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Smithsonian Folklife Festival records: 1988 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Business records
Correspondence
Memorandums
Sound recordings
Audiocassettes
Contracts
Negatives
Video recordings
Slides (photographs)
Plans (drawings)
Videotapes
Audiotapes
Digital images
Notes
Photographic prints
Place:
Caribbean Area
Trinidad and Tobago
Puerto Rico
Date:
June 23-July 4, 1988
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1988 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 6 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: American Folklore Society Centennial

Series 3: Festival Music Stage

Series 4: Ingenuity and Tradition: The Common Wealth of Massachusetts

Series 5: Migration to Metropolitan Washington: Making a New Place Home

Series 6: Music from the Peoples of the Soviet Union
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1988 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The 1988 Festival celebrated the centennial of the American Folklore Society, founded one hundred years earlier because of the need to document and study cultures that were seen as disappearing. Much of the Society's attention today, however, is engaged in the documentation and interpretation of emerging traditions and cultural expressions. Folklorists work in inner cities, conduct research on occupational groups, analyze processes of traditionalization and cooperate with other professionals in devising natural conservation and historical preservation strategies, which also promote cultural continuity, equity and integrity. Visitors to the 1988 Festival could learn about what it is that folklorists do and what impacts they have on the communities with which they work.

The other living exhibitions that made up this year's Festival also provided ample illustrations of this same view of the traditional. The Massachusetts program told a paradigmatic American story. Gay Head Wampanoag, Yankee settlers, Afro American migrants, and immigrants from Italy, Greece, Poland, the Cape Verde Islands, Puerto Rico, and Southeast Asia have not only preserved their traditions; through ingenious acts of individual and community creativity they have adapted them and endowed them with new meanings, as circumstances have changed. The Metropolitan Washington program pointed to the heightened consciousness of cultural issues associated with the migration experience. The program asked how immigrants from El Salvador, Ethiopia, China, Trinidad and Tobago, as well as domestic Anglo and Afro American groups historically migrating from nearby states, discard, reinvent, and reconstitute their traditions as they actively make a new place home. A varied contingent of musicians and performers from several republics of the Soviet Union demonstrated how truly ancient traditions nurtured in various pastoral, tribal, and religious environments have not merely survived but actually flourished in contemporary Soviet life. Also at the Festival were American musicians who, as part of a groundbreaking cultural exchange with the Soviet Union, would later travel to Moscow to participate in the International Folklore Festival in August 1988 and be reunited with the Soviet musicians participating in the Smithsonian's Festival.

The 1988 Festival took place for two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).

The 1988 Program Book included schedules and participant lists for each program; the Program Book essays provided a larger context for the Festival presentations, extending beyond the traditions actually presented at the 1988 Festival.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Office of Folklife Programs.

Office of Folklife Programs

Richard Kurin, Acting Director; Diana Parker, Festival Director; Anthony Seeger, Curator, Folkways Records; Thomas Vennum, Jr., Senior Ethnomusicologist; Peter Seitel, Senior Folklorist; Marjorie Hunt, Phyllis M. May-Machunda, Heliana Portes de Roux, Frank Proschan, Nicholas R. Spitzer, Folklorists; Jeffrey Place, Assistant Archivist

National Park Service

William Penn Mott, Jr., Director; Manus J. Fish, Jr., Regional Director, National Capital Region
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Forms Part Of:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music  Search this
Food habits  Search this
Folk art  Search this
arts and crafts  Search this
Folk festivals  Search this
Folk music  Search this
Folklore  Search this
Genre/Form:
Business records
Correspondence
Memorandums
Sound recordings
Audiocassettes
Contracts
Negatives
Video recordings
Slides (photographs)
Plans (drawings)
Videotapes
Audiotapes
Digital images
Notes
Photographic prints
Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk59e9f3773-cd55-493f-94e0-c53650d914c4
EDAN-URL:
ead_collection:sova-cfch-sff-1988
Online Media:

Serenata Guayanesa - "Simón, Simón" [Studio Session]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2014-09-05T16:22:38.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_nBHqtpXJ1QE

Rafael Manríquez - "Tonada de gris silencio" [Behind the Scenes Documentary]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2014-02-20T15:09:27.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_cRg8i0UbdgU

Smithsonian Folklife Festival records: 1976 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Culture:
Afro-Caribbean cults  Search this
Type:
Collection descriptions
Archival materials
Slides (photographs)
Business records
Videotapes
Plans (drawings)
Negatives
Audiotapes
Contracts
Digital images
Audiocassettes
Correspondence
Sound recordings
Memorandums
Photographic prints
Notes
Video recordings
Plena
Place:
Caribbean Area
Haiti
Jamaica
Puerto Rico
Trinidad and Tobago
Date:
June 16-September 6, 1976
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1976 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 9 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: African Diaspora

Series 3: Children's Program

Series 4: Family Folklore

Series 5: Festival Stage

Series 6: Native Americans

Series 7: Old Ways in the New World

Series 8: Regional America

Series 9: Working Americans
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1976 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The Festival of American Folklife's first decade culminated with the Bicentennial Festival of American Folklife that took place for twelve weeks in the summer of 1976, from June 16 to September 6 (programs typically ran from Wednesday through Sunday each week). More than 5000 participants took part over the course of the summer. The 1976 Festival involved the participation of every region of the United States, 38 foreign governments, scores of American Indian tribes, and many labor organizations. Some 4.5 million people attended the Festival.

