Skip to main content Smithsonian Institution

Search Results

Collections Search Center
310 documents - page 1 of 16

Monkeys and waterfall

Artist:
Mori Sosen (1747-1821)  Search this
Medium:
Ink and color on paper
Dimensions:
H x W (image): 88.9 × 31.2 cm (35 × 12 5/16 in)
Type:
Painting
Origin:
Japan
Date:
1747-1821
Period:
Edo period
Topic:
Edo period (1615 - 1868)  Search this
waterfall  Search this
monkey  Search this
Japan  Search this
kakemono  Search this
Japanese Art  Search this
WWII-era provenance  Search this
Credit Line:
Purchase — Charles Lang Freer Endowment
Accession Number:
F1963.3
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3d135e122-f76e-4822-9e58-0b4ee8a0a7f1
EDAN-URL:
edanmdm:fsg_F1963.3

Dish

Medium:
Stoneware with celadon glaze
Dimensions:
H x W x D: 12.4 x 57.7 x 57.7 cm (4 7/8 x 22 11/16 x 22 11/16 in)
Style:
Longquan ware
Type:
Ceramic
Vessel
Origin:
Longquan, Zhejiang Province, China
Date:
early 15th century
Period:
Ming dynasty
Topic:
Longquan ware  Search this
Ming dynasty (1368 - 1644)  Search this
green glaze  Search this
China  Search this
stoneware  Search this
Chinese Art  Search this
WWII-era provenance  Search this
Credit Line:
Purchase — Charles Lang Freer Endowment
Accession Number:
F1968.74a-c
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3ef72d7c8-e37e-4081-b3f1-4d3d3c9a6374
EDAN-URL:
edanmdm:fsg_F1968.74a-c
Online Media:

Waves

Medium:
Ink, slight color, and gold on paper
Dimensions:
H x W (each): 57.5 x 357.5 cm (22 5/8 x 140 3/4 in)
Type:
Painting
Origin:
Japan
Date:
17th century
Period:
Edo period
Topic:
Edo period (1615 - 1868)  Search this
cloud  Search this
Japan  Search this
wave  Search this
Japanese Art  Search this
WWII-era provenance  Search this
Credit Line:
Purchase — Charles Lang Freer Endowment
Accession Number:
F1969.22-23
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3df0c404c-9008-4c1a-972d-118bd7a93c67
EDAN-URL:
edanmdm:fsg_F1969.22-23

Willows and birds

Artist:
Geiai (late 15th century)  Search this
Medium:
Ink on paper on panel
Dimensions:
H x W (image): 110.2 x 52 cm (43 3/8 x 20 1/2 in)
Type:
Painting
Origin:
Japan
Date:
1450-1499
Period:
Muromachi period
Topic:
bird  Search this
Muromachi period (1333 - 1573)  Search this
kingfisher  Search this
willow tree  Search this
Japan  Search this
kakemono  Search this
Japanese Art  Search this
WWII-era provenance  Search this
Credit Line:
Purchase — Charles Lang Freer Endowment
Accession Number:
F1963.2
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
On View:
Freer Gallery 06: Mind Over Matter: Zen in Medieval Japan
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye30ecca8a4-7fec-4339-a9b2-ef158f41c3fb
EDAN-URL:
edanmdm:fsg_F1963.2

Correspondence

Collection Creator:
Lazzari, Pietro, 1898-1979  Search this
Extent:
1.7 Linear feet (Boxes 1-2)
Type:
Archival materials
Date:
1895-1998, undated
Scope and Contents note:
This series consists of letters exchanged between Lazzari, family members, and colleagues. Over one hundred letters from the Federal Works Agency and the Treasury Department Section of Painting and Sculpture concern post office murals for towns in Florida, New Jersey, and North Carolina. Five letters from the National Aeronautics and Space Administration contain 23 photographs of astronauts Eugene A. Cernan, Ronald E. Evans, and Harrison H. Schmitt preparing for an Apollo 17 mission to the moon. Lazzari also received at least one letter each from Jacqueline Kennedy, Duncan Phillips, Eleanor Roosevelt, industrialist John Rust, and socialist Norman Thomas.

See Appendix for a list of selected correspondents in Series 2.
Arrangement note:
Correspondence is arranged chronologically.
Appendix: Selected Correspondents in Series 2:
Aguilera, Francisco: undated (1 letter)

Albergo Saturnia, Rome: 1928 (1 letter)

Alberts: Russell Alberts-Laura Langdon Antiques: undated (1 letter)

Alexander Gallery: undated (1 letter)

Allied Publications, Inc.: 1965 (1 letter)

Alterman, Selma: undated (1 letter)

Ambasciata d'Italia: 1950-1973 (3 letters)

Ambasciatore d'Italia: undated and 1971 (2 letters)

America-Italy Society: 1956 (1 letter)

American Academy in Rome: 1955 (2 letters)

American Artists Professional League: 1949-1955 (3 letters)

American Battle Monuments Commission: 1959 (1 letter)

American Commission for Cultural Exchange with Italy (Fulbright grant): 1950-1954 (2 letters)

American Federation of Arts: 1951-1956 (2 letters)

American Red Cross: 1943-1945 (6 letters)

American University: 1947-1967 (5 letters)

Amici, Alfredo: 1948-1959 (6 letters)

Amministrazione Erdi M.se Saverio Patrizi: 1969 (2 letters)

Andori, Adolfo: 1913-1916 (3 letters)

Anderson, Wayne V.: 1956 (1 letter)

Andrade, Victor: undated (1 letter)

Angelelli, Augusta: 1972 (1 letter)

Angiolillo, Giuseppe: 1967-1972 (9 letters)

Anson, Cherrill: 1998 (1 letter)

Appleby, J. Scott: 1952-1961 (9 letters); see Life Insurance Company of Georgia

Aquil, Preta: 1921 (1 letter)

Architectural League of New York: 1955 (3 letters)

Aristide, Zio (?): 1926 (1 letter)

Arndal, Kersten: 1970-1977 (2 letters)

Art Direction -- magazine: 1956 (1 letter)

Art in Federal Buildings, Inc.: 1943 (1 letter)

Art Institute of Chicago: 1944-1956 (11 letters)

Artists Equity Association: undated and 1949-1972 (7 letters)

Artists for Victory: 1942-1943 (7 letters including a prospectus for "America in the War" exhibition)

Artists of Washington, D.C.: undated (1 letter)

Artist's Guild of Washington: 1960 (1 letter)

Associated Architects & Engineers: 1957 (1 letter)

Associated Artists Gallery of Washington: 1961 (1 letter)

Associazione Artistica Internazionale: 1950 (1 letter)

Atomic Energy Clearing House: 1963 (1 letter)

Bache, Martha Moffett: 1949 (1 letter)

Backus, Florence: 1955 (1 letter)

Bader: Franz Bader Gallery: 1950-1976 (3 letters)

Baltimore Museum of Art: undated and 1948-1956 (8 letters); see Breeskin, Adelyn

Banca Commerciale Italiana: 1969 (2 letters)

Bankok Insustries, Inc.: 1972 (1 letter)

Bashir, Mir: 1955 (2 letters)

Bazzanella, Albina: 1926-1928 (2 letters)

Bedi-Rassy Art Foundry: 1952-1962 (4 letters)

Beer, Elsie: 1926-1928 (3 letters)

Bergeson, Mrs.: 1951 (1 letter)

Berkman, Jack: 1949 (1 letter)

Berkowitz, Ida and Leon (Workshop Center of the Arts): 1953-1955 (2 letters)

Berrier, Jean: 1971 (1 letter)

Betts, Luici: 1928 (1 letter)

Birnbaum, Britta: 1963 (1 letter)

Blake, Margaret Day: [1956] (1 letter)

Blanc, Peter: undated and 1948-1950 (4 letters)

Bly?, Edith: undated (1 letter)

