50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.
There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.
Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.
Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.
Biographical/Historical note:
George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Same as RSN 15220, 15221, 15222 and 27911; ["Hiawatha ; Sac and Fox Indians, Okla. Used by Touriscope"] on envelope.
Currently stored in box 3.1.42 [40].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Same as RSN 15219, 15221, 15222 and 27911; ["Song negative Hiawatha set"] on envelope.
Currently stored in box 3.1.42 [40].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
NOTE! IMAGE REVERSE COPIED ON VIDEODISC! Same as RSN 15219-15222.
Currently stored in box 3.2.58 [91].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
The collection consists of photographs collected by the Albertype Company for their postcards and viewbooks, including portraits, scenery, camps, Native Americans schools, and some paintings and composites for postcard printing. Additional subjects include rock drawings in Maine; a statue in Kansas City, Missouri; Standing Rock Monument in North Dakota; people in Atlin, British Columbia; Carib rock drawings in the Virgin Islands; and totem poles in Vancouver.
Included are works of Charles Milton Bell, E. A. Benson, C. R. Bourne, H. E. Brown, William Bull, H. H. Clarke, George B. Cornish, Frank Bennett Fiske, H. Lee Flood, N. W. Halsey, Fred Harvey, H. R. Hazeltine, Kiser Photograph Company, W. H. Martin, C. W. Mathers, Frank Matsura, W. H. Matthewson, Charles E. Morris, Ernest Moses, J. S. Myers, M. OʹConnor, G. W. Parsons, Roland W. Reed, C. B. Robinson , J. E. Stimson, W. M. Stoltz, and H. H. Watkins. Clarke and Fiske, however, are the only photographers with more than a few images.
Biographical/Historical note:
The Albertype Company, headquartered in Brooklyn, New York, published viewbooks and postcards for national distribution. Founded by Adolph and Herman Witteman, the company began publishing souvenier photographic albums as early as 1867. The Wittemans established Witteman Brothers in 1885, and then the Albertype Company in 1890. From 1890 to 1950, the firm published collotypes made from the photographs of its agents (including Adolph Witteman), other companies, and independent photographers. The firm was purchased in 1952 by Art Vue Post Card Company.
Local Call Number(s):
NAA Photo Lot 25
Reproduction Note:
Modern copy negatives and prints made by Smithsonian Institution, circa 1972.
Location of Other Archival Materials:
The Library of Congress, Wisconsin Historical Society, and Historical Society of Pennsylvania also hold original Albertype Company prints and negatives.
Albertype Company views are also held in National Anthropological Archives Photo Lot 88-37, Photo Lot 92-37, and Photo Lot 92-3.
Restrictions:
Original nitrate negatives are in cold storage and require advanced notice for viewing. Modern copy prints and copy negatives for nearly all images are available.
Original nitrate negatives are in cold storage and require advanced notice for viewing. Modern copy prints and copy negatives for nearly all images are available.
Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations.
Scope and Contents:
Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations. The album includes photographs (mostly albumen with three tintypes), newsclippings, wood engravings, and lithographs, some of which are reproductions of Taylor's own illustrations and paintings. Photographs depict American Indians, US Army soldiers and scouts, historical sites, forts, and scenery. Some were made on expeditions, including the Hayden and Powell surveys, and created from published stereographs. Many of Taylor's illustrations are signed, and some are inscribed with dates and "N. Y." The scrapbook also includes clippings from newspapers and other written sources relating to illustrations and photographs in the album.
Biographical Note:
James E. Taylor (1839-1901) was an artist-correspondent for Leslie's Illustrated Weekly Newspaper from 1863-1883. Born in Cincinatti, Ohio, he graduated from Notre Dame University by the age of sixteen. Taylor enlisted in the 10th New York Infantry in 1861 and the next year was hired by Leslie's Illustrated newspaper as a "Special Artist" and war correspondent. In 1864 he covered the Shenandoah Valley campaign, and was later one of the illustrator-correspondents at the 1867 treaty negotiations at Medicine Lodge, Kansas. He soon earned the moniker "Indian Artist" because of his vast number of drawings of American Indians. In 1883 Taylor retired from Leslie's to work as a freelance illustrator. Colonel Richard Irving Dodge used Taylor's drawings to illustrate his memoir, "Our Wild Indians: Thirty-three Years' Personal Experience among the Red Men of the Great West" (1882).
Local Call Number(s):
NAA Photo Lot 4605
Related Materials:
The National Anthropolgical Archives holds additional photographs by photographers represented in this collection (including original negatives for some of these prints), particularly in Photo Lot 24, Photo Lot 37, Photo Lot 60, Photo Lot 87.
Additional photographs by Whitney, Gardner, and Barry held in National Anthropological Archives Photo Lot 80-18.
Julian Vannerson and James E. McClees photographs held in National Anthropological Archives Photo Lot 4286.
Pywell photographs held in National Anthropological Archives Photo Lot 4498.
O'Sullivan photographs held in National Anthropological Archives Photo lot 4501.
Additional Hillers photographs held in National Anthropological Archives Photo Lot 83-18 and Photo Lot 87-2N.
Provenance:
Donated or transferred by John Witthoft from the Pennsylvania Historical and Museum Commission, April 14, 1961.
