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Photo album

Creator:
March, Benjamin, 1899-1934  Search this
Names:
March, Benjamin, 1899-1934  Search this
Rowe, Dorothy, 1898-1969  Search this
Collection Creator:
March, Benjamin, 1899-1934  Search this
Extent:
258 Items (gelatin silver prints mounted on unbound pages with handwritten captions)
Container:
Box 11, Folder 2
Type:
Archival materials
Photograph albums
Place:
Japan
United Kingdom
Paris (France)
China
China -- Description and Travel
Beijing (China)
Date:
1931
Scope and Contents note:
"Shu-Chai in Search of Shung-Chu. Wayward Records of a Trip Eastward Around the World from Detroit, 15 April 1931 to Detroit, 17 October 1931." 7 ½" x 9". 258 photographs, black and white photographs, affixed to page, dated and captioned. Photographs taken during March's trip around the world. Binding removed, original pagination maintained. Depicted: SS American Trader; Surrey, England; Paris; Berlin; F.E. Schmitt; M.O. Berube; the Colonial Exposition in Paris; Peiping; Dr. John C. Ferguson; Ferguson residence in Peiping; Benjamin March; 86 Nan Ch'In Tzu; Celestin Liu; Dr. Otto Burchard; Mrs. Otto Burchard; Larry Mayer; J. Leighton Stuart; Yenching; Lucius Porter; the Forbidden City; Temple of Heaven; Wan Shou Shan; Y.C. Fu; H.H. Fu; Mei Lan-Fang; Hsiang Fei; She-Kee; Chiyozaki; tea ceremony; Kyoto.
Scope and Contents:
Subtitled, "Wayward Records of a Trip Eastward Around the World from Detroit, 15 April 1931 to Detroit, 17 October 1931." An album of photographs taken by Benjamin March doing travel and research. Locations are primarily in and around Beijing, but also include travel in Japan, the UK and France. People depicted include Dr. John C. Ferguson; F; Celestin Liu; Dr. Otto Burchard; Larry Mayer; J. Leighton Stuart; Lucius Porter; Y.C. Fu; H.H. Fu; Mei Lanfang, Xu Fengqiu and Wang Xiuying. Includes rare photographs of John C. Ferguson's home; Mei Lanfang's garden; and the Sun Yat-sen Memorial Hall.
1931年相册。1931年4月15日抵達底特律, 1931年10月17日,从底特律朝東到世界各地旅行的隨意记录。照片258张。 描述: 美国贸易商、 英国、巴黎、柏林; 巴黎的殖民博览会、北平(今北京,譯者注)、約翰 佛格森、弗格森居住在北平(今北京,譯者注)、孙中山纪念堂、本傑明 馬尓智、梅兰芳、徐风球、汪秀英、茶道、京都
Photo album: "Shu-Chai in Search of Shun-Chü,"
Biographical / Historical:
East Asian art historian, curator and lecturer, Benjamin Franklin March Jr., was born in Chicago on July 4, 1899 to Benjamin and Isabel March. He studied, lectured, and wrote in the United States and China and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. March was East Asian art lecturer at the University of Michigan, and curator of Asian art at the Detroit Institute of Art. Although he lived only thirty-five years, Benjamin March was a respected and influential scholar of Asian art.
Local Numbers:
FSA A1995.10 5.2.12
Collection Restrictions:
Collection is open for research.
Collection Rights:
No restrictions on use.
Topic:
Art, Asian  Search this
Art, Asian -- Research  Search this
Genre/Form:
Photograph albums
Collection Citation:
Benjamin March Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Judith March Davis, 1995
Identifier:
FSA.A1995.10, File FSA A1995.10 5.2.12
See more items in:
Benjamin March Papers
Benjamin March Papers / Series 5: Graphic Materials / 5.2: Photo albums
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc332c21b95-3be3-491d-83a4-162b6d62e3ce
EDAN-URL:
ead_component:sova-fsa-a1995-10-ref484

Hildreth Meière papers, 1901-2011, bulk 1911-1960

Creator:
Meiere, M. Hildreth, d. 1961-  Search this
Subject:
Abbott, Berenice  Search this
Dunn, Louise Meière  Search this
United States. Navy  Search this
Exposition internationale (1937 : Paris, France)  Search this
Peter A. Juley & Son  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Type:
Transcripts
Video recordings
Photographs
Diaries
Sketchbooks
Place:
Spain -- History -- Civil War, 1936-1939
Topic:
War relief  Search this
Travel  Search this
World War, 1939-1945  Search this
Women artists  Search this
Motion pictures (visual works)  Search this
World War, 1914-1918  Search this
Women muralists  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)5982
(DSI-AAA_SIRISBib)228718
AAA_collcode_meiemari
Theme:
Women
Lives of American Artists
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_228718
Online Media:

Ernst Herzfeld Papers

Topic:
Papyrus
Creator:
Herzfeld, Ernst, 1879-1948  Search this
Names:
Kaiser-Friedrich-Museum  Search this
Verlag Philipp von Zabern  Search this
Anistās Mārī, al-Karmilī, ab, 1866-1947  Search this
Becker, Carl Heinrich, 1876-1933  Search this
Bell, Gertrude Lowthian, 1868-1926  Search this
Berchem, Max van, 1863-1921  Search this
Herzfeld, Ernst, 1879-1948  Search this
Krefter, Friedrich, 1898-1995  Search this
Meyer, Eduard, 1855-1930  Search this
Sarre, Friedrich Paul Theodor, 1865-1945  Search this
Extent:
150 Linear feet (circa 30,000 items)
Type:
Collection descriptions
Archival materials
Blueprints
Journals (accounts)
Photographs
Clippings
Notebooks
Drawings
Sketchbooks
Articles
Paper squeezes
Correspondence
Diaries
Sketches
Rubbings
Place:
Turkey
Mesopotamia
Bakun, Tall-e (Iran)
Iran
Iraq
Lebanon
Persepolis (Iran)
Pasargadae (Extinct city)
Taq-e Bostan Site (Iran)
Sāmarrāʼ (Iraq)
Syria
Date:
1903-1947
Summary:
An outstanding scholar in the field of Iranian studies, Ernst Herzfeld (1879--1948) explored all phases of Near Eastern culture from the prehistoric period to Islamic times. This collection documents Herzfeld's excavations at Samarra, Persepolis, Pasargadae, and Aleppo and includes correspondence; field notebooks; drawings; sketchbooks; inventories of objects; "squeeze" copies of architectural details; and photographs.
Scope and Contents:
Papers (1899--1962) of German born archaeologist Ernst Emil Herzfeld (1879--1948), a preeminent scholar of Near Eastern and Iranian studies. The collection measures 150 linear feet (circa 30,000 items) and documents Herzfeld's work as a pioneer in the field and sheds light on his excavations at Samarra, Persepolis, Pasargadae, and Aleppo. Formats include correspondence; field notebooks; drawings; sketchbooks; inventories of objects; "squeeze" copies of architectural details; and photographs.
Arrangement:
This collection is organized into seven series.