Borea, Raimondo: 1971 (1 letter)

Borzani, Gastone: 1918 (1 letter)

Boulner, Bartlet: 1927 (1 letter)

Bowen, Elizabeth: undated (1 letter)

Brambilla, Helen: 1945 (1 letter of recommendation for Lazzari)

Breeskin, Adelyn D. (Baltimore Museum of Art): 1953-1961 (4 letters)

Broders, Dr. Hy: 1941 (envelope only; enclosing photo of unidentified friends)

Brooklyn Museum: 1956 (1 letter)

Brooks Memorial Art Gallery: 1952 (2 letters); see Rust, John

Broude & Hochberg: 1969 (1 letter)

Brown, James W.: 1934 (1 letter)

Bruce, Edward: mentioned in 3 letters dated 1938-1943

Bryn Mawr Club of Washington: 1961 (1 letter)

Buckingham Palace: 1971 (1 letter)

Bureau of Copyrights and Patents, Library of Congress: 1936-1955 (3 letters)

Burleighfield International Arts Centre: 1977 (1 letter)

Buxton, P. S.: 1969 (1 letter)

Cahill, Holger: see Works Progress Administration

Caldwell, Henry Bryan: 1951 (1 letter from Lazzari)

Calfee, William H.: 1967 (1 letter)

California: University of California at Berkeley: 1986 (1 letter)

California: University of California at Los Angeles: 1970 (1 letter)

Canali, Paola: undated (1 letter)

Cani, Edward: undated (1 letter)

Capital Park Apartments: mentioned in a letter dated 1962

Carbela: 1929 (1 letter)

Carbonati, Antonio: 1927 (2 letters)

Carnassale, Enrico: 1914-1916 (2 letters)

Carolan, Anna B. (The Little Gallery): 1947 (2 letters)

Casella, E. and M.: 1917-1918 (4 letters)

Caserma, Luisa.: 1914-1917 (2 letters)

Catholic University of America: 1964 (1 letter)

Caulfield, Patricia: 1949 (1 letter)

Central States Joint Board: 1977 (1 letter)

Chapel, Maria: 1970-1973 (3 letters)

Chase, Ralph H.: 1959-1961 (2 letters)

Child, Col. Sargent B.: 1968 (1 letter from Corcoran)

City of New York Department of Correction (Riker's Island mural): 1936-1937 (2 letters)

Civil Service Commission Club: 1949 (1 letter)

Clark, Joseph (Senator from Pennsylvania): 1962 (1 letter)

Clemens, Cyril ( -- Mark Twain Journal): -- 1971 (1 letter)

Cohen, Evelyn: see Lazzari, Evelyn

Cohen, Lester: 1956 (1 letter)

Colladay, Edward F.: 1932 (1 letter)

Conant, Howard (New York University): 1956 (1 letter)

Connolley, Robert Emmet: 1947-1950 (8 letters)

Console Generale d'Italia: 1965 (1 letter)

Constantino, C.: 1967 (1 letter)

Cook, Elizabeth: [1946] (1 letter)

Cooke: Hereward Lester Cooke Foundation: 1974-1975 (3 letters); see National Aeronautics and Space Administration; see National Gallery of Art

Cooper, Alice J.: 1927 (1 letter)

Corcoran Gallery of Art: undated and 1951-1981 (37 letters)

Corsi, Emma and W. Edward: 1928 (1 letter)

Cosgrove, Jessica (Mrs. John O'Hara Cosgrove): 1928-1930 (22 letters)

Cosgrove, John O'Hara (editor of -- New York World): -- undated and 1927-1929 (7 letters)

Costintin, Celestino and Emilia: 1916-1971 (6 letters)

Cotzia, Pasquale: 1966-1968 (2 letters)

Coughlin, Clarence John: 1948 (1 letter)

Crimi: undated (1 letter)

Crosby, Caresse (Crosby Gallery of Modern Art): undated and 1945-1969 (14 letters)

Crossley, Kay A.: 1966 (1 letter)

Cullen, Amelia: undated (1 letter)

Cusumono, Stefano: 1947-1951 (3 letters)

Daloni, Edith B.: 1928 (1 letter)

Damer, Veffarghi: 1919 (1 letter)

Damiani, Angelo: 1921 (1 letter)

Dane, C. K.: 1965 (1 letter)

Dean, Edward: 1940 (1 letter)

Debs: Eugene V. Debs Foundation: 1965-1966 (3 letters including 6 photographs with Norman Thomas); see United Auto Workers

de Chetelat, Mr.: mentioned in letter dated 1928

de Chirico, Giorgio: mentioned in undated invitation from Ambasciatore d'Italia

DeLano, Agnes: undated (1 letter)

De Medio, Americo: 1963-1976 (32 letters)

De Medio, Vincenzo: undated and 1970-1977 (3 letters)

Demiddi, Alberto: undated and 1972 (3 letters)

De Mont, Nany and Eugene: undated (1 letter)

Dernay, Eugene: 1945-1959 (4 letters)

Design in Steel Award Program: 1972 (1 letter)

Dictionary of International Biography: 1974 (1 letter)

Diller, Burgoyne: see Federal Art Project

Dipanfilo, Pio: 1949-1968 (10 letters)

Di Raimondo, Vicenzo: 1920-1928 (7 letters)

District of Columbia Board of Commissioners: 1959 (1 letter)

District of Columbia Department of Public Welfare: 1958 (1 letter)

District of Columbia Juvenile Court: 1964 (1 letter)

District of Columbia Recreation Board: 1963 (1 letter)

Dole (?), Louis: 1923 (1 letter)

Dollinger, Josef: undated (1 letter)

Donaldson, Leota L.: undated (2 letters)

Donaldson, Renee: undated (1 letter)

Douglas, Paul F.: 1951 (1 letter)

Dretzin, S. C.: 1950 (1 letter)

Draper, Warren A.: 1944 (1 letter)

Dumbarton College: 1949-1951 (3 letters)

Duncan and Duncan Chinese Shop: 1964 (1 letter)

Dunham, Dr. G. C.: 1944 (1 letter re: portrait of Dr. Sawyer)

Duproix, Eunice: 1928 (1 letter)

Durbin, Jack: 1960 (1 letter)

Editions du Griffon, Neuchatel, Suisse: 1964 (3 letters)

Edsor, Mary: 1928 (1 letter)

Elenbrock, Gretel: 1927 (3 letters)

Elkins: Stella Elkins Tyler School of Fine Arts of Temple University: 1956 (1 letter)

Eng, Ernest: 1959 (1 letter)

Ernesto Desideri: 1915 (3 letters)

Evening Star -- newspaper, Washington, D.C.: 1957 (1 letter)

Farmers Educational and Cooperative Union: 1944 (1 letter)

Fasola, Roberto: 1948-1949 (2 letters)

Federal Art Project: 1938-1939 (4 letters)

Federal Works Agency, Public Buildings Administration: 1940-1947 (70 letters re: murals for the Brevard, N.C. post office, the North Bergen, N.J. post office, and the Jasper, Florida post office, including a contract, 2 photographs, and 2 sketches for a mural)

Federal Works Agency, Work Projects Administration: 1941-1942 (2 letters)

Fellowship of Reconciliation and War Resisters League: [1945] (1 letter)

Ferargil Gallery: 1941 (1 letter)

Ferreri, Elena: 1938 (1 letter)

Figoullo, Adriano: 1912 (1 letter)

Fiore, Ilario and Titta: 1966-1967 (5 letters)

Fitzwater, Aldace: 1950 (1 letter)

Florentine Gallery: 1956 (4 letters)

Fogle, Bruce: 1927 (1 letter)

Food and Agriculture Organization of the United Nations: 1956 (1 letter)

Force, Mrs.: undated (1 letter)

Foreign Service of the United States of America: 1950 (3 letters)

Foresti, Arnaldo: 1948-1949 (2 letters)

