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Collection Manufacturer:

Hoopes Brother & Darlington, Inc.  Search this

Container:

Box 4, Folder 18

Type:

Archival materials

Date:

1933

Scope and Contents:

Includes trade literature for Royersford Foundry and Machine Company, Inc. and the Gwilliam Company.

Collection Restrictions:

Collection is open for research. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Hoopes Bro. & Darlington, Inc., Records, Archives Center, National Museum of American History

See more items in:

Hoopes Bro. & Darlington, Inc., Records

Hoopes Bro. & Darlington, Inc., Records / Series 1: Operational Records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8cda384bb-2d94-48d7-8606-38ccf2158439

EDAN-URL:

ead_component:sova-nmah-ac-1578-ref95

Creator:

Stewart, Jack, 1926-2005  Search this

Names:

New York City Transit Authority  Search this

World Trade Center (New York, N.Y.)  Search this

Yale University -- Students  Search this

Baxter, Violet  Search this

Egan, Charles, 1911-  Search this

Gold, Nancy  Search this

Goulet, Lorrie, 1925-  Search this

Kahn, Wolf, 1927-  Search this

Romano, Clare  Search this

Thomas, Steffen, 1906-  Search this

Toney, Anthony  Search this

Townsend, Rodman  Search this

Walker, Herbert Brooks, 1927-  Search this

Weiner, Sam  Search this

Extent:

9.9 Linear feet

7.31 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Drawings

Sound recordings

Paintings

Sketchbooks

Interviews

Transcripts

Video recordings

Date:

1926-2010

Summary:

The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.

Scope and Content Note:

The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.

Biographical materials include a "Video Archive" in digital format, consisting mainly of Jack Stewart being interviewed on several occasions by Nancy Gold for her television show, "What It Takes." In addition to discussions about Stewart's career, the shows include examples of his paintings and murals along with views of him at work.

Correspondence mostly documents Stewart's artistic career and work as an educator and administrator; there is some personal correspondence, as well. Of particular note are letters to Rodman Townsend who commissioned a mural about the human brain; they discuss the details of the project and its evolution, brain research, and subsequent exhibitions of related paintings. Illustrated letters and greeting cards with original artwork are from Violet Baxter, Lorrie Goulet, Wolf Kahn, Clare Romano, Anthony Toney, and Sam Weiner. Herbert Brooks Walker sent several pieces of mail art and, while in Italy, collected graffiti information for Stewart. Letters Stewart wrote to his mother span decades; the best represented periods are the years he served in the U.S. Army and studied at Yale University.

Writings and notes consist of Stewart's dissertation ("Subway Graffiti: An Aesthetic Study of Graffiti on the Subway"), miscellaneous writings and notes, and art and architecture notebooks. Dissertation documentation includes the manuscript, drafts, and related records. Among the miscellaneous writings and notes - published and unpublished - are shorter pieces, articles, student papers, and teaching notes. Of particular interest are notes/instructions for a performance piece titled "Endless Subway," "Memories of Steffan Thomas" and "My Recollection of Charles Egan." Also found are minutes of Cooper Union adjunct faculty meetings (1965-1966), and reports written when provost of the Rhode Island School of Design. Art and architecture notebooks (5 volumes) were compiled while at Yale University.

Research files on graffiti contain many sound recordings and some transcripts of interviews with graffiti writers, voluminous lists of graffiti writers' names/tags, correspondence, notes, photographs, and a wide variety of printed material. Some of the material is in digital format. Stewart began collecting these materials as his interest in graffiti developed. They were used for his dissertation and material continued to be added after the dissertation was completed.

Printed material mentioning Stewart or containing reproductions of his work includes exhibition catalogs, posters, and newsletters.

Artwork by Jack Stewart consists of drawings, paintings, and one etching; also found are designs and plans for tables, murals, and other projects. Drawings include figure studies, heads, and landscapes; most are in pencil and some in ink. The small number of paintings are oil on canvas (removed from stretchers), and gouache on paper and board. Sketchbooks (44 volumes) contain mostly pencil drawings and sketches, and a few studies for paintings and murals. Two volumes include writings about travels and events; of particular interest are "Notes on Kline's funeral May 1962," "Visit to Roman Bronze Art Foundry," and "Notes on My Development."

Photographic materials consist mainly photographs, but also include digital images and 35-mm color slides. Images of Stewart include views of him with paintings and working in his studio. Identified individuals with whom he appears are: Regina Stewart (wife), Brandon Stewart (son), Lil Stewart (mother), Ninalee Craig, Irving Sandler, and students in Urbino, Italy. Photographs of artwork document murals such as Raw Material (composed of shirt labels), and Versailles Hotel in Miami Beach; among the paintings documented are State of the Union, Icons of Western Art and Revelation XVI-16 (both with keys to individuals portrayed). Exhibition openings and installations are shown in photographs, color slides, and video recordings. Also found are photographs of the World Trade Center site taken by Stewart in December 2001.

Arrangement:

The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Materials, 1926-circa 2009 (Boxes 1,11; 0.6 linear foot, ER01-ER02, 3.92 GB)

Series 2: Correspondence, 1944-2009 (Boxes 1-2; 0.7 linear foot)

Series 3: Writings and Notes, circa 1947-2003 (Boxes 2-5; 3.1 linear foot)

Series 4: Research Files on Graffiti, 1972-2010 (Boxes 5-7,11; 2.8 linear foot, ER03-ER05, 3.18 GB)

Series 5: Printed Material, circa 1945-2002 (Boxes 8, 11, OV 13; 0.7 linear foot)

Series 6: Scrapbooks, circa 1990-2003 (Box 8; 0.2 linear foot)

Series 7: Artwork, 1946-2000 (Boxes 8, 11, OV 12; 0.3 linear foot)

Series 8: Sketchbooks, 1951-2004 (Boxes 8-9; 1.3 linear foot)

Series 9: Photographic Materials, circa 1950s-2010 (Boxes 10-11; 0.4 linear foot, ER06-ER07, 0.208 GB)

Biographical Note:

Jack Stewart (1926-2005) was a painter, muralist, designer, educator and administrator in New York City. After developing an interest in graffiti in the 1970s, Stewart eventually wrote a dissertation on the subject, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989) and was recognized as an expert on mass transit art.

Jack Stewart began studying art at the High Museum School in his hometown of Atlanta when he was 10 years old. At age 14, he began a 4 year apprenticeship with painter and sculptor Steffen Thomas. After serving in World War II, he enrolled at Yale University (B.F.A. 1951) as a sculpture student, but soon switched to the painting department where he studied with Josef Albers and Willem de Kooning. After graduation, Stewart began receiving mural commissions and enrolled in classes at Columbia University School of Architecture (1951-1953). His interest in architecture was tied to understanding how to work effectively with architects on mural projects. Later, Stewart developed an interest in graffiti which he pursued through graduate study at New York University (M.A., 1975 and Ph.D., 1989).