The Bicentennial Festival resulted from the collaboration of the Smithsonian with thousands of national and international scholars, community spokespeople, and cultural exemplars involved in the documentation, presentation, transmission, and conservation of cultural traditions. Preceding the Festival were several years of establishing cultural networks, training students, and providing opportunities for diverse peoples to interpret and present their traditions. The Bicentennial also saw the flowering of a touring program, begun in 1973, in which foreign groups at the Festival subsequently toured the United States. Scores of groups from the African Diaspora and Old Ways in the New World programs gave some 200 performances in 50 cities and towns across the U.S.

The 1976 Festival again took place in the western part of the National Mall to the south of the Reflecting Pool, between 17th and 23rd Streets (see site plan). It was co-organized by the Smithsonian Institution, Division of Performing Arts (James R. Morris, Director; Richard Lusher, Deputy Director) and the National Park Service (Gary Everhardt, Director). Ralph Rinzler was Director of the Festival, and Bess Lomax Hawes and Robert Byington were Deputy Directors of the Festival. Tom Vennum served as Ethnomusicologist, and Frank Proschan as Archivist. The Bicentennial Festival was sponsored by American Airlines and General Foods.

The 1976 Festival again featured seven thematic programs, complemented by a Festival Stage. African Diaspora featured different countries every two weeks. The Festival Stage brought together participants from other areas and - for the last four weeks - its own dedicated performers. Native Americans changed focus by region every week; similarly, Old Ways in the New World changed focus by country every week. Regional America (June 16-August 8) changed focus by region every week, and Working Americans changed focus by theme every two weeks, with an expanded program on Transportation the last four weeks (August 11-September 6).

The 1975 Program Book provided information on each of the programs. Biweekly, a Program Supplement provided schedules and participant information.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Forms Part Of:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk music  Search this
arts and crafts  Search this
Folklore  Search this
Food habits  Search this
Folk festivals  Search this
World music  Search this
Folk art  Search this
occupational folklore  Search this
Orisha religion  Search this
Vodou -- Haiti -- Rituals.  Search this
Genre/Form:
Slides (photographs)
Business records
Videotapes
Plans (drawings)
Negatives
Audiotapes
Contracts
Digital images
Audiocassettes
Correspondence
Sound recordings
Memorandums
Photographic prints
Notes
Video recordings
plena
Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1976
See more items in:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5858643e8-749f-494f-b205-eca860d96375
EDAN-URL:
ead_collection:sova-cfch-sff-1976
Online Media:

UNESCO Collection of Traditional Music of the World records

Creator:
UNESCO  Search this
Extent:
27 Boxes
Type:
Collection descriptions
Archival materials
Business records
Audiotapes
Compact discs
Date:
circa 1961-2006
Summary:
This collection, which dates from circa 1961-2006, contains audiorecordings from the UNESCO Collection of Traditional Music of the World, as well as related business records. Includes recordings of tradition and sacred music from Benin, Cameroon, Central African Republic, Côte d'Ivoire, Ethiopia, Madagascar, Malawi, Niger, Sudan, Argentina, Bolivia, Brazil, Chile, Cuba, Peru, Afghanistan, Australia, Cambodia, China, Korea, the Solomon Islands, India, Bali, Java, Japan, Laos, Mongolia, Uzbekistan, Pakistan, Thailand, Vanuatu, Vietnam, Algeria, Bahrain, Egypt, Iraq, Morocco, Oman, Syria, and Turkey.
Biographical/Historical note:
The UNESCO Collection of Traditional Music of the World included more than a hundred pioneering audio recordings of the world's traditional music published from 1961 to 2003 on a number of different recording labels. The series was launched in 1961 in collaboration with ethnomusicologist Alain Daniélou (1907-1994) and the International Music Council (created by UNESCO in 1949). The recordings in the Collection are mostly field recordings made in situ, in their original context. Each recording is accompanied by scholarly annotations and photographs. Together, these discs are a reflection of the immense variety of music making and of the position music holds within cultures around the globe.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Sacred music  Search this
Folk music -- Europe  Search this
Folk music -- Caribbean Area  Search this
Folk music -- South America  Search this
Folk music -- Middle East  Search this
Folk music -- Asia, Central  Search this
Folk music -- Africa  Search this
Folk music -- Australia  Search this
Folk music -- Asia, Southeastern  Search this
Genre/Form:
Business records
Audiotapes
Compact discs
Citation:
UNESCO Collection of Traditional Music of the World records, Ralph Rinzler Folklikfe Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.UNES
See more items in:
UNESCO Collection of Traditional Music of the World records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk567c3c14a-5422-48dc-bf32-27eb4e6b311b
EDAN-URL:
ead_collection:sova-cfch-unes

