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Carved Wooden Bear Figure

Collector:
Carl Etter  Search this
Donor Name:
Patricia A. Etter  Search this
Length:
ca. 29 cm
Width:
ca. 15 cm
Height:
ca. 19 cm
Culture:
Japanese, Ainu  Search this
Object Type:
Figure
Place:
Hokkaido (not certain) / Sakhalin Island (not certain), Japan, Asia
Accession Date:
12 Jul 2013
Collection Date:
1 Jan 1931 to 31 Dec 1932
Topic:
Ethnology  Search this
Accession Number:
2062506
USNM Number:
E433542-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/346bcef51-206a-45c1-929d-bb1cea2e972e
EDAN-URL:
edanmdm:nmnhanthropology_11485640
Online Media:

Carved Wooden Bear Figure

Collector:
Carl Etter  Search this
Donor Name:
Patricia A. Etter  Search this
Length:
ca. 12 cm
Width:
ca. 6.5 cm
Height:
ca. 8 cm
Culture:
Japanese, Ainu  Search this
Object Type:
Figure
Place:
Hokkaido (not certain) / Sakhalin Island (not certain), Japan, Asia
Accession Date:
12 Jul 2013
Collection Date:
1 Jan 1931 to 31 Dec 1932
Topic:
Ethnology  Search this
Accession Number:
2062506
USNM Number:
E433543-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/33611c4c8-fe14-4996-9912-6f5094cfc77f
EDAN-URL:
edanmdm:nmnhanthropology_11485659
Online Media:

Carved Wooden Bear Figure

Collector:
Carl Etter  Search this
Donor Name:
Patricia A. Etter  Search this
Length:
ca. 10.5 cm
Width:
ca. 6 cm
Height:
ca. 7 cm
Culture:
Japanese, Ainu  Search this
Object Type:
Figure
Place:
Hokkaido (not certain) / Sakhalin Island (not certain), Japan, Asia
Accession Date:
12 Jul 2013
Collection Date:
1 Jan 1931 to 31 Dec 1932
Topic:
Ethnology  Search this
Accession Number:
2062506
USNM Number:
E433544-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/3acf9c25e-9cab-4831-93e4-61b07cbb5fb5
EDAN-URL:
edanmdm:nmnhanthropology_11485669
Online Media:

Smithsonian Folklife Festival records: 1978 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Audiotapes
Videotapes
Memorandums
Plans (drawings)
Sound recordings
Photographic prints
Negatives
Audiocassettes
Business records
Correspondence
Notes
Digital images
Slides (photographs)
Video recordings
Contracts
Date:
October 4-9, 1978
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1978 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 10 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Chesapeake Bay Traditions

Series 3: Children's Folklife

Series 4: Coal Miners & Oil Workers

Series 5: D.C. Folklore

Series 6: Folklife in the Museum: A Nation of Nations

Series 7: Folklife in the Museum: Renwick Gallery

Series 8: Mexican & Mexican American Traditions

Series 9: Other Programs

Series 10: San Juan Pueblo Culture
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1978 Festival of American Folklife was produced by the Smithsonian Folklife Program of the Office of American and Folklife Studies and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
With the 1978 Festival, the Smithsonian began a five-year cycle of variations on the theme of "community," exploring folklore as the artistic expression of community life, and the pleasure and dignity found in that process. When the Smithsonian Folklife Program staff decided to use "community" as the theme of the 1978 presentation, they were not grafting an idea onto the Festival, but featuring an aspect of the Festival that had been present throughout its history. Folklore consists of the traditional ways in which community people work and play together, and their customary forms of entertaining and instructing each other. Community is composed of people meeting regularly who have inherited or developed ways of celebrating their sense of coming together.

"Community" had been involved in the past eleven festivals in many ways. For communities - whether inherited or joined - serve as a vital buffer between individuals and a world of megastates and megacorporations. They are more manageable units in which all can participate - men and women, young and old - and give some living proof of Schumacher's notion that "small is beautiful." Festival organizers sought to reaffirm that humans are important, and that we are, like plants and other animals, dependent upon communities for survival.

