50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.
There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.
Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.
Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.
Biographical/Historical note:
George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.
Indians of North America -- Southern states Search this
Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
The Samuel K. Lothrop photograph collection primarily contains negatives, photographic prints, and lantern slides made by Lothrop while employed by the Museum of the American Indian, Heye Foundation from 1924-1930. Lothrop was an archaeologist and photographer who extensively traveled and worked throughout Central America and South America and led expeditions on behalf of the MAI to Argentina, Chile, El Salvador, Guatemala, and Peru. There are also photographs from prior to Lothrop's time at MAI that were made in other locations in Central America, Puerto Rico, New Mexico, Arizona, and Wisconsin between 1915 and 1918.
Scope and Contents:
The Samuel K. Lothrop collection primarily contains negatives, photographic prints, and lantern slides made by Lothrop while employed by the Museum of the American Indian, Heye Foundation from 1924-1930. There are also photographs from prior to Lothrop's time at MAI that were made in other locations in Central America, Puerto Rico, New Mexico, Arizona, and Wisconsin between 1915 and 1918.
Series 1: Non-MAI Expeditions to Wisconsin and the Southwest, United States, 1915, includes photographic negatives from S.K. Lothrop's first field experience in archaeology the summer of 1915 under the direction of A.V. Kidder through the R.S. Peabody Foundation of Andover. This includes photographs in the Southwest at the San Cristobal Pueblo ruins, A:shiwi (Zuni) Pueblo, Acoma Pueblo, K'apovi (Santa Clara Pueblo) in New Mexico and at various locations at Hopi Pueblo, Arizona. There are also photographs of Bird Effigy Mound and Panther Effigy in Lake Mendota, Wisconsin, also made in 1915.
Series 2: Non-MAI Expeditions to Central America and Puerto Rico, circa 1915-1918, includes photographic negatives and lantern slides from Lothrop's time as Director of the Harvard Peabody Museum's Central American,1916-1917. Some of the photographs in this series are listed as 1918, though during that time Lothrop was working for the U.S. Army Military Intelligence. It's also possible that the photographs from Puerto Rico, which are cataloged as 1918 were taken during a 1915 trip to the island. The photographs in this series include views from Costa Rica, Panama, Honduras, El Salvador, Nicaragua, Guatemala, and Puerto Rico.
Series 3: MAI Central American Expedition to El Salvador, 1924, includes photographs from the "S.K. Lothrop Central American Expedition" between January and May 1924. The majority of the photographs were made in El Salvador, though a small amount were taken in Guatemala. The photographs in EL Salvador include photographs of volcanos, archaeological sites, antiquities, landscape views, villages, and native peoples, such as the Lenca, engaged in pottery and rope making, food preparation, house building, and ceremonial activities.
Series 4: MAI Tierra del Fuego Expedition, 1924-1925, includes photographs from the "MAI Tierra del Fuego Expedition" between October 1924 and March, 1925. Lothrop, accompanied by J. Linzee Weld, spent three months on the Islands of Tierra del Fuego (Chile, Argentina) visiting Selk'nam (Ona) and Yámana (Yagán/Yahgan) settlements. The three Selk'nam (Ona) settlements included one at the Southeast corner of Lake Fagnano, one at the Northeast of Lake Fagnano and the third east of the Laguna de Pescados. Yámana (Yagán/Yahgan) settlements were encountered at Tierra Mayor, Cambaceres Bay, Gable island and Puerto Mejillones on Navarin Island. The photographs include depictions of the daily live and ceremonial activities of the Native peoples, as well as landscape views. Also included in this series are photographic negatives made in Peru sometime in 1925 during Lothrop's trip in South America. These include images in Incahuasi and La Centinela, among other locations.
Series 5: MAI La Plata Expedition (Paraná River Delta Argentina Expedition), 1925, includes photographic negatives from the "Mrs. Thea Heye, La Plata Expedition" also known as the "Thea Heye - Lothrop Paraná River Delta Argentina Expedition" between March and June 1925. The expedition was conducted jointly between the Museum of the American Indian, Heye Foundation and the Museo de la Plata in Argentina (Argentine Republic). Excavations were made in the Río Paraná Delta in the Province of Buenos Aires, Argentina. Many of the photographs show views of the river as well as views of the excavation site including mounds and trenches. There are a number of restricted photographs in this series due to cultural sensitivity.
Series 6: MAI Guatemala Expedition, 1928, includes photographic negatives from the "Mrs. Thea Heye Guatemala Expedition" between February and May 1928. Many of the photographs include depictions of Mayan ruins in different Guatemalan provinces. There are also photographs of Tz'utuhil Maya (Tzutuhil/Zutigil), K'iche' (Quiché) Maya, and Kaqchikel Maya (Cakchiquel) people engaged in weaving, rope making, canoeing, and ceremonial activities. There are a number of restricted photographs in this series due to cultural sensitivity.
