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Colin de Land collection

Creator:
De Land, Colin, 1955-2003  Search this
Names:
American Fine Arts, Co.  Search this
Armory Show (1913: New York, N.Y.)  Search this
Art Cologne  Search this
Art Forum Berlin  Search this
Biennale di Venezia  Search this
Documenta  Search this
International Art Fair  Search this
Balk, Dennis  Search this
Beckwith, Patterson  Search this
Davey, Moyra  Search this
Dion, Mark, 1961-  Search this
Fend, Peter  Search this
Fraser, Andrea  Search this
Greene, Carol  Search this
Heilmann, Mary, 1940-  Search this
Marks, Matthew  Search this
McDonald, Daniel  Search this
Morris, Paul  Search this
Pierson, Jack, 1960-  Search this
Wadlin, Craig  Search this
Waters, John, 1946-  Search this
Extent:
15.15 Linear feet
0.901 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Scrapbooks
Motion pictures (visual works)
Video recordings
Date:
1968-2008, bulk 1980-2003
bulk 1980-2003
Summary:
The Colin de Land collection measures 15.15 linear feet and 0.901 GB and dates from 1968 to 2008, with the bulk of the collection dating from the early 1980s through 2003. The majority of the collection consists of photographic material, primarily snapshots, documenting daily life in and around de Land's gallery American Fine Arts, Co., as well as de Land's pesonal life and affairs. There are candid photographs of exhibition openings, day-to-day gallery operations, art fairs, vacations, social gatherings, and New York City street scenes. Also included are some personal objects belonging to de Land and his wife Pat Hearn, as well as two scrapbooks containing items once decorating the walls of de Land's office at American Fine Arts. The collection includes video recordings documenting trips to Cape Cod, Hearn's illness, and occasional art world events.
Scope and Contents:
The Colin de Land collection measures 15.15 linear feet and 0.901 GB and dates from 1968 to 2008, with the bulk of the collection dating from the early 1980s through 2003. The majority of the collection consists of photographic material, primarily snapshots, documenting daily life in and around de Land's gallery American Fine Arts, Co., as well as de Land's pesonal life and affairs. There are candid photographs of exhibition openings, day-to-day gallery operations, art fairs, vacations, social gatherings, and New York City street scenes. Also included are some personal objects belonging to de Land and his wife Pat Hearn, as well as two scrapbooks containing items once decorating the walls of de Land's office at American Fine Arts. The collection includes video recordings documenting trips to Cape Cod, Hearn's illness, and occasional art world events.

The bulk of the collection consists of snapshots, along with their negatives and the envelopes provided by commercial photographic printers. The envelopes are sometimes annotated. The photographs, not typically identified by photographer, were taken by de Land, Hearn, and gallery employees, artists, and visitors. Most of the snapshots provide a candid record of life within de Land's circle, and not formal documentation of gallery exhibitions.

The figures in this collection often occupied blurred boundaries between artist, gallery employee, critic, and friend. Many of the photographs include AFA staff, including Daniel McDonald, Patterson Beckwith, and Craig Wadlin. Also of note are photos showing AFA artists, including John Waters, Mark Dion, Andrea Fraser, Moyra Davey, Dennis Balk, Peter Fend, and Jack Pierson.

In addition to life within the gallery, de Land's cameras also documented a larger art world of the era, candidly showing openings at other galleries, art fairs such as Art Basel, Art Cologne, and the Berlin Artforum, as well as festivals including the Venice Biennale and Documenta, many of which included AFA artists. There is some documentation of the Gramercy International Contemporary Art Fair and The Armory Show. The photographs frequently include de Land and Hearn's friends and fellow art dealers Paul Morris, Matthew Marks, and Carol Greene. Some images include artists that showed at Pat Hearn Art Gallery, such as Mary Heilmann. Collectors, celebrity visitors to the gallery, and critics also occasionally appear in the photographs. There is one 1968 photograph of de Land's mother and a small number of 1970s images of both de Land and Hearn.

In addition to the snapshots, there are a variety of other photographic formats, including digital, in the collection. The contents of the slides are of similar nature to the snapshots. The contact sheet binders offer some formal exhibition installation documentation, but are not exhaustive.

The collection also includes film and video footage. Thirty-five reels of Super-8 motion picture film primarily documents frequent vacations to Cape Cod, as well as the final stages of Hearn's illness and subsequent death. The 31 DV-mini cassettes include similar content, and some footage of opening receptions and other art world events.

