published rememberances of Faulkner, local events in Keene, New Hampshire, and reproductions of Faulkner's artwork. Also found are exhibition catalogs of other artists, an announcement of Faulklner's death from the American Academy of Arts and Letters, and a publication illustrated with reproductions of Faulkner's murals for the National Archives.

Photographs include formal and informal images of Faulkner throughout his life, and photographs of his family and friends, his studio, and reproductions of his artwork. Also included are two photograph albums, one of which contains photographs of Faulkner during his youth and one that contains photographs primarily from the 1930s of Faulkner's Keene, New Hampshire house, himself, and his friends and family.

The collection also includes a scrapbook prepared for Faulkner's seventieth birthday containing photographs, cards, telegrams, and placecards with hand drawn illustrations which show the "taste and characteristics" of Faulkner.
Arrangement:
The collection is arranged into 8 series:

Series 1: Biographical Materials, 1914-1971 (Box 1, 3, RD1; 13 folders)

Series 2: Correspondence, 1900-1973 (Box 1; 0.5 linear feet)

Series 3: Writings, 1912-1966 (Boxes 1-2; 1.0 linear foot)

Series 4: Sketchbooks and Sketches, circa 1910s-1930s (Boxes 2-3; 8 folders)

Series 5: Diaries, 1922-1956 (Box 2; 6 folders)

Series 6: Printed Materials, circa 1858-1966 (Boxes 2-3; 8 folders)

Series 7: Photographs, 1892-1960s (Boxes 2-3; 15 folders)

Series 8: Scrapbook, 1951 (Box 3; 2 folders)
Biographical Note:
Francis Barrett Faulkner was born on July 12, 1881 in Keene, New Hampshire. He attended Phillips Exeter Academy and went on to study at Harvard College. Around this same time, Faulkner began an apprenticeship with his cousin and painter Abbott Handerson Thayer and painter George de Forest Brush. He also met sculptors James Earle Fraser and Augustus Saint-Gaudens, both of whom became Faulkner's lifelong friends.

In 1901, Faulkner traveled to Italy for the first time with Thayer and his family. He returned to New York in 1902 and studied at the Art Students League and Chase School. He also completed illustration work for Century magazine.

In 1907, Faulkner won the Rome Prize Fellowship from the American Academy in Rome. shortly thereafter, he left to study in Italy for three years, studying with George de Forest Brush and befriending sculptor Paul Manship. Upon his return in 1910, he started working on his first mural, commissioned by the wife of railroad executive E.H. Harriman. Having found his niche, Faulkner continued taking mural commissions until his career was interrupted by World War I and his service in the camouflage section of the army. Shortly after the war, he completed a mural for the marine headquarters in Quantico, Virginia.

Between 1923-1924, Faulkner worked in collaboration with Eric Gugler and Paul Manship to create the American Academy in Rome war memorial. Also following the war, Faulkner completed murals for the Eastman School of Music in 1922, the Rockefeller Center in 1932, and the National Archives in 1936. That same year, Faulkner bought and refurbished a house named "The Bounty" in Keene, New Hampshire, and built a studio nearby. In 1930, he was elected as a trustee of the American Academy in Rome.

During the 1940s, Faulkner created murals for numerous public buildings and sites around New Hampshire including the Senate Chambers in Concord, the Elliot Community Hospital, Keene National Bank, and the Cheshire County Savings Bank in Keene. During his final decades, Faulkner wrote an unpublished manuscript on the history of art in the Connecticut River Valley entitled A Neighborhood of Artists, and his posthumously published memoirs, Sketches of an Artist's Life. Faulkner died in 1966, in Keene, New Hampshire.
Related Material:
Found in the Nancy Douglas Bowditch papers at the Archives of American Art is correspondence, photographs, and printed materials related to Barry Faulkner. The Library of Congress, Manuscript Division also holds a small collection of Barry Faulkner's papers. Additional correspondence from Faulkner is found in the papers of Witter Bynner at the University of New Mexico and at Harvard University.
Provenance:
The collection was donated by Francis Faulkner, Barry Faulkner's nephew, in 1974. An addition to the collection was donated by Jocelyn Faulkner Bolle in 2014.
Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Hampshire -- Keene  Search this
Topic:
World War, 1914-1918  Search this
Artist colonies -- New Hampshire -- Peterborough  Search this
Artists' studios in art  Search this
Artist colonies -- New Hampshire -- Dublin  Search this
Educators -- New Hampshire  Search this
Artists' studios -- New Hampshire  Search this
Artist colonies -- New Hampshire -- Cornish  Search this
Painting, Modern -- 20th century -- New Hampshire -- Keene  Search this
Muralists -- New Hampshire -- Keene  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Artists -- New Hampshire  Search this
Genre/Form:
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Citation:
Barry Faulkner papers, circa 1858-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.faulbarr
See more items in:
Barry Faulkner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-faulbarr
Online Media:

Fraser, James Earle, 1876-1953

Collection Creator:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Extent:
59 Photographs
Container:
Box 19
Type:
Archival materials
Photographs
Photographs
Collection Restrictions:
Open to researchers by appointment. Contact Photograph Archives, Smithsonian American Art Museum by email: sapa@si.edu.
Collection Rights:
The photographs are owned by the Smithsonian American Art Museum and requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Metropolitan Museum of Art Study Collection of American Sculpture Photographs, Photograph Archives, Smithsonian American Art Museum.
See more items in:
Metropolitan Museum of Art study collection of American sculpture photographs
Metropolitan Museum of Art study collection of American sculpture photographs / Series 1: Photographs
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_component:sova-saam-photo-met-ref361

James Earle and Laura Gardin Fraser papers, 1913-1970

Creator:
Fraser, James Earle, 1876-1953  Search this
Fraser, Laura Gardin, 1889-1966  Search this
Subject:
Goff, Mary  Search this
Type:
Interviews
Topic:
Sculpture, American  Search this
Record number:
(DSI-AAA_CollID)8128
(DSI-AAA_SIRISBib)210299
AAA_collcode_frasjame
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210299

James Earle Fraser letter to Janet deCoux

Creator:
Fraser, James Earle, 1876-1953  Search this
deCoux, Janet, 1904-1999  Search this
Type:
Correspondence
Date:
1940 December 17
Record number:
(DSI-AAA)7672
See more items in:
Janet deCoux papers, 1895-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7672

James Earle Fraser: artist file, [photographs]

Artist:
Fraser, James Earle 1876-1953  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF001102
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_138658

A Garden Figure (side view) [sculpture] / (photographer unknown)

Artist:
Fraser, James Earle 1876-1953  Search this
Type:
Photograph
Topic:
Figure female--Full length  Search this
Image number:
SSC S0000828
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127538
Online Media:

A Garden Figure [sculpture] / (photographer unknown)

Artist:
Fraser, James Earle 1876-1953  Search this
Type:
Photograph
Topic:
Figure female--Full length  Search this
Image number:
SSC S0000829
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127539
Online Media:

Mr. and Mrs. John Joseph Albright Plaque [sculpture] / (photographer unknown)

Artist:
Fraser, James Earle 1876-1953  Search this
Subject:
Albright, John Joseph  Search this
Albright, John Joseph, Mrs  Search this
Type:
Photograph
Topic:
Portrait group--Family--Spouses  Search this
Portrait male--Full length  Search this
Portrait female--Full length  Search this
Image number:
SSC S0000830
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127540
Online Media:

Horatio Hathaway Brewster Relief [sculpture] / (photographed by De Witt Ward)

Artist:
Fraser, James Earle 1876-1953  Search this
Photographer:
Ward, De Witt d. 1937  Search this
Subject:
Brewster, Horation Hathaway  Search this
Type:
Photograph
Topic:
Portrait male--Child  Search this
Portrait male--Profile  Search this
Portrait male--Bust  Search this
Image number:
SSC S0000831
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127541
Online Media:

Medal (Unidentified Man in Profile) [sculpture] / (photographer unknown)

Artist:
Fraser, James Earle 1876-1953  Search this
Subject:
Unidentified  Search this
Type:
Photograph
Topic:
Portrait male--Bust  Search this
Portrait male--Profile  Search this
Image number:
SSC S0000832
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127542
Online Media:

Medal [sculpture] / (photographer unknown)

Artist:
Fraser, James Earle 1876-1953  Search this
Type:
Photograph
Topic:
Figure male--Full length  Search this
Figure male--Nude  Search this
Figure male--Profile  Search this
Architecture--Detail--Stairs  Search this
Image number:
SSC S0000833
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127543
Online Media:

Medal (Male Figure with Chisel) [sculpture] / (photographer unknown)

Artist:
Fraser, James Earle 1876-1953  Search this
Type:
Photograph
Topic:
Figure male--Full length  Search this
Figure male--Nude  Search this
Figure male--Profile  Search this
Object--Art Tool--Chisel  Search this
Image number:
SSC S0000834
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127544
Online Media:

Edison Medal (reverse) [sculpture] / (photographer unknown)

Title:
Genius of Electricity Crowned by Fame [sculpture] / (photographer unknown)
Artist:
Fraser, James Earle 1876-1953  Search this
Type:
Photograph
Topic:
Allegory--Arts & Sciences--Technology  Search this
Figure male--Full length  Search this
Figure male--Nude  Search this
Object--Art Tool--Chisel  Search this
Image number:
SSC S0000835
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127545
Online Media:

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