Stewart created murals in ceramic tile, mixed media and stained glass. In addition to mosaic murals, he designed tables with mosaic tops. As an outgrowth of his mosaic work, Stewart developed a technique for laminating stained glass onto plate glass that, by eliminating the need for lead, opened new design possibilities. Mural commissions included work for Hamilton Hotel in Chicago, Versailles Hotel in Miami Beach, Public School 28 in New York City, and several ocean liners. The most unusual mural, Raw Material commissioned by Cluett Peabody and Company, was composed of shirt labels embedded in acrylic.

Beginning in 1950 Stewart participated regularly in group shows and enjoyed solo exhibitions mainly in the New York City area. He also showed in Philadelphia, Georgia, Rhode Island, Mexico and Italy, and was included in exhibitions circulated by the American Federation of Arts.

Stewart taught at the college level for nearly thirty years, including: The New School (art and architecture, 1953-1958); Pratt Institute (interior architectural design, 1955-1960); The Cooper Union for the Advancement of Science and Art (painting, drawing, human anatomy, art history, 1960-1976; Art Department Chairman, 1971-1976); International Center of Mythymna, American Division, Lesbos, Greece (summer school, 1962-1965); Columbia University (M.F.A. program instructor, 1966-1976); and New York University (drawing, 1967-1975). In 1976 he was appointed Vice President and Provost of the Rhode Island School of Design.

Stewart was active in several professional organizations. He served as New York Artists Equity Association Secretary (1986-1987) and President (1987-1989); President of the National Society of Mural Painters (1996-2000); member of the advisory board of the Steffen Thomas Museum and Archives, Buckhead, GA (1997- 2000s); and President of the Fine Arts Federation of New York (2003-2004). The National Academy of Design elected Jack Stewart an Academician in 1995.

Jack Stewart and Margot Schwarzhaupt, an artist, were married in 1947; they had one son, Brandon. Painter and arts administrator, Regina Serniak, became Jack Stewart's wife in 1976.

Jack Stewart died in New York City in 2005.

Related Materials:

Jack Stewart papers, 1926-2015, are located at Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library.

Provenance:

Donated in 2010 by Regina Stewart, widow of Jack Stewart.

Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. This collection is copyright restricted.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Arts administrators -- New York (State) -- New York  Search this

Topic:

Street art  Search this

Muralists -- New York (State) -- New York  Search this

Mail art  Search this

Art -- Study and teaching  Search this

Painters -- New York (State) -- New York  Search this

Graffiti art  Search this

Designers -- New York (State) -- New York  Search this

Genre/Form:

Drawings

Sound recordings

Paintings

Sketchbooks

Interviews

Transcripts

Video recordings

Citation:

Jack Stewart papers, 1926-2010. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.stewjack

See more items in:

Jack Stewart papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw99c355e0c-59b2-47e7-ab80-c8ea7d8bf859

EDAN-URL:

ead_collection:sova-aaa-stewjack

Collection Creator:

Stewart, Jack, 1926-2005  Search this

Container:

Box 8, Folder 39

Type:

Archival materials

Date:

1960-1962

Collection Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. This collection is copyright restricted.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jack Stewart papers, 1926-2010. Archives of American Art, Smithsonian Institution.

See more items in:

Jack Stewart papers

Jack Stewart papers / Series 8: Sketchbooks

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94675f8a4-7f13-4f5c-b8fb-1df6da8ea604

EDAN-URL:

ead_component:sova-aaa-stewjack-ref316

Creator:

Erie City Iron Works.  Search this

Former owner:

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

National Museum of American History (U.S.). Division of Work and Industry  Search this

Extent:

1 Cubic foot (3 boxes)

Type:

Collection descriptions

Archival materials

Correspondence

Drawings

Articles

Blueprints

Trade catalogs

Photographs

Proposals

Price lists

Date:

1869-1960

bulk 1875-1912

Summary:

The collection documents a company founded in the 1840s in Erie, Pennsylvania as Presque Isle Foundry. It changed its name to Erie City Iron Works in 1851. Erie City iron Works made engines (stationary, portable and agricultural), boilers, and circular saw mills. The documents include products through catalogs, trade literature, photographs, blueprints and drawings.

Scope and Contents:

The collection documents the Erie City Iron Works of Erie, Pennsylvania. It includes trade literature, catalogs, price lists and advertisements; drawings and blueprints; photographs of engines and boilers; and articles.

Arrangement:

The collection is arranged into four series.

Series 1, Catalogs/Pricelists, 1869-1953, undated

Series 2, Drawings 1884-1889; 1941-1953, undated

Series 3, Photographs, undated

Series 4, Miscellaneous, 1912, 1919, 1960

Biographical / Historical:

The Erie City Iron Works was founded in Erie, Pennsylvania in 1840 as Presque Isle Foundry. It changed its name to Erie City Iron Works in 1851. Over its history, it experienced several name changes: Zurn Industries' Energy Division, Aalborg Industries, and Erie Power Technologies, Inc. Today, the parent company, CMI Belgium, is a global supplier of steam-generating products and services to the power industry and general industrial steam market.

Provenance:

Source of acquisition unknown. Collected by the Division of Mechanical and Civil Engineering, now known as the Division of Work and Industry.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Boilers  Search this

Engines  Search this

Steam-engines  Search this

Genre/Form:

Correspondence

Drawings

Articles

Blueprints

Trade catalogs

Photographs -- 20th century

Photographs -- 19th century

Proposals

Price lists

Citation:

Erie City Iron Works Collection, dates, Archives Center, National Museum of American History

Identifier:

NMAH.AC.1050

See more items in:

Erie City Iron Works Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep86741dbac-99bb-4186-be28-246844d82037

EDAN-URL:

ead_collection:sova-nmah-ac-1050

Photographer:

Steichen, Edward, 1879-1973  Search this

Names:

Freer, Charles Lang, 1856-1919  Search this

Collection Creator:

Freer, Charles Lang, 1856-1919  Search this

Extent:

2 Photographic prints

Container:

Box 256

Type:

Archival materials

Photographic prints

Platinum prints

Date:

1916

Scope and Contents:

Two photographic platinum prints, signed by Steichen in pencil on the image, numbered in an unidentified hand in pencil on the reverse.

Biographical / Historical:

Edward Steichen (1879-1973) was an American painter and photographer born in Bivange, Luxembourg. He became a naturalized citizen in 1900. Steichen began his career as a fine art painter, but he soon took up the pictorialist approach to photography, going on to establish the Little Galleries of the Photo-Secession with Alfred Stieglitz.

