Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.
This collection includes prints and photographic negatives collected by Captain Allyn K. Capron. Many of the photographs were taken in the Fort Sill area in Oklahoma throughout Capron's time serving there. While a few of these photographs depict Capron, the majority of the Fort Sill photographs feature Native American prisoners of war. This collection also contains portraits taken by Frank A. Rinehart and Adolph F. Muhr during the 1898 U.S. Indian Congress of the Trans Mississippi and International Exposition in Omaha, Nebraska. In addition, this collection contains rare photographs from a 1900 Niimíipuu (Nez Perce) and Umatilla delegation visit led by Chief Joseph to Washington, DC. Additional assorted photographs, which were collected by Capron and taken among several communities in Nebraska, North Dakota, Oklahoma, Alabama, and Florida by various photographers, are also included.
The communities represented within this collection include the Apsáalooke (Crow/Absaroke), Assiniboine (Stoney), Southern Inunaina (Arapaho), Kiowa, Pikuni (Piegan) [Blackfeet Nation, Browning, Montana], Apache, Chiricahua Apache, Oglala Lakota (Oglala Sioux), Cayuse, Sihasapa Lakota (Blackfoot Sioux), Niimíipuu (Nez Perce), Umatilla, Potawatomi, Warm Springs Chiricahua Apache (New Mexico), Southern Plains, and Hunkpapa Lakota (Hunkpapa Sioux), with a few individuals identified simply as Sioux.
Scope and Contents:
This collection includes photographic prints and negatives collected by Capron and arranged into four series.
Series 1: Fort Sill and surrounding areas, 1885-1896, includes 6 copy negatives and 73 photographic prints. These photographs were taken by George A. Addison (George Anthony Addison), Ella M. Roff (Ellen M. Roff/E. M. Roff), and unknown photographers in Alabama and Oklahoma,in Fort Sill and surrounding areas, between 1885-1896. Some notable scenes include Geronimo and his family, individuals rounding up calves, non-native soldiers, Kiowa tipis, Niuam (Comanche) men shooting bows, the 12th Infantry of Apache Indians, and the Fort Sill Commanding Officers' quarters. Captain Allyn Capron is pictured in a few of the Fort Sill photographs. The indigenous communities depicted include the Southern Plains, Chiricahua Apache, Apache, Warm Springs Chiricahua Apache (New Mexico), Niuam (Comanche), Kiowa, and Potawatomi.
Series 2: Trans-Mississippi and International Exposition, 1898, includes 1 copy negative and 7 photographic prints taken in Omaha, Nebraska by Frank A. Rinehart and Adolph F. Muhr in 1898. The photographs depict scenes from the Indian Congress of the Trans-Mississippi and International Exposition and include portraits of individuals belonging to the Apsáalooke (Crow/Absaroke), Assiniboine (Stoney), Southern Inunaina (Arapaho), Kiowa, Chiricahua Apache, Oglala Lakota (Oglala Sioux) communities, with a few individuals identified only as Sioux. A delegation of Apache prisoners of war, including Geronimo, were brought from Fort Sill to attend the exposition.
Series 3: Assorted Photographs by Various Photographers, 1872-1900, includes includes 1 copy negative and 28 photographic prints taken by Frank A. Rinehart, Adolph F. Muhr, Alexander Gardner, David F. Barry (David Francis Barry/D. F. Barry), and unknown photographers throughout the United States between 1872-1900. This series contains photographs taken among the Sioux, Pikuni (Piegan) [Blackfeet Nation, Browning, Montana], Apache, Chiricahua Apache, Apsáalooke (Crow/Absaroke), Sihasapa Lakota (Blackfoot Sioux), Hunkpapa Lakota (Hunkpapa Sioux), Nimi'ipuu (Nez Perce), Umatilla, Nimi'ipuu (Nez Perce), and Cayuse communities. The locations for the shoots include Nebraska, North Dakota, Oklahoma, Alabama, Florida, and Washington, DC. The subjects of this series include individual portraits, communities, and landscapes, with notable individuals including Naiche (Natchez), Goyathlay (Geronimo), Chief John Grass (Pe-ji or Pah-Zhe), and Theodore Roosevelt.