Arrangement note:
This collection has been arranged in six Series chronologically by expedition.
Series 1: Non-MAI Expeditions to Wisconsin and the Southwest, United States, 1915
Series 2: Non-MAI Expeditions to Central America and Puerto Rico, circa 1915-1918
Series 3: MAI Central American Expedition to El Salvador, 1924
Series 4: MAI Tierra del Fuego Expedition, 1924-1925
Series 5: MAI La Plata Expedition (Paraná River Delta Argentina Expedition), 1925
Samuel Kirkland Lothrop was born in Milton, Massachusetts on July 6, 1892, to William Sturgis Hooper Lothrop and Alice Putnam Lothrop. Lothrop spent his childhood in Massachusetts and Puerto Rico and entered Harvard college in 1911. He graduated in 1915 with a concentration in archaeology and anthropology having studied under Alfred Marston Tozzer. Lothrop had his first field experience in archaeology the summer of 1915 under the direction of A.V. Kidder through the R.S. Peabody Foundation of Andover, spending time in the Southwest as well as studying mounds in Wisconsin. Lothrop also traveled extensively in Central American and in Puerto Rico as an associate of the Peabody Museum of Harvard, visiting sites and making small excavations. During World War I, Lothrop's career was interrupted when he served as a second lieutenant in the U.S. Army Military Intelligence between 1917-1918. Following the war, Lothrop returned to graduate work at Harvard and his thesis, submitted in 1921, was focused on the ceramics of Costa Rica and Nicaragua.
Lothrop was then employed by the Carnegie Institution's Historical Division to make field investigations in Yucatan and Guatemala in 1923. His 1924 publication on the Yucatan ruin of Tulum was the first major monograph published on the subject. Starting in 1923, with the Hendricks-Hodge Hawikku (Hawikuh) expedition, Lothrop joined the research staff of the Museum of the American Indian, Heye Foundation (MAI) in New York City. Though George Gustav Heye originally hired Lothrop to research Native Guatemalan and El Salvadoran textiles and pottery, Lothrop also led several expeditions in South America in such places as Tierra del Fuego. During this period, Lothrop became a good friend of Argentine archaeologists at the time such as Fernando Marquez Miranda and published several monographs on his research. Following the dissolution of the MAI's research staff in 1930, Lothrop returned to Harvard's Peabody Museum as a research associate and curator of Andean archaeology until his retirement. Lothrop continued in an active emeritus status until his death in 1965.
Source: Willey, Gordon R. "Samuel Kirkland Lothrop," Biographical Memoirs: Volume 48, pp 253-272. National Academies Press, 1976.
Related Materials:
Samuel K. Lothrop papers (996-20), Peabody Museum Archives. https://hollisarchives.lib.harvard.edu/repositories/6/resources/4764
Lothrop, S.K. Chile field notes and diary about the Indian of Chile, 1929-1930, #9055. Division of Rare and Manuscript Collections, Cornell University Library.
Separated Materials:
Photographs that were made by S.K. Lothrop during the Hendricks-Hodge Hawikku (Hawikuh) expedition are included in the Hendricks-Hodge Hawikku Expedition photograph collection, NMAI.AC.001.042.
Catalogs and expense records for Lothrop's expeditions can be found in the Museum of the American Indian, Heye Foundation records, NMAI.AC.001, in Series 5: Expeditions.
Provenance:
The photographs produced during Museum of the American Indian expeditions were sent to the MAI by Samuel K. Lothrop, alongside field collections, between 1924 and 1930. The photographs that were made by Lothrop prior to his employment at MAI were donated by Lothrop in 1930.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
There are photographs in this collection that are restricted due to cultural sensitivity.
Topic:
Indians of Central America -- Guatemala -- Photographs Search this
Indians of Central America -- El Salvador -- Photographs Search this
Fuegians -- Social life and customs -- Photographs Search this
Excavations (Archaeology) -- Argentina -- Photographs Search this
Genre/Form:
Lantern slides
Photographs
Negatives
Photographic prints
Citation:
Identification of specific item; Date (if known); Samuel K. Lothrop photograph collection, NMAI.AC.001.010. National Museum of the American Indian Archives Center, Smithsonian Institution.