Charles Lang Freer (1854-1919) was an American railroad-car manufacturer from Detroit, Michigan who amassed a large fortune as one of the founders of the Peninsular Car Company, which would go on to become American Car and Foundry. In the latter part of the 19th century, Freer was diagnosed with neurasthenia, the prescribed treatment for which was usually rest and avoidance of stressful activities. Freer began collecting art, starting with American masters and impressionist painters. Early on, Freer met and began collecting the works of James Whistler, who advised him to start collecting Asian art. Freer traveled to China, Japan and Korea, amassing a large private collection. Early in the twentieth century, Freer decided to donate his art to the public; in 1916, construction began on what is now known as the Freer Gallery of Art at the Smithsonian Institution. The building, which was paid for by Freer, cost one million dollars. Completion was delayed by World War I and the gallery was not opened until 1923. Freer died in 1919, leaving the bulk of his art collection to the federal government. This photograph comes originally from the Estate of Clarence P. Freer, nephew of Charles Lang Freer.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Portraits -- Men -- 1890-1920 -- New York  Search this

Genre/Form:

Platinum Prints

Collection Citation:

Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.

See more items in:

Charles Lang Freer Papers

Charles Lang Freer Papers / Series 12: Photographs / 12.1: Portraits of Freer

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc32d6255cf-308b-438c-b4fa-ea081a8fa583

EDAN-URL:

ead_component:sova-fsa-a-01-ref2367

Photographer:

Steichen, Edward, 1879-1973  Search this

Names:

Freer, Charles Lang, 1856-1919  Search this

Collection Creator:

Freer, Charles Lang, 1856-1919  Search this

Extent:

1 Photographic print (black and white)

Container:

Box 255

Type:

Archival materials

Photographic prints

Platinum prints

Date:

1916

Scope and Contents:

One photograph, signed by Steichen in pencil on the image, numbered in an unidentified hand in pencil on the reverse, in the original wood frame.

Biographical / Historical:

Edward Steichen (1879-1973) was an American painter and photographer born in Bivange, Luxembourg. He became a naturalized citizen in 1900. Steichen began his career as a fine art painter, but he soon took up the pictorialist approach to photography, going on to establish the Little Galleries of the Photo-Secession with Alfred Stieglitz.

Charles Lang Freer (1854-1919) was an American railroad-car manufacturer from Detroit, Michigan who amassed a large fortune as one of the founders of the Peninsular Car Company, which would go on to become American Car and Foundry. In the latter part of the 19th century, Freer was diagnosed with neurasthenia, the prescribed treatment for which was usually rest and avoidance of stressful activities. Freer began collecting art, starting with American masters and impressionist painters. Early on, Freer met and began collecting the works of James Whistler, who advised him to start collecting Asian art. Freer traveled to China, Japan and Korea, amassing a large private collection. Early in the twentieth century, Freer decided to donate his art to the public; in 1916, construction began on what is now known as the Freer Gallery of Art at the Smithsonian Institution. The building, which was paid for by Freer, cost one million dollars. Completion was delayed by World War I and the gallery was not opened until 1923. Freer died in 1919, leaving the bulk of his art collection to the federal government. This photograph comes originally from the Estate of Clarence P. Freer, nephew of Charles Lang Freer.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Portraits -- Men -- 1890-1920 -- New York  Search this

Genre/Form:

Platinum Prints

Collection Citation:

Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.

See more items in:

Charles Lang Freer Papers

Charles Lang Freer Papers / Series 12: Photographs / 12.1: Portraits of Freer

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc360b29410-cdfa-4281-ad1f-46e6db66a97f

EDAN-URL:

ead_component:sova-fsa-a-01-ref2526

Creator:

Swanton, John Reed, 1873-1958  Search this

Sylestine, Harden  Search this

Extent:

5,400 Items (cards )

4 Boxes

Culture:

Alibamu  Search this

Coushatta (Koasati)  Search this

Alabama Indians  Search this

Type:

Collection descriptions

Archival materials

Dictionaries

Date:

1906-1913

Scope and Contents:

Alabama-English, 2433 typed cards in 2 boxes; English-Alabama, approximately 3000 typed and autograph A. cards in 2 boxes. Includes terms written in pencil and marked "(K)," which may be terms in Koasati. Informants are Harden Sylestine and others.

Swanton's arrangement of the Alabama-English section is generally alphabetical, with many terms grouped together by stesm. The cards have been stamped with consecutive numbers 1-2433, and Swanton's order has been preserved. Cards that had been clipped together now have a second number, beginning with 1 for the first in a clipped group (e.g., if cards 25-27 were found clipped together, they would now be numbered 25-1, 26-2, 27-3).

The Alabama-English section (with sequentially numbered cards) contains utterances identifiable by a following number in parentheses. If the number does not begin with zero, apparently if refers to Swanton's page numbers in his rough field notes (M 4151 "second set"). Numbers beginning with zero seem to refer to the"first set," MS 4151-- Karen Lupardus, August 18, 1978.

Biographical / Historical:

The note by Swanton preceding Alabama-English section reads? "The material marked (H) was furnished by an Alabama Indian, Harden Sylestine, who translated in his own way. His translation is usually preserved lest a mistake be made in altering; the material is to be corrected later. This includes all of my Alabama material except 12 pages of text by native informants and a vocabulary which for the most part duplicates what has been given."

Local Numbers:

NAA MS 2435

Place:

Texas Polk County

Other Archival Materials:

Related Collection: Manuscript 4151

Related Collection: Manuscript 7360

Related Collection: Manuscript 7361

Topic:

Language and languages -- Documentation  Search this

Indians of North America -- Southern states  Search this

Genre/Form:

Dictionaries

Citation:

Manuscript 2435, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS2435

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3a7cf5734-ebaa-4e0c-82f2-e8a0b15d0fe6

EDAN-URL:

ead_collection:sova-naa-ms2435

Creator:

Koppers Company.  Search this

Bartlett-Hayward Company.  Search this

Former owner:

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

Extent:

6 Cubic feet (20 boxes, 5 map folders)

Type:

Collection descriptions

Archival materials

Trade catalogs

Tracings

Correspondence

Drawings

Place:

Baltimore (Md.)

Date:

1902-1921

Scope and Contents note:

These records of the Bartlett Hayward Company deal chiefly with the manufacture, erection, and sale of gas holders. Included are record books of drawings, 1882-1906, 1912, 1918; design calculation books; 1904-1935; trade literature, 1945; order books, 1920-1921; order progress reports, 1926-1929, 1946-1950; specifications, calculations and data; notes; shipping records; records of drawing costs; lists of materials needed; a card file listing owner, location, and dimensions of gas holders built by the company, 1883-1946; a record of employee injuries, 1929; and photographs of coupling engines, gas holders and their erection, gas works, and plants.

Arrangement:

Arrangement: By type of material.

Biographical/Historical note:

The Bartlett Hayward Company of Baltimore, Maryland, was founded in 1840 as Hayward and Friend, stove manufacturers. The company eventually expanded into the foundry, machinery, erection, and engineering fields and began manufacture of gas holders in 1876. The company merged with Koppers Company in 1937.

Provenance:

Donated by Charles Ferner of the Kopper Company, circa 1977.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Gas  Search this

Gasholders  Search this

Stoves  Search this

Engineering -- 19th century  Search this

Foundries  Search this

Genre/Form:

Trade catalogs

Tracings

Correspondence -- 19th century

Drawings -- 1860-1890

Citation:

Archives Center, Bertlett Hayward Company Records, National Museum of American History.