As with the preceding year, the 1978 Festival (October 4-9) was held on a site on the National Mall later to be occupied by the National Museum of African American History and Culture, between 14th and 15th Streets and between Constitution Avenue and Madison Drive (see site plan). Indoor activities took place in the National Museum of History and Technology, the National Museum of Natural History, and the Renwick Gallery. The San Juan Pueblo programs took place outside of the National Museum of Natural History. As had been the case in 1977, Festival programming in the museums sought to connect objects on exhibit with people who could demonstrate, explain, or comment upon them; programming was again marked by collaboration between Folklife Program staff and museum curators. Festival programs included:

Missing Title

Chesapeake Bay Traditions

Children's Folklife

Coal Miners & Oil Workers

D.C. Folklore

Folklife in the Museum: A Nation of Nations (including presentations on Ellis Island, Dunham School,family folklore, sleeping car porters, and a wheelwright)

Folklife in the Museum: Renwick Gallery (featuring presentations on Mexican masks and on musicalinstruments)

Mexican & Mexican American Traditions

Other Programs (featuring organ-building in the Hall of Musical Instruments and sharecroppers in the Hallof Everyday Life in the American Past)

San Juan Pueblo Culture

The 1978 Program Book provided information on each of the programs, including a schedule and participant lists.

The 1978 Festival was again co-presented by the Smithsonian Institution and National Park Service, with support from the U.S. Department of Energy, McDonald's Washington Area Family Restaurants, and the Music Performance Trust Funds. It was organized by the Folklife Program within the Office of American and Folklife Studies.

Folklife Advisory Council

Wilcomb E. Washburn, Chairman, Roger Abrahams, Richard Ahlborn, Richard Dorson, William Fitzhugh, Lloyd Herman, Robert Laughlin, Scott Odell, Bernice Reagon, Ralph Rinzler, E. Richard Sorenson

Folklife Program, Office of American and Folklife Studies

Ralph Rinzler, Director; Jeffrey LaRiche, Program Coordinator; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Ethnomusicologist; Susan Kalcik, Folklorist; Steve Zeitlin, Folklorist; Jack Santino, Folklorist; Frank Proschan and Richard Derbyshire, Archivists

National Park Service

William J. Whelan, Director; Manus J. Fish, Jr., Regional Director, National Capital Region
Fieldworkers and presenters:
Héctor Aguíñiga, Holly Baker, Karen Baldwin, Charles Camp, Susan G. Davis, Hazel Dickens, Jason Dotson, Ben Evans, Alicia González, Richard Haefer, Charlotte Heth, Marjorie Hunt, Amy Kotkin, Maria La Vigna, Phyllis May, Pat Mullen, Salvador Ortega, Keith Rollinson, Daniel Sheehy, Nick Spitzer, Peggy Yocom, Jean Alexander, Kate Rinzler, George McDaniels
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Forms Part Of:
Smithsonian Folklife Festival records: 1978 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Food habits  Search this
Folk festivals  Search this
Folk music  Search this
Folklore  Search this
Folk art  Search this
World music  Search this
arts and crafts  Search this
Genre/Form:
Audiotapes
Videotapes
Memorandums
Plans (drawings)
Sound recordings
Photographic prints
Negatives
Audiocassettes
Business records
Correspondence
Notes
Digital images
Slides (photographs)
Video recordings
Contracts
Citation:
Smithsonian Folklife Festival records: 1978 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1978
See more items in:
Smithsonian Folklife Festival records: 1978 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk53f9480fa-0587-4c44-8098-782e5c3c5e5c
EDAN-URL:
ead_collection:sova-cfch-sff-1978

Festival Footage: D.C. Folklore: Gospel Music, Flora Molton; Street Hawkers

Creator:
Smithsonian Institution. Festival of American Folklife (1978)  Search this
Artist:
Molton, Flora, 1908-1990  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Item (videoreel (EIAJ) (15 min.), sd., b&w, 1/2 in.)
Type:
Archival materials
Place:
Washington (D.C.)
Local Numbers:
FP-1978-1/2VTR-0007
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.).
Restrictions:
Restrictions on access. Obsolete format, not currently playable..
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Documentary  Search this
Gospel music  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1978 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1978, Item FP-1978-VTR-0007
See more items in:
Smithsonian Folklife Festival records: 1978 Festival of American Folklife
Smithsonian Folklife Festival records: 1978 Festival of American Folklife / Series 5: D.C. Folklore / 5.4: Video
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5a06edbc5-d230-427d-b884-a0a12520cbc5
EDAN-URL:
ead_component:sova-cfch-sff-1978-ref1095

