The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1997 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.
Series 1: Program Books, Festival Publications, and Ephemera
Series 2: African Immigrant Folklife
Series 3: The Mississippi Delta
Series 4: Sacred Sounds: Belief & Society
Series 5: Special Events
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.
The 1997 Festival of American Folklife was produced by the Smithsonian Center for Folklife Programs and Cultural Studies and cosponsored by the National Park Service.
For more information, see Smithsonian Folklife Festival records.
Introduction:
As the twentieth century neared its end, the entertainment industry dominated popular views of culture. Cultural enterprises including movies, television, theme parks, recordings, and video stores constitute one of the world's largest industries. Nevertheless, there is another world of culture created and sustained in homes, communities, places of work and worship. Our lullabies and hymns, liturgical chants and celebratory songs, songs of work, struggle, and mourning, are rarely heard in music stores or on radio stations. Yet it is those traditions and the cultures they represent that are highlighted at the annual Festival of American Folklife.
The 1997 Festival featured three major programs, complemented by the third annual Ralph Rinzler Memorial Concert. Sacred Sounds brought together people from a variety of religious communities, from around the nation, Jerusalem, and from South Africa. Their songs expressed spiritual feelings and convictions connecting their lives to tradition. At the Festival, audiences could hear some of the ways in which music flows from the spirit of a diverse humanity to express its highest aspirations.
A second program, African Immigrant Folklife, illustrated the many traditions of recent immigrants to the United States from Africa. These immigrants participate in a changing culture, as people, families, and communities find their place in American society. Festival visitors could celebrate the enterprise and vitality of recent immigrants to the United States from Africa, who have brought their cultures across the Atlantic Ocean to the Washington metropolitan area.
The Mississippi Delta, the subject of the third Festival program, is a culturally rich region of the United States that gave birth to blues, jazz, rockabilly and rock 'n' roll, honky tonk, distinctive forms of gospel, oratory, marvelous stories, folk and visionary art, and an encyclopedia of river lore - not to mention barbecue and fish fries. Native, Spanish, African, French, and American people all merged along the Mississippi, just as many tributaries flow into one river. Beginning even before the arrival of Europeans, the Mississippi has been a source of food and irrigation, a highway for commerce, a strategic center for political power, a source of inspiration for song and spirit. The region's cultural expressions, continually shaped by the daily experience - the work, worship, home life, and recreation - of the people who live there, were shared with Festival visitors on the National Mall.
The 1997 Festival took place during two five-day weeks (June 25-29 and July 2-6) between Madison Drive and Jefferson Drive and between 9th Street and 13th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). It featured three programs, with special events that included the Ralph Rinzler Memorial Concert.
The 1997 Program Book included schedules and participant lists for each program; essays provided background on the Festival and on each of the programs.
The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife Programs & Cultural Studies.
Center for Folklife Programs & Cultural Studies
Richard Kurin, Director; Richard Kennedy, Deputy Director; Diana Parker, Festival Director; Anthony Seeger, Director, Smithsonian Folkways Recordngs; James Early, Director, Cultural Studies & Communications; Thomas Vennum, Jr., Senior Ethnomusicologist; Olivia Cadaval, Chair, Research & Education; Betty J. Belanus, Marjorie Hunt, Diana Baird N'Diaye, Peter Seitel, Curators, Folklorists, Education and Cultural Specialists; Carla M. Borden, Program/Publications Manager; John W. Franklin, Program Manager; Cynthia Vidaurri, Coordinator, Latino Cultural Resource Network; Jeffrey Place, Archivist; Stephanie Smith, Assistant Archivist; Arlene L. Reiniger, Program Specialist; Charlie Weber, Media Specialist; Brenda Danet, Nadia Abu El-Haj, Roland Freeman, Ivan Karp, Alan Lomax, Worth Long, Kate Rinzler, Luise White, Fellows, Research Associates & Collaborators
Folklife Advisory Council and Folkways Advisory Council
Roger Abrahams, Jacinto Arias, Michael Asch, Jane Beck, Don DeVito, Pat Jasper, Ella Jenkins, Jon Kertzer, Barbara Kirshenblatt-Gimblett, John Nixdorf, Bernice Johnson Reagon, John Roberts, Carol Robertson, Gilbert Sprauve, Jack Tchen, Ricardo Trimillos, Carlos Vélez-Ibáñez
National Park Service
Terry Carlstrom, Acting Director, National Capital Region
Forms Part Of:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .
Smithsonian Folklife Festival records
Smithsonian Folklife Festival records: Papers
1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Blues Evening/Delta Stage- December 1997 Rufus Thomas Group/Delta Dance Hall 1. Today I Started Loving You Are Over Again 2. Rufus' Got It 3. Funky Chicken (cut) Harry Smith Anthology Vol 4 4. East Texas Serenaders- Ozark Rag 5. Carter Family- Lonesome Valley 6. Wade Mainer- Wild Bill Jones 7. Jess Young's Tennessee Band- Old Weary Blues 8. Joe Werner And Ramblers- Rang Tang Bully 9. Jimmy Wilson's Catfish String Band- Catfish Whiskers 10. Happy-Go-Lucky-Boys- Come Back Sweetheart 11. Gene Gilmore- The Natchez Fire 12. Robert Lockwood- Little Boy Blues 13. Clifford Gibson- Old Time Rider 14. Robert Johnson- Stop Breakin' Down 15. Bukka White- Black Train Blues 16. Heavenly Gospel Singers- I'm a Pilgrim and a Stranger 17. Mitchell's Christian Singers- Blessed Are the Poor In Spirit
Track Information:
101 Today I Started Loving You Again / Rufus Thomas. Guitar,Piano.
102 Rufus' Got It / Rufus Thomas. Guitar,Piano.
103 The Funky Chicken / Rufus Thomas. Guitar,Piano.
104 Ozark Rag / East Texas Serenaders. Guitar.
105 Lonesome Valley / Carter Family. Guitar,Autoharp.
106 Wild Bill Jones / Wade Mainer. Banjo.
107 Old Weary Blues / Jesse Young's Tennessee Band. Guitar,Banjo,Fiddle.
108 Rang Tang Bully / Joe Werner and the Ramblers. Guitar,Banjo,Fiddle.
109 Catfish Whiskers / Jimmy Wilson's Catfish String Band. Guitar,Banjo,Fiddle.
110 Come Back Sweetheart / Happy-Go-Lucky Boys (Musical group). Guitar,Banjo,Fiddle.
111 The Natchez Fire / Gene Gilmore.
112 Little Boy Blue / Robert Jr. Lockwood. Guitar.
113 Old Time Rider / Clifford Gibson. Guitar.
114 Stop Breaking Down / Robert Johnson. Guitar.
115 Black Train Blues / Bukka White. Guitar.
116 I Am a Pilgrim / Heavenly Gospel Singers.
117 Blessed are the Poor in Spirit / Mitchell's Christian Singers.
Local Numbers:
FP-CDR-0278-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only; No Duplication.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 2015 Smithsonian Folklife Festival. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 3 series.
Series 1: Program Books, Festival Publications, and Ephemera
Series 2: Perú: Pachamama
Series 3: Special Events
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.
The 2015 Smithsonian Folklife Festival was produced by the Smithsonian Center for Folklife and Cultural Heritage and cosponsored by the National Park Service.
For more information, see Smithsonian Folklife Festival records.
Introduction:
Along with the usual bustle that accompanies Festival planning were questions about the Festival's use of the National Mall. Since its inception, the Festival has traveled the length and breadth of this venerable space between the Capitol and the Lincoln Memorial. What made the 2015 Festival unique was not the space - north of the National Museum of the American Indian - but the fact that it featured a single country, Peru.
As conceived by the bi-national curatorial team, the twelve case studies presented explored important questions about the nature of connectivity, the construction of a shared identity in the face of extraordinary diversity, and history's influence on contemporary cultural production. In those questions, the Peru program found common cause with previous Festivals, and the answers it uncovered will echo in coming years.
The spirit of the Festival is found in the stories people share. The artisans and cooks, dancers and musicians featured deserved the thanks of visitors, as did the many Peruvians in the United States whose enthusiasm for the Festival was a salient reminder that those stories are American stories as well.
The 2015 Festival took place for two five-day weeks (June 24-28 and July 1-5) between Madison Drive and Jefferson Drive and between 3rd Street and 4th Street, north of the National Museum of the American Indian (see site plan). It featured one program and special events including the Rinzler Concert.