Identifier:

NMAH.AC.0993

See more items in:

Bartlett Hayward Company Records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8d27f92e5-1aca-45a9-a020-7f8c143f6ba4

EDAN-URL:

ead_collection:sova-nmah-ac-0993

Creator:

James Leffel and Company  Search this

Collector:

National Museum of American History (U.S.). Division of History of Technology  Search this

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

National Museum of American History (U.S.). Division of Work and Industry  Search this

Extent:

20 Cubic feet (42 boxes)

Type:

Collection descriptions

Archival materials

Blueprints

Business records

Charts

Clippings

Correspondence

Drawings

Order books

Patents

Photographs

Specifications

Trade catalogs

Glass plate negatives

Place:

Springfield (Ohio)

Date:

circa 1848-1976

Summary:

Collection documents James Leffel and Company of Springfield, Ohio, manufacturer of turbines, water wheels and engines.

Scope and Contents:

The records contain business and legal records; correspondence; patents and patent files; specifications; charts; blueprints; mechanical drawings and original catalog art; photographs and negatives; catalogs, and clippings documenting James Leffel and Company.

Arrangement:

The collection is arranged into eight series.

Series 1: Correspondence, 1974-1978

Series 2: Patent Materials, 1848-1931

Series 3: Testing Data, 1913-1966, bulk 1920s

Series 4: Catalogs, 1870-1946

Series 5: Catalog Artwork, 1919-1959

Series 6: Trade Literature, 1890s-1976

Series 7: Photographs, 1908-1929

Series 7: Writings and Journal Articles, 1881-1854

Series 8: Glass Plate Negatives, 1890s-1950s, undated

Biographical:

James Leffel was born in 1806 in Botetourt County, Virginia to John and Catherine Leffel. The family moved to Ohio, settling near Springfield. where John Leffel established saw and grist mills. Leffel grew up surrounded by mills and and developed a strong interest in water wheels. Leffel trained as a millwright acquiring skills in metal work to make sickles, knives, and other small iron implements. In the late 1830s, Leffel established his first foundry and machine shop near Springfield, Ohio, quickly expanding and taking on two partners, William A. John and T.Y. Ferrell and adding mill gearing and stoves to their line of products. By 1845, Leffel ended his business relationship with John and Ferrell and formed a partnership with William Blackeney, a machinist who helped him support the foundry and its work. In 1846, Andrew Richards joined Leffel to build a cotton mill and machine shop. Leffel envisioned the utilization of water power in Springfield. Ohio, with the establishment of mills along a race--a dug channel leading from a creek or river to the mill--that would eventually bring trade. With the help of Samuel and James Barnett, gristmill operators, Leffel was able to "cut a race" and erect a Water Power and Flouring Mill. Leffel was especially interested in water wheel development and would receive patent US34,150 for a water wheel (1862) which later reissued as RE1791 and RE1792 in 1864.

Leffel also patented cooking stoves (US6775) in 1849 which became known as the "Buckeye," "Double Oven" and "Red Cook Stove" that were successful and earned him a strong reputation. In 1852, Leffel broke with Richards, and Nathaniel Cook, a machinist, joined Leffel and Blackeney. With his 1862 patent for a water wheel, Leffel focused his attention on demonstrating the water wheel and speaking about its productive uses. Numerous test runs of the water wheel convinced Leffel that he could sell the wheel to mills and factory operators. Leffel marketed the wheel as the "American Double Turbine" an efficient, cheap turbine for the mass market (Layton page 86 ). In 1863, Leffel and Blackeney formed a new firm, along with Perry Betchel and Leander Mudge to create a foundry designed solely for the production of the wheel. Leffel later joined forces with John Foos, a mill operator and James S. Goode, a lawyer, to form the James Leffel and Company. Leffel sold his water wheel to flour mills, woolen goods manufacturers, paper mills and farm equipment manufacturers. The company became one of the leading manufacturers of waterwheels and turbines and today continues to operate under the name of James Leffel and Company as part of Canyon Hydro which acquired the company in 2019.

Leffel died in 1866.

Source

Becker, Carl M. "James Leffel: Double Turbiner Water Wheel Inventor, Ohio History, Volume 75, No. 4, Autumn 1966, pages 200-211.

Layton, Edwin. "Scientific Technology, 1845-1900: The Hydraulic Turbine and the Origins of American Industrial Research," Technology and Culture, January 1979, Vol. 20, No. 1, pages 64-89.

Related Materials:

Materials at the Smithsonian

Smithsonian Institution Libraries, Trade Literature Collection

Pelton Water Wheel Collection, NMAH.AC.1093

Lombard Governor Company Records, NMAH.AC.1091

Niagara Falls Power Company Photographs, NMAH.AC.0949

J. & W. Jolly Company Records, NMAH.AC.1009

Uriah Boyden Papers, NMAH.AC.0982

William R. Hutton Papers, NMAH.AC.0987

Warshaw Collection of Business Americana, Series: Waterworks

Materials at Other Organizations

Special Collections and Archives, University Libraries, Wright State University, Dayton, Ohio

James Leffel & Company Records, 1867-1971

The James Leffel and Company Records consist of ledgers, journals, order books, inventories, cash and day books, payroll files, correspondence, photographs, publications, and scrapbooks of a late 19th and early 20th century Springfield, Ohio manufacturer of turbines, water wheels and engines.

Ohio Historical Society, Columbus, Ohio

James Leffel and Company Records, 1845-1890

Records of water-wheel company of Springfield, Ohio including a letter press book, notebook of hydraulic tables, and patents for water wheels and cooking stoves.

Provenance:

Collected for the National Museum of American History.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Hydraulic turbines  Search this

Steam-boilers  Search this

Stokers, Mechanical  Search this

Steam-engines  Search this

Valves  Search this

Water-wheels  Search this

Turbines  Search this

Genre/Form:

Blueprints

Business records

Charts

Clippings

Correspondence

Drawings

Order books

Patents

Photographs -- 19th century

Specifications

Trade catalogs

Glass plate negatives

Citation:

James Leffel and Company Records, 1867-1957, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0960

See more items in:

James Leffel and Company Records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8b36140e4-0b0b-4f5c-8c2e-f3cfb0a2abf0

EDAN-URL:

ead_collection:sova-nmah-ac-0960

Sponsor:

Westinghouse Electric & Manufacturing Company  Search this

Collector:

National Museum of American History (U.S.). Division of History of Technology  Search this

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

National Museum of American History (U.S.). Division of Work and Industry  Search this

Extent:

99.3 Cubic feet (123 boxes, XX map folders)

Type:

Collection descriptions

Archival materials

Drawings

Blueprints

Correspondence

Black-and-white photographs

Place:

Pittsburgh (Pa.)