Series 1: Travel journals

Series 2: Sketchbooks

Series 3: Notebooks

Series 4: Photographic files 1-42

Series 5: Drawings and maps

Series 6: Squeezes

Series 7: Samarra Expedition
Biographical / Historical:
The Ernst Herzfeld Papers document the career of Ernst Herzfeld (1879--1948), a German architect, archaeologist, and historian of Islamic and Pre-Islamic studies. After training as an architect he studied archaeology under Delitzch from 1903 to 1906 at the excavations at Assur in Mesopotamia. A student of Latin, Greek, Arabic, Persian, Turkish, and Hebrew, Herzfeld received a doctorate in Humanistic Studies at universities in Munich and Berlin in 1907. His work with Friedrich Sarre to survey the monuments of the Tigris-Euphrates valleys resulted in landmark studies in architectural history, published in 1911 and 1920.

In 1920 Herzfeld was appointed to the chair of Historical Geography in Berlin and began his excavation at Samarra. Herzfeld's work there led to a six-volume publication. He published widely throughout his life on the sources of Islamic architecture and ornament, including the Royal Palace at Persepolis.

From 1934 until the end of his life Herzfeld spent his time producing many books and articles, lecturing, and working at the Institute for Advanced Study at Princeton (1936--1945.) Many of his works continue to be published post-humously.

1879 July 23 -- Born in Celle, Germany.

1897 -- Received diploma from Joachimsthaler Gymnasium, Berlin.

1897-circa 1898 -- Fulfilled military service.

circa 1899 -- Studied architecture at the Technical University and Assyriology, art history, and philosophy at the Friedrich-Wilhems Universität in Berlin.

1903 -- Passed exam in structural engineering.

1903-1905 -- Assistant to Walter Andrae (1875-1956) in Assur.

1905-1906 -- Traveled throughout Iran and Iraq.

1907 -- Excavation in Cilicia. Passed oral exam in February. Awarded doctorate in Humanistic Studies by Friedrich-Wilhems Universtät zu Berlin. After receiving Ph.D. traveled extensively in Syria and Iraq with Friedrich Sarre, director of the Islamic Museum in Berlin.

1910 -- Herzfeld and Sarre jointly publish, Iranische Felsreliefs (Berlin, 1910).

1911-1913 -- Field Director under direction of Sarre during expedition to Samarra.

circa 1914 -- Drafted into service in France and Poland during World War I. Sent to Iraq where he functioned as a surveyor.

1916 -- Father died.

1917 -- Appointed associate professor for Historical Geography and Art History of the Ancient Orient at Berlin. Along with Friedrich Sarre and others, founded the German-Persian Society to increase cultural and economic exchange between Germany and Persia.

1920 -- Appointed world's first full professor of Near Eastern Archeology. Begins excavation at Samarra.

1922 -- Mother died.

1923-1934 -- In Persia, where he completed many excavations and studies.

1928 -- Excavation at Pasargadae.

1931-1934 -- Appointed director of the Oriental Institute of the University of Chicago and moved to Persepolis.

1934 -- As grandson of Jews, Nazi legislation expelling state employees of Jewish descent forced Herzfeld to retire as a professor employed by the state. Moved to London.

1936 -- Delivered Lowell Lectures. Moved to Boston. Lectured on Iranian history and appointed a member of the Princeton Institute for Advanced Study.

1944 -- Retired from Princeton University.

1948 January 20 -- Died.
Provenance:
Ernst Herzfeld donated his papers to the Freer Gallery of Art in 1946.
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Ayyubids  Search this
Art of the Islamic World  Search this
Antiquities  Search this
History  Search this
Excavations (Archaeology)  Search this
Pottery  Search this
Description and Travel  Search this
Decoration and ornament  Search this
Ancient Near Eastern Art  Search this
Aerial photography  Search this
Abbasids  Search this
Religious buildings  Search this
Numismatics  Search this
Inscriptions  Search this
Architectural drawing  Search this
Genre/Form:
Blueprints
Journals (accounts)
Photographs
Clippings
Notebooks
Drawings
Sketchbooks
Articles
Paper Squeezes
Correspondence
Diaries
Sketches
Rubbings
Citation:
Ernst Herzfeld Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06
See more items in:
Ernst Herzfeld Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3d8456fbe-98f6-4159-bd2f-c485379b84a7
EDAN-URL:
ead_collection:sova-fsa-a-06
Online Media:

Aleppo (Syria): Tawashi Mosque: View of Moritz Sobernheim in front of Entrance Portal with Arabic Inscription No. 198, in Naskhi Mameluke Script

Creator:
Herzfeld, Ernst, 1879-1948  Search this
Names:
Herzfeld, Ernst, 1879-1948  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Glass negative (b&w, 18 cm. x 13 cm.)
Type:
Archival materials
Glass negatives
Place:
Asia
Syria
Aleppo (Syria)
Date:
1908-1914
Scope and Contents:
- Handwritten notes accompanying related print in photo file 15, vol. 2 reads, "Djāmiʿ Ṭawāshī. Portal. Inscription 944 H."
- Publication Caption accompanying Plate CL, b reads, "Pl. CL, b. Djâmiʿ al-Ṭawâshî, portail; inscription No. 198 (944)." [Herzfeld, Ernst: "Matériaux pour un Corpus Inscriptionum Arabicarum, Deuxième Partie : Syrie du Nord, Inscriptions et Monuments d'Alep. Tome II. Le Caire; Imprimerie de L'Institut Franc̦ais d'Archaéologie Orientale, 1954. Plate CL, b."]
- Additional information from Finding Aid reads, "Subseries 4.15: Photo File 15 (3 vols.), "Aleppo," Subseries 4.15.2: vol. 2; Image No. 286 (Negative Number: 3482). Djami' Tawashi. Portal inscription 944 H. Corpus, p1.CLb."
Arrangement:
Glass Negatives, numbered from 1 to 3850, are housed in document boxes, and stored on shelves."
Local Numbers:
FSA A.6 04.GN.3482
Date/Time and Place of an Event Note:
The monuments and inscriptions of Northern Syria were surveyed and collected between 1908 and 1914 by Moritz Sobernheim and Ernst Herzfeld as part of a broader project, sponsored by the Institut de France, that of Max van Berchem's "Matériaux pour un Corpus Inscriptionum Arabicarum." The drawings are related to this survey as well as additional expeditions to Aleppo (Syria) carried out by Ernst Herzfeld in 1907, 1908, 1910, 1914, 1916, 1917, 1918, and 1930.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art of the Islamic World  Search this
Archaeology  Search this
Architecture  Search this
Decoration and ornament  Search this
Description and Travel  Search this
Inscriptions  Search this
Inscriptions, Arabic  Search this
Religious buildings  Search this
Genre/Form:
Glass negatives
Collection Citation:
Ernst Herzfeld Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.6 04.GN.3482
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 4: Photographic Files
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3b679fdb3-9bc4-4b46-ae27-768396f84250
EDAN-URL:
ead_component:sova-fsa-a-06-ref28689