Smithsonian Folklife Festival records: 1980 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Culture:
Afro-Caribbean cults  Search this
Yoruba (African people)  Search this
Type:
Collection descriptions
Archival materials
Business records
Sound recordings
Slides (photographs)
Contracts
Notes
Digital images
Memorandums
Plans (drawings)
Audiotapes
Audiocassettes
Negatives
Photographic prints
Videotapes
Correspondence
Video recordings
Place:
Caribbean Area
Haiti
Jamaica
Virgin Islands
Costa Rica
Panama
Colombia
Gabon, -- Ngounié, -- Samba
Date:
October 8-13, 1980
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1980 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 7 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: American Talkers

Series 3: Caribbean Americans

Series 4: Community Activities and Food Preservation

Series 5: Finnish Americans

Series 6: Folk Housing and Energy Efficiency

Series 7: Southeast Asian Americans
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1980 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The 1980 Festival was the third to use "community" as its over-arching theme, and the last to be held in October. As with recent Festivals, it was held on a site on the National Mall later to be occupied by the National Museum of African American History and Culture, between 14th and 15th Streets and between Constitution Avenue and Madison Drive (see site plan). It was also the first to be organized by the newly-established Office of Folklife Programs (1980-1992), successor to the former Folklife Program of the Office of American and Folklife Studies (1977-1980). The indoor programming in several museums that had characterized the 1977-1979 Festivals was discontinued and all activities were held outdoors.

When families and community groups gather to celebrate or to mourn, Festival Director Ralph Rinzler observed in the program book, they depend on traditional flavors, sounds, dances, and prayers to reinforce their sense of belonging, their group strength and cultural identity. At the annual Folklife Festival, the Smithsonian acknowledged the power of these traditions, which recall the value that Americans continue to place on being members of groups - familial, occupational, ethnic, regional, and religious. Festival organizers considered this recognition a step in the process of cultural conservation, in the belief that cultural variety, on a national and on a global scale, makes life itself more rewarding. Community and identity thus served as the twin poles around which Festival programs were organized.

The 1980 Festival (October 8-13) included a Caribbean Carnival with steel band and calypso competitions; Finnish Americans from northern Minnesota demonstrating a traditional "whip-sled" for children and such crafts as making Christmas tree ornaments from wood shavings; Southern carpenters building a traditional "dog trot" house; Southeast Asians demonstrating weaving, embroidery, stone carving, calligraphy; among others. The Festival asserted that rootedness is a tangible part of the fascination with history, our own or our country's or that of some distant place. This was seen as a part of life that everyone should value, and so the Festival not only celebrated customs and ways of doing things, but evoked the pride of being someone from somewhere. The 1980 Program Book provided information on each of the programs.

The 1980 Festival was again co-presented by the Smithsonian Institution and National Park Service, with support from the U.S. Department of Energy, U.S. Department of Agriculture, and Music Performance Trust Funds. It was organized by the Office of Folklife Programs.

Folklife Advisory Council

Wilcomb E. Washburn, Chairman, Roger Abrahams, Richard Ahlborn, Richard Dorson, William Fitzhugh, Lloyd Herman, Robert Laughlin, Scott Odell, Ralph Rinzler, Peter Seitel, Richard Sorenson, Thomas Vennum

Office of Folklife Programs

Ralph Rinzler, Director; Richard Derbyshire, Archivist; Susan Kalcik, Folklorist; Jeffrey LaRiche, Program Coordinator; Jack Santino, Folklorist; Peter Seitel, Senior Folklorist; Thomas Vennum, Ethnomusicologist; Steve Zeitlin, Folklorist

National Park Service

Russell E. Dickenson, Director; Manus J. Fish, Jr., Regional Director, National Capital Region
Fieldworkers and presenters:
Steve Addiss, John W. Berquist, Charley Camp, Amy Catlin, Dennis Coelho, Héctor Corporán, Amanda Dargan, Richard Flint, Marjorie Hunt, Geraldine Johnson, Fred Lieberman, Howard Marshall, Von Martin, Maxine Miska, Bill Moore, Elliott Parris, Leslie Prosterman, Arthur Rosenbaum, Jack Santino, Marta Schley, Katherine Williams, Margaret Yocom, Steven Zeitlin
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Forms Part Of:
Smithsonian Folklife Festival records: 1980 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Food habits  Search this
Folklore  Search this
Folk art  Search this
arts and crafts  Search this
World music  Search this
Folk festivals  Search this
Folk music  Search this
Afro-Caribbeans  Search this
Santeria  Search this
Rumba (Dance)  Search this
Reggae music  Search this
Rastafarians  Search this
Carnivals  Search this
Genre/Form:
Business records
Sound recordings
Slides (photographs)
Contracts
Notes
Digital images
Memorandums
Plans (drawings)
Audiotapes
Audiocassettes
Negatives
Photographic prints
Videotapes
Correspondence
Video recordings
Citation:
Smithsonian Folklife Festival records: 1980 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1980
See more items in:
Smithsonian Folklife Festival records: 1980 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk527808409-1b6d-47a7-b10a-cd935c49fd29
EDAN-URL:
ead_collection:sova-cfch-sff-1980
Online Media:

Paredon Records audio recordings

Creator:
Paredon Records  Search this
Silber, Irwin, 1925-2010  Search this
Dane, Barbara  Search this
Names:
Paredon Records  Search this
Extent:
8.85 Cubic feet
1 Cubic foot (Phonograph records)
6.6 Cubic feet (Audiotapes)
1.25 Cubic feet (Business records)
Type:
Collection descriptions
Archival materials
Contracts
Audiotapes
Correspondence
Business records
Articles
Phonograph records
Photographs
Date:
1969-2007
Summary:
The Paredon Records audiorecordings consist of all 50 of the recordings released by Paredon, along with the master audiotapes. Many of the recordings have a file containing business records relating to their production. These business records include artist contracts, recording reports, various notes on records produced, photographs of artists, news articles both about and by Barbara Dane, Irwin Silber, and Paredon Records, correspondence by Barbara Dane, Irwin Silber and Paredon Records, and other miscellany. Many contracts are signed by both Paredon Records and the artist. Correspondence is primarily between business associates. A complete inventory of the business records is available.
Scope and Contents:
There are two main components of the Paredon Records audiorecordings: the master recordings and corresponding commercial records themselves and the paper files relating to these recordings.

Series 1: Papers is primarily made up of "production files"--files containing materials related to specific albums. These production files can include artist contracts, recording reports, photographs of artists, clippings, royalty statements, licenses, album cover proofs, and correspondence between Paredon Records and the recording artists. news articles both about and by Barbara Dane, Irwin Silber, and Paredon Records. Many contracts are signed by both Paredon Records and the artist. Also included in this series are articles by Barbara Dane and Irwin Silber, a transcript of Daniel Sheehy's oral history interview with Barbara Dane, as well as miscellaneous ephemera.

Series 2: Master Audiorecordings includes all Paredon master tapes. Their corresponding commercial recordings are not described in this finding aid.
Arrangement:
Series 1: Papers (1970-2007, bulk 1970-1980)

Series 2: Master Audiorecordings (1969-1985, bulk 1970-1980)
Biographical / Historical:
Paredon Records was founded in 1969 in New York by Barbara Dane and Irwin Silber, and its first recordings were released in 1970. Paredon released four records at a time. Barbara Dane, a singer/songwriter herself, produced the albums and recruited the musicians, artists who worked on the covers, and volunteers who translated foreign language material and contributed stories for the record booklets. Irwin Silber, a writer and editor for The Guardian newspaper, assisted Dane in all aspects of production. Irwin worked on business aspects of the label, such as distribution, orders, and editing and printing the record supplemental materials. Dane and Silber traveled to almost all of the countries mentioned in these records, as part of their work as activists and personally knew the musicians and artists.

According to the interview with Barbara Dane, "Paredon" means "a big wall" in Spanish. Paredon represents "a wall of culture defending us [listeners] against this 'sleazy' culture that's out there on the other side of the wall." The mission of Paredon Records was to use music as a tool to spread culture: the stories and experiences of those involved in protest and revolution movements all over the world, in order to increase dialogue among similar movements and peoples. Dane and Silber hoped these records would promote social and political activism, and that the uplifting power of music would inspire people to be agents of social change. The records reflect the most important socialist or liberation movements in world politics as well as domestic issues in the United States of the late twentieth century.