Series 4: Niimíipuu (Nez Perce) and Umatilla delegation visit to Washington, D.C.,1900, includes 8 rare photographic prints of a joint Niimíipuu (Nez Perce) and Umatilla delegation visit to Washington, D.C. in 1900. The delegates appearing in this series includes Cayuse delegate Chief Paul Showaway and Niimíipuu (Nez Perce) delegates Chief Joseph (Hin-mah-too-yah-lat-kekt), Stephen J. Reuben, and Chief Peo Peo Tholekt (Peopeotahlikt/Peo Peo T'olikt/Peo-Peo-Ta-Lakt/George Peo-peo-tah-likt/Bird Alighting). Stephen J. Reuben was Chief Joseph's nephew, and acted as an interpreter for this visit. This series was possibly photographed outside of 1111 Masachussets Avenue, Washington, D.C. Additional identifications were provided by Nakia Williamson-Cloud, Nez Perce Tribe Cultural Resource Program, 2003.
Copy negatives include N21545, N37515-N37518, N41416, N41418, N41459. Photographic prints include P13092-P13095, P13097, P3101-P13203.
Arrangement:
Arranged intellectually into four series. Series 1: Fort Sill and surrounding areas, 1885-1896; Series 2: Trans-Mississippi International Exposition, 1898; Series 3: Assorted Photographs by Various Photographers, 1872-1900; Series 4: Niimíipuu (Nez Perce) and Umatilla delegation visit to Washington, D.C., 1900.
Biographical / Historical:
Captain Allyn K. Capron, a graduate of West Point, was a Rough Rider who served as Lieutenant and Captain in the U.S. Army. In 1886, Geronimo and 341 other Chiricahua Apache prisoners of war were captured and brought to Fort Sill in Oklahoma. It was here that Capron served under Hugh L. Scott, who was in charge of Geronimo's band of Apache Indians from 1894 to 1897. As a lieutenant, between 1895-1896, Capron commanded Troop L of the Seventh Cavalry, U.S.A at Fort Sill; this unit consisted entirely of Apache Indians. He was in charge also of Geronimo, whom he often quoted within his letters written from Fort Sill. Capron died from the effects of exposure during the Spanish American War in 1898.
Provenance:
Gift of Agness Kissam Capron, wife of Captain Allyn Capron, 1938.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Citation:
Identification of specific item; Date (if known); Captain Allyn Capron photograph collection, image #, NMAI.AC.152; National Museum of the American Indian Archives Center, Smithsonian Institution.
This collection consists of one photo album assembled by Neil Burnett MacTaggart documenting his service with the US Army Air Service, 57th Photographic Section, during World War I. The album measures approximately 12 by 10.5 inches and contains photographs taken in and around Fort Sill, Oklahoma as well as photographs taken in France.
This collection is in English.
Scope and Contents:
This collection consists of one photo album assembled by Neil Burnett MacTaggart documenting his service with the US Army Air Service, 57th Photographic Section, during World War I. The album measures approximately 12 by 10.5 inches and contains photographs taken in and around Fort Sill, Oklahoma as well as photographs taken in France. Images in the album include aerial views taken in Oklahoma; aerial views taken in France, including images that show damage from bombing as well as views of trenches; views of various landmarks in both locations; views of facilities at Fort Sill and Henry Post Army Airfield; aircraft, including air to air views and views of crashes; tanks; heavy mortar and other artillery; horse-drawn caissons; naval vessels; German soldiers; a view of an observation balloon on fire at Fort Sill; and numerous views of Native Americans of all ages taken in Oklahoma. Aircraft shown in the album include the Curtiss JN-4 Jenny; Fokker D.VII; Albatros D.III; SPAD XVI (S.16); and a Breguet-Michelin BM.4. The collection also includes MacTaggart's discharge certificate and a loose photograph of MacTaggart wearing flight clothing.