Fortas, Abe: 1956 (1 letter)

Fortune -- magazine: 1944-1956 (2 letters)

Francis, Emily A.: 1951 (3 letters)

Franco, Johan: 1966 (2 letters)

Frankel, Samuel: undated (1 letter)

Freeman: Carl M. Freeman Associates, Inc.: 1963 (1 letter)

Frisine, Robert: 1967 (1 letter)

Frost, Phillip: 1981 (1 letter)

Fujita, Mr.: 1957 (1 letter)

Fulbright grant: see American Commission for Cultural Exchange with Italy

Fuller, Eve Alsman (Miami, Fl. post office): 1938 (1 letter)

Gabetti: undated (1 letter)

Galarza, Ernesto and Mae: (National Farm Labor Union; National Agricultural Workers Union): undated and 1944-1978 (27 letters); see Landon School for Boys; see Perkins, Milo

Galerie Internationale: 1965 (1 letter)

Galerie Schindler: undated and 1965-1972 (12 letters)

Gallaudet College: 1963-1970 (14 letters, including a contract)

Gallenga: 1951 (1 letter)

Gaspari, Mario P.: 1966 (1 letter)

Georgetown University Fine Arts Club: 1960 (1 letter)

George Washington University: 1965 (1 letter)

Giovannetti, Alberto: 1966 (1 letter)

Giovanni, Sebastiani: 1921 (1 letter)

Giricosnelli, Emilio: 1918 (1 letter)

Gobbi, Adolfo: 1928 (1 letter)

Goldberg, Dorothy and Arthur: 1964-1965 (3 letters)

Goldsmith, Alberto R.: 1947-1968 (3 letters)

Gonzales, Angelino: 1951-1975 (11 letters)

Gotham Book Mart: 1968 (1 letter)

Graham, John: 1948 (1 letter)

Granati, Pasquale: 1918 (1 letter)

Grand Central Art Galleries: 1956 (1 letter)

Grant, Blanche C.: undated (1 letter)

Grebanier, Barnard: 1961 (1 letter)

Greene, Hope Margaret: 1926-[1927] (2 letters)

Gualdi, Luigi: 1947-1949 (11 letters)

Guarino, A.: undated letters to Mabel McMahon and Guiolitta Sartori

Guggenheim: John Simon Guggenheim Memorial Foundation: 1937-1971 (5 letters)

Guggenheim: Solomon R. Guggenheim Museum: 1956-1960 (3 letters)

Gutheim, Frederick: 1956 (1 letter)

Haarlem House, Inc.: 1926 (1 letter)

Hahn, Rosemarie E.: 1961 (1 letter)

Halle, Kay: 1972 (1 letter)

Hammerle, Brooke: 1966 (1 letter)

Hansen, Jane: 1954 (1 letter)

Hardman, Virginia: undated (1 letter)

Harrison & Abramovitz, Architects: 1956 (1 letter)

Harrison, Charles H.: 1949 (1 letter)

Hart, Earl: mentioned in an undated letter

Hartley, Bettina: undated (1 letter)

Hartman Galleries, Inc.: 1973 (1 letter)

Hayward: City of Hayward, California: 1965 (1 letter)

Health, Education, and Welfare Employees' Association: 1962 (1 letter)

Hechinger, June: undated (1 letter)

Heilbron, Edna: 1972 (1 letter)

Heinemann, Mark: undated (1 letter)

Herzbrunn, Josef: 1949 (1 letter)

Heywood, Carmen: 1948 (1 letter)

Hollander, Cornelia: undated (1 letter)

Holvey, Sam: undated (1 letter)

Holy See: Permanent Observer of the Holy See: 1966 (1 letter)

Hom Gallery: 1972 (1 letter)

Horrocks, E. Joan: 1971 (1 letter)

Hotel Beau Site, Rome: 1928 (1 letter)

Hotel de la Ville, Rome: 1928 (1 letter)

Hotel Hassler, Rome: 1928 (1 letter)

Hotel Pension Alexandra, Rome: 1928 (1 letter)

Hotel Windsor, Rome: 1928 (1 letter)

Hough, Edith Louise: 1952 (1 letter)

Illinois State Historical Library: 1965 (1 letter)

Il Messaggero: 1928 (1 letter)

Immigration and Naturalization Service: 1976 (1 letter)

Institute for International Education: 1963 (1 letter)

Institute for the Arts of the Archdiocese of Washington: 1978 (2 letters)

Institute of Contemporary Art: 1956 (2 letters)

Institute of Gerontology: 1970 (1 letter)

International Directory of Arts: 1982 (1 letter)

Isherwood, Christopher: undated (1 letter)

Istituzione Maddalena Aulina: 1966 (1 letter)

Jacometti, Nesto: 1972 (1 letter)

Jaffe, Norman: 1964 (1 letter)

Janus, Virginia: 1929 (2 letters)

Jelleff: Frank R. Jelleff, Inc.: 1949 (1 letter)

Jennoff?, Peter L.: undated (1 letter)

Jewish Social Service Agency: 1967 (1 letter)

Johnston, L. R.: 1932 (2 letters)

Jones, Dorothea and Stuart E.: 1955 (3 letters)

Jones, George Lewis: 1961 (1 letter)

Jopp, Fred Gilman: 1936 (1 letter)

Josephy, Diane ( -- Time): -- 1968 (1 letter)

Junior Council of the Museum of Modern Art: 1956-1960 (2 letters)

Jurin, Benjamin M.: undated (1 letter)

Kagy, Virginia and Sheffield: 1948 (1 letter)

Kahles, Jessie: 1940-1948 (3 letters)

Kennedy, Jacqueline: May 19, 1960

Letters from White House Social Secretary: 1961-1963 (5 letters)

Kerensky, Alexander: 1965 (1 letter)

King Features Syndicate, Inc.: 1943 (1 letter)

King, Marion: 1952 (1 letter)

King, Rufus: 1975 (1 letter)

Kneifel, Mr.: 1956 (1 letter from Lazzari)

Kramer, Herbert (Congregazione del Preziosissimo Sangue): 1950 (1 letter)

Krishnamurti, Jack: 1959 (1 letter)

Kurzland, Toby: 1991 (1 letter)

La Follia: 1926 (1 letter)

La Galleria: 1972 (1 letter)

Landon School for Boys: 1944 (1 letter re: Ernesto Galarza)

Landu, Consuelo: 1948 (1 letter)

Lanier, Fanita: see Ruffiner, Willis E.

La Revue Moderne: 1961 (3 letters)

La Rocca, Principessa de: 1968 (1 letter)

Latif, Bilkeer: undated (1 letter)

Law, L. S.: 1932 (2 letters of recommendation for Lazzari)

Lawton, Thomas: 1974 (1 letter)

Lazzari, Attilio: 1922 (1 letter)

Lazzari, (Grace) Elizabeth Paine: undated and 1920-1951 (69 letters)

Letters from Pietro to Elizabeth: 1928-1929 (52 letters)

Lazzari, Evelyn Cohen: undated and 1948-1965 (6 letters)

Letters from Pietro to Evelyn: undated and 1932-1966 (49 letters, including one with a photograph of friends)

Lazzari, Fernanda (sister) and Vittoria: 1915-1949 (11 letters)

Lazzari, Leno: 1918-1929 (2 letters)

Lebanon: Embassy of Lebanon, Washington: 1956 (1 letter)

Lee, Amy: Nov 01, 1974 (letter from Lazzari); 1975 (1 letter)

Lee, Dal: 1954 (1 letter)

Lee, Pearl: undated (1 letter)

Levy, Sid A.: undated (1 letter)

Library of Congress: undated and 1965-1982 (6 letters)

Licciardi, Pietro: undated (1 letter)

Licinio Cappelli: 1949 (1 letter)

Life Insurance Company of Georgia: 1954 (2 letters)

Little Gallery: see Carolan, Anna B.