Date:

1881-1950

Scope and Contents:

These records of the Westinghouse Electric and Manufacturing Company of East Pittsburgh, Pennsylvania, contain photographs of gas engines, steam turbines, machine tools, foundry and manufacturing methods, and automobile engines, 1896-1921; instruction books, bulletins, and catalogs, 1889-1950; engine lists for compound, junior compound, and standard engines, 1881-1913; blueprints, specifications, shop orders, and correspondence; record books for Corliss engines, turbines, pumps, 1900-1910; and drawings of Otto gas engines, 1900-1906, and Westinghouse pumps and engines, 1883-1921.

Arrangement:

The collection is unarranged.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Steam-engines  Search this

Internal combustion engines  Search this

Machine-tools  Search this

Steam-turbines  Search this

Genre/Form:

Drawings -- 19th century

Blueprints

Correspondence -- 1880-1950

Black-and-white photographs

Citation:

Westinghouse Electric and Manufacturing Company Records, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0977

See more items in:

Westinghouse Electric and Manufacturing Company Records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep83fd63cb8-d53a-43be-8c3f-41810d82fc42

EDAN-URL:

ead_collection:sova-nmah-ac-0977

Culture/People:

Muscogee (Creek)  Search this

Artist/Maker:

Retha Walden Gambaro, Muscogee (Creek), 1917-2013 and Wegner Foundry, 1941-  Search this

Previous owner:

Marjorie Ashworth Yahraes, Non-Indian, 1916-2009  Search this

Donor:

Kent Ashworth, Non-Indian  Search this

Alison Cumming (Mrs. Kent Ashworth), Non-Indian  Search this

Title:

Soaring Spirit

Object Name:

Sculpture

Media/Materials:

Bronze

Techniques:

Forged

Dimensions:

72.0 x 33.2 x 96.5 cm

Object Type:

Sculpture/Carving/Figures

Place:

Washington, DC; District of Columbia; USA

Date created:

1985

Catalog Number:

26/7608

Barcode:

267608.000

See related items:

Muscogee (Creek)

Sculpture/Carving/Figures

Data Source:

National Museum of the American Indian

GUID:

http://n2t.net/ark:/65665/ws6123a7c98-5cc3-4777-ad65-240ee7bde101

EDAN-URL:

edanmdm:NMAI_396823

Creator:

Calumet and Hecla Mining Company.  Search this

Leavitt, Erasmus D., 1836-1916  Search this

Former owner:

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

National Museum of American History (U.S.). Division of Work and Industry  Search this

Extent:

20.4 Cubic feet (4 boxes, 82 folders)

Type:

Collection descriptions

Archival materials

Account books

Blueprints

Diaries

Drawings

Letterpress books

Notebooks

Scrapbooks

Place:

Upper Peninsula (Mich.)

Date:

1861-1955

Summary:

Papers document prominent nineteenth-century steam engineer Erasmus D. Leavitt.

Scope and Contents note:

The Leavitt Papers include a Civil War diary, personal account books, photographs, drawings, and engineering materials relating to steam engines.

Arrangement:

The collection is arranged into three series.

Series 1: Engineering Materials, 1861-1955

Series 2: Photographs, 1890s, undated

Series 3: Engineering Drawings, 1874-1906

Historical:

The Calumet and Hecla Company, which was formed in about 1866, was one of the largest mining operations in the Lake Superior region of Upper Michigan. Over 3 billion pounds of copper were removed from its extensive mines by the time operations ceased in 1939. To facilitate the work in both the mines and smelting plants, the company installed some the largest steam engines ever built. The aggregate amounted to over 55,000 horsepower.

Noted 19th century steam engineer Erasmus Darwin Leavitt was hired to design the series of huge multi-cylinder engines. Each had sufficient power to support several operations at one time. While an engine drove one of the hoists, it might also power pumping, conveying, and air compressing machinery. At the peak of operations there were at least 50 steam engines of all sizes providing power to Calumet and Hecla. Falling copper prices during the 1920s and the economic depression of the 1930s ultimately forced the mines to close. The engines were of no further use and their countless tons of cast iron and steel ended up in the scrap drives of World War II.

Biographical:

Erasmus Darwin Leavitt was born in Lowell, Massachusetts, in 1836 and died in 1916 in Cambridge, Massachusetts. He was educated in the Lowell public schools, entered the machine shop of the Lowell Manufacturing Company in 1852, and served three years as an apprentice. He spent one year with Corliss and Nightingale and was later assistant foreman of the City Point works in South Boston, where he was in charge of building the engines for the flagship "Hartford." From 1859 to 1861 he was chief draftsman for Thurston, Gardiner & Co., of Providence, Rhode Island, leaving to enter the United States Navy in the summer of 1861.

Leavitt served during the Civil War and he was detailed to the Naval Academy at Annapolis as instructor in steam engineering. Resigning in 1867, he resumed the practice of mechanical engineering, making a specialty of pumping and mining machinery. He was consulting engineer of the Calumet and Hecla Mining compan from 1874 to 1904 during which time he designed the equipment. He was also consulting engineer for Henry R. Worthington, the Dickson Manufacturing Company, City of Boston and City of Cambridge, and designed the pumping engine for the City of Louisville, Kentucky. He was advisory engineer and designed machinery for the Bethlehem Steel Company and for South African mining companies. He was a member of the American Society of Mechanical Engineers and formerly its president; the American Society of Civil Engineers, American Institute of Mining Engineers, Boston Society of Civil Engineers, American Society of Naval Engineers, an honorary member of the British Society for the Advancement of Science, life member of Franklin Institute, and member of Institution of Civil Engineers and of the Institution of Mechanical Engineers of Great Britain. He was also a fellow of American Academy of Arts and Sciences.

In 1884 Mr. Leavitt received the honorary degree of Doctor of Engineering from Stevens Institute of Technology of New Jersey. Leavitt retired from active practice in 1904. He married Annie Elisabeth Pettit in 1867, and had three daughters, Mary, Margaret and Annie.

Source

Cambridge Chronicle, March 18, 1916

Related Materials:

Materials at Other Organizations

Michigan Technological University Archives and Copper Country Historical Collections

Calumet and Hecla Mining Company Collection

Provenance:

Collection materials donated by Calumet and Hecla, Inc. in 1960 and by Thomas E. P. Rice, 1977.