Portrait of Chief Kiyo-Kag (One Who Moves About Alert), Called Keokuk, in Native Dress, with Roach, Bear Claw Necklace, James Monroe Peace Medal, Other Ornaments, and Cane
Buffalo head dance 1 ; Buffalo head dance 2 ; Bear claw or Grizzly bear dance ; Pipe of peace or Calumet dance ; Soldier or Victory round dance ; Love song for flute (6:15) -- Fish dance ; Pipe dance ; Powwow or Horse dance ; Forty-nine dance ; Oh Mary (5:11) --Deer song ; Catholic Ojibwa hymn (2:08) --War rally song ; Bear dance ; Eagle dance ; Maple sugar song ; Hoot owl song 1 (3:35) --Hoot owl song 2 ; Coon song ; Rabbit song ; Medicine song (4:48) --Grass dance song ; Drinking song (1:38) --Bear dance (2:18) -- Eagle dance (2:49) --Wasase rain dance or War dance (2:40) --Scalp dance (:56) --Corn dance (2:10) --Women's dance (3:34) --Fishing dance (3:45) --Stomp dance (3:12) -- Two future projects (1:12).
Track Information:
101 Buffalo Head Dance / Wilson, Wapanuetak Roberts. Drum,Water-drum. Fox language.
102 Fish Dance / Fred Lacasse. Drum. Ojibwa language.
103 Deer Song / Thomas Shalifoe. Ojibwa language.
103 Jesus Wegwissian / Thomas Shalifoe. Ojibwa language.
104 War Rally Song / Susan Shagonaby. Ottawa language.
209 Owa bagish kichi ingodwok nijinishinabek (O for a thousand tongues) / Betty Pamptopee.
Local Numbers:
Folkways.4003; Folkways.1003
FW-COMM-LP-04003
Publication, Distribution, Etc. (Imprint):
New York Folkways 1956
Date/Time and Place of an Event Note:
Recorded in: Six Nations Indian Reserve No. 40 (Ont.), Canada, Ontario, Onondaga Indian Reservation (N.Y.), New York, Beartown (Mich.), United States, Michigan.
General:
Commercial
Track 102 Personnel: Fred Lacasse, George W. Brown, Sam Link, John Martin. Performed by members of native Indian tribes, principally with percussion acc. Production notes: Recorded in the United States and Canada by Gertrude Prokosch Kurath circa 1956.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
This collection contains stories handwritten in Meskwaki (Fox) syllabary with English translations by Ida Poweshiek. These texts were collected by Truman Michelson in Tama, Iowa. List of titles based on English translations: 1.) The Winter Story of Longhair, by Lucy Lasley and Jack Bullard; text 18 pages, translation 27 pages. 2.) Fasting, by Lucy Lasley; text 7 pages, translation 3 pages. 3.) Fast runner, by Lucy Lasley; text 2 pages, translation 3 pages. 4.) Lost Boy, by Lucy Lasley; text 2 pages, translation 3 pages. 5.) Peace council with Pawnee, by Lucy Lasley; text 2 pages, translation 3 pages. 6.) Hunting, text 2 pages, translation 3 pages. 7.) Wisahkeha, by Sakihtanohkweha (Mrs. Bill Leaf); text 31 pages and translation 30 pages. 8.) The youth who became corn and the Indians of long ago who grew as all different kinds of things, by Alfred Kiyana; text 41 pages, translation 36 pages. 9.) Rooster with feet of money, text 18 pages, translation 20 pages. 10.) Ball-Player, by Jack Bullard and possibly Lucy Lasley; text 51 pages, translation 73 pages. 11.) One who loved her brother, by Alfred Kiyana; text 41 pages, translation 33 pages. 12.) The men who were taken to heaven by a bear, by Alfred Kiyana; text 7 pages, translation 9 pages. 13.) Keshakiwa, by Lucy Lasley and Jack Bullard; text 23 pages, translation 33 pages. 14.) Story about Turtle and Wisahkeha (Race for girl), text 8 pages, translation 11 pages. 15.) "Why men should not go hunting with ther wives" text 13 pages, (English translation only). 16.) Spirit of fire made by gods, by Alfred Kiyana; text 112 pages, translation 80 pages.
Local Numbers:
NAA MS 1875
Local Note:
Title changed from "Texts and Translations Legends" 3/18/2014.
Other Archival Materials:
See Manuscript 1879 for continuation of Wisahkeha story.
Nineteen stories handwritten in Meskwaki (Fox) syllabary by Alfred Kiyana, Bill Leaf, and Sakihtanohkweha (Mrs. Bill Leaf). These texts were collected by Truman Michelson in Tama, Iowa. Eight of the stories are by Alfred Kiyana. They are: Red-Leggings; When Bullhead killed two elks; The woman and the toad; The rooster; Turtle; Raccoon, who yelled loud; Kawesakweha and Kochipekwaha; and The man who got lost. Bill Leaf authored 10 of the texts, including: Many men on the warpath, two stories on Fighters, The one who knew how to hunt, This last one is about when Wisahkeha has been seen, Sacred pack, and When I got drunk. Sakihtanohkweha wrote the text on a youth who fasted. No English translations are present.
Seven stories handwritten in Meskwaki (Fox) syllabic text by Alfred Kiyana, Sakihtanohkweha (Mrs. Bill Leaf), and Jack Bullard, with English translations by Horace Poweshiek. These were collected by Truman Michelson in Tama, Iowa. The texts by Alfred Kiyana are "The man who married a giant woman," (text 23 pages, translation 18 pages); "When the ghosts cheated the Frenchmen," (text 7 pages, translation 5 pages); "Ten men," (text 13 pages, translation 10 pages); "Ghost, A man who had been a ghost and was a manitou," (text 49 pages, translation 40 pages); and "Wisahkeha dance," (text 197 pages, translation 94 pages). Sakihtanohkweha authored "Turkey-owner" (text 23 pages, translation 22 pages) and Jack Bullard authored "[The one who owned a wooden witch image]" (text 48 pages, translation 48 pages).