The 50 Paredon record albums constitute a unique historical documentation of the political protest and revolutionary currents in the world over the course of three decades. 31 of the 50 albums come from national liberation movements in Asia, Africa and Latin America. These include music, song, poetry and speech from Angola, Argentina, Chile, China, Cuba, The Dominican Republic, Ecuador, El Salvador, Haiti, Mexico, Nicaragua, Palestine, Philippines, Puerto Rico, Thailand, Uruguay, and Vietnam. Another five albums come out of the European oppositional political movements from; Greece, Italy, North Ireland and the United Kingdom. In all cases, the materials are performed and/or presented by the participants in these movements. A number of world renowned artists are among the performers, including Mikis Theodorakis (Greece), Marcel Khalife (Lebanon), Quilapayún (Chile) and Silvio Rodriguez (Cuba). Several important world political figures — Fidel Castro, Ho Chi Minh, Don Albizu Campos and Che Guevara — also appear on these records delivering seminal speeches. Not all of the political figures deliver their speeches, such as the Ho Chi Minh album, but were read by someone else. The other 14 record albums document political and social protest movements in the U.S. during this same period. The songs reflect currents in the civil rights, women's, and labor movements. Two albums document GI opposition to the Vietnam War. These recordings include a broad array of singers and songs associated with the political protest of the times. Albums by the band "The Men of No Property" and others were obtained clandestinely, as the movements often became dangerous. Smithsonian Folkways Director Daniel Sheehy interviewed Barbara Dane in 2007, the transcript of which is contained in the Supporting Materials folder in Series 1: Papers.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Provenance:
The Ralph Rinzler Folklife Archives and Collections acquired the Paredon Records audiorecordings in December, 1991, when Barbara Dane and Irwin Silber donated their record company papers to the Center for Folklife and Cultural Heritage. The Center for Folklife and Cultural Heritage agreed to keep the record titles available for purchase, and to accession and store the Paredon Records Collection in the archives.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music  Search this
Revolutions and socialism  Search this
Protest songs  Search this
Folk music  Search this
Genre/Form:
Contracts
Audiotapes
Correspondence
Business records
Articles
Phonograph records
Photographs
Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.PARE
See more items in:
Paredon Records audio recordings
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk55d94d923-1c22-49b1-b0d6-2de506c90f31
EDAN-URL:
ead_collection:sova-cfch-pare
Online Media:

Smithsonian Folklife Festival records: 1979 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Sound recordings
Digital images
Notes
Negatives
Video recordings
Contracts
Audiocassettes
Business records
Memorandums
Slides (photographs)
Plans (drawings)
Audiotapes
Photographic prints
Videotapes
Correspondence
Place:
Caribbean Area
Grenada
Antigua
Nevis
Haiti
Trinidad and Tobago
Virgin Islands
Saint Lucia
Date:
October 3-8, 1979
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1979 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 7 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Caribbean Carnival

Series 3: Children's Area

Series 4: Folklife in the Museum - Folk Medicine

Series 5: Folklore in Your Community

Series 6: Medicine Show

Series 7: Native American Architecture
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1979 Festival of American Folklife was produced by the Smithsonian Folklife Program of the Office of American and Folklife Studies and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The 1979 Folklife Festival continued to take community as its theme, as had been announced in 1978. The Festival celebrated the creative genius of many cultural groups - some had been on American soil only for months, others for millenia. The point of the Smithsonian festivals and the museums' displays of diversity struck home to the people who came to the museums and reached out for reaffirmation of identity. People feared the loss of identity in the sense of anomie that came with being a cipher, a numeral, a set of digits, organizers believed; they feared big government, big business, megastates that might rule the world. Coupled with the fear of homogenization was the fear of the loss of one's own soul. One way to strengthen our sense of identity and to demonstrate our essential humanity, the Festival asserted, was the reaffirmation of the differences among us, the persistence of our traditions at the ground roots of life, a countercurrent for survival.

In 1979 the Festival welcomed the newly-arrived ethnic community of Vietnamese, who had brought with them rich folklife traditions. From the West Indies came immigrants who enliven our cities with the folk theatrical spectacle of Carnival. Native Americans from several tribal groups shared their knowledge of ways in which their housing has been adapted to local environmental conditions.The International Year of the Child was celebrated at the Festival in the program book cover and articles, and in the living presentations of children's folklife in the Children's Area, where Lumbee Indian children re-created a Field Day celebration, and several other children's communities enacted Halloween traditions. Occupational communities were represented by D.C. firefighters, taxicab drivers, and stonecarvers from the National Cathedral. Other communities represented, which had formed around particular interests or institutions, were a medicine show, mom-and-pop neighborhood stores, street criers, and CB radio clubs.

As with the two preceding years, the 1979 Festival (October 3-8) was held on a site on the National Mall later to be occupied by the National Museum of African American History and Culture, between 14th and 15th Streets and between Constitution Avenue and Madison Drive (see site plan). Indoor activities including a symposium focused on folk medicine took place in the National Museum of History and Technology, in the days preceding the outdoor Festival (September 27-30). The 1979 Program Book provided information on each of the programs.

The 1979 Festival was again co-presented by the Smithsonian Institution and National Park Service, with support from the U.S. Department of Energy and the Music Performance Trust Funds. It was organized by the Folklife Program within the Office of American and Folklife Studies.