Festival Footage: D.C. Folklore: Blues- Charlie Sayles; Archie Edwards

Creator:
Smithsonian Institution. Festival of American Folklife (1978)  Search this
Artist:
Sayles, Charlie  Search this
Edwards, Archie, 1918-1998  Search this
Performer:
Sayles, Charlie  Search this
Edwards, Archie, 1918-1998  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Item (videoreel (EIAJ) (15 min.), sd., b&w, 1/2 in.)
Culture:
Americans  Search this
Type:
Archival materials
Place:
Washington (D.C.)
Local Numbers:
FP-1978-1/2VTR-0010
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.).
Restrictions:
Restrictions on access. Obsolete format, not currently playable..
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Documentary  Search this
Blues (Music)  Search this
African Americans  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1978 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1978, Item FP-1978-VTR-0010
See more items in:
Smithsonian Folklife Festival records: 1978 Festival of American Folklife
Smithsonian Folklife Festival records: 1978 Festival of American Folklife / Series 5: D.C. Folklore / 5.4: Video
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5640e1690-9969-47cf-bb2c-a210a32a6853
EDAN-URL:
ead_component:sova-cfch-sff-1978-ref1098

Festival Footage: D.C. Folklore: Blues- Archie Edwards; Flora Molton; Ester Mae Scott

Creator:
Smithsonian Institution. Festival of American Folklife (1978)  Search this
Artist:
Edwards, Archie, 1918-1998  Search this
Molton, Flora, 1908-1990  Search this
Scott, Esther Mae, 1893-1979  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Item (videoreel (EIAJ) (15 min.), sd., b&w, 1/2 in.)
Type:
Archival materials
Place:
Washington (D.C.)
Local Numbers:
FP-1978-1/2VTR-0011
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.).
Restrictions:
Restrictions on access. Obsolete format, not currently playable..
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Documentary  Search this
Gospel music  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1978 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1978, Item FP-1978-VTR-0011
See more items in:
Smithsonian Folklife Festival records: 1978 Festival of American Folklife
Smithsonian Folklife Festival records: 1978 Festival of American Folklife / Series 5: D.C. Folklore / 5.4: Video
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5984b88bc-f044-45f4-b611-e57ace8b5098
EDAN-URL:
ead_component:sova-cfch-sff-1978-ref1099

Festival Footage: Stonecarvers interview session

Creator:
Smithsonian Institution. Festival of American Folklife (1978)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Item (videoreel (EIAJ) (15 min.), sd., b&w, 1/2 in.)
Type:
Archival materials
Place:
Washington (D.C.)
Local Numbers:
FP-1978-1/2VTR-0018
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.).
Restrictions:
Restrictions on access. Obsolete format, not currently playable..
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Documentary  Search this
Decorative arts  Search this
Stone carvers  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1978 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1978, Item FP-1978-VTR-0018
See more items in:
Smithsonian Folklife Festival records: 1978 Festival of American Folklife
Smithsonian Folklife Festival records: 1978 Festival of American Folklife / Series 5: D.C. Folklore / 5.4: Video
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5e8f07ffc-8ce7-4d19-8852-346034707745
EDAN-URL:
ead_component:sova-cfch-sff-1978-ref1106

Festival Footage: D.C. Folklore: Gospel Music, William Hines, Dane Penland and Joe

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Videoreels (1/2 inch)
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1978 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1978, Item FP-1978-VTR-0005
See more items in:
Smithsonian Folklife Festival records: 1978 Festival of American Folklife
Smithsonian Folklife Festival records: 1978 Festival of American Folklife / Series 5: D.C. Folklore / 5.4: Video
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk59d00871a-df68-4c6f-bf1d-ba26669b1d73
EDAN-URL:
ead_component:sova-cfch-sff-1978-ref1182

Folklife in the Museum: A Nation of Nations

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
In 1978, A Nation of Nations was the venue for five programs during the Festival.

Ellis Island and immigration Immigration continues to be an important part of American history. In 1978, 24 years after Ellis Island closed its gates, approximately 400,000 people would immigrate to the United States. Festival programming explored who these new immigrants were, and why they had come. During daily workshops at the Ellis Island bench, visitors could listen to and speak with Festival participants who came to the United States after 1945 from Czechoslovakia, Greece, Hungary, Mexico, the Middle East, and Vietnam. Participants spoke about life in their homelands, their journeys to the United States, and their years as Americans, and visitors heard the personal histories of people who contribute not to a "melting pot," but to a nation of nations. Their narratives reminded visitors - whether their ancestors walked across the Bering Sea land bridge, sailed on the Mayflower, survived in steerage or in the bellies of slave ships, or flew across an ocean - that all Americans belong to a community of immigrants.