The 2015 guide included participant lists for each program, a site plan, and daily schedules.
The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife and Cultural Heritage.
Center for Folklife and Cultural Heritage
Michael Atwood Mason, Director; Smithsonian Folklife Festival: Sabrina Lynn Motley, Festival Director
Center for Folklife and Cultural Heritage Advisory Council
Ellen McCulloch-Lovell, Chair; Cathy Sulzberger, Co-Chair; Bill Ivey, Dawn McCall, Susan Norton, Anna Maria Ochoa, George Papagiannis, Frederik Paulsen, Jennifer Cover Payne, Ann Elizabeth Sheffer, Deborah Wong, Council Members; Libby O'Connell, J. Scott Raecker, Honorary; Patricia Shehan-Campbell, Ex officio
The Festival was supported by federally appropriated funds; Smithsonian trust funds; contributions from governments, businesses, foundations, and individuals; in-kind assistance; and food, recording, and craft sales.
Forms Part Of:
Smithsonian Folklife Festival records: 2015 Smithsonian Folklife Festival forms part of the Smithsonian Folklife Festival records .
Smithsonian Folklife Festival records
Smithsonian Folklife Festival records: Papers
1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives; please submit this form. Licensing fees may apply in addition to any processing fees.
101 Preparing the Bride in Oas / Ensemble "Tara Oasului". Zongora,Violin,Alp horn.
102 Measuring the Milk in Maramures / Voievozii (Musical group). Violin,Drum,Double bass,Braci.
103 Urban Folk Music / Trio Pandelescu, Nicolae Voiculet. Double bass,Panpipes,Tambal (Drum),Accordion.
Local Numbers:
FP-1999-CT-0288-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 23, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Urban Folk Music / Trio Pandelescu, Nicolae Voiculet. Panpipes,Tambal (Drum),Accordion,Double bass.
102 Folk Virtuosos / Anuta Tite, Dumitru Farcas, Grigore Lese. Tárogató,Flute,Violin,Zongora.
Local Numbers:
FP-1999-CT-0289-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 23, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Urban Ethno-Pop Music / Night Losers (Musical group). Guitar,Harmonica,Leaf,Violin,Washboard band music,Keyboards (Music),Tambal (Drum).
102 Folk Virtuosos / Anuta Tite, Dumitru Farcas, Grigore Lese. Violin,Tárogató,Zongora,Toba (Drum).
103 Urban Folk Music / Trio Pandelescu, Nicolae Voiculet. Tambal (Drum),Panpipes,Accordion,Double bass.
Local Numbers:
FP-1999-CT-0294-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 24, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Preparing the Bride in Oas / Ensemble "Tara Oasului". Zongora,Violin,Alp horn.
102 Folk Virtuosos / Dumitru Farcas, Dorel Rohain, Nicolae Voiculet, Grigore Lese, Anuta Tite. Tárogató,Flute,Accordion,Panpipes.
103 Urban Folk Music / Nicolae Voiculet, Trio Pandelescu. Accordion,Panpipes,Tambal (Drum),Double bass.
Local Numbers:
FP-1999-CT-0296-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Urban Folk Music / Trio Pandelescu, Nicolae Voiculet. Panpipes,Tambal (Drum),Accordion,Double bass.
102 Urban Ethno-Pop Music / Night Losers (Musical group). Tambal (Drum),Guitar,Harmonica,Leaf,Violin,Washboard band music,Keyboards (Music).
Local Numbers:
FP-1999-CT-0297-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Folk Virtuosos / Anuta Tite, Dumitru Farcas, Grigore Lese. Tárogató.
102 Urban Folk Music / Trio Pandelescu, Nicolae Voiculet. Panpipes,Tambal (Drum),Accordion,Double bass.
Local Numbers:
FP-1999-CT-0299-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Urban Folk Music / Trio Pandelescu, Nicolae Voiculet. Panpipes,Tambal (Drum),Accordion,Double bass.
102 Urban Ethno-Pop Music / Night Losers (Musical group). Tambal (Drum),Guitar,Harmonica,Leaf,Violin,Washboard band music,Keyboards (Music).