Aleppo (Syria): (left) Ernst Herzfeld, Moritz Sobernheim, and Two Unidentified Members of the Expedition; (right) Inscription of Abu Bakr, on Wooden Panel

Creator:
Herzfeld, Ernst, 1879-1948  Search this
Names:
Herzfeld, Ernst, 1879-1948  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Glass negative (b&w, 12 cm. x 9 cm.)
Type:
Archival materials
Glass negatives
Place:
Asia
Syria
Aleppo (Syria)
Date:
1908-1914
Scope and Contents:
- Handwritten notes accompanying related print in photo file 15, vol. 2 reads, "(left) Standing: Herzfeld, Sobernheim, Guyer (?) [unidentified]; (right). Inscription Abu Bakr."
- Additional information from Finding Aid reads, "Subseries 4.15: Photo File 15 (3 vols.), "Aleppo," Subseries 4.15.2: vol. 2; Image No. 313 (Negative Number: 3512). (a) Herzfeld, Sobernheim, Guyer (?) [not Guyer] and Arab; (b). wooden panel. Inscription Abu Bakr."
Arrangement:
Glass Negatives, numbered from 1 to 3850, are housed in document boxes, and stored on shelves."
Local Numbers:
FSA A.6 04.GN.3512
Date/Time and Place of an Event Note:
The monuments and inscriptions of Northern Syria were surveyed and collected between 1908 and 1914 by Moritz Sobernheim and Ernst Herzfeld as part of a broader project, sponsored by the Institut de France, that of Max van Berchem's "Matériaux pour un Corpus Inscriptionum Arabicarum." The drawings are related to this survey as well as additional expeditions to Aleppo (Syria) carried out by Ernst Herzfeld in 1907, 1908, 1910, 1914, 1916, 1917, 1918, and 1930.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Archaeology  Search this
Description and Travel  Search this
Inscriptions  Search this
Inscriptions, Arabic  Search this
Portrait photography  Search this
Genre/Form:
Glass negatives
Collection Citation:
Ernst Herzfeld Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.6 04.GN.3512
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 4: Photographic Files
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3e8d35303-c93e-41e8-9b5d-f60bbace2a39
EDAN-URL:
ead_component:sova-fsa-a-06-ref28716

Oral history interview with Merryll Saylan

Interviewee:
Saylan, Merryll B., 1936-  Search this
Interviewer:
Adamson, Glenn  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Association of Woodturners  Search this
California State University, Northridge -- Students  Search this
International Turned Objects Show (1988 : Philadelphia, Pa.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of California, Los Angeles -- Students  Search this
Wood Turning Center (Philadelphia, Pa.)  Search this
Woodstock School of Painting  Search this
Blunk, J. B., 1926-2002  Search this
Cooper, Michael Jean  Search this
Evans, Ralph  Search this
Foy, George  Search this
Fredell, Gail  Search this
Glaser, Jerry  Search this
Lipofsky, Marvin, 1938-2016  Search this
Maruyama, Wendy, 1952-  Search this
Rapp, Joanne  Search this
Stocksdale, Bob, 1913-2003  Search this
Stubbs, Del  Search this
Weir-Quiton, Pamela  Search this
Extent:
7 Items (Sound recording: 7 compact discs (6 hr., 9 min.), digital, 2 5/8 in.)
116 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
England -- description and travel
France -- description and travel
Guatemala -- Description and Travel
Hong Kong -- Description and Travel
Japan -- Description and Travel
Philippines -- Description and Travel
Date:
2006 May 20-June 5
Scope and Contents:
An interview of Merryll Saylan conducted 2006 May 20-June 5, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Victoria & Albert Museum, in London, England.
Saylan speaks of her childhood in Los Angeles, California; her early musical education in piano and viola; memories of World War II; her family's political views during the Cold War; meeting her first husband at UCLA; dropping out of school to move to Virginia and Georgia in fulfillment of her husband's military service; experiencing anti-Semitism in Georgia; the challenges of her eldest son's speech problems; traveling to France, Japan, Guatemala, Hong Kong and the Philippines; her interest in Japanese culture; completing her B.A. in design at UCLA and her M.A. in studio art at California State University, Northridge; anti-Vietnam sentiment on campus; early interests in environmental design; her second husband and his friends; her interest in furniture and woodworking; differing approaches to woodworking on the east and west coasts; her views on feminism and working women; her use of color and texture in woodworking; teaching experiences; popular perception of her work; receiving a grant to go to England and her involvement with English and German woodturners; the lack of collector interest in her work; forced absences from working because of illnesses; serving on the boards of the American Association of Woodturners and The Woodturning Center; her involvement in the International Turned Objects Show, the Sculpture Objects & Functional Art Biannual Exposition, and the International Turning Exchange; her thoughts on future work. Saylan also recalls George Foy, Bob Stocksdale, Michael Cooper, Pamela Weir-Quiton, Joanne Rapp, J.B. Blunk, Marvin Lipofsky, Gail Fredell, Wendy Maruyama, Ralph Evans, Del Stubbs, Jerry Glaser, and others.
Biographical / Historical:
Merryll Saylan (1936- ) is a wood artist from San Rafael, California. Glenn Adamson (1972- ) is a museum professional, in London, England.
General:
Originally recorded on 7 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 6 hr., 9 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Woodworkers -- California  Search this
Topic:
Decorative arts  Search this
Environmental engineering  Search this
Feminism and art  Search this
Furniture making  Search this
Furniture making -- Study and teaching  Search this
Turning -- Study and teaching  Search this
Women artists  Search this
Woodwork  Search this
World War, 1939-1945  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.saylan06
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw935cef910-0ce6-49cb-a74d-2d2735b3f08e
EDAN-URL:
ead_collection:sova-aaa-saylan06
Online Media:

Myron Bement Smith Collection

Creator:
Smith, Myron Bement, 1897-1970  Search this
Names:
Aga-Oglu, Mehmet, 1896-1949  Search this
Ettinghausen, Richard  Search this
Field, Henry  Search this
Herzfeld, Ernst, 1879-1948  Search this
Kuban, Dogan  Search this
Moe, Henry Allen  Search this
Pope, Arthur Upham, 1881-1969  Search this
Former owner:
Blake, Marion Elizabeth  Search this
Extent:
192 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1910-1970
Summary:
The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.
Scope and Contents:
The Myron Bement Smith Collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. The papers include some biographic material about Myron but little about his wife. Information on his academic and professional experience is sketchy and his diaries and appointment books often contain only sporadic entries. The papers contain substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Correspondence comprises the largest and most potentially useful part of the papers. Letters describe the milieu in which he operated in Rochester, NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime.

The Islamic Archives, formally entitled The Archive for Islamic Culture and Art, was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Most of the latter consists of photographs and slides. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture. The core collection of the Archives consists of Smith's original photographs and architectural sketches of Iranian Islamic monuments made during his field research in the 1930s. He meticulously photographed the interior and exterior of monuments, including their decorative detail. Some of the photographic materials subsequently loaned, purchased, or donated to the Archives may enable scholars to document sites over time but in many cases the materials are poorly preserved or reproduced. A notable exception to this is the glassplate negatives and prints of 19th century Iranian photographer Antoin Sevruguin.
Arrangement:
The collection is arranged into 2 major series with further subseries. A third series inventories the outsized and miscellaneous materials.