Lobatini, G.: undated (1 letter)

Loccatelli, Giulio: 1956-1958 (2 letters)

Lombaro (?), Patricia: 1961 (1 letter)

Loughlin, Dr. John J.: 1936-1940 (2 letters)

Lousine, L.: undated (1 letter)

Luccia, Enrico: undated and 1928-1977 (19 letters)

Lucibello, Luigi: Jan 12, 1965

Lucifero, Alfonso: Jan 13, 1912 (letter from Ministero delle Finanze)

Macpherson, Suzanne: 1957 (2 letters)

Maddux, Yolanda A.: undated (1 letter)

Maezawa, Kezuko: 1956 (1 letter)

Magrini, Livia: 1967-1970 (5 letters)

Makovich, L.: 1950 (1 letter)

Manca, Albino (sculptor): 1971 (1 letter)

Mangravite, Peppino (Columbia University): 1956 (1 letter)

Mann: Charles Z. Mann Gallery: 1966 (1 letter)

Mannarino, Matina: 1968 (1 letter)

Maresciallo, Mr.: undated (1 letter from Lazzari)

Mark, Ginevra: undated (1 letter)

Marlor, Clark S.: 1981 (1 letter)

Marquis Company: 1950-1981 (3 letters)

Maryland: University of Maryland: 1972 (1 letter)

Mattei, Cristina: 1950 (a death announcement)

Mayfield, Mrs. David: 1938 (1 letter)

McAfee, Don: 1955-1969 (3 letters); see Watergate Construction Corp.

McGinnis, Paul: 1988 (1 letter)

McIlhenny, Henry P.: 1949 (1 letter)

McIntyre, W. A.: undated (1 letter)

McKeogh, Elsie: 1954 (1 letter)

McKonish, Margaret: 1949 (1 letter)

McMahon, Mabel: undated (1 letter from A. Guarino)

Meert, Margaret Mullin: 1948 (2 letters)

Meeting House Gallery: 1972 (1 letter)

Meguin, A.: undated (1 letter)

Menard, G.: 1928 (1 letter)

Men of Achievement: 1974-1975 (2 letters)

Mensh, Elizabeth: 1978 (1 letter)

Merritt, Polly: undated (1 letter)

Messina, Joseph R.: 1971 (1 letter)

Metropolitan Museum of Art: 1951 (1 letter)

Miami Museum of Modern Art: 1965-1968 (7 letters)

Miki, Suizan: undated (1 letter)

Mills, Harrington: 1933 (1 letter)

Ming, Wang (National Art & Frame Co.): 1968 (1 letter)

Mitchell, Austin: 1946 (1 letter)

Montgomery County Art Association: 1961 (1 letter)

Moore, Norman Perry: 1927-1928 (2 letters)

Moore, Paul: 1970 (1 letter)

Morey, Mr.: [1950] (1 letter)

Morott, Aristodemi: 1918 (1 letter)

Morrison, Lillian: 1971 (1 letter)

Mortot, Virgilio: undated and 1962-1964 (4 letters)

Morvidi, Maria: 1918 (1 letter)

Moskin, Ruth: undated (1 letter)

Mullins, Mrs.: undated (1 letter)

Museum of Fine Arts, Boston: undated and 1955 (2 letters)

Museum of Fine Arts, Houston: 1964 (2 letters)

Museum of Modern Art: 1949-1973 (3 letters); see Junior Council of the Museum of Modern Art

Myers, Eugene Ekander: 1976 (1 letter)

National Academy of Design: [1939] (1 letter)

National Aeronautics and Space Administration: 1962-1973 (5 letters including 4 photographs of artwork and 23 photographs of astronauts Eugene A. Cernan, Ronald E. Evans, and Harrison H. Schmitt preparing for an Apollo 17 mission to the moon; an Apollo translunar/transearth trajectory plotting chart; an Apollo lunar orbit chart; and an Apollo earth orbit chart); see Cooke: Hereward Lester Cooke Foundation

National Cyclopedia of American Biography: 1979 (1 letter)

National Gallery of Art: undated and 1956-1974 (7 letters)

National Housing Center: 1961 (2 letters)

National Investigations Committee on Aerian Phenomena: 1957 (1 letter)

National Society of Arts and Letters: 1952 (1 letter)

National Society of Mural Painters: 1940-1963 (3 letters)

National Student Art Tour: 1949 (1 letter)

National Sugar Refining Company: 1938 (1 letter)

Neale, Rosamund: 1961 (1 letter)

Neilson, Robert Hude: 1928 (1 letter)

Nelson, Helen Ewing: undated (1 letter)

New American Library: 1953 (1 letter)

Newlin, Ben: 1979 (1 letter)

New Society for Art and Literature: 1947 (1 letter)

Nichol, Jean: 1926 (2 letters)

Nichol, Nella: 1929 (1 letter)

Nilsen, Laila: 1946 (1 letter)

Nobili, A.: undated letter written on reverse of photograph of Nobili painting

Nuova Critica Europea: 1969 (1 letter)

O'Connor, Don: 1960 (1 letter)

O'Connor, FrancisV.: 1968 (1 letter)

Oggi: 1967 (1 letter)

Okamoto, Yoichi R.: undated (1 letter)

Oklahoma Art Center: 1969 (1 letter)

Oklahoma Museum of Art: 1988 (1 letter)

Olson: Charles Olson Archives, University of Connecticut: 1975-1976 (3 letters)

Oregon State Library: 1957 (1 letter)

Orlando, Teresa: undated and 1949-1971 (3 letters)

Ottiani, Giuseppe: 1909 (1 letter)

Palmieri, Renato: 1928 (1 letter)

Park, Marlene: 1979 (1 letter)

Pavia, Dagoberto: 1959 (1 letter)

Pavia, Goffredo: 1921-1924 (7 letters)

Palmieri, Renato: 1957 (1 letter)

Palombi, Angelo: 1921 (1 letter)

Pan American Union: 1944-1945 (2 letters)

Parsons, Betty (Betty Parsons Gallery): undated and 1949-1973 (9 letters)

Passedoit Gallery: 1956 (1 letter)

Pensione Boos, Rome: 1928 (1 letter)

Pensione Girardet, Rome: 1928 (1 letter)

Perentine, Giuseppe (Nino): 1927-1950 (3 letters)

Peresson, I.: 1971 (1 letter)

Peretti, Luigi: undated (1 letter)

Perkins, Milo: 1944 (1 letter re: Ernesto Galarza)

Perna, Giorgio: undated (1 letter)

Peterson, Esther: 1978 (1 letter)

Philadelphia Department of Public Property: 1960 (1 letter)

Philadelphia Museum of Art: 1965-1966 (3 letters)

Phillips, Duncan: 1954 (1 letter)

Pirucchini, Maria: 1927 (1 letter)

Pope Paul VI: mentioned in 7 letters dated 1966, including 2 photographs of Lazzari with bust of the Pope; see Fiore, Ilario; see Giovannetti, Alberto; see Institute for the Arts of the Archdiocese of Washington

Preissler, Audrey: 1970 (1 letter)

Print Collector's Quarterly: 1949 (1 letter)

Print Council of America: 1963 (1 letter)

Prospersin, Eugenio: 1941 (1 letter)

Pyramid Club: 1956 (1 letter)

Quick, Robert B.: 1972 (1 letter)

Quinzi, Amerigo: 1920-1925 (2 letters)

Rady, Cabell: 1958 (1 letter)

Rahill, William Allen: 1954 (1 letter from Lazzari)

Raker, J. M.: 1928 (1 letter)

Ramakrishna-Vivekananda Center: undated (1 letter)

Randall, Megan: 1975 (1 letter)

Rassegna Nazionale di Arti Figurative: 1948 (1 letter)

Rattu, Salvatore: undated and 1926-1966 (13 letters)

Reeves, Rosser: 1947 (1 letter)