103 Christmas Caroling and Dance / Cosanzeana. Double bass,Violin,Braci.
Local Numbers:
FP-1999-CT-0300-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Urban Ethno-Pop Music / Night Losers (Musical group). Guitar,Harmonica,Leaf,Violin,Washboard band music,Keyboards (Music),Tambal (Drum).
102 Urban Folk Music / Trio Pandelescu. Tambal (Drum).
Local Numbers:
FP-1999-CT-0303-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Urban Folk Music / Trio Pandelescu. Tambal (Drum),Accordion.
102 Folk Virtuosos / Anuta Tite, Dumitru Farcas, Grigore Lese. Tárogató.
103 Urban Folk Music / Trio Pandelescu. Tambal (Drum),Accordion.
Local Numbers:
FP-1999-CT-0304-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Urban Folk Music / Trio Pandelescu. Tambal (Drum),Accordion.
102 Folk Virtuosos / Anuta Tite, Dumitru Farcas, Grigore Lese. Tárogató.
103 Urban Ethno-Pop Music / Night Losers (Musical group). Tambal (Drum),Guitar,Harmonica,Leaf,Violin,Washboard band music,Keyboards (Music).
Local Numbers:
FP-1999-CT-0305-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Urban Ethno-Pop Music / Night Losers (Musical group). Guitar,Harmonica,Leaf,Violin,Washboard band music,Keyboards (Music),Tambal (Drum).
102 Urban Folk Music / Trio Pandelescu. Tambal (Drum),Accordion.
Local Numbers:
FP-1999-CT-0306-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Measuring the Milk in Maramures / Voievozii (Musical group). Violin,Drum,Double bass,Braci.
102 Urban Folk Music / Trio Pandelescu, Nicolae Voiculet. Double bass,Panpipes,Tambal (Drum),Accordion.
103 Urban Ethno-Pop Music / Night Losers (Musical group). Violin,Tambal (Drum),Guitar,Harmonica,Leaf,Washboard band music,Keyboards (Music).
Local Numbers:
FP-1999-CT-0309-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 30, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Folk Virtuosos / Dumitru Farcas, Ion Ghereben, Petru Orza, Grigore Lese, Anuta Tite. Tárogató,Zongora,Shepherd flute.
102 Urban Folk Music / Trio Pandelescu, Nicolae Voiculet. Panpipes,Tambal (Drum),Accordion,Double bass.
Local Numbers:
FP-1999-CT-0314-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 1, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Preparing the Bride in Oas / Ensemble "Tara Oasului". Zongora,Violin,Alp horn.
102 Folk Virtuosos / Dorel Rohain, Dumitru Farcas, Grigore Lese. Tárogató,Accordion,Twaka,Vox,Shepherd flute.
103 Urban Folk Music / Trio Pandelescu, Nicolae Voiculet. Accordion,Panpipes,Tambal (Drum),Double bass.
Local Numbers:
FP-1999-CT-0316-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Urban Folk Music / Trio Pandelescu, Nicolae Voiculet. Panpipes,Tambal (Drum),Accordion,Double bass.
102 Urban Ethno-Pop Music / Night Losers (Musical group). Tambal (Drum),Guitar,Harmonica,Leaf,Violin,Washboard band music,Keyboards (Music).
103 Folk Virtuosos / Petre Dejeu, Dumitru Farcas, Ana Satita, Grigore Lese, Dorel Rohain. Tárogató,Twaka,Shepherd flute,Toba (Drum),Zongora.
Local Numbers:
FP-1999-CT-0317-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Folk Virtuosos / Dumitru Farcas, Petru Orza, Alexandru Gheti, Iuliu Gheti, Grigore Lese, Anuta Tite, Petre Dejeu. Tárogató,Double bass,Viola.
102 Urban Folk Music / Trio Pandelescu, Helen Gilet, Nicolae Voiculet. Double bass,Panpipes,Tambal (Drum),Accordion.
Local Numbers:
FP-1999-CT-0319-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Urban Folk Music / Trio Pandelescu, Helen Gilet, Nicolae Voiculet. Panpipes,Tambal (Drum),Accordion,Double bass.
102 Urban Ethno-Pop Music / Night Losers (Musical group). Tambal (Drum),Guitar,Harmonica,Leaf,Violin,Washboard band music,Keyboards (Music).
Local Numbers:
FP-1999-CT-0320-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1999.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