Series 1: Papers

Subseries 1.1: Biographic Materials

Subseries 1.2: Professional Experience

Subseries 1.3: Notebooks, Journals and Appointment Books

Subseries 1.4: Correspondence

Subseries 1.5: Published and Unpublished Materials

Subseries 1.6: Italy Research 1925, 1927-1928

Subseries 1.7: Iran Research 1933-1937

Subseries 1.8: Katharine Dennis Smith Papers and Correspondence

Series 2: The Islamic Archives

Subseries 2.1: Islamic Archives History, Collection Information

Subseries 2.2: Resource Materials Iran

Subseries 2.3: Resource Materials Other Islamic World and General

Subseries 2.4: Myron Bement Smith Architectural Sketches, Plans and Notes, Iran, 1933-1937

Subseries 2.5: Myron Bement Smith Iran Photographs, Notebooks and Negative Registers

Subseries 2.6: Country Photograph File

Subseries 2.7: Lantern Slide Collection

Subseries 2.8: Myron Bement Smith 35 mm Color Slides

Subseries 2.9: Country 35 mm Color Slide File

Subseries 2.10: Myron Bement Smith Negatives

Subseries 2.11: Country Photograph Negatives

Subseries 2.12: Antoin Sevruguin Photographs

Series 3: Outsize and Miscellaneous Items

Subseries 3.1: Map Case Drawers

Subseries 3.2: Rolled Items

Subseries 3.3 Items in Freezer

Subseries 3.4 Smithsonian Copy Negatives
Biographical Note:
Myron Bement Smith was born in Newark Valley, New York in 1897 and grew up in Rochester, New York. He died in Washington D.C. in 1970. He showed an early interest in drawing, and after graduation from high school, he worked as a draftsman for a Rochester architect. He served in the US Army Medical Corps in France during World War I and on return again worked as an architectural draftsman. He studied at Yale University from 1922 to 1926, earning a Bachelor of Fine Arts degree. During summer vacations, he worked as draftsman or designer for architectural firms in New York City. After graduation, he received a John Simon Guggenheim Memorial Foundation grant and spent two years in Italy doing research on northern Italian brick and stone work. He used photography as an tool for his research and published several well-illustrated articles. On return he joined an architectural firm in Philadelphia and in 1931 became a registered architect in New York. He enrolled in Harvard University graduate school in 1929 pursuing a Master of Fine Arts degree.

In April 1930, Smith was appointed Secretary of the newly created American Institute for Persian Art and Archaeology founded by Arthur Upham Pope and located in New York City. He had no prior academic or work experience in Islamic art or architecture, and his job entailed designing publications, arranging lectures, organizing exhibitions and fund raising. That summer he arranged an independent study course at Harvard University on Persian art and subsequently studied Persian language at Columbia University and attended graduate courses at the Institute of Fine Arts at New York University. His work and academic credentials enabled him to compete successfully for a research fellowship from the American Council of Learned Societies in 1933 to study Iranian Islamic architecture.

Accompanied by his new bride Katharine Dennis, Smith left for Iran in 1933. They suffered a horrendous motor vehicle accident in Iraq en route and required a lengthy recuperation in Lebanon and Cyprus. The Smiths eventually arrived in Isfahan, Iran, where they established their "Expedition House," as Smith called it, in a rented faculty house at Stuart College. Smith's research consisted of meticulous photographic documentation of Islamic monuments and architectural sketches and drawings of many of them. He concentrated on the Isfahan area but also documented monuments elsewhere in Iran. Smith outfitted his station wagon as a combination camper and research vehicle in which he and his staff traveled widely. Katharine sometimes traveled with him but generally she remained in Isfahan managing the household and logistics for the "expedition." The Smiths left Iran in 1937.

Smith published several articles about Iran's Islamic monuments based on his field research and in 1947 completed his PhD thesis for The Johns Hopkins University on the vault in Persian architecture. His professional career from 1938 until his death in 1970 consisted of a series of temporary academic positions, contract work and government or academic sponsored lecture tours and photographic exhibits. He had a long lasting relationship with the Library of Congress where he served as an Honorary Consultant from 1938 to 1940 and again from 1948 to 1970; from 1943 to 1944 he was Chief of the Iranian Section at the Library. Despite his lack of published material, Smith was well-known among academic, government and private citizens who worked, traveled or were otherwise interested Iran and the Islamic world.

Smith developed an extensive network of professional and social contacts that dated from his early student days and increased markedly during his time at the Persian Institute and later in Iran. He kept in touch with them and they touted him to others who were interested in Iran or Islamic art and architecture. This network served him well in realizing his ambition of creating a resource for scholars that relied on photographs to document Islamic architecture. The Islamic Archives began with his own collection of photographs from his Iran research and grew to include all manner of photographic and other materials not only on the Islamic world but also other areas. Creating and managing the Archives became the main focus of Smith's professional life and career. In 1967 he received a grant from the National Endowment for the Humanities to revise his PhD thesis as a publishable manuscript but died before he could complete it.
Related Materials:
The Antoin Sevruguin Photgraphs

Ernst Herzfeld Papers

Lionel B. Bier Drawings

Lionel D. Bier and Carol Bier Photographs
Provenance:
Gift of Myron Bement Smith
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Islamic architecture  Search this
Islamic Architecture-Turkey  Search this
Iran-description and travel  Search this
Iran-History 20th Century  Search this
Islamic Architecture-Middle East  Search this
Iran-social life and customs  Search this
United States-Social life and customs  Search this
Mosques  Search this
Architecture -- Iran  Search this
Citation:
The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A.04
See more items in:
Myron Bement Smith Collection
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3c8c950fe-250b-40df-b8c7-bcf788073968
EDAN-URL:
ead_collection:sova-fsa-a-04
Online Media:

Oral history interview with Betty Woodman, 2003 April 22 and 29

Interviewee:
Woodman, Betty, 1930-2018  Search this
Interviewer:
Perreault, John, 1937-  Search this
Subject:
Brown, Elenita  Search this
Carlson, Cynthia  Search this
Hamada, Shōji  Search this
Higby, Wayne  Search this
Kozloff, Joyce  Search this
Kushner, Robert  Search this
Leach, Bernard  Search this
Serra, Richard  Search this
Shark, Bud  Search this
Voulkos, Peter  Search this
Woodman, George  Search this
Bellagio Study and Conference Center  Search this
Centre internationale de recherche sur le verre et les arts plastiques (Marseille, France)  Search this
Europees Keramisch Werkcentrum  Search this
Fabric Workshop  Search this
Girl Scouts of the United States of America  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
School for American Crafts  Search this
University of Colorado  Search this
Boulder (Colo.).. Parks & Recreation Department  Search this
Type:
Interviews
Sound recordings
Place:
Boulder (Colo.)
India -- description and travel
Mexico -- description and travel
Netherlands -- description and travel
Topic:
Airplanes -- Models  Search this
Art -- Study and teaching  Search this
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Glass art  Search this
Screen process printing  Search this
Women artists  Search this
World War, 1939-1945  Search this
Women ceramicists  Search this
Handicraft  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13297
(DSI-AAA_SIRISBib)245771
AAA_collcode_woodma03
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_245771
Online Media:

Oral history interview with Tom Patti, 2010 January 18-19

Interviewee:
Patti, Tom, 1943-  Search this
Interviewer:
Warmus, William, 1953-  Search this
Subject:
Arnheim, Rudolf  Search this
Borowsky, Irvin J.  Search this
Buechner, Thomas S.  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Gund, Ann  Search this
Gund, Graham  Search this
Heller, Doug  Search this
Hunter-Stiebel, Penelope  Search this
Kostellow, Rowena Reed  Search this
Moholy-Nagy, Sibyl  Search this
Parriott, Joseph  Search this
Pelli, Cesar  Search this
Rockwell, Norman  Search this
Rogers, Malcolm Jennings  Search this
Safdie, Moshe  Search this
Wagman, Laurie  Search this
Wood, Art  Search this
Corning Museum of Glass.  Search this
General Electric Company  Search this
George Walter Vincent Smith Museum  Search this
Haystack Mountain School of Crafts  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Norman Rockwell Museum at Stockbridge  Search this
Owens-Corning Fiberglas Corporation  Search this
Penland School of Crafts  Search this
Pratt Institute  Search this
Sienna Gallery  Search this
Type:
Interviews
Sound recordings
Place:
Colombia -- description and travel
Europe -- description and travel
Israel -- description and travel
Topic:
Industrial design  Search this
Designers -- Massachusetts -- Interviews  Search this
Glass artists -- Massachusetts -- Interviews  Search this
Sculptors -- Massachusetts -- Interviews  Search this
Glass art  Search this
Record number:
(DSI-AAA_CollID)15780
(DSI-AAA_SIRISBib)287761
AAA_collcode_patti10
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_287761
Online Media:

Oral history interview with Howard Ben Tré, 2007 July 7

Interviewee:
Ben Tré, Howard, 1949-2020  Search this
Interviewer:
Shea, Josephine, 1958-  Search this
Subject:
Aycock, Alice  Search this
Brychtová, Jaroslava  Search this
Chihuly, Dale  Search this
Dailey, Dan  Search this
Hampson, Ferdinand  Search this
Labino, Dominick  Search this
LaMonte, Karen  Search this
Libenský, Stanislav  Search this
Littleton, Harvey K.  Search this
Onorato, Ronald J.  Search this
Parker, Anthony  Search this
Polander, Steve  Search this
Scanga, Italo  Search this
Appalachian Center for Craft  Search this
Brooklyn College  Search this
Brooklyn Technical High School (Brooklyn, New York, N.Y.)  Search this
Cristallerie Daum  Search this
Hadler/Rodriguez Gallery  Search this
Haystack Mountain School of Crafts  Search this
Missouri Valley College  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck School  Search this
Portland State University  Search this
Rhode Island School of Design  Search this
Venceremos Brigade  Search this
Type:
Interviews
Sound recordings
Place:
Cuba -- Description and travel
Europe -- description and travel
Topic:
Art commissions  Search this
Civil rights -- United States  Search this
Decorative arts  Search this
Peace movements  Search this
Glass art  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13647
(DSI-AAA_SIRISBib)272881
AAA_collcode_bentre07
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_272881
Online Media:

Oral history interview with Betty Woodman

Interviewee:
Woodman, Betty, 1930-2018  Search this
Interviewer:
Perreault, John, 1937-2015  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Bellagio Study and Conference Center  Search this
Boulder (Colo.).. Parks & Recreation Department  Search this
Centre internationale de recherche sur le verre et les arts plastiques (Marseille, France)  Search this
Europees Keramisch Werkcentrum  Search this
Fabric Workshop  Search this
Girl Scouts of the United States of America  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
School for American Crafts  Search this
University of Colorado -- Faculty  Search this
Brown, Elenita  Search this
Carlson, Cynthia, 1942-  Search this
Hamada, Shōji, 1894-1978  Search this
Higby, Wayne  Search this
Kozloff, Joyce  Search this
Kushner, Robert, 1949-  Search this
Leach, Bernard, 1887-1979  Search this
Serra, Richard, 1938-  Search this
Shark, Bud  Search this
Voulkos, Peter, 1924-2002  Search this
Woodman, George, 1932-  Search this
Extent:
5 Items (Sound recording: 5 sound files (2 hr., 55 min.), digital wav)
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Boulder (Colo.)
India -- description and travel
Mexico -- description and travel
Netherlands -- description and travel
Date:
2003 April 22 and 29
Scope and Contents:
An interview of Betty Woodman conducted 2003 April 22 and 29, by John Perreault, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in New York, New York.
Woodman speaks of frequent moves with her family during her childhood; her father's woodworking skills; gaining an interest in arts and crafts at four when she made a tablecloth with crayon drawings; attending summer camps, including Girl Scout Camp, where she participated in arts and crafts activities; being the first girl to take shop in her middle school; making model airplanes for air raid wardens during World War II; her interest in making functional objects; her introduction to clay and hand-building in high school; attending the School for American Craftsmen in New York City; collaborating with fellow students; her early desire to be a "craftsperson and not an artist"; her work with silk-screen fabric for The Fabric Workshop in Philadelphia and glass at CIRVA in Marseille, France; teaching at the University of Colorado and the City of Boulder Recreation Department; working at the European Ceramic Work Center in Den Bosch, Holland, and the Bellagio Study Center in Italy; her studios in New York, Colorado, and Italy; her travels to India, The Netherlands, and Mexico; living in New Mexico, New York, Colorado, and Italy; her business Roadrunner Pottery in New Mexico with partner Elenita Brown; collaborative projects with Joyce Kozloff, Cynthia Carlson, Bud Shark, Judith Solodkin, and her husband George Woodman; developing a following in New York; how being a woman has affected her work and how she enjoys working with other women artists; the change of market for American crafts; Italian, Greek, and Etruscan influences; teaching experiences; the importance of getting reviews in art magazines; and the strong support from her husband George, a painter. Betty Woodman recalls Lynn Feelyn, Olan Wassen, Bernard Leach, Peter Voulkos, Shoji Hamada, Bob Kushner, Richard Serra, Wayne Higby, and others.
Biographical / Historical:
Betty Woodman (1930-2018) was a ceramist from New York, New York. John Perreault (1937- ) is an independent critic and curator from New York, New York.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Ceramicists -- New York (State) -- New York  Search this
Topic:
Airplanes -- Models  Search this
Art -- Study and teaching  Search this
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Glass art  Search this
Screen process printing  Search this
Women artists  Search this
World War, 1939-1945  Search this
Women ceramicists  Search this
Handicraft  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.woodma03
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90dbbae38-7d68-45f4-bae8-d119dc3aa898
EDAN-URL:
ead_collection:sova-aaa-woodma03
Online Media:

Oral history interview with Howard Ben Tré

Interviewee:
Ben Tré, Howard, 1949-2020  Search this
Interviewer:
Shea, Josephine, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Appalachian Center for Craft  Search this
Brooklyn College -- Students  Search this
Brooklyn Technical High School (Brooklyn, New York, N.Y.)  Search this
Cristallerie Daum  Search this
Hadler/Rodriguez Gallery  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Missouri Valley College -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck School  Search this
Portland State University -- Students  Search this
Rhode Island School of Design -- Students  Search this
Venceremos Brigade  Search this
Aycock, Alice  Search this
Brychtová, Jaroslava, 1924-  Search this
Chihuly, Dale, 1941-  Search this
Dailey, Dan, 1947-  Search this
Hampson, Ferdinand  Search this
LaMonte, Karen, 1967-  Search this
Labino, Dominick  Search this
Libenský, Stanislav, 1921-2002  Search this
Littleton, Harvey K.  Search this
Onorato, Ronald J.  Search this
Parker, Anthony  Search this
Polander, Steve  Search this
Scanga, Italo, 1932-2001  Search this
Extent:
63 Pages (Transcript)
3 Sound discs (Sound recording (4 hr., 3 min.), digital, 2 5/8 in.)
Type:
Collection descriptions
Archival materials
Pages
Sound discs
Interviews
Sound recordings
Place:
Cuba -- Description and Travel
Europe -- description and travel
Date:
2007 July 7
Scope and Contents:
An interview of Howard Ben Tré conducted 2007 July 7, by Josephine Shea, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's studio, in Pawtucket, Rhode Island.
Ben Tré speaks of his childhood in Rockaway Park, New York; his Polish immigrant father who was a woodworker and artist; inheriting a particular aesthetic and sense of hard work from his father; attending Brooklyn Technical High School to play football but not graduating; moving to Marshall, Missouri to attend Missouri Valley College for one year; attending Brooklyn College; becoming involved in Students for a Democratic Society, the antiwar movement and civil rights movement of the 1960s; traveling to Cuba as part of the first Venceremos Brigade to cut sugarcane in 1969; meeting his first wife, Gay, in Cuba and returning to New York with her; organizing a food co-op and community events in Brooklyn; moving to Portland, Oregon; working in construction for the city before going back to school to study veterinarian medicine at Portland State University; discovering the glass studio in a garage at Portland State; meeting Dale Chihuly and working at Pilchuck Glass School; utilizing the foundry skills learned from Brooklyn Technical High to work with glass in casting and cope and drag methods; his series Burial Boxes and the influence of ancient architecture and ceremonial Chinese bronzes; the rise of the studio glass movement as symptomatic of socio-political-economic times, not just the pioneering efforts of Harvey Littleton and Dominic Labino; traveling throughout Europe with Gay; visiting Stanislav Libenský and Jaraslava Brychtová in Czechoslovakia; visiting Dan Dailey at Cristallerie Daum in France; attending Rhode Island School of Design [RISD]; his first show at Hadler/Rodriguez Gallery in 1980; teaching experiences at Haystack Mountain School of Craft and Appalachian Center for Craft; building and installing an oven at Blenko Glass in Milton, West Virginia and at Super Glass in Brooklyn; working with Mold Melted Glass Studio in Pelechov, Czech Republic; the history of glass and early glass-working techniques; his many commissions, including sited public projects such as Post Office Square in Boston; the adoption of his name, Ben Tré; return visits to Cuba; working with RISD to create a winter study session in Havana; and his view of artists as artists, not defined by medium. Ben Tré also recalls Anthony Parker, Italo Scanga, Ron Onorato, Alice Aycock, Ferdinand Hampson, Steven Polander, Karen LaMonte, among others.
Biographical / Historical:
Howard Ben Tré (1949- 2020) was a glass artist from Pawtucket, Rhode Island. Josephine Shea is a curator from Grosse Pointe Park, Michigan.
General:
Originally recorded 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 4 hr., 3 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Glass artists  Search this
Topic:
Art commissions  Search this
Civil rights -- United States  Search this
Decorative arts  Search this
Peace movements  Search this
Glass art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bentre07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d4615d25-e2f4-4f9f-8c8b-9587cb029302
EDAN-URL:
ead_collection:sova-aaa-bentre07
Online Media:

Oral history interview with Tom Patti

Interviewee:
Patti, Tom  Search this
Interviewer:
Warmus, William, 1953-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Corning Museum of Glass.  Search this
General Electric Company  Search this
George Walter Vincent Smith Museum  Search this
Haystack Mountain School of Crafts -- Students  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Norman Rockwell Museum at Stockbridge  Search this
Owens-Corning Fiberglas Corporation  Search this
Penland School of Crafts -- Students  Search this
Pratt Institute -- Students  Search this
Sienna Gallery  Search this
Arnheim, Rudolf  Search this
Borowsky, Irvin J.  Search this
Buechner, Thomas S.  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gund, Ann  Search this
Gund, Graham  Search this
Heller, Doug, 1946-  Search this
Hunter-Stiebel, Penelope, 1946-  Search this
Kostellow, Rowena Reed  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Parriott, Joseph  Search this
Pelli, Cesar  Search this
Rockwell, Norman, 1894-1978  Search this
Rogers, Malcolm Jennings  Search this
Safdie, Moshe, 1938-  Search this
Wagman, Laurie  Search this
Wood, Art  Search this
Extent:
77 Pages (Transcript)
6 Items (Sound recording: 6 sound files (4 hr., 47 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Colombia -- Description and Travel
Europe -- description and travel
Israel -- Description and Travel
Date:
2010 January 18-19
Scope and Contents:
An interview of Tom Patti conducted 2010 January 18 and 19, by William Warmus, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Patti's residence, in Miami Beach, Florida.
Patti talks about growing up in Pittsfield, Massachusetts, in a working-class neighborhood, and playing in and around the General Electric Corp. landfill, the major employer in the area; losing vision in one eye after a childhood accident; he recalls running with a tough crowd during high school and making homemade tattoos for his friends; his probation officer during high school, who encouraged his interest in art; meeting Norman Rockwell, who encouraged him to attend Pratt Institute in Brooklyn, New York; majoring in industrial design at Pratt, where he worked with Rowena Reed Kostellow; the idealism and social consciousness of the 1960s; exposure to the ideas of visionary architects such as Moshe Safdie and Buckminster Fuller; the New York art/social scene in the 1960s, including Max's Kansas City; meeting Marilyn Holtz, whom he later married; a trip to Colombia to discuss shelter development, and exposure to severe poverty; a resulting focus on people-centered shelter ideas; graduate work at Pratt, and the value of his studies in an academic environment; working with inflatable shelters, experimenting with different materials, including using glass; returning to the Berkshires in Massachusetts, working odd jobs, running a small glass school for children; becoming aware of the studio glass movement and attending a glassblowing workshop at Penland School of Crafts in Penland, North Carolina, in 1971; continued work with glass, including Vitrolite and other scavenged materials; growing public recognition in the 1970s; an internship at Haystack Mountain School of Crafts, Deer Isle, Manie, where he met Steve Feren, with whom he worked for several years; acquisition of work by the Corning Museum of Glass, Corning, New York, in 1976; first one-man gallery show in 1977; purchase of work by the Museum of Modern Art, New York, New York; series Solar Riser and the importance of a meditative/spiritual component of his work; setting up a studio in Plainfield, Massachusetts; first museum exhibition at the George Walter Vincent Smith Art Museum in Springfield, Massachusetts; speaking at the World Crafts Council conference in Vienna in the late 1970s; continued travel and recognition in Europe in the 1980s; "Genic Doran Divider-Sentinel," (1982-84), commissioned sculpture for General Electric in Pittsfield, which led to his focus on laminated materials; early 1990s studio expansion to work on a larger scale; commission work with Cesar Pelli for Owens Corning Fiberglas in 1993; one-person show at Serge Lechazynski's gallery in Biot, France; travels in Europe and Israel; serving on the board of the Norman Rockwell Museum in Stockbridge, Massachusetts; consulting work with the glass and materials industry; "Spectral-Luma Ellipse" (2000); "Spatial Boundary" (2001), commissioned by Ann and Graham Gund; continued smaller-scale work; designing the window for Sienna Gallery in Lenox, Massachusetts, owned by his daughter; recent commissions including "Morton Square" in 2004, the Roosevelt Avenue Intermodal Station (2004), both in New York City, and "Miami Rain" (2009), Miami, Florida; and the importance of transparency, opacity, and translucency in his work. He also recalls Joseph Parriott, Sybil Moholy-Nagy, Rudolf Arnheim, Art Wood, Thomas Buechner, Doug Heller, Penelope Hunter-Stiebel, Laurie Wagman and Irvin Borowsky, and Malcolm Rogers.
Biographical / Historical:
Tom Patti (1943- ) is a glass artist, sculptor, and designer in Pittsfield, Massachusetts and Miami Beach, Florida.
General:
Originally recorded on 6 memory cards. Duration is 4 hr., 47 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Industrial design  Search this
Designers -- Massachusetts -- Interviews  Search this
Glass artists -- Massachusetts -- Interviews  Search this
Sculptors -- Massachusetts -- Interviews  Search this
Glass art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.patti10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b3ed58c5-3fb4-4b82-88a3-c6ab7153b737
EDAN-URL:
ead_collection:sova-aaa-patti10
Online Media:

Boat Landing, Dinard [painting] / (photographed by Peter A. Juley & Son)

Artist:
Prendergast, Maurice 1858-1924  Search this
Type:
Photograph
Date:
Ca. 1914
Topic:
Cityscape--France--Dinard  Search this
Architecture exterior--Commercial--Dock  Search this
Architecture--Boat--Steamer  Search this
Travel--Water--Boat  Search this
Image number:
JUL J0074963
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_74964

The Drive Near Paris [painting] / (photographed by Peter A. Juley & Son)

Artist:
Hassam, Childe 1859-1935  Search this
Type:
Photograph
Topic:
Travel--Land--Carriage  Search this
Architecture--Vehicle--Carriage  Search this
Landscape--France  Search this
Image number:
JUL J0027157
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_27158

The Drive Near Paris [painting] / (photographed by Peter A. Juley & Son)

Artist:
Hassam, Childe 1859-1935  Search this
Type:
Photograph
Topic:
Travel--Land--Carriage  Search this
Architecture--Vehicle--Carriage  Search this
Landscape--France  Search this
Image number:
JUL J0027161
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_27162

Hamilton Wright Jr. photographs

Creator:
Wright, Hamilton M., Jr.  Search this
Names:
Hamilton Wright Organization  Search this
Extent:
4,700 Color slides (circa)
250 Lantern slides (circa)
500 Color transparencies (circa)
7 Color prints (theatrical motion picture one-sheets)
9 Prints (silver gelatin)
Culture:
Zulu (African people)  Search this
Rarámuri (Tarahumara)  Search this
Hindus  Search this
Nubians (African people)  Search this
Type:
Collection descriptions
Archival materials
Color slides
Lantern slides
Color transparencies
Color prints
Prints
Posters
Photographs
Place:
Colorado -- description and travel
New Hampshire -- Description and Travel
Virgin Islands -- Description and Travel
Holland -- Description and Travel
Philippines -- Description and Travel
Korea -- Description and Travel
South Africa -- Description and Travel
Ecuador -- Description and Travel
Lebanon -- Description and Travel
India -- description and travel
Hong Kong -- Description and Travel
Chile -- description and travel
Italy -- description and travel
Egypt -- description and travel
Taiwan -- description and travel
Venezuela -- Description and Travel
Peru -- Description and Travel
Canada -- Description and Travel
Alaska -- description and travel
Haiti -- description and travel
Mexico -- description and travel
Bolivia -- Description and Travel
Date:
circa 1923-1925, 1950-1970
Scope and Contents note:
Photographs made by Hamilton Wright Jr. in Egypt, South Africa, India, Lebanon, Taiwan, the Philippines, Korea, Hong Kong, Holland, Italy, Mexico, Venezuela, Ecuador, Chile, Bolivia, Haiti, the Virgin Islands, Canada, Alaska, Colorado, and New Hampshire. They include images of modern and ancient structures and monuments, artifacts, industries, cities, markets, caves, festivals, beaches, scenery, and sporting events. Most appear to have been made for the Hamilton Wright Organization, an international agency that made films and photographs to support public relations campaigns of foreign governments. Also included are some lantern slides depicting historical sites in Egypt, directed by Hamilton Wright, Sr., and one-sheets for motion picture films produced by the Hamilton Wright Organization. Additional material includes slide narration for a lecture and short news stories relating to the images in the collection.
Biographical/Historical note:
In 1908, Hamilton Wright Sr. founded the Hamilton Wright Organization, a public relations firm that specialized in making travelog and newsreel film and distributing it to motion picture houses around the world, often on behalf of domestic and foreign governments. Wright's son, Hamilton Wright Jr., managed the company after his father and expanded it's work. In 1963, a Senate committee criticized the Hamilton Wright Organization for hosting press junkets and distributing its photographs, newsreels, and stories in American news media without reporting its sources. The Hamilton Wright Organization was closed by Hamilton Wright Jr.'s son in the late 1960s.
Local Call Number(s):
NAA Photo Lot 76-35
Location of Other Archival Materials:
Films by the Hamilton Wright Organization can be found in the Human Studies Film Archive in HSFA 94.19.
The Film and Television Archive at the University of California at Los Angeles holds the motion picture film and related material of the Hamilton Wright Organization.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Beaches  Search this
Festivals  Search this
Pyramids -- Egypt  Search this
Tourism  Search this
Industries  Search this
Markets  Search this
Genre/Form:
Posters
Photographs
Lantern slides
Citation:
Photo lot 76-35, Hamilton Wright Jr. photographs, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.76-35
See more items in:
Hamilton Wright Jr. photographs
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw320c6d88b-5159-46fd-93b4-05cf90f6805e
EDAN-URL:
ead_collection:sova-naa-photolot-76-35