The collection came to the Smithsonian in 1960 from Calumet & Hecla, Inc. In the course of a reorganization in 1952 mining had been dropped from the company name as the emphasis was on chemicals, foundry work, and forest products. Its remaining mining activites in other areas of Michigan were phased out during the 1960s and in 1968 Calumet & Hecla merged with Universal Oil Products, Inc. Late in 1970 Universal Oil Products scrapped what was left of the Calumet & Hecla physical plant and its remaining assests were auctioned off.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Engines  Search this

Hoisting and conveying  Search this

Mineral industries  Search this

Mining  Search this

Pumping  Search this

Steam-engines  Search this

Waterworks  Search this

Genre/Form:

Account books

Blueprints

Diaries

Drawings

Letterpress books

Notebooks

Scrapbooks

Citation:

Erasmus D. Leavitt Collection, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0966

See more items in:

Erasmus D. Leavitt Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c5e7ffde-5f5f-415c-ae48-45a3c941509b

EDAN-URL:

ead_collection:sova-nmah-ac-0966

Creator:

Winslow, Marcella Comès  Search this

Subject:

Adams, Léonie  Search this

Bishop, Elizabeth  Search this

Chapin, Katherine Garrison  Search this

D'Arcy, Martin Cyril  Search this

De la Mare, Walter  Search this

Devlin, Denis  Search this

Eberhart, Richard  Search this

Frost, Robert  Search this

Gordon, Caroline  Search this

Hodgson, Ralph  Search this

Jiménez, Juan Ramón  Search this

Lowell, Robert  Search this

Masson, Leon  Search this

Porter, Katherine Anne  Search this

Pound, Ezra  Search this

Rothenstein, John, Sir  Search this

Rothenstein, William, Sir  Search this

Saint-John Perse  Search this

Shapiro, Karl Jay  Search this

Tate, Allen  Search this

Van Doren, Mark  Search this

Warren, Robert Penn  Search this

Welty, Eudora  Search this

Weygandt, Cornelius  Search this

Winslow, Anne Goodwin  Search this

Citation:

Marcella Comès (Winslow) papers, 1915-1982 [and undated]. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Theme:

Women  Search this

Photography  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6707

(DSI-AAA_SIRISBib)208832

AAA_collcode_winsmarc

Theme:

Women

Photography

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208832

Creator:

De Rivera, José Ruiz, 1904-1985  Search this

Subject:

Ashton, Dore  Search this

Goldsmith, Howard  Search this

Marter, Joan M.  Search this

American Iron and Steel Institute  Search this

New York World's Fair (1964-1965)  Search this

Smithsonian Institution  Search this

Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this

Type:

Drawings

Collages

Sketchbooks

Interviews

Transcripts

Sketches

Motion pictures (visual works)

Blueprints

Photographs

Citation:

José de Rivera papers, 1930-1991. Archives of American Art, Smithsonian Institution.

Topic:

Hispanic American artists  Search this

Sculptors -- New York (State) -- New York -- Interviews  Search this

Sculpture, American -- New York (State) -- New York  Search this

Artists' studios -- Photographs  Search this

Theme:

Sketches & Sketchbooks  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9304

(DSI-AAA_SIRISBib)211499

AAA_collcode_derijose

Theme:

Sketches & Sketchbooks

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211499

Creator:

De Rivera, José Ruiz, 1904-1985  Search this

Names:

American Iron and Steel Institute  Search this

Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this

New York World's Fair (1964-1965)  Search this

Smithsonian Institution  Search this

Ashton, Dore  Search this

Goldsmith, Howard  Search this

Marter, Joan M.  Search this

Extent:

5.6 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Collages

Sketchbooks

Interviews

Transcripts

Sketches

Motion pictures (visual works)

Blueprints

Photographs

Date:

1930-1991

Summary:

The papers of sculptor José de Rivera date from 1930 to 1991 and measure 5.6 linear feet. Found within the papers are biographical materials, letters, scattered personal business records, commission files, art work including four sketchbooks, printed material, and photographs. One of the commission files includes a motion picture film.

Scope and Content Note:

The papers of sculptor José de Rivera date from 1930 to 1991 and measure 5.6 linear feet. Found within the papers are biographical materials, letters, scattered personal business records, commission files, art work including four sketchbooks, printed material, and photographs. One of the commission files includes a motion picture film.

Biographical material consists of a biographical account, resumé, military service records, an interview transcript, certificates, addresses, and miscellaneous notes and writings.

Twenty-nine folders of letters are primarily from de Rivera's patron, attorney Howard Goldsmith, but also include single letters from Marcel Breuer, John Canaday, Emlen Etting, Dag Hammarskjold, and G. Vantongerloo.

Scattered personal business records include rental records, sculpture inventories, a contract, receipts, and miscellaneous records.

Commission files contain letters, contracts, receipts, clippings, blueprints, miscellaneous printed material, and photographs concerning several of de Rivera's commissions, including Brussels Construction for the Brussels Universal and International Exhibition, his sculpture for the 1964 New York World's Fair, and Infinity, commissioned for the Smithsonian. A file for Construction #73 completed for the American Iron and Steel Institute also contains a reel of 16mm motion picture film.

Art work consists of four sketchbooks, drawings, and geometric collages including detached cut out shapes.

Printed material includes primarily clippings and exhibition announcements and catalogs. There is also a copy of the book José de Rivera Constructions by Dore Ashton and Joan M. Marter. Photographs are of de Rivera, miscellaneous art-related events, his studio, his art works, and of miscellaneous exhibition installations. Commission files also contain photographs.

Arrangement:

The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Material, 1942-1984 (Box 1; 11 folders)

Series 2: Letters, 1938-1988 (Box 1; 29 folders)

Series 3: Personal Business Records, 1947-1984 (Box 1; 11 folders)

Series 4: Commission Files, 1955-1977 (Box 1-2, 6-7, OVs 10-11, FC 13; 1.1 linear feet)

Series 5: Art Work, 1960-1984 (Box 2, 6, OV 8; 0.9 linear feet)

Series 6: Printed Material, 1931-1991 (Box 2-4, 6; 1.5 linear feet)

Series 7: Photographs, 1930-1985 (Box 4-7, OV 9-OV 10, 12; 1.7 linear feet)

Biographical Note:

José de Rivera (1904-1985) worked primarily in New York as an abstract expressionist sculptor known for twisting steel or bronze bands into space-defining three-dimensional shapes.

José A. Ruiz was born on September 18, 1904 in West Baton Rouge, Louisiana, the son of Joseph and Honorine Montamat Ruiz. He would later take the surname of his maternal grandmother, de Rivera. Early in his life his family moved to New Orleans where his father was a sugar mill engineer on a plantation. De Rivera became adept at repairing machinery and doing blacksmith work with his father. Shortly after completing high school in 1922, de Rivera moved to Chicago where he was employed in foundries and machine shops as a pipe fitter and tool and die maker. His 1926 marriage to Rose Covelli ended in divorce.

Beginning in 1928 de Rivera attended night drawing classes conducted at the Studio School by painter John W. Norton. De Rivera was impressed by the Egyptian collections at the Field Museum. The work of Mondrian, Brancusi, and Georges Vantongerloo also exerted a strong influence on him. In 1932, he traveled through southern Europe and North Africa visiting Spain, Italy, France, Greece, and Egypt. Upon his return to the United States he decided to become a sculptor.

From 1937-1938, de Rivera was employed by the Works Progress Administration-Federal Art Project and created the sculpture Flight for the Newark, New Jersey airport. During World War II, he first served in the U.S. Army Corps from 1942 to 1943. For the following three years, he designed and constructed ship models used as training aids in the U. S. Navy.

De Rivera's first solo exhibition was in 1946 in New York at the Mortimer Levitt Gallery. In 1953, de Rivera taught sculpture at Brooklyn College. For the following three years, he was a critic in sculpture at Yale University and taught at the School of Design at North Carolina State College from 1957 to 1960. De Rivera married Lita Jeronimo in 1955.