The Reporter -- magazine: 1956 (1 letter)

Reuther, Victor: see United Auto Workers

Reynolds, D.: 1939 (1 letter from Lazzari)

Rhine, J. B.: 1949 (1 letter)

Ricca, Roberta: undated (1 letter)

Rieder (?), Baronessa: 1934 (1 letter)

Rioffo, Angela: 1959-1962 (2 letters including 2 photographs of friends)

River Road Gallery, Louisville, Ky.: 1941-1943 (4 letters)

Rivoi, Swami: undated (1 letter)

Robson, John: 1958 (1 letter)

Rocca Sinibalda: 1920 (1 letter)

Rockefeller, Nelson A.: 1946 (1 letter)

Rodman, Selden: undated (1 letter)

Rollins College: 1933-1942 (4 letters)

Roosevelt, Eleanor: Nov 09, 1945 and a letter dated 1964 concerns a viewing of the Roosevelt portrait bust); see White House; see Roosevelt Library

Roosevelt: Franklin D. Roosevelt Library at Hyde Park: 1963-1965 (8 letters, including typescripts of speeches); see United Auto Workers

Ross, Fred: 1949 (1 letter)

Rosso, Giulio: undated letter of recommendation by Lazzari

Roth, Maurice: 1993 (1 letter including 2 photographs of Lazzari's work)

Rothschild, Anselm A.: undated (1 letter)

Rowan, Edward: see Federal Works Agency

Rowan, Leata: undated (1 letter)

Rowantrees Pavilion: see Thompson, Lin

Rowin, Fran: 1976 (2 letters)

Rowland, Creelman: undated (1 letter)

Ruffner, Willis E. (lawyer for Fanita Lanier): 1944 (1 letter)

Russell, N. F. S.: 1932 (1 letter)

Rust, John and Thelma: 1952-1954 (38 letters, including an application from Lazzari for a grant from the John Rust Foundation, including a clipping about Rust and 3 photographs of cotton pickers); see West Tennessee Historical Society

St. Louis, Bertha: undated (1 letter)

Sanderson, W. A. (Calouste Gulbenkian Foundation): 1958 (1 letter)

San Francisco Museum of Art: 1967 (1 letter)

Sartori, Guiolitta: undated letter from A. Guarino

Satterlee & Smith, Architects: 1962 (1 letter)

Savini, Renata: 1965-1967 (3 letters)

Scheetz, June Rice: undated (1 letter)

Schoenberg, Rose: 1967 (1 letter)

Schurmer, Zaira E.: 1947 (2 letters)

Schwarz -- magazine: 1957 (1 letter)

Scigliano, Peppino Cosenza: 1910 (2 letters)

Sebastiani, G.: undated (1 letter)

Selmi, Gabriella: undated (1 letter)

Sevareid, Eric: 1956 (1 letter)

Sheen, Rev. Fulton J.: 1970 (1 letter)

Simotti, Aristide (friend who was prisoner of war): 1911-1925 (62 letters)

Sinisca: undated (1 letter)

Sirony, Simone: 1955-1964 (8 letters)

Smart: David and Alfred Smart Museum of Art: 1991-1996 (4 letters)

Smith, George: 1926-1927 (2 letters)

Smithsonian Institution: undated and 1947-1976 (8 letters)

Snyder, Nell H.: 1969 (1 letter)

Society of American Etchers: 1944 (1 letter)

Society of American Graphic Artists: 1956 (2 letters)

Society of Washington Artists: 1960-1961 (2letters)

Society of Washington Printmakers: 1976 (2 letters)

Sound View Press: 1991 (1 letter)

Spiral Group: see Strantin, Wally

Stevenson, Adlai: see White House

Stewart, George: 1932 (1 letter)

Strantin, Wally and Edward: 1950-1951 (2 letters)

Stroppoghetti, Arturo: 1923 (1 letter)

Stubbs, Kenneth: [1948] (1 letter)

Studer, Alfredo and Clara: 1947-1976 (15 letters)

Sweeney, James Johnson: 1949 (1 letter)

Syracuse University: 1964 (1 letter)

Taylor, Prentiss: 1972 (1 letter)

Teller, Douglas H.: 1963 (1 letter)

Terenz, Don Umberto: 1960 (1 letter)

Thames and Hudson, Ltd.: 1974 (1 letter)

Thomas, Norman: 1963-1965 (2 letters)

Thomen, Luis Francisco (Ambassador from Dominican Republic): undated (1 letter)

Thompson, Lin: 1950-1951 (3 letters)

Thurston, Charles D.: 1927-1928 (4 letters)

Tibet Society: 1975 (1 letter)

Timpenado, Cesare: 1927 (1 letter)

Tirrocelli (?), A.: 1917 (1 letter)

Toledo Museum of Art: 1957 (1 letter)

Toscanini, Arturo: mentioned in 2 letters dated 1928

Tosello, Alfredo: 1947-1949 (2 letters)

Tosi, Elisa: 1929 (1 letter)

Treasury Department, Section of Painting and Sculpture: 1936-1939 (53 letters concerning the Arlington, N.J. post office, the Sanford, N.C. post office, and the New York World's Fair Sculpture Competition)

Truman: Harry S Truman Library at Independence, Mo.: 1963 (1 letter)

Turkish Embassy, Washington, D.C.: 1958-1959 (4 letters including a photograph of Lazzari)

Tyler, Richard O.: 1958 (1 letter)

Ugolini, Luigi: 1969 (1 letter)

Ungar, Harold and Mildred: 1965 (1 letter)

United Auto Workers (U.A.W.): 1963-1971 (9 letters); see Debs: Eugene V. Debs Foundation

United Scenic Artists of America: [1939] (1 letter)

United States Civil Service Commission: 1944 (2 letters)

United States Department of Agriculture: 1945-1967 (10 letters)

United States Department of Labor: undated (1 letter)

United States Information Agency: 1959 (1 letter)

United States Information Service: Jul 09, 1964

University Settlement: 1946 (2 letters)

Upham, Elizabeth: 1948 (1 letter)

Van De Bries, Enri: 1973 (1 letter)

Vangell?, Raphaele: undated (1 letter)

Van Smith, Anne: 1949 (1 letter)

Venice Biennale: 1948-1954 (3 letters)

Vermont Marble Company: 1955 (1 letter)

Veschi, Signora: undated (1 letter)

Vickery, Ruth Bacon: 1929 (1 letter)

Victoria Hotel, Rome: 1928 (2 letters)

Virginia Museum of Fine Arts: 1956 (1 letter)

Visher, John: 1956 (1 letter)

Vosseller, Harold: 1948 (1 letter)

Wagner, Edward A. (Dell Publishing Co.) and Julia: 1954-1976 (5 letters)

Waldo, M. V.: 1945 (1 letter)

Warren, Susan and Louise: undated (1 letter)

Washington Gallery of Modern Art: undated (1 letter)

Washington is Wonderful: see Jones, Dorothea and Stuart E.

Washington-Lee High School: 1961 (1 letter)

Washington, Walter E. (Mayor of Washington, D.C.): 1976 (1 letter); Oct 19, 1976 (1 letter from Franz Bader)

Washington Water Color Association: undated and 1961 (3 letters)

Watergate Construction Corp.: 1968-1969 (4 letters); see Don McAfee

Watson, Ernest W. (editor, -- Art Instruction -- and -- American Artist -- ): 1939-1949 (3 letters)

Watson, Forbes: see Art in Federal Buildings, Inc.