Folklife Advisory Council

Wilcomb E. Washburn, Chairman, Roger Abrahams, Richard Ahlborn, Richard Dorson, William Fitzhugh, Lloyd Herman, Robert Laughlin, Scott Odell, Ralph Rinzler, Peter Seitel, E. Richard Sorenson, Thomas Vennum

Folklife Program, Office of American and Folklife Studies

Ralph Rinzler, Director; Richard Derbyshire, Archivist; Susan Kalcik, Folklorist; Jeffrey LaRiche, Program Coordinator; Jack Santino, Folklorist; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Ethnomusicologist; Steve Zeitlin, Folklorist

National Park Service

William J. Whelan, Director; Manus J. Fish, Jr., Regional Director, National Capital Region
Fieldworkers and presenters:
Nicholas Bocher, Sylvia Grider, Glenn Hinson, Marjorie Hunt, Fred Lieberman, Susan Manos, Phyllis May, Robert McCarl, Maxine Miska, Peter Nabokov, Elliott Parris, Kate Rinzler, Betsy Seamans, Barbara Strickland, Katherine Williams, Peggy Yocum
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Forms Part Of:
Smithsonian Folklife Festival records: 1979 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk art  Search this
Folk music  Search this
Food habits  Search this
Folklore  Search this
arts and crafts  Search this
World music  Search this
Folk festivals  Search this
Genre/Form:
Sound recordings
Digital images
Notes
Negatives
Video recordings
Contracts
Audiocassettes
Business records
Memorandums
Slides (photographs)
Plans (drawings)
Audiotapes
Photographic prints
Videotapes
Correspondence
Citation:
Smithsonian Folklife Festival records: 1979 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1979
See more items in:
Smithsonian Folklife Festival records: 1979 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk59a8230d1-35c3-48d1-9e83-b362e383bb30
EDAN-URL:
ead_collection:sova-cfch-sff-1979

Folk Music in America, Vol. 11: Songs of Humor and Hilarity

Producer:
Spottswood, Richard K. (Richard Keith)  Search this
Performer:
Johnson, Ted, 1903-  Search this
Weaver, Sylvester  Search this
Quevedo, Raymond, 1892-1962  Search this
Conder, Alvin  Search this
Lindsey, W.A.  Search this
Boone, Claude  Search this
RudziAnski, Bruno  Search this
Gardner, Gail I., 1892-1988  Search this
Dereskeviciene, Juze, Mrs.  Search this
Strothers, Jimmie  Search this
Carson, Fiddlin' John, 1868-1949  Search this
Bumble Bee Slim  Search this
Maddox Brothers & Rose  Search this
Scandinavian Orchestra  Search this
Ozarkers (Musical group)  Search this
Roaring Lion (Musician)  Search this
From the Smoky Mountains  Search this
Beans Hambone  Search this
El Morrow  Search this
Clovers (Musical group)  Search this
New Arkansas Travelers  Search this
Harilaos (Musical group)  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Swedish Americans  Search this
Trinidadian American  Search this
Polish Americans  Search this
Greeks  Search this
Lithuanian Americans  Search this
Type:
Archival materials
Phonograph records
Place:
California
United States
Hollywood (Calif.)
Illinois
Chicago (Ill.)
New York
New York (N.Y.)
Mississippi
Jackson (Miss.)
Tennessee
Memphis (Tenn.)
North Carolina
Charlotte (N.C.)
Arizona
Prescott (Ariz.)
Pennsylvania
Mahonoy (Pa.)
Virginia
State Farm (Va.)
New Jersey
Camden (N.J.)
Alabama
Minnesota
Minneapolis (Minn.)
Arkansas
Trinidad and Tobago
Port of Spain (Trinidad and Tobago)
Washington (D.C.)
Texas
Austin (Tex.)
Georgia
Track Information:
101 I'll Make Sweet Love to You / Maddox Brothers & Rose. Guitar,Harmonica,Mandolin,Fiddle,Bass. English language.