Helen Hamilton Gardener photograph collection

Creator:
Gardener, Helen H. (Helen Hamilton), 1853-1925 (collector and possible photographer)  Search this
Extent:
300 Negatives (circa, nitrate)
1,160 Lantern slides (circa)
14 Prints (silver gelatin)
15 Copy negatives (glass)
Culture:
Italians  Search this
Filipinos  Search this
Japanese  Search this
French  Search this
Hawaiians  Search this
Germans  Search this
English  Search this
Egyptians  Search this
Chinese  Search this
Sri Lankans  Search this
Puerto Ricans  Search this
Type:
Collection descriptions
Archival materials
Negatives
Lantern slides
Prints
Copy negatives
Photographs
Place:
Germany -- description and travel
France -- description and travel
United States -- description and travel
Malaysia -- Description and Travel
Italy -- description and travel
Philippines -- Description and Travel
Puerto Rico -- description and travel
Sri Lanka -- Description and Travel
England -- description and travel
China -- Description and Travel
Egypt -- description and travel
Japan -- Description and Travel
Date:
circa 1900-1910
Scope and Contents note:
Photographs collected and made by Helen Hamilton Gardener, probably during a world cruise following her husband's retirement from active duty in Puerto Rico in July 1902. The photographs document people, activities, cities, and tourist sites in Japan, China, Egypt, France, Puerto Rico, and elsewhere. Gardener's lecture notes and a clipping from the Porto Rico Review, 1910, are available with the collection. Lantern slides in the collection were probably used in Gardener's later lectures in the United States.
Biographical/Historical note:
Helen Hamilton Gardener (1853-1925), born Alice Chenoweth in Virginia in 1853, was an author, feminist, and public official. Educated at the Cincinnati (Ohio) Normal School (graduated 1873), Chenoweth moved with her first husband, Charles S. Smart, to New York City in 1880. There, Chenoweth studied biology at Columbia University, lectured on sociology at the Brooklyn Institute of Arts and Sciences, and came into contact with the theories of freethinker Robert G. Ingersoll. Chenoweth published her own lectures on freethinking in "Men, Women, and Gods," and Other Lectures (1885), at which point she adopted the name Helen Hamilton Gardener. Gardener's feminism came to fruition in 1888, when she refuted the claim that the female brain was inferior to men's in her article "Sex in Brain," joining the struggle for equal rights for women. In 1902, Gardener married her second husband, Lieutenant Colonel Selden Allen Day, a Civil War veteran who organized the first battalion of the Puerto Rican regiment under US control. The couple embarked on a five-year worldwide tour in July 1902, finally settling in Washington, DC. Gardener served as the National American Women Suffrage Association's vice president (1917) and its chief liaison to the Wilson Administration during the passage of the nineteenth amendment. President Wilson then appointed her to the US Civil Service Commission, the highest federal position held by a woman at the time.
Local Call Number(s):
NAA Photo Lot 98, USNM ACC 90351
Location of Other Archival Materials:
Additional photographs collected by Gardener are held in National Anthropological Archives Photo Lot 97.
Artifacts collected by Gardener are held in the Department of Anthropology collections in accessions 90351 and 89779.
See others in:
Helen Hamilton Gardener photograph collection, circa 1900-1910
Restrictions:
Original nitrate negatives are in cold storage and require advanced notice for viewing.
Rights:
Contact the repository for terms of use.
Genre/Form:
Lantern slides
Photographs
Citation:
Photo lot 98, Helen Hamilton Gardener photograph collection, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.98
See more items in:
Helen Hamilton Gardener photograph collection
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw36e14a4f0-6461-4f2c-827f-e3f1a54ab1b1
EDAN-URL:
ead_collection:sova-naa-photolot-98

Oral history interview with Jason Berger, 1979 January 12-1980 February 1

Interviewee:
Berger, Jason, 1924-2010  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Benda, Clemens E. (Clemens Ernst)  Search this
Bengtz, Ture  Search this
Bloom, Hyman  Search this
Fiedler, Leslie A.  Search this
Levine, Jack  Search this
Powers, Marilyn  Search this
Swetzoff, Hyman Wulf  Search this
Zadkine, Ossip  Search this
Zerbe, Karl  Search this
Art Institute of Boston  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Museum of Fine Arts, Boston. School  Search this
State University of New York at Buffalo  Search this
United States. Army  Search this
Type:
Interviews
Sound recordings
Place:
France -- description and travel
Topic:
Painting, Modern -- 20th century  Search this
Printmakers -- Massachusetts -- Boston -- Interviews  Search this
Sculpture -- Study and teaching  Search this
World War, 1939-1945  Search this
Record number:
(DSI-AAA_CollID)11976
(DSI-AAA_SIRISBib)212523
AAA_collcode_berger79
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212523
Online Media:

Oral history interview with Jason Berger

Interviewee:
Berger, Jason, 1924-2010  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Art Institute of Boston -- Faculty  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Museum of Fine Arts, Boston. School  Search this
Museum of Fine Arts, Boston. School -- Faculty  Search this
State University of New York at Buffalo -- Faculty  Search this
United States. Army  Search this
Benda, Clemens E. (Clemens Ernst), 1898-  Search this
Bengtz, Ture, 1907-1973  Search this
Bloom, Hyman, 1913-  Search this
Fiedler, Leslie A.  Search this
Levine, Jack, 1915-2010  Search this
Powers, Marilyn, 1925-1976  Search this
Swetzoff, Hyman Wulf, 1920-1968  Search this
Zadkine, Ossip  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
2 Items (Sound recording: 2 sound files (2 hr., 5 min.), digital, wav file)
47 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
France -- description and travel
Date:
1979 January 12-1980 February 1
Scope and Contents:
Interview of Jason Berger, conducted 1979 January 12 and 1980 February 1, by Robert F. Brown, for the Archives of American Art, Smithsonian Institution, in Brookline, Massachusetts.
Berger speaks of growing up in Massachusetts; serving in the Army during World War II; studying and teaching at the Museum School in Boston; marrying his wife, Marilyn Powers; studying sculpture in France; exhibiting at the Institute of Contemporary Art, Boston and other galleries; the art collective Direct Vision; being fired from the Museum School; and teaching at SUNY Buffalo and the Art Institute of Boston. Berger also recalls Karl Zerbe, Ture Bengtz, Hyman Bloom, Hyman Swetzoff, Jack Levine, Leslie Fiedler, Clemens Benda, Ossip Zadkine, and others.
Biographical / Historical:
Jason Berger (1924-2010) is a painter and printmaker from Brookline, Massachusetts.
General:
Originally recorded on 1 tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 5 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Massachusetts -- Boston -- Interviews  Search this
Topic:
Painting, Modern -- 20th century  Search this
Printmakers -- Massachusetts -- Boston -- Interviews  Search this
Sculpture -- Study and teaching  Search this
World War, 1939-1945  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.berger79
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9652d0b09-4b9e-4cbe-a848-52ae40aea227
EDAN-URL:
ead_collection:sova-aaa-berger79
Online Media:

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