Note: Blank pages in the album have not been digitally reproduced in the slideshow. Any gaps in numbering are due to their omission.
Arrangement:
Collection is in original order.
Biographical / Historical:
Neil Burnett MacTaggart served with the US Army Air Service, 57th Photographic Section, during World War I. MacTaggart enlisted in August 1918 and was stationed at Fort Sill, Oklahoma and it appears from photographs in his scrapbook that he later served in France. MacTaggart was honorably discharged in March 1919.
Provenance:
Heather Bryden, Gift, 2019, NASM.2019.0019
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
This collection of twenty-three cabinet card photographs was collected by Alice Kennedy Eagan, and depicts Native American and non-native life in the Fort Still, Oklahoma Territory, circa 1894-1896.
Scope and Contents:
This collection consists of twenty-three cabinet cards of Native Americans and non-native soldiers and civilians in the Fort Sill area of the Oklahoma Territory. The images consist of studio portraits and exterior shots of Fort Sill school buildings, military barracks, and the surrounding countryside. Particular images of note include studio portraits of Kiowa women and children, babies in cradleboards, women quilting, a baseball game, and soldiers in uniform. All photographs are attributed to photographer George A. Addison, taken in approximately 1894-1896, and collected by Alice Kennedy Eagan.
Arrangement:
The materials in this collection are organized into folders, and arranged by image number: (P34119-P34141).
Biographical / Historical:
Alice Kennedy Eagan (1870-1955) was born in Ohio in 1870, and moved to Fort Sill in the Oklahoma Territory in the 1890s, collecting cabinet cards of local Native American tribes and non-native Fort Sill soldiers and civilians while there. She later received her nursing degree in San Francisco, California in 1904, met and married James E. Eagan in Nevada in 1907, and eventually moved to Columbia County, Wisconsin in 1908. She raised her family there and remained in Wisconsin for the rest of her life, passing away in 1955 at the age of 85.
George Anthony Addison (1853-1937) was a photographer who operated studios in Texas and the Oklahoma Territory from the early 1880s until approximately 1907. Addison operated studios in Taylor and Georgetown near Autsin, Texas, Norcona in northern Texas, Wheeler County in the Texas Panhandle, and from 1890 to 1895, in the Fort Sill, Oklahoma Territory area. He passed away and was buried in the town of Canadian, Oklahoma in 1937.
Related Materials:
Additional photographs by George A. Addison in the NMAI Archive Center include image numbers: [P13128, P20326-P20329, and P20455].
Other photographic collections of George A. Addison's work exist in the Smithsonian Institution's National Anthropological Archives, and the National Cowboy & Western Heritage Museum in Oklahoma City, OK.
Provenance:
This collection was donated by Robert J. Pietrykowski in 2008.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Indians of North America -- Great Plains Search this
Identification of specific item; Date (if known); Alice Kennedy Eagan Collection of George A. Addison Fort Sill photographs, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Emily Hall Tremaine papers, circa 1890-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the The Brent R. Harris Charitable Fund. Funding for the digitization of the papers was provided by the Emily Hall Tremaine Foundation. Researchers are invited and encouraged to inform the Emily Hall Tremaine Foundation of publication efforts at collection@tremainefoundation.org.
Knabenshue, A. Roy (Augustus Roy), 1876-1960 Search this
Container:
Box 6, Folder 4
Type:
Archival materials
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
A. Roy Knabenshue Collection, Acc. NASM.XXXX.0136, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Thomas DeWitt Milling Collection, NASM.XXXX.0133, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Thomas DeWitt Milling Collection, NASM.XXXX.0133, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Thomas DeWitt Milling Collection, NASM.XXXX.0133, National Air and Space Museum, Smithsonian Institution.