Most of the official gallery records are missing, most likely lost in the frequent floods in the gallery basement. Two scrapbooks include material that was often photographed on the walls surrounding de Land's desk at AFA. Additional artifacts include one small painting by artist Charles Clough, inscribed to Hearn, a baseball hat frequently worn by de Land and appearing in many of the snapshots, and one page of an autographed calendar.
Arrangement:
This collection is arranged in 4 series:

Series 1: Photographic Material, 1968-2003, bulk 1980-2003 (14 linear feet; Box 1-14, 0.901 GB; ER01)

Series 2: Scrapbooks, circa 1980s-2003 (0.2 linear feet; Box 19)

Series 3: Video and Film Recordings, circa 1980-2003 (1.1 linear feet; Box 15, 16, 18)

Series 4: Artifacts, 1988-2008 (0.3 linear feet; Box 14, 17, 19)
Biographical / Historical:
Colin de Land (1955-2003) was a gallery owner whose New York City spaces challenged traditional modes of exhibition and art dealing.

Raised in Union City, New Jersey, de Land came to the art world from an academic background, having studied philosophy and linguistics at New York University. In 1984, de Land opened Vox Populi, a largely unrenovated space in the East Village, at 511 East 6th Street. The gallery showed experimental work by emerging artists, including the enigmatic John Dogg, thought to be a collaboration between de Land and artist Richard Prince.

In 1986, De Land opened his longest standing gallery, American Fine Arts, Co. (AFA), in the same space previously occupied by Vox Populi. The gallery moved to SoHo in 1988, first to 40 Wooster Street then to 22 Wooster Street in 1993. During the late 1990s, as most SoHo galleries moved to Chelsea, AFA remained a mainstay of the downtown arts scene. De Land's wife, Pat Hearn, whom he married in 1999 after over a decade together, was also a well known art dealer. Her gallery, Pat Hearn Art Gallery, also moved from the East Village to SoHo, later becoming one of the first to set down roots in Chelsea.

Known for his eccentric fashion and unorthodox business style, de Land cultivated a culture of experimentation within the AFA community. He typically hired young art students or recent graduates, often nurturing their own artistic careers. Along with a group of Cooper Union graduates, many of whom worked at the gallery, he founded the artist collective Art Club 2000. De Land often showed artists working in hybrid media, for example film and photography or music and installation. He was especially interested in ecological and environmental art, as well as work that took as its subject exhibition practice and the act of creating art. He often staged large thematic group shows. Artists who showed at the gallery included Mark Dion, John Waters, Andrea Fraser, Moyra Davey, Dennis Balk, Peter Fend, Tom Burr, James Welling, Mariko Mori, Dan Graham, Jessica Stockholder, Alex Bag, Christian Philipp Muller, and Jack Pierson.

In 1994, de Land and Hearn, along with gallerists Matthew Marks and Paul Morris, established the Gramercy International Contemporary Art Fair. Fashioned after the tradition of inexpensive hotel art fairs, four galleries were invited to exhibit artwork in rooms of the Gramercy Park Hotel, to be sold in a cash and carry model. The fair became an annual event, branching out to other cities, including Miami and Los Angeles, and growing significantly in size in New York. It later became known as The Armory Show.

De Land often carried a point-and-shoot camera and kept several on hand in the gallery. He documented opening receptions, art world social gatherings, concerts, and day-to-day happenings and invited visitors to the gallery and employees to do the same.

After Hearn's death from liver cancer in 2000, de Land became involved with Kembra Pfahler, the performance artist and leader of the rock band The Voluptuous Horror of Karen Black. De Land took over Hearn's Chelsea gallery, operating it as a second location of AFA. Following his own struggle with cancer, de Land passed away in 2003. AFA remained open, closing at the end of 2004 with a tribute group exhibition to de Land.
Related Materials:
The archival gallery records of Colin de Land's art gallery American Fine Arts, Co. as well as the gallery records of the Pat Hearn Gallery are available at the Center for Curatorial Studies at Bard College in New York. The gallery records there also include a fair amount of de Land's personal papers. Bard also acquired de Land's and Hearn's personal library.
Provenance:
The Colin de Land papers were donated to the Archives of American Art in 2008 by Dennis Balk, an artist represented by American Fine Arts, Co. and a close friend of de Land.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Genre/Form:
Photographs
Scrapbooks
Motion pictures (visual works)
Video recordings
Citation:
Colin de Land papers, 1968-2008, bulk 1980-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.delacoli
See more items in:
Colin de Land collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-delacoli
Online Media:

Artists Talk on Art records

Creator:
Artists Talk on Art  Search this
Names:
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Christo, 1935-  Search this
De Niro, Robert, Sr., 1922-1993  Search this
Denes, Agnes  Search this
Goldberg, Michael, 1924-  Search this
Jeanne-Claude, 1935-2009  Search this
Longo, Robert  Search this
Mendieta, Ana, 1948-1985  Search this
Morris, Robert, 1931-  Search this
Murray, Elizabeth, 1940-  Search this
Neel, Alice, 1900-1984  Search this
Pavia, Philip, 1915-2005  Search this
Sleigh, Sylvia  Search this
Wilke, Hannah  Search this
Wojnarowicz, David  Search this
Extent:
64.4 Linear feet
317.43 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Date:
circa 1974-2018
Summary:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
Scope and Contents:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

ATOA's recordings chronicle the American art world, covering critical discussions and significant art world issues over five decades. Thousands of artists such as Will Barnet, Louise Bourgeois, Christo and Jeanne-Claude, Robert De Niro, Agnes Denes, Michael Goldberg, Robert Longo, Ana Mendieta, Robert Morris, Elizabeth Murray, Alice Neel, Philip Pavia, Howardena Pindell, Larry Rivers, Sylvia Sleigh, Kahinde Wiley, Hannah Wilke, David Wojnarowicz, and others speak about their work. The original recordings exist in a variety of formats, including U-Matic and VHS videotape, MiniDVs, sound cassettes and sound tape reels. ATOA digitized most of the video and sound recordings prior to donating the collection.

The collection also includes printed histories, board and program committee meeting minutes, financial statements, general correspondence files of the president and chair, attendance statistics, grant files, panel participant release forms, sixteen panel transcripts, a complete set of panel flyers (many are annotated) and other printed materials, three dismantled scrapbooks, as well as photographs, slides, and negatives of panels and panel participants.
Arrangement:
The records are arranged into nine series.

Series 1: Adminstrative Files, 1974-2013 (0.4 linear feet, Box 1)

Series 2: Director's and Chairman's Correspondence, 1977-2006 (0.4 linear feet, Box 1)

Series 3: Grant Files, 1977-2009 (1 linear foot, Boxes 1-2)

Series 4: Panel Release Forms, 1978-2012 (1 linear foot, Boxes 2-3)

Series 5: Panel Transcripts, 1981, 1986, 1988, 2017-2018 (1 folder, Box 3; 0.002 GB, ER01)

Series 6: Printed Materials, 1975-2015 (0.8 linear feet, Boxes 3-4; 0.434 GB, ER02)

Series 7: Scrapbooks, 1975-1989 (0.2 linear feet, Box 4)

Series 8: Photographic Materials, circa 1975-circa 2000 (1 linear foot, Boxes 4-5)

Series 9: Video and Sound Recordings of Events, 1977-2016 (59 linear feet, Boxes 6-65; 317.43 GB, ER03-ER04)
Biographical / Historical:
Established in 1974 and still active in New York, Artists Talk on Art is the art world's longest running and most prolific aesthetic panel discussion series organized by artists for artists. Founded by Lori Antonacci, Douglas I. Sheer, and Robert Wiegand, the forum has presented 6,000 artists in nearly 1,000 documented panels or dialogues. ATOA held its first panel, "Whatever Happened to Public Art," on January 10, 1975 and it drew a "crowd" of 77 people. In the decades that followed, ATOA presented dozens of panels or dialogues a year, tackling such diverse topics as "What is Happening with Conceptual Art," with Louise Lawler and Lawrence Weiner; "Painting and Photography: Defining the Difference," with Sarah Charlesworth, Jack Goldstein, Joseph Kosuth, Barbara Kruger, and Robert Mapplethorpe; "Organizing Arts Activism," with Lucy Lippard; "The Artist and the Epidemic—an information panel about AIDS"; "Cross-generational Views of Feminism"; and hundreds more.
Provenance:
The Artists Talk on Art (ATOA) records, including digital files of the video and sound recordings, were donated to the Archives in 2016 by Douglas Sheer, Chairman of ATOA.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American  Search this
Art critics  Search this
Art dealers  Search this
Art historians  Search this
Artists  Search this
Historians  Search this
Genre/Form:
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artitalk
See more items in:
Artists Talk on Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artitalk
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Online Media:

Colin de Land collection, 1968-2008, bulk 1980-2003

Creator:
de Land, Colin, 1955-2003  Search this
Subject:
Waters, John  Search this
Fraser, Andrea  Search this
Dion, Mark  Search this
Marks, Matthew  Search this
Morris, Paul  Search this
Balk, Dennis  Search this
Davey, Moyra  Search this
Pierson, Jack  Search this
Fend, Peter  Search this
Heilmann, Mary  Search this
Greene, Carol  Search this
Wadlin, Craig  Search this
Beckwith, Patterson  Search this
McDonald, Daniel  Search this
Art Forum Berlin  Search this
International Art Fair  Search this
American Fine Arts, Co.  Search this
Biennale di Venezia  Search this
Documenta  Search this
Art Cologne  Search this
Armory Show  Search this
Type:
Photographs
Scrapbooks
Motion pictures (visual works)
Video recordings
Record number:
(DSI-AAA_CollID)13702
(DSI-AAA_SIRISBib)279482
AAA_collcode_delacoli
Theme:
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_279482
Online Media:

Andrea Fraser : welcome to the Wadsworth, a museum tour every Saturday and Sunday at 1 p.m. during April, 1991 / Wadsworth Atheneum

Title:
Welcome to the Wadsworth, a museum tour
Artist:
Fraser, Andrea  Search this
Host institution:
Wadsworth Atheneum  Search this
Author:
Smithsonian Libraries Art and Artist Files Collection  Search this
Subject:
Fraser, Andrea  Search this
Fraser, Andrea (OCoLC)fst00266208  Search this
Physical description:
8 pages : illustrations ; sheet 22 x 50 x cm folded to 22 x 14 cm
Type:
Books
Exhibitions
Exhibition catalogs
Artists files
Date:
1991
[1991]
Call number:
N6537.F75 A4 1991
AAF--Fraser, Andrea
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_920412

Andrea Fraser [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Topic:
Artists  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Art & Artist files at the Hirshhorn Museum and Sculpture Garden Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_29052

Allan McCollum / Institute of Contemporary Art, University of Pennsylvania ; [text: Andrea Fraser ; curator: Judith Tannenbaum]

Author:
McCollum, Allan 1944-  Search this
Fraser, Andrea  Search this
Tannenbaum, Judith 1944-  Search this
University of Pennsylvania Institute of Contemporary Art  Search this
Subject:
McCollum, Allan 1944-  Search this
Physical description:
1 folded sheet ([8] p.) : ill. ; 21 cm
Type:
Books
Exhibitions
Date:
1987
Call number:
N6537.M323 A4 1987
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_815591

Student show : selections, lists, awards, annoucenments : Goldie Paley Gallery, the Galleries at Moore, Moore College of Art and Design, 5 September-19 October 1997 / presented by Andrea Fraser

Author:
Fraser, Andrea  Search this
Goldie Paley Gallery  Search this
Moore College of Art and Design  Search this
Subject:
Moore College of Art and Design History  Search this
Physical description:
40 p. : ill. ; 28 cm
Type:
Exhibitions
Place:
Pennsylvania
Philadelphia
Date:
1997
Topic:
Art  Search this
Women artists--Education--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_816022

Louise Lawler and others / Contributions by George Baker ... [et al. ; Herausgeber, Philipp Kaiser]

Author:
Lawler, Louise  Search this
Baker, George  Search this
Bankowsky, Jack  Search this
Fraser, Andrea  Search this
Graw, Isabelle  Search this
Kaiser, Philipp 1972-  Search this
Pelzer, Birgit  Search this
Museum für Gegenwartskunst Basel  Search this
Subject:
Lawler, Louise  Search this
Physical description:
153 p. : ill. (chiefly col.) ; 27 cm
Type:
Exhibitions
Date:
2004
C2004
Topic:
Photography of art  Search this
Photography, Artistic  Search this
Call number:
TR657 .L39 2004
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_763295

Andrea Fraser : works, 1984 to 2003 / herausgegeben von Yilmaz Dziewior ; mit Beiträgen von George Baker, Andrea Fraser und Anke Kempkes