In 1961 de Rivera was given a retrospective exhibition at the Whitney Museum of American Art. One of his most notable works Infinity was commissioned by the Smithsonian Institution for the front of its newly built Museum of History and Technology in 1963.

José de Rivera died on March 19, 1985 in New York City.

Separated Material:

The Archives of American Art also holds microfilm of material lent for microfilming (reel N70-32) including biographical material, correspondence, writings, drawings, printed material, and photographs. Loaned material was returned to the lender and are not described in the collection container inventory.

Provenance:

In 1970, José de Rivera loaned the Archives of Amrican Art material for microfilming. The artist and the Grace Borgenicht Gallery donated additional papers in 1982 and De Rivera's son, Joseph A. Ruiz II, gave more material in 1998.

Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Hispanic American artists  Search this

Sculptors -- New York (State) -- New York -- Interviews  Search this

Sculpture, American -- New York (State) -- New York  Search this

Artists' studios -- Photographs  Search this

Genre/Form:

Drawings

Collages

Sketchbooks

Interviews

Transcripts

Sketches

Motion pictures (visual works)

Blueprints

Photographs

Citation:

José de Rivera papers, 1930-1991. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.derijose

See more items in:

José de Rivera papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90e6c5475-2b48-4c4c-8467-5370b77740fc

EDAN-URL:

ead_collection:sova-aaa-derijose

Creator:

Winslow, Marcella Comès  Search this

Names:

Adams, Léonie, 1899-  Search this

Bishop, Elizabeth, 1911-1979  Search this

Chapin, Katherine Garrison, 1890-1977  Search this

D'Arcy, Martin Cyril, 1888-1976  Search this

De la Mare, Walter, 1873-1956  Search this

Devlin, Denis, 1908-1959  Search this

Eberhart, Richard, 1904-2005  Search this

Frost, Robert, 1874-1963  Search this

Gordon, Caroline, 1895-  Search this

Hodgson, Ralph, 1871-1962  Search this

Jiménez, Juan Ramón, 1881-1958  Search this

Lowell, Robert, 1917-1977  Search this

Masson, Leon, 1911-  Search this

Porter, Katherine Anne, 1890-1980  Search this

Pound, Ezra, 1885-1972  Search this

Rothenstein, John, Sir, 1901-  Search this

Rothenstein, William, Sir, 1872-1945  Search this

Saint-John Perse, 1887-1975  Search this

Shapiro, Karl Jay, 1913-  Search this

Tate, Allen, 1899-  Search this

Van Doren, Mark, 1894-1972  Search this

Warren, Robert Penn, 1905-  Search this

Welty, Eudora, 1909-2001  Search this

Weygandt, Cornelius, 1871-1957  Search this

Winslow, Anne Goodwin  Search this

Extent:

1,202 Items ((partially microfilmed on 2 reels))

Type:

Collection descriptions

Archival materials

Date:

1915-1982 [and undated]

Scope and Contents:

Files related to Washington, D.C. art activities; photographs; scrapbook; and guestbook.

REELS 2424-2425: Scrapbook on Comès' sitters Leonie Adams, Elizabeth Bishop, Katherine Garrison Chapin, Martin D' Arcy, Walter de la Mare, Denis Devlin, Richard Eberhart, Robert Frost, Caroline Gordon, Ralph Hodgson, Juan Ramon Jimenez, Robert Lowell, Katherine Anne Porter, Ezra Pound, St. John Perse, Sir John Rothenstein, Karl Shapiro, Allen Tate, Mark Van Doren, Robert Penn Warren, Eudora Welty, Cornelius Weygandt and Anne Goodwin Winslow, containing letters, clippings, book reviews, photos of sitters and Comès' portraits. Also included are photos of Comès and printed material relating to her.

REEL 2424, frames 3-243: A guest book, containing signatures, comments, sketches, photographs, clippings, and letters from artists, poets, writers, and other guests of Comès, including Walter de la Mare, Robert Frost, Leon Masson, Katherine Anne Porter, Sir John Rothenstein and Sir William Rothenstein, Allen Tate, Robert Penn Warren, Eudora Welty, and others. Also included are photographs of Comès and her family.

UNMICROFILMED: Artist, dealer, institution, and subject files containing letters, exhibition catalogs and announcements, clippings, photographs, and other printed materials relating to Washington, D.C. art activities. Included are: files on artists Caroline Van Hook Bean, Ruby Grady, Jacob Kainen, Frank Wright, and others; files on the Corcoran Gallery of Art, the Foundry, the Studio Gallery, and other galleries; subject files on the Art Barn, the D.C. chapter of the Artists Equity Association including membership lists and address labels, 1970-1972, the Art in the Embassies Program, the Conference on Artists and Taxes, 1977, the National Endowment for the Arts, the National Society of Arts and Letters, the Federal Government and the art, including material on bills and hearings, 1973-1977, the Washington art community, women and the arts, art materials hazards, includes published works by Joy Luke Turner, and crafts.

Also included are a paper "Government Sponsorship of the Arts under the WPA and Ceta," by Martha Malles, 1978; clippings, with reviews by John Canady and others; photographs, undated and 1971-1973, of Marcella Comès, Art Barn happenings, including 45 slides, 1974, and Artists Equity Association, Washington chapter, exhibitions; a published reference directory of Washington art, WASHINGTON TODAY, 1967; and one 16mm amateur film circa 1974.

Biographical / Historical:

Portrait painter, photographer; Washington, D.C. b. 1905. d. July 6, 2000. Married name Mrs. Randolph Winslow. Trained at the Carnegie School of Fine Arts and privately in Europe. Comès played an active part in the local D.C. art community; as a member of the Women's Commission of the Corcoran Gallery of Art, president of the D.C. chapter of Artists Equity Association, 1969-1971, and as the national vice-president, 1971-1973. Comès was the ex-officio portraitist to the Poetry Chair at the Library of Congress.