Family folklore Here, visitors could discover and recognize their own particular traditions, the home-based folkways that decorate life and make it meaningful. A team of folklorists interviewed Festival-goers about their own family customs, sayings and stories, and also about the memories sparked by the exhibition, A Nations of Nations. Workshops offered suggestions for collecting visitors' own family folklore and ideas for printing or mounting a family history, including free guides and discussion of interviewing techniques.

Dunham School To continue to present the shared traditions of the American public school, the 1978 Festival invited a former Dunham pupil, and five teachers and students from the Washington, D.C. area, one of whom attended and taught in a one-room schoolhouse in rural Virginia. During daily workshops, they shared their school experiences with the audience and encouraged visitors to talk about their own school days. Special afternoon activities featured lessons in the museum's Dunham schoolroom, presentations of children's folklore, and various lessons taught by Festival participants.

Brotherhood of Sleeping Car Porters The first ever black labor union, the Brotherhood merged in 1978 with the Brotherhood of Railroad and Airline Clerks. To mark the passing of this historic union, the Festival featured a group of sleeping car porters, men with stories to tell, experiences to unfold, skills to describe, and history to unveil. They were presented as more than a unique part of labor history, but instead as national resources who carried with them an experience of black struggle in America.

Wheelwright A wheelwright from Franklin, North Carolina was joined by his apprentice for daily demonstrations and narrative workshops.
Participants:
Dunham School

Ronald Brown, student, Cleveland Heights, Ohio

Flossie Furr, 1908-2004, teacher, Purcellville, Virginia

Evelyn Herbert, 1905-1984, teacher, Dickerson, Maryland

Eleanor McAuliffe, 1905-2001, teacher, Silver Spring, Maryland

Eliza George Myers, 1908-1994, teacher, Lovettsville, Virginia

Katherine Scrivener, 1903-2000, teacher, Silver Spring, Maryland

Ellis Island

Faraidon Bustani, 1947-, immigrant from Iraq (Kurdistan), Fairfax, Virginia

Minh Van Dang, 1922-, immigrant from Vietnam, Fairfax, Virginia

Helen Fliakas, 1940-, immigrant from Greece, Arlington, Virginia

Ilona Maria Gyorik, 1925-, immigrant from Hungary, Washington, D.C.

Vladimir Fedor Obrican, 1919-1978, immigrant from Czechoslovakia, Reston, Virginia

Helen Samartzopoulos, 1889-, immigrant from Greece, Alexandria, Virginia

Saundra Summers, 1918-, immigrant from Greece, Alexandria, Virginia

Sleeping Car Porters

Lawrence Davis, Brotherhood of Sleeping Car Porters, Washington, D.C.

Ernest Ford, 1922-1985, Brotherhood of Sleeping Car Porters, Washington, D.C.

Green Glenn, Brotherhood of Sleeping Car Porters, Washington, D.C.

C.E. Hylton, Brotherhood of Sleeping Car Porters, Washington, D.C.

William Miller, Brotherhood of Sleeping Car Porters, Washington, D.C.

L.C. Richie, 1904-1986, Brotherhood of Sleeping Car Porters, Washington, D.C.

J.D. Shaw, Brotherhood of Sleeping Car Porters, Washington, D.C.

Wheelwrights

Vivian Crawford, wheelwright assistant, Franklin, North Carolina

John Lee Tippet, wheelwright, Franklin, North Carolina
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1978 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1978, Series 6
See more items in:
Smithsonian Folklife Festival records: 1978 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk59f84e4f3-aca5-4ca3-8298-100dbc4da0d1
EDAN-URL:
ead_component:sova-cfch-sff-1978-ref43

Rebolu - "Los herederos (The Heirs)" (Official Audio)

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2022-04-12T14:57:55.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_tIhIotPSbfA

Ralph Rinzler on Deaf Folklore at the 1981 Smithsonian Folklife Festival

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2021-04-13T22:41:18.000Z
YouTube Category:
Film & Animation  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_5cUlcsk11os

Highlights from the Festival of American Folklife in the Soviet Union, May 1990

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2022-03-16T22:59:41.000Z
YouTube Category:
Entertainment  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_DtEqsAlBJw8

Mende masquerader performing the satirical mask gongoli, Monrovia, Liberia

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slides (photographs) (col.)
Culture:
Mende (African people)  Search this
Type:
Archival materials
Slides (photographs)
Color slides
Place:
Africa
Liberia
Date:
1959
Scope and Contents:
The photograph depicts Mende masquerader from the Dance troupe of William Lewis. mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 2 MDE 1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 66
Frame value is 23.
Slide No. E 2 MDE 1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Masquerades  Search this
Masks  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3850
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Liberia
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7a990b5e3-98e4-4a3c-a409-df4a132f1e09
EDAN-URL:
ead_component:sova-eepa-1973-001-ref20275