Author:
Fraser, Andrea  Search this
Dziewior, Yilmaz  Search this
Kunstverein in Hamburg  Search this
Institute of Visual Culture  Search this
Subject:
Fraser, Andrea  Search this
Physical description:
288 p. : ill. (chiefly col.) ; 28 cm
Type:
Books
Exhibitions
Date:
2003
C2003
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_767674

Museum highlights : the writings of Andrea Fraser / Andrea Fraser ; edited by Alexander Alberro

Author:
Fraser, Andrea  Search this
Alberro, Alexander  Search this
Subject:
Fraser, Andrea Written works  Search this
Fraser, Andrea Aesthetics  Search this
Physical description:
xxxvii, 291 p. : ill. ; 24 cm
Type:
Books
Place:
United States
Date:
2005
C2005
Topic:
Performance art  Search this
Art--Social aspects  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_771839

Exhibition : Andrea Fraser

Author:
Fraser, Andrea  Search this
Morris and Helen Belkin Art Gallery  Search this
Subject:
Fraser, Andrea  Search this
Physical description:
127 p. : ports. (some col.) ; 25 cm
Type:
Books
Exhibitions
Date:
2004
Call number:
N6537.F75 A4 2004
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_772482

Allan McCollum, individual works, 1988

Author:
McCollum, Allan 1944-  Search this
Fraser, Andrea  Search this
John Weber Gallery  Search this
Subject:
McCollum, Allan 1944-  Search this
Physical description:
[15] p., 52 p. of plates : chiefly ill., 16 cm
Type:
Books
Exhibitions
Call number:
NB237.M36 .A4 1988a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_635654

Allan McCollum / mit Texten von Andrea Fraser und Ulrich Wilmes ; [Übersetzung, Brigitte Kalthoff ; Katalog, Kasper König, Ulrich Wilmes]

Author:
McCollum, Allan 1944-  Search this
Fraser, Andrea  Search this
Wilmes, Ulrich 1953-  Search this
Portikus (Gallery)  Search this
Appel (Foundation : Amsterdam, Netherlands)  Search this
Subject:
McCollum, Allan 1944-  Search this
Physical description:
63, [4] p. : ill. (some col.) ; 22 x 25 cm
Type:
Books
Exhibitions
Date:
1988
[1988]
Call number:
N40.1.M12943 F8 1988
N40.1.M12943F8 1988
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_406220

Louise Lawler / edited by Helen Molesworth with Taylor Walsh ; essays and interviews by Andrea Fraser, Kate Linker, Rosalind Krauss, Douglas Crimp, Louise Lawler, Bruce Hainley, George Baker, Rosalyn Deutsche, Helen Molesworth, and Stephen Melville

Editor:
Molesworth, Helen Anne  Search this
Subject:
Lawler, Louise Criticism and interpretation  Search this
Physical description:
x, 146 pages : illustrations ; 24 cm
Type:
Books
Criticism, interpretation, etc
Date:
2013
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1048248

Andrea Fraser : "what do I, as an artist, provide?" / [text by Meredith Malone]

Title:
"What do I, as an artist, provide?"
Author:
Fraser, Andrea  Search this
Malone, Meredith  Search this
Mildred Lane Kemper Art Museum  Search this
Subject:
Fraser, Andrea  Search this
Fraser, Andrea Criticism and interpretation  Search this
Physical description:
23 pages : illustrations (chiefly color) ; 24 cm
Type:
Exhibitions
Criticism, interpretation, etc
Exhibition catalogs
Date:
2007
[2007]
20th century
21st century
Topic:
Art, Modern  Search this
Institutional Critique (Art movement)  Search this
Appropriation (Art)  Search this
Parody in art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1058038

Andrea Fraser / edited by Sabine Breitwieser for the Museum der Moderne Salzburg ; texts by Sabine Breitwieser, Andrea Fraser, Shannon Jackson, and Sven Lütticken

Author:
Fraser, Andrea Works Selections  Search this
Author of text:
Breitwieser, Sabine  Search this
Jackson, Shannon 1967-  Search this
Lütticken, Sven  Search this
Host institution:
Museum der Moderne Salzburg Mönchsberg  Search this
Subject:
Fraser, Andrea  Search this
Physical description:
319 pages : illustrations (chiefly color) ; 28 cm
Type:
Books
Exhibitions
Exhibition catalogs
Place:
United States
Date:
2015
Topic:
Performance art  Search this
Video art  Search this
Installations (Art)  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1072715

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