102 Nikolina / Scandinavian Orchestra, Ted Johnson. Fiddle,Bass,Vibraphone,Drum,Piano,Accordion. Swedish language.

103 The Arkansas Hotel / Ozarkers (Musical group). Guitar,Fiddle,Violoncello. English language.

104 Me and My Tapeworm / Sylvester Weaver. Guitar. English language.

105 Old Cold 'Tater / Smith,Fairley,Thomas and Smith. English language.

106 Mamaguille / Raymond Quevedo, Roaring Lion (Musician). Guitar,Bass,Piano,Clarinet,Violin,Ukulele. English language.

107 I Surely Am Living a Ragtime Life / Alvin Conder, W.A. Lindsey. Guitar,Harmonica,Banjo-ukelele. English language.

108 Down Where the Watermelons Grow / From the Smoky Mountains, Claude Boone. Guitar,Mandolin,Bass. English language.

109 Beans / Beans Hambone, El Morrow. Guitar. English language.

201 Everybody's Fishin' / Bumble Bee Slim. Guitar,Piano. English language.

202 Derbytown / Clovers (Musical group). English language.

203 Przyszedl Chlop Do Karczmy (A Man Came to the the Saloon) / Bruno RudziAnski. Concertina. Polish language.

204 The Moonshine Steer / Gail I. Gardner. English language.

205 Handy Man / New Arkansas Travelers. Guitar,Harmonica. English language.

206 To Sapounaki / Harilaos (Musical group). Oud,Tambourine (Drum). Greek language.

207 Fordukas / Juze, Mrs. Dereskeviciene. Oud,Tambourine (Drum). Lithuanian language.

208 Tennessee Dog / Jimmie Strothers. Banjo. English language.

209 Ain't No Bugs on Me / Fiddlin' John Carson. Guitar,Fiddle,Banjo. English language.
Local Numbers:
FP-RINZ-LP-0946

Library of Congress.LBC 11
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Library of Congress
Date/Time and Place of an Event Note:
Recorded in: Camden (N.J.), New Jersey, State Farm (Va.), Virginia, Mahonoy (Pa.), Pennsylvania, Prescott (Ariz.), Arizona, Charlotte (N.C.), North Carolina, Memphis (Tenn.), Tennessee, Jackson (Miss.), Mississippi, New York (N.Y.), New York, Chicago (Ill.), Illinois, Hollywood (Calif.), United States, California.
Performers:
Smith, Fairley, Thomas and Smith
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Wit and humor  Search this
Folk songs -- United States  Search this
Calypso (Music)  Search this
Guitar  Search this
Harmonica  Search this
Mandolin  Search this
Violin  Search this
Bass  Search this
Vibraphone  Search this
Drum  Search this
Piano  Search this
Accordion  Search this
Violoncello  Search this
Clarinet  Search this
Violin  Search this
Ukulele  Search this
Banjo-ukelele  Search this
Concertina  Search this
Oud  Search this
Tambourine (Drum)  Search this
Banjo  Search this
African Americans  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0946
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5a8145f5c-8561-427b-ba16-3e77dc45e650
EDAN-URL:
ead_component:sova-cfch-rinz-ref5900

Folk Music in America, Vol. 2: Songs of love, courtship & marriage

Producer:
Spottswood, Richard K. (Richard Keith) (liner notes)  Search this
Performer:
Okimase, John  Search this
Platt, Moses  Search this
Johnson, Lonnie  Search this
Mendoza, Lydia  Search this
Jones, Jab  Search this
Rachell, Yank  Search this
Estes, Sleepy John, 1899-1977  Search this
Strothers, Jimmie  Search this
Monroe, Bill, 1911-1996  Search this
White, J.C.  Search this
Doyle, Little Buddy  Search this
Shade, Will, 1898-1966  Search this
Segura, Dewey  Search this
Hebert, Didier  Search this
Dunford, Uncle Eck, 1878-1953  Search this
Bolick, Bill  Search this
Bolick, Earl  Search this
Arthur, Emry, 1900-1966  Search this
Thenstead, Adolph  Search this
Manning, Sally  Search this
Ray, Lost John  Search this
Mainer, Wade, 1907-2011  Search this
Cuarteto Mendoza  Search this
Blue Grass Boys  Search this
Carter Family (Musical group)  Search this
Little Son Joe  Search this
Carolina Tar Heels  Search this
Blue Sky Boys  Search this
Mentor Boys  Search this
Mountaineers (Musical group)  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Indians of North America  Search this
Americans  Search this
Menominee Indians  Search this
Hispanic Americans  Search this
Anglo-American  Search this
Cajuns  Search this
Afro-Caribbean  Search this
Type:
Archival materials
Phonograph records
Place:
Wisconsin
United States
Keshena (Wis.)
Texas
Sugarland Prison (Tex.)
New York
New York (N.Y.)
San Antonio (Tex.)
Tennessee
Memphis (Tenn.)
Virginia
State Farm (Va.)
Illinois
Chicago (Ill.)
New Jersey
Camden (N.J.)
Arkansas
Fayetteville (Ark.)
Louisiana
New Orleans (La.)
Georgia
Atlanta (Ga.)
Galax (Va.)
Champagne (Ill.)
Grafton (Wis.)
North Carolina
Wilkesboro (N.C.)
Taylor (Tex.)
Brownsville (Tenn.)
Kentucky
Delcambre (La.)
Trinidad and Tobago
Date:
1976
Contents:
Love is a song (Lonnie Johnson)--That's all right, baby (Mose "Clear Rock" Platt)--Two Menominee flute songs (John Okimase)--Little Sarah (James Rachel, John Estes)-Going to Richmond (Jimmie Strothers)--Come back to me in my dreams (Bill Monroe)--Marira, Marira (Lydia Mendoza y Cuarteto Mendoza)--If one won't, another one will (Carter Family)--Joe Bowers (J. C. White)--Renewed love blues (Little Buddy Doyle)--Your small and sweet (Segura and Herbert)--You are a little too small (Carolina Tar Heels)--Lily Monroe (Uncle Alex Dunford)--Midnight on the stormy deep (Blue Sky Boys)--The married man (Emry Arthur)--Emily (Sam Manning)--Three nights in a bar room (Wade Mainer)
Track Information:
103 Two Menominee Flute Songs / John Okimase. Flute.

102 That's All Right / Moses Platt. English language.

101 Love Is a Song / Lonnie Johnson. Guitar. English language.

107 Maria, Maria / Cuarteto Mendoza, Lydia Mendoza. Guitar,Fiddle,Mandolin,Triangle (Musical instrument). Spanish language.