Weil, Frank L.: 1926-1936 (2 letters)

Weinmann, Eric: 1980 (1 letter including a photograph of artwork)

Wells, John K. (Equitable Life Assurance Society): undated (1 letter)

West Tennessee Historical Society: 1952 (3 letters); see Rust, John

Weyhe: E. Weyhe Gallery: 1949 (1 letter)

White, Sarah: 1929 (1 letter)

Whitney Museum of American Art: 1939-1980 (11 letters)

Whyte Gallery: 1944-1950 (2 letters)

Widdemer, Kenneth D.: 1928 (1 letter)

White House: 1965-1968 (4 letters concerning the presentations of the busts of Eleanor Roosevelt and Adlai Stevenson)

Whittemore, Manvel: 1936 (1 letter enclosing poems)

Who's Who in America: 1979-1980 (2 letters)

Works Progress Administration: 1937-1938 (4 letters)

Workshop Center of the Arts: 1953 (1 letter); see Berkowitz, Ida and Leon

WRC Radio: 1966 (1 letter including a photograph of Lazzari)

WRC-TV: 1967 (1 letter)

Young, June: undated (1 letter)

Young, Louis Butler: 1971 (1 letter)

Zerega, Andrea: 1972-1976 (4 letters, including a résumé)
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Pietro Lazzari papers, 1878-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lazzpiet, Series 2
See more items in:
Pietro Lazzari papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90a9236aa-aee5-4d32-8a86-8390dda70f53
EDAN-URL:
ead_component:sova-aaa-lazzpiet-ref18

Alma Thomas papers

Creator:
Thomas, Alma  Search this
Names:
Art in Embassies Program (U.S.)  Search this
Martha Jackson Gallery  Search this
Bader, Franz, 1903-1994  Search this
Breeskin, Adelyn Dohme, 1896-1986  Search this
Johnson, Nathalie J. Cole  Search this
Sarg, Tony, 1882-1942  Search this
Tarbary, Celine  Search this
Taylor, Joshua Charles, 1917-  Search this
Thomas, J. Maurice (John Maurice), 1900 or 1901-  Search this
Extent:
5.5 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Audiocassettes
Video recordings
Photographs
Date:
circa 1894-2001
Summary:
The papers of Washington, D.C. painter and art educator Alma Thomas, date from circa 1894-2001 and measure 5.5 linear feet. The papers document Thomas's work as a teacher, and her development and success as a painter of the Washington Color School, through biographical material, letters, notes and writings, personal business records, exhibition files, printed materials, scrapbooks, photographs, an audio recording, and two video recordings.
Scope and Contents note:
The papers of Washington, D.C. painter and art educator Alma Thomas, date from circa 1894-2001 and measure 5.5 linear feet. The papers document Thomas's work as a teacher, and her development and success as a painter of the Washington Color School, through biographical material, letters, notes and writings, personal business records, exhibition files, printed materials, scrapbooks, photographs, an audio recording, and two video recordings.

Biographical material includes identity cards, chronologies, an audio recording including a biographical account, and scattered documentation of Thomas's education and teaching careers with D.C. Public Schools, Howard University, and Thomas Garrett Settlement in Wilmington, Delaware. Also found are records relating to Thomas's participation in a summer marionette class taught by Tony Sarg in 1934, and a tour of European art centers which Thomas took in 1958.

Letters relate primarily to the exhibition of Thomas's work and related events and are from galleries, museums, other art institutions, colleagues, and friends including Franz Bader, Adelyn Breeskin, Corcoran Gallery of Art, Howard University Gallery of Art, Martha Jackson Gallery, Nathalie J. Cole Johnson, Vincent Melzac, Celine Tabary, and Joshua Taylor.

Notes and writings include four notebooks and autobiographical writings by Thomas, a "Birthday Book," and an annotated engagement calendar. J. Maurice Thomas's writings about Alma Thomas, her research for a bibliography on James Weldon Johnson, and writings by others, including Jacob Kainen, about Alma Thomas, are also found here.

Exhibition files contain a wide variety of documentation for many group and solo exhibitions of Thomas's work from the early 1950s through a 1998-2000 traveling retrospective exhibition, including solo exhibitions at the Whitney Museum of American Art and the Corcoran Gallery of Art in 1972. The records include letters from Franz Bader Gallery, David Driskell at Fisk University, and Vincent Melzac. Photographs include Thomas with individuals including William Buckner, Jeff Donaldson, David Driskell, James W. Herring, and Vincent Melzac. Also found is a photograph of the 1951 Little Paris Studio Group picturing Lois Mailou Jones, Celine Tabary, Alma Thomas, and others. Two video recordings are of events related to the 1998-2000 retrospective at the Fort Wayne Museum of Art and the Columbus Museum of Art. Records documenting a 1981-1982 exhibition at the Smithsonian National Museum of American Art, A Life in Art: Alma Thomas, includes the script of a video written by Adolphus Ealey.

Personal business records include price lists, gift and loan receipts, and files concerning the Art in Embassies Program, the Martha Jackson Gallery, a benefit auction for the Corcoran School of Art, and the designation of the Thomas family home in Washington, D.C. as a historic property.

Eleven scrapbooks document Thomas's teaching career through the activities of the art classes she taught at Shaw Junior High School.

Printed materials include announcements and catalogs for exhibitions and other events; clippings which document Thomas's career and subjects of interest to her; Christmas cards featuring block prints designed by Thomas; and other programs and publications featuring Thomas.

Photographs are of Alma Thomas, family, and friends and colleagues including Sam Gilliam, James V. Herring, and Nathalie V. Cole Johnson; art classes taught by Thomas; Thomas's homes in Columbus, Georgia and Washington, D.C.; and exhibitions not documented in Series 4: Exhibition Files, including photographs of Alma Thomas at an opening at Barnett Aden Gallery with Alonzo Aden and others.
Arrangement note:
The papers have been arranged into 8 series:

Missing Title

Series 1: Biographical Material, 1911-2001 (Box 1; 0.5 linear feet)

Series 2: Letters, circa 1930-2001 (Boxes 1-2; 0.6 linear feet)

Series 3: Notes and Writings, circa 1920s-circa 1998 (Box 2; 0.7 linear feet)

Series 4: Exhibition Files, 1951-2000 (Boxes 2-3, OV 7; 0.8 linear feet)

Series 5: Personal Business Records, circa 1950s-1994 (Box 3; 0.2 linear feet)

Series 6: Printed Material, circa 1908-2000 (Boxes 3-5, OV 7; 1.8 linear feet)

Series 7: Scrapbooks, 1930-1946 (Box 5; 0.3 linear feet)

Series 8: Photographs, circa 1894-2001 (Boxes 5-6; 0.6 linear feet)
Biographical/Historical note:
Washington, D.C. painter and art educator Alma Thomas (1891-1978) was known for her abstract paintings filled with dense patterns of color, and was considered a major artist of the Washington Color School.

Thomas was born in Columbus, Georgia, in 1894, and was the eldest of the four daughters of John Harris Thomas and Amelia Cantey Thomas. The family moved to Washington, D.C. in 1906 and Thomas was first introduced to art classes at Armstrong Technical High School. Following her graduation in 1911 she took a course in kindergarten teaching at the Miner Normal School, and subsequently worked as a substitute teacher in the Washington, D.C. public school system until 1914, when she took a teaching position on the Eastern shore of Maryland. From 1916 to 1923 she taught kindergarten at Thomas Garrett Settlement House in Wilmington, Delaware.

Thomas originally enrolled at Howard University in Washington, D.C. as a home economics major in 1921, but after studying under Lois Mailou Jones amd James V. Herring in Herring's newly established art department, she earned a Bachelor's degree in Fine Art in 1924, and became the first person to graduate from the program. Thomas then began her teaching career at Shaw Junior High School in Washington, D.C. that lasted from 1924, until her retirement in 1960. During this time she established community arts programs that would encourage her students to develop an appreciation of fine arts. Activities included marionette programs, distribution of student-designed holiday menu cards for dinners given for soldiers at the Tuskegee Veterans' Hospital, art clubs, lectures, and student exhibitions. In 1943 she became the founding vice president of Barnett Aden Gallery, which was established by James V. Herring and Alonzo Aden and was the first integrated gallery in Washington, D.C.

