Interviews conducted by Charles B. Hosmer with 54 persons involved in American historic preservation (used in preparation for his book Preservation Comes of Age) and restoration in the United States. Among the topics discussed are the development of the National Park Service, Williamsburg, National Trust, and projects in California, Charleston, S.C., Illinois, Missouri, New Orleans, La., Newport, R. I., New York State, San Antonio, Tex., and Wisconsin. A 98 p. index to the transcripts is included.
Interviewees are: Horace M. Albright, Edward P. Alexander, Roy Appleman, Joseph Booton, Paul V. Brown, John Albury Bryan, Helen D. Bullock, Orin M. Bullock, E. Milby Burton, Janet R. Cooley, William King Covell, Elbert Cox, Antoinette Downing, Newton B. Drury, Emily Edwards, Herbert Evison, J. Everette Fauber, Finlay Ferguson, Mrs. Jules Fontaine, O'Neill Ford, Milton Grigg, Mary Harral, Ethel Wilson Harris, Louis C. Jones, Herbert E. Kahler, Harnett Kane, Richard Koch, Richard Lawwill, Ronald F. Lee, Ralph Lewis, Clifford Lord, Walter M. Macomber, Mrs. George Maurice Morris, James J. Morrison, Vernon Aubrey Neasham, George A. Palmer, Erling Pederson, Thomas Pitkin, Charles Porter, Philip T. Primm, Frederick L. Rath, Jerome V. Ray, Martha Robinson, Albert Simons, Clyde F. Trudell, Charles Van Ravenswaay, Mrs. George Henry Warren (Katherine Urquhart Warren), Malcolm Watkins, Elsa Watson, Mrs. Walter P. Webb, Melvin J. Weig, Mrs. George Wells, Robert N. S. Whitelaw, Samuel Wilson, and Arthur Woodward.
Biographical / Historical:
Charles B. Hosmer (1932- 1993) was an historian and writer in Principia College, Illinois.
Charles Hosmer papers also located at the University of Maryland, Special Collections. The collection may include original recordings for some of the interviewees, as well as many additional oral history interviews conducted by Hosmer for his book Preservation Comes of Age as well as interviews conducted for a separate historic preservation project funded by the Eastern National Park and Monument Association.
Donated 1975-1978 by Charles B. Hosmer.
Brown, Cooley, Ferguson, Lawwill, Lewis, Morrison and Palmer are: ACCESS RESTRICTED: written permission required.
Historic buildings -- United States -- Conservation and restoration Search this
Architecture -- United States -- United States -- Conservation and restoration Search this
An interview of Jesse Amado conducted 2004 May 31 and June 7, by Cary Cordova, for the Archives of American Art, at the artist's studio, in San Antonio, Texas.
Includes artist's family background, personalities, and relationship of artist's mother and father; parents' occupations and the effect on the family; brother Gilbert; early influences and experiences in drawing; role of religion during childhood; experiences in school including parochial school and losing interest in 12th grade; experiences working with architect O'Neil Ford in high school; decision to go into the Navy; experiences and travels in the Navy; first impressions of New York City; interest in literature and reading on works and life, including T.S. Eliot, "Tom Sawyer," "The Odyssey;" first experiences with foreign film, especially L'Avventura; bilingualism including learning to speak English and it's possible influences on art; work after the Navy on a tanker; travels in Europe; New York City and experiences working and living there; decision to return to San Antonio; starting at San Antonio College and experience of returning to school; first paintings; attempt at teaching; joining the fire department and influences of that job on his art; MFA study at University of Texas, San Antonio; influences of professors including Steve Reynolds, Mel Casas, and Dave Hickey; major influential discussion with Dave Hickey and art that resulted; BFA show exhibition; beginnings of ideas of fragility and mutability in early pieces; relationship to Minimalism or Conceptual Art in works; the growing art scene in San Antonio and it's galleries, including FineSilver, Blue Star and Art Pace; relationships with other San Antonio artists including Franco Mondini, Chuck Ramirez, Rebecca Holland; discussion of Bemis Foundation show; artist's feelings on being a Latino or Chicano artist; possible Latino influences on his art; discussion of Latino culture and iconography; change from stronger tendencies in painting towards sculpture and installation pieces; discussion of works in the "Taking Liberties" exhibition ; the artist's creation process; discussion of Antonioni's L'Avventura and its use in artist's work; use of text as a visual form; importance of backstory and context to artist's work; use of music and lyrics in work, including James Brown and the Beatles; interest in taglines and its use in art; interest in fashion especially fashion magazines and its use in art; introduction and use of DYMO tape in art; relationship and interactions with galleries and museums, especially the Whitney, Blue Star, FineSilver; Barbara Davis; use of digital photography in work; discussion of the economics of the gallery; the future of artist's work and the importance of the process for the artist in the future; role of Catholicism in artist's work; the exhibition "Renascence" at the Contemporary Arts Museum in Houston; influence of marriage and divorce on works.
Biographical / Historical:
Jesse Amadao (1951-) is an artist in San Antonio, Texas. Cary Cordoza (1970-) is an art historian.
Originally recorded on 7 sound discs. Reformatted in 2010 as 9 digital wav files. Duration is 4 hrs., 45 minutes.
Interview recorded on mini discs and compact discs.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Transcript available on the Archives of American Art website.
This interview is part of the series "Recuerdos Orales: Interviews of the Latino Art Community in Texas," supported by Federal funds for Latino programming, administered by the Smithsonian Center for Latino Initiatives.
The digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.