Provenance:

Lent and donated 1982 by Marcella Comes.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Occupation:

Painters -- Washington (D.C.)  Search this

Photographers -- Washington (D.C.)  Search this

Poets -- United States  Search this

Portrait painters -- Washington (D.C.)  Search this

Topic:

Women artists  Search this

Women painters  Search this

Identifier:

AAA.winsmarc

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b26660ed-6fff-4672-8382-6a1241bcb938

EDAN-URL:

ead_collection:sova-aaa-winsmarc

Medium:

Lacquer

Dimensions:

H x Diam: 5.5 x 27.1 cm (2 3/16 x 10 11/16 in)

Type:

Vessel

Origin:

China

Date:

4th-3rd century BCE

Period:

Late Eastern Zhou dynasty, Warring States period

Topic:

Eastern Zhou dynasty (770 - 221 BCE)  Search this

Warring States period (475 - 221 BCE)  Search this

China  Search this

Chinese Art  Search this

Credit Line:

Purchase — Charles Lang Freer Endowment

Accession Number:

F1953.8

Restrictions & Rights:

Usage conditions apply

Related Online Resources:

Google Cultural Institute

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye35f78a4e8-a956-408c-92df-22d0b969f8f7

EDAN-URL:

edanmdm:fsg_F1953.8

Creator:

Cooper-Bessemer Corporation (Mt. Vernon, Ohio)  Search this

Former owner:

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

Extent:

27 Cubic feet (68 boxes, 1 map-folder)

Type:

Collection descriptions

Archival materials

Advertising

Airbrushing

Cashbooks

Correspondence

Catalogs

Drawings

Financial records

Letterpress copybooks

Photographs

Price lists

Newsletters

Trade literature

Date:

1870-1961

Summary:

These records document the activities of the Cooper-Bessemer Corporation of Mt. Vernon, Ohio, and Grove City, Pennsylvania, manufacturers of steam, gas, and oil engines, compressors, and furnaces.

Scope and Contents note:

These records document the activities of the Cooper-Bessemer Corporation of Mt. Vernon, Ohio, manufacturers of steam, gas, and oil engines; compressors; and furnaces through correspondence, financial materials, trade literature and photographs.

Arrangement:

The collection is arranged into eleven series.

Series 1: Background Materials, 1895-1944

Series 2: Correspondence, 1866-1961

Series 3: Financial Materials, 1888-1929

Series 4: Newsletters, 1917-1942

Series 5: Product and Sales Materials, 1870-1961

Series 6: Advertising Materials, 1921-1945

Series 7: Printed Materials, 1902-1953

Series 8: Photographs, 1881-1930s

Series 9: Air Brushed Photographs/Renderings, 1909-1930s, undated

Series 10: Glass Plate Negatives, 1906-1913, undated

Series 11: Drawings, 1906-1944

Biographical / Historical:

C. & G. Cooper Company was founded by Charles (1811-1891) and Elias Cooper (1814-1848) in 1833 in Mt. Vernon, Ohio. Situated in Central Ohio, abundant supplies of coal, iron and natural gas were available to the Cooper brothers as well as proximity to the Baltimore and Ohio Railroad lines. Previously, the brothers opened a coal mine in 1832 and then a foundry for casting metals. Their principal products were plows, carding machines, and special power machinery. In 1848, Elias Cooper died and Charles Cooper sold an interest in the Company to T.L. Clark and the firm changed its name from to C. & E. Cooper to Cooper & Clark. In 1852, John Cooper (1824-1916), the younger brother of Charles and Elias, joined the company and became known as Coopers & Clark. T.L. Clark retired in 1853 and the company became C. & J. Cooper.

In 1852, the company built its first blowing engine and with the growth of the railroad system and a demand for railroad equipment, the company responded with manufacturing steam locomotives. In 1865, F.L. Fairchild (d. 1912) joined the company as a partner and the firm became known as C.& J. Cooper & Company. J.C. Debes, a mechanical engineer formerly of the George H. Corliss Works, began working for the company in 1865 designing Corliss engines that came to market in 1869. Corliss engines would become a principal product of the company by 1886. Colonel George Rogers (son-in-law of Elias Cooper) joined the company when John Cooper retired and the name once gain changed to C. & G. Cooper & Company. By 1881, Desault B. Kirk (son-in-law of Charles Cooper) and son, C.F. Cooper (d. 1894) along with E.H. Fairchild and B.F. Williams became active partners in the company. In 1929, Cooper merged with Bessemer Gas Engine Co. of Grove City, Pennsylvania, to form Cooper-Bessemer Corporation. Cooper Machinery Services is the current equipment manufacturer for Cooper-Bessemer engines.

During World War One and World War Two, the company made munitions—steel shells, special purpose lathes, surface grinders and multiple-head cutting off machines—to aid the Allies. Its work contributed to faster and more efficient production for the war effort and earned it the Maritime "M" and Army/Navy "E" Awards. Over the years, the company's products included: simple and compound Corliss engines, gas and diesel engines, rolling mill engines, marine engines, compressors, and power units for ice and refrigeration, cotton-ginning and oil-milling.

Sources

Cooper Machinery Services (last accessed on April 12, 2022 https://www.cooperservices.com/our-company/heritage/cooper-origins/the-history-of-cooper-bessemer/)

C. & G. Cooper Company, Seventy-Five Years of Engine Building, Mount Vernon, Ohio, 1900.

100 Years of Power, Cooper-Bessemer, 1833-1933, 1933.

Related Materials:

Materials at the National Museum of American History

Smithsonian Institution Libraries, Trade Literature Collection

Includes Cooper-Bessemer Corporation, Chapman Engineering Company, and Hope Engineering and Supply Company.

Provenance:

The collection was donated by the Cooper-Bessemer Corporation, through Robert S. Warren, Manager of Advertising and Public Relations, in 1965 and 1969.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Air-compressors  Search this

Engines  Search this

Diesel motor  Search this

Furnaces  Search this

Marine engines  Search this

Steam-engines  Search this

Refrigeration and refrigerating machinery  Search this

Genre/Form:

Advertising

Airbrushing

Cashbooks

Correspondence -- 1900-1950

Catalogs -- 20th century

Drawings -- 19th century

Drawings -- 20th century

Financial records

Letterpress copybooks

Photographs -- 1850-1900

Price lists

Newsletters

Photographs -- 1900-1950

Trade literature -- 20th century

Citation:

Archives Center, Cooper-Bessemer Corporation Records, National Museum of American History.

Identifier:

NMAH.AC.0961

See more items in:

Cooper-Bessemer Corporation Records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep88284a8f0-2012-488a-ba71-bd3925941302

EDAN-URL:

ead_collection:sova-nmah-ac-0961

Series Creator:

Warshaw, Isadore, 1900-1969  Search this

Container:

Box 105, Folder 17

Type:

Archival materials

Series Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Warshaw Collection of Business Americana Subject Categories: Railroads, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

See more items in:

Warshaw Collection of Business Americana Subject Categories: Railroads

Warshaw Collection of Business Americana Subject Categories: Railroads / 6: Publications / 6.3: Articles, Reports, Newspaper Clippings and General Histories

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8036b6e74-4496-41d1-8a7b-218b86b05df1

EDAN-URL:

ead_component:sova-nmah-ac-0060-s01-01-railroads-ref4079

Series Creator:

Warshaw, Isadore, 1900-1969  Search this

Container:

Box 105, Folder 57

Type:

Archival materials

Series Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Warshaw Collection of Business Americana Subject Categories: Railroads, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

See more items in:

Warshaw Collection of Business Americana Subject Categories: Railroads

Warshaw Collection of Business Americana Subject Categories: Railroads / 6: Publications / 6.3: Articles, Reports, Newspaper Clippings and General Histories

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8df33a9e6-9c3a-4250-8262-b5e02cc92837

EDAN-URL:

ead_component:sova-nmah-ac-0060-s01-01-railroads-ref4140