Outtakes shot of tribes of the western, southwestern, and northern United States. Footage includes Klamath, Karuk, Yurok, Hupa, Navajo, Zuni, Hopi, Chippewa, Apache, and Cheyenne, and Sioux and is believed to have been shot in conjunction with the edited film INTERTRIBAL INDIAN LIFE AND CULTURE. Shots of ethnographic interest include Hupa foodways, arrowmaking, and basketry; fishing with dip nets along the Klamath River; Klamath or Hupa ceremonial dances including the bear, deer, and otter dances; Karuk and Yurok ceremonial dances including the jump, hoop, and brush dances; Apache devil dancers and Pueblo Eagle dance at Window Rock; sun dance lodge and ceremony (probably Cheyenne); Chippewa ceremony of the Grand Medicine Society, Red Lake Reservation near Cass Lake and Black Duck, Minnesota; marathon race and wrestling matches at Klamath Reservation; and pow-wow footage of Plains Indians (unidentified).
Collection also includes associated texts and black-and-white photographs and negatives shot by Grover Sanderson aka Eagle Wing, ca. 1930s. Often prints are duplicates of negatives but some negatives and prints are unique, with no copies.
Legacy Keywords: Food preparation cooking acorn mush weewish Hupa ; Food gathering acorns Hupa ; Cradleboard Hupa Northern California ; Dancing ceremonial Deer Dance deer effigies otter pelts Hupa Northern California ; Headdress ceremonial dancing flicker feather Hupa Northern California ; Curing ceremony Chippewa Minnesota ; Adornment necklaces shell Hupa Klamath Northern California ; Mortuary practices burial huts Northern California ; Arrows hafting of Hupa Northern California ; Basketry manufacture of use of Hupa Northern California ; Fishing dip nets Hupa Klamath Northern California ; Gambling Hupa gambling game Northern California ; Cemeteries burials above ground Northern California ; Effigies deer effigy Hupa ceremonial dance Northern California ; Sports wrestling running Indian Days Hupa ; Scouts boy scouts and Indians ; Dancing Devil Dancers Apache Window Rock ; Ceremony Sun Dance raising centerpole Northern Plains ; Ceremony Grand Medicine Society Chippewa Red Lake Reservation ; Language and culture
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or Anthropology Archives, but is available in its original form to facilitate research.
Local Number:
HSFA 1984.18.1
Provenance:
Received from Jack Richard Sanderson, Sr. in 1984 and an unknown donor in 2008.
Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Rights:
Contact the repository for terms of use.
Genre/Form:
silent films
Citation:
Grover Sanderson collection, Human Studies Film Archives, Smithsonian Institution
Sponsor:
Cataloging supported by Smithsonian Institution Women's Committee.
National Museum of Natural History (U.S.). Department of Anthropology Search this
Smithsonian Institution. Department of Anthropology Search this
Smithsonian Institution. United States National Museum. Department of Anthropology Search this
Container:
Box 22
Type:
Archival materials
Scope and Contents:
Includes "Plants Collected by J. G. Owens, identified by Sereno Watson," including notes on their uses; notes and/or letters by J. Walter Fewkes, Walter Hough, Alexander McGregor Stephen, and other (most of the material concerns food gathering, agriculture, and food preparation, also a very small amount of material on other subjects, including ceremonies, trade and pottery; much of the material is word lists); and printed and illustrated material.
Collection Restrictions:
Some materials are restricted.
Access to the Department of Anthropology records requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Department of Anthropology Records, National Anthropological Archives, Smithsonian Institution
The collection consists of photographs relating to Native Americans, which were submitted to the copyright office of the Library of Congress in and around the early 20th century. Many of the photographs are studio portraits as well as photographs made as part of expeditions and railroad surveys. It includes images of people, dwellings and other structures, agriculture, arts and crafts, burials, ceremonies and dances, games, food preparation, transportation, and scenic views. Some of the photographs were posed to illustrate literary works, including Henry Wadsworth Longfellow's Hiawatha, while others depict paintings or other artwork.
Collection is organized alphabetically by copyright claimant.
Biographical/Historical note:
The collection was formed from submissions made to the Library of Congress as part of the copyright registration process. In 1949, arrangements were made to allow the Bureau of American Ethnology to copy the collection and some negatives were made at that time, largely from the Heyn and Matzen photographs. The project was soon abandoned, however, as too large an undertaking for the facilities of the BAE. In 1957-1958, arrangements were begun by William C. Sturtevant of the BAE to transfer a set of the photographs from the Library of Congress to the BAE.
Local Call Number(s):
NAA Photo Lot 59
Provenance:
In 1965, the Bureau merged with the Smithsonian's Department of Anthropology to form the Smithsonian Office of Anthropology, and in 1968 the Office of Anthropology Archives transformed into the National Anthropological Archives.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 59, Library of Congress Copyright Office photograph collection of Native Americans, National Anthropological Archives, Smithsonian Institution