Mende masquerader performing the satirical mask gongoli, Monrovia, Liberia

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slides (photographs) (col.)
Culture:
Mende (African people)  Search this
Type:
Archival materials
Slides (photographs)
Color slides
Place:
Africa
Liberia
Date:
1959
Scope and Contents:
The photograph depicts Mende masquerader from the Dance troupe of William Lewis. mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "The most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 2 MDE 1.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 66
Frame value is 21.
Slide No. E 2 MDE 1.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Masquerades  Search this
Masks  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3851
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Liberia
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo77d02d106-b463-407f-88c2-bb7569ff831f
EDAN-URL:
ead_component:sova-eepa-1973-001-ref20276

Mende masquerader performing the satirical mask gongoli, Monrovia, Liberia

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slides (photographs) (col.)
Culture:
Mende (African people)  Search this
Type:
Archival materials
Slides (photographs)
Color slides
Place:
Africa
Liberia
Date:
1959
Scope and Contents:
The photograph depicts Mende masquerader from the Dance troupe of William Lewis. mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 2 MDE 1.2 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 66
Frame value is 19.
Slide No. E 2 MDE 1.2 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Masquerades  Search this
Masks  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3852
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Liberia
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo75febb2ef-3afa-4eaa-93e4-fbffdabdef2b
EDAN-URL:
ead_component:sova-eepa-1973-001-ref20278

Mende masquerader performing the satirical mask gongoli, Monrovia, Liberia

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slides (photographs) (col.)
Culture:
Mende (African people)  Search this
Type:
Archival materials
Slides (photographs)
Color slides
Place:
Africa
Liberia
Date:
1959
Scope and Contents:
The photograph depicts Mende masquerader from the Dance troupe of William Lewis. mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 2 MDE 1.3 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 66
Frame value is 26.
Slide No. E 2 MDE 1.3 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Masquerades  Search this
Masks  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3853
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Liberia
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7ceff01a1-8eb9-4968-829f-f03942830752
EDAN-URL:
ead_component:sova-eepa-1973-001-ref20279

Mende masquerader performing the satirical mask gongoli, Monrovia, Liberia

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slides (photographs) (col.)
Culture:
Mende (African people)  Search this
Type:
Archival materials
Slides (photographs)
Color slides
Place:
Africa
Liberia
Date:
1959
Scope and Contents:
The photograph depicts Mende masquerader from the Dance troupe of William Lewis. mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 2 MDE 1.4 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 66
Frame value is 27.
Slide No. E 2 MDE 1.4 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Masquerades  Search this
Masks  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3854
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Liberia
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo768baf9b5-d14c-4c1c-b6ad-471e036a9b9a
EDAN-URL:
ead_component:sova-eepa-1973-001-ref20280

Mende masquerader performing the satirical mask gongoli, Monrovia, Liberia

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slides (photographs) (col.)
Culture:
Mende (African people)  Search this
Type:
Archival materials
Slides (photographs)
Color slides
Place:
Africa
Liberia
Date:
1959
Scope and Contents:
The photograph depicts Mende masquerader from the Liberian National Dance Troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 2 MDE 1.5 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 66
Frame value is 25.
Slide No. E 2 MDE 1.5 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Masquerades  Search this
Masks  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3855
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Liberia
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7c55bffc5-cb38-4abc-8cc2-dede4be0e1ce
EDAN-URL:
ead_component:sova-eepa-1973-001-ref20281

Mende masqueraders from the Liberian National Dance Troupe

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slides (photographs) (col.)
Culture:
Mende (African people)  Search this
Type:
Archival materials
Slides (photographs)
Color slides
Place:
Africa
Liberia
Date:
1971
Scope and Contents:
The photograph depicts Mende masqueraders from the Liberian National Dance Troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken by Eliot Elisofon in November 1971.
Local Numbers:
E 2 SIL 1 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
86743 1-2
Frame value is 19.
Slide No. E 2 SIL 1 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Masquerades  Search this
Masks  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3856
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Liberia / Mende masqueraders from the Liberian National Dance Troupe
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7d1ee435b-80d3-42d6-8d65-6d90742cac1e
EDAN-URL:
ead_component:sova-eepa-1973-001-ref20282

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