In 1934 Thomas earned an M.A. degree in Art Education from Columbia University. At American University in Washington, D.C., she studied creative painting under Joe Summerford, Robert Gates, and Jacob Kainen from 1950 to 1960, and began to break away from representational painting and experiment more seriously with Abstract Expressionism. In 1958 she participated in a tour of the art centers of Western Europe under the auspices of the Tyler School of Fine Arts at Temple University in Philadelphia.

Following her retirement from teaching in 1960, Thomas devoted herself full-time to painting, and continued to develop her signature style. She was inspired by nature and the desire to express beauty through composition and color, and refused to be constrained by societal expectations related to her race, gender, and age, achieving her greatest success in the last decade of her life. Her work was exhibited at the Dupont Theatre Art Gallery, Franz Bader Gallery, and the Howard University Gallery of Art, before she was honored in 1972 with exhibitions at the Whitney Museum of American Art and the Corcoran Gallery of Art in Washington, D.C.

Thomas's work has been exhibited at the White House and can be found in the permanent collections of major museums, including the Metropolitan Museum of Art, the National Museum of Women in the Arts, and the Smithsonian American Art Museum.
Separated Materials note:
In 1979, J. Maurice Thomas loaned papers for microfilming. Most, but not all, of the loaned material was later donated and is described in this finding aid. Loaned materials not donated at a later date are available on reels 1541-1543 and are not described in the container listing of this finding aid.
Provenance:
J. Maurice Thomas, the artist's sister, loaned portions of the collection for microfilming in 1979. Most, but not all of this material was then later donated in several accretions by J. Maurice Thomas, between 1979 and 2004. Charles Thomas Lewis, Thomas' nephew, gave additional papers in 2010.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Educators -- Washington (D.C.)  Search this
Topic:
Painting, American  Search this
African American artists  Search this
Women artists  Search this
Washington Color School (Group of artists)  Search this
Women educators  Search this
Women painters  Search this
African American educators  Search this
African American painters  Search this
Genre/Form:
Scrapbooks
Audiocassettes
Video recordings
Photographs
Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.thomalma
See more items in:
Alma Thomas papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98cd54656-ee02-4a0d-81ad-6db24f1be010
EDAN-URL:
ead_collection:sova-aaa-thomalma
Online Media:

Letters

Collection Creator:
Thomas, Alma  Search this
Extent:
0.6 Linear feet (Boxes 1-2)
Type:
Archival materials
Date:
circa 1930-2001
Scope and Contents:
This series consists primarily of incoming letters from colleagues and art institutions concerning the exhibition of Thomas's work and related activities; there are only three copies of outgoing letters written by Alma Thomas found in the folders for 1972, 1973, and 1977.

There are letters from individuals, galleries, museums, and educational institutions including Franz Bader and Franz Bader Gallery; Adelyn Breeskin and the Smithsonian National Museum of American Art; Harold Hart and Martha Jackson Gallery; Vincent Melzac and the Corcoran Gallery of Art; the Columbus Museum; Howard University Gallery of Art; Fisk University; and Fort Wayne Museum of Art.

Also found are scattered letters from Valliere Auzenne, poet Nathalie J. Cole Johnson, Celine Tabary, and Joshua Taylor. Following Alma Thomas's death, J. Maurice Thomas dealt with the various galleries interested in exhibiting her sister's work and annotated many of the letters in this series.
Arrangement:
Letters are arranged chronologically.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.thomalma, Series 2
See more items in:
Alma Thomas papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98a76380e-13e9-4e99-9721-4c747a0ae751
EDAN-URL:
ead_component:sova-aaa-thomalma-ref689

Alma Thomas: Recent Paintings (1968), Franz Bader Gallery

Collection Creator:
Thomas, Alma  Search this
Container:
Box 2, Folder 45
Type:
Archival materials
Date:
1968
Scope and Contents:
Oversized material housed in OV 7
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw990f09714-5020-4ee9-a87d-ad096b5ddbce
EDAN-URL:
ead_component:sova-aaa-thomalma-ref801

Alma Thomas: Earth and Space Paintings (1970), Franz Bader Gallery

Collection Creator:
Thomas, Alma  Search this
Container:
Box 2, Folder 48
Type:
Archival materials
Date:
1970
Scope and Contents:
Oversized material housed in OV 7
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98799e05d-c1fe-42d8-b7e5-9683dd230374
EDAN-URL:
ead_component:sova-aaa-thomalma-ref804

Alma W. Thomas Retrospective Exhibition (1972), Corcoran Gallery of Art, Printed Material

Collection Creator:
Thomas, Alma  Search this
Container:
Box 3, Folder 2
Type:
Archival materials
Date:
1972
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96e955016-3fd5-4ba0-a399-d49ebda11106
EDAN-URL:
ead_component:sova-aaa-thomalma-ref812
4 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Alma W. Thomas Retrospective Exhibition (1972), Corcoran Gallery of Art, Printed Material digital asset number 1
  • View Alma W. Thomas Retrospective Exhibition (1972), Corcoran Gallery of Art, Printed Material digital asset number 2
  • View Alma W. Thomas Retrospective Exhibition (1972), Corcoran Gallery of Art, Printed Material digital asset number 3
  • View Alma W. Thomas Retrospective Exhibition (1972), Corcoran Gallery of Art, Printed Material digital asset number 4

Alma Thomas (1974), Franz Bader Gallery

Collection Creator:
Thomas, Alma  Search this
Container:
Box 3, Folder 7
Type:
Archival materials
Date:
1974
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e4b9a705-749b-4932-a50d-e3ee48b63bb4
EDAN-URL:
ead_component:sova-aaa-thomalma-ref817

Alma Thomas (1974), Franz Bader Gallery, Photographs

Collection Creator:
Thomas, Alma  Search this
Container:
Box 3, Folder 8
Type:
Archival materials
Date:
1974
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95697044a-1b9e-487a-aefb-cd369bda6db8
EDAN-URL:
ead_component:sova-aaa-thomalma-ref818

Oversized Alma Thomas: Recent Paintings (1968), Franz Bader Gallery, digitized with Box 2, Folder 45

Collection Creator:
Thomas, Alma  Search this
Container:
Box OV 7
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e7cf2710-a56c-485b-87b4-c132c134f019
EDAN-URL:
ead_component:sova-aaa-thomalma-ref975

Oversized Alma Thomas: Earth and Space Paintings (1970), Franz Bader Gallery, digitized with Box 2, Folder 48

Collection Creator:
Thomas, Alma  Search this
Container:
Box OV 7
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Alma Thomas papers
Alma Thomas papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9120dbad1-d4d2-4f3d-984a-1d759edb8ac6
EDAN-URL:
ead_component:sova-aaa-thomalma-ref976