104 Little Sarah / Jab Jones, Yank Rachell, Sleepy John Estes. Guitar,Mandolin,Piano. English language.

105 Going to Richmond / Jimmie Strothers. Guitar. English language.

106 Come Back to Me in My Dreams / Blue Grass Boys, Bill Monroe. Guitar,Fiddle,Mandolin,Banjo,Bass. English language.

108 If One Won't, Another One Will / Carter Family. Guitar. English language.

109 Joe Bowers / J.C. White. English language.

201 Renewed Love Blues / Little Son Joe, Little Buddy Doyle, Will Shade. Guitar,Harmonica. English language.

202 Your Small and Sweet / Dewey Segura, Didier Hebert. Guitar,Accordion. Cajun French dialect.

203 You Are a Little Too Small / Carolina Tar Heels. Guitar,Banjo,Harmonica. English language.

204 Lily Monroe / Uncle Eck Dunford. Fiddle. English language.

205 Midnight on the Stormy Deep / Blue Sky Boys, Bill Bolick, Earl Bolick. Guitar,Mandolin. English language.

206 The Married Man / Emry Arthur. Guitar,Banjo. English language.

207 Emily / Mentor Boys, Adolph Thenstead, Sally Manning. Piano,Banjo,Saxophone,Clarinet. English language.

208 Three Nights in a Bar Room / Mountaineers (Musical group), Lost John Ray, Wade Mainer. Guitar,Fiddle,Banjo. English language.
Local Numbers:
FP-RINZ-LP-0921

Library of Congress.LBC2
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Library of Congress 1976
Date/Time and Place of an Event Note:
Recorded in: Wilkesboro (N.C.), North Carolina, Grafton (Wis.), Champagne (Ill.), Galax (Va.), Atlanta (Ga.), Georgia, New Orleans (La.), Louisiana, Fayetteville (Ark.), Arkansas, Camden (N.J.), New Jersey, Chicago (Ill.), Illinois, State Farm (Va.), Virginia, Memphis (Tenn.), Tennessee, San Antonio (Tex.), New York (N.Y.), New York, Sugarland Prison (Tex.), Texas, Keshena (Wis.), United States, Wisconsin.
General:
"A bicentennial project: Library of Congress, Archive of Folk Song"; includes recordings from field and commercial sources. Program notes, including words of the songs, and bibliographical and discographical references (10 p. ill.) inserted in container. Edited by Richard K. Spottswood.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
American Indian  Search this
Folk songs -- United States  Search this
Conjunto music  Search this
Tejano music  Search this
Bluegrass music  Search this
Cajun music  Search this
String band  Search this
Calypso (Music)  Search this
Old-time music  Search this
Flute  Search this
Guitar  Search this
Violin  Search this
Mandolin  Search this
Triangle (Musical instrument)  Search this
Piano  Search this
Banjo  Search this
Bass  Search this
Harmonica  Search this
Accordion  Search this
Saxophone  Search this
Clarinet  Search this
African Americans  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0921
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk531f649fa-40ef-4fbd-9874-2fde3a170c84
EDAN-URL:
ead_component:sova-cfch-rinz-ref5905

Folk Music in America, Vol. 6: Songs of Migration and Immigration

Producer:
Spottswood, Richard K. (Richard Keith)  Search this
Performer:
Acuff, Roy  Search this
Thompson, Rose  Search this
Hovington, Frank  Search this
Baxter, Jim, musician  Search this
Baxter, Andrew  Search this
Davenport, Cow Cow, 1894-1955  Search this
Reinhart, Dick  Search this
Brown, Gabriel  Search this
O'Dell, Doye  Search this
Dunford, Uncle Eck, 1878-1953  Search this
Ward, Fields, 1911-1987  Search this
Magnusson, Otto  Search this
Baboyan, Reuben  Search this
Polak, Wladyslaw  Search this
Houdini, Wilmoth, 1895-1973  Search this
Perdicopoulos, D.  Search this
Crazy Tennesseans (Musical group)  Search this
Zespol Gorali Giewont  Search this
Bamboo Orchestra  Search this
Artistic Village Troup  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Swedes  Search this
Anglo-American  Search this
Polish Americans  Search this
Armenians  Search this
Trinidadian American  Search this
Greeks  Search this
Ukrainian Americans  Search this
Type:
Archival materials
Phonograph records
Place:
Illinois
United States
Chicago (Ill.)
Utah
Saint George (Utah)
Delaware
Frederica (Del.)
North Carolina
Charlotte (N.C.)
Texas
Dallas (Tex.)
New York
New York (N.Y.)
California
Los Angeles (Calif.)
Virginia
Galax (Va.)
Sweden
Fresno (Calif.)
Greece
Athens (Greece)
Tennessee
Georgia
Calhoun (Ga.)
Alabama
Poland