Franz Bader Gallery records

Creator:
Franz Bader Gallery  Search this
Names:
Bader, Franz, 1903-1994  Search this
Calfee, William H. (William Howard), 1909-1995  Search this
Marx, Robert  Search this
Ojeda, Naúl, 1939-2002  Search this
Thomas, Alma  Search this
Extent:
13 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Video recordings
Date:
1925-1995
Summary:
The records of the Washington, D.C. located Franz Bader Gallery measure 13.0 linear feet and date from 1925 to 1995. The materials document the gallery's history and administrative activities, the artists represented by the gallery, the exhibitions held at the space, and the life of Franz Bader. The collection comprises the personal papers of Franz Bader including files regarding his photography career; artist's files for Paul Arlt, David Becker, William Calfee, Un'ichi Hiratsuka, Robert Marx, Wang Ming, Naúl Ojeda, Prentiss Taylor, Alma Thomas, Lee Weiss, and others; and gallery files containing correspondence, exhibition records, client invoices and other administrative records, files on Inuit art and bark paintings, and a file for Whyte Bookshop and Gallery. Also found are inventory and sales records consisting of two card files, ledgers, stock and inventory lists, and a sales binder; printed and broadcast materials relating to exhibitions, Bader and his photography, events, and includes a video recording featuring the gallery on the show Around Town; guestbooks which hold signatures and notes from gallery patrons; scrapbooks that include printed material related to the gallery's exhibitions, D.C.-based artists the gallery represented, and other gallery events; and photographs of Bader and others, the gallery space, works of art, and candid photographs from exhibition openings.
Scope and Contents:
The records of the Washington, D.C. located Franz Bader Gallery measure 13.0 linear feet and date from 1925 to 1995. The materials document the gallery's history and administrative activities, the artists represented by the gallery, the exhibitions held at the space, and the life of Franz Bader. The collection comprises the personal papers of Franz Bader including files regarding his photography career; artist's files for Paul Arlt, David Becker, William Calfee, Un'ichi Hiratsuka, Robert Marx, Wang Ming, Naúl Ojeda, Prentiss Taylor, Alma Thomas, Lee Weiss, and others; and gallery files containing correspondence, exhibition records, client invoices and other administrative records, files on Inuit art and bark paintings, and a file for Whyte Bookshop and Gallery. Also found are inventory and sales records consisting of two card files, ledgers, stock and inventory lists, and a sales binder; printed and broadcast materials relating to exhibitions, Bader and his photography, events, and includes a video recording featuring the gallery on the show Around Town; guestbooks which hold signatures and notes from gallery patrons; scrapbooks that include printed material related to the gallery's exhibitions, D.C.-based artists the gallery represented, and other gallery events; and photographs of Bader and others, the gallery space, works of art, and candid photographs from exhibition openings.
Arrangement:
This collection is arranged as eight series.

Series 1: Franz Bader Papers, 1928-1993, (Boxes 1, 5, OV 17; 0.5 linear feet)

Series 2: Artist's Files, 1938-1995, (Boxes 5-12, OV 17; 7.0 linear feet)

Series 3: Gallery Files, 1953-1993, (Boxes 1, 12-13; 1.6 linear feet)

Series 4: Inventory and Sales Records, 1960-1989, (Boxes 13-14, 16; 1.0 linear feet)

Series 5: Printed and Broadcast Materials, 1952-1994, (Boxes 1-2, 14-15; 0.5 linear feet)

Series 6: Guestbooks, 1975-1980, (Boxes 1-3; 0.5 linear feet)

Series 7: Scrapbooks, 1950s-1980s, (Boxes 1-2, 4, 15, BV 18; 0.9 linear feet)

Series 8: Photographs, 1925-circa 1990, (Boxes 2, 15, OV 17; 0.5 linear feet)
Biographical / Historical:
The Franz Bader Gallery was an art gallery and bookshop in Washington D.C. operated by Franz Bader (1903-1994) under various names including Franz Bader Gallery, Franz Bader Inc., and Franz Bader Gallery and Bookshop. In 1953, Bader established the gallery at 1705 G Street Northwest, where he showed local and/or upcoming artists, as well as contemporary prints. The gallery moved in September 1964 to 2124 Pennsylvania Avenue and in October 1979 to 2001 I Street, where Bader remained until his retirement in 1985. The gallery continued on after his retirement, and moved location to 1701 Pennsylvania Avenue in 1987, and to 1500 K Street in 1990. The final show held by the gallery was in 1995. Among the artists represented by the gallery and included in this collection are Alice Acheson, Anita Bucherer, Frank Bunts, Bernice Cross, Harry Irving Gates, Peter Milton, Michael Platt, Alma Thomas, Leonard Maurer, and others.

Franz Bader was born in Vienna, Austria in 1903. By 1937, Vienna had succumbed to Nazi occupation, and in 1939 Bader and his wife Virginia fled, moving to America where he found employment at the Whyte Bookshop and Gallery in Washington D.C. He was inspired to create a gallery different than those typically found in the conservative atmosphere of Washington D.C., and he made it his mission to represent contemporary artists living and working in the city. His work with modern art set him apart, eventually earning him the moniker of "Dean of the Washington Gallery Dealers". He passed away in 1994.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Franz Bader conducted by Julie Link Haifley in 1978.
Provenance:
The scrapbooks, guestbooks, a small amount of printed material and correspondence, photographs of the Franz Bader Gallery, and honors for Bader were donated to the Archives of American Art by Virginia F. Bader, Franz Bader's wife, in 1995. The other material was donated by John Benjamin Dunn, lawyer for the gallery, in 2002.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art galleries, Commercial -- Washington (D.C.)
Genre/Form:
Scrapbooks
Video recordings
Citation:
Franz Bader Gallery records, 1925-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.franbade
See more items in:
Franz Bader Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90ba1d0ba-bcb1-40a0-b12f-df2bfa4dc40d
EDAN-URL:
ead_collection:sova-aaa-franbade

Gallery Files

Collection Creator:
Franz Bader Gallery  Search this
Extent:
1.6 Linear feet (Boxes 1, 12-13)
Type:
Archival materials
Date:
1953-1993
Scope and Contents:
Files in the series include exhibition records for the gallery's annual Christmas exhibition and Washington Area Artists, donations, consignment and loan records, artwork and artist address lists, employee records, files on bark paintings and Inuit art, and vendor files. Correspondence to Bader comes from artists represented by the Franz Bader Gallery, the Smithsonian Institution National Collection of Fine Art, the U.S. Information Agency, the Chancellor of Arts and Letters in Bader's native Austria recognizing Bader's cultural contributions overseas, and a few German-language letters. Other correspondence is with galleries and museums regarding exhibitions, clients, vendors, and some personal letters with friends. Also included is a file for the Whyte Bookshop and Gallery, Inc.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Franz Bader Gallery records, 1925-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.franbade, Series 3
See more items in:
Franz Bader Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94abf11de-9b32-439a-bf06-397478f208f2
EDAN-URL:
ead_component:sova-aaa-franbade-ref1

Guestbooks

Collection Creator:
Franz Bader Gallery  Search this
Extent:
0.5 Linear feet (Boxes 1-3)
Type:
Archival materials
Date:
1975-circa 1980
Scope and Contents:
Guestbooks from the years 1975 to 1980 contain exhibition announcements, signatures, notes, and contact information from patrons who attended the Franz Bader Gallery's shows. Some guestbooks were received disbound, but remain in the original order.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Franz Bader Gallery records, 1925-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.franbade, Series 6
See more items in:
Franz Bader Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a3c0e209-6a15-420f-9c11-446db24173d0
EDAN-URL:
ead_component:sova-aaa-franbade-ref10

Fisch, Olga

Collection Creator:
Franz Bader Gallery  Search this
Container:
Box 7, Folder 2
Type:
Archival materials
Date:
1981
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Franz Bader Gallery records, 1925-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Franz Bader Gallery records
Franz Bader Gallery records / Series 2: Artist's Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d3a8c5c0-c530-4bfa-9a09-808b7efe05f1
EDAN-URL:
ead_component:sova-aaa-franbade-ref100

Fodor, James

Collection Creator:
Franz Bader Gallery  Search this
Container:
Box 7, Folder 3
Type:
Archival materials
Date:
1979-1980
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Franz Bader Gallery records, 1925-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Franz Bader Gallery records
Franz Bader Gallery records / Series 2: Artist's Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ddc17009-5170-43c8-86f5-d8558ada9d5a
EDAN-URL:
ead_component:sova-aaa-franbade-ref101

Freed, David

Collection Creator:
Franz Bader Gallery  Search this
Container:
Box 7, Folder 4-5
Type:
Archival materials
Date:
1976-1985
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Franz Bader Gallery records, 1925-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Franz Bader Gallery records
Franz Bader Gallery records / Series 2: Artist's Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw950126265-20d2-4a40-ac11-c7b39ec7fe59
EDAN-URL:
ead_component:sova-aaa-franbade-ref102

Modify Your Search







or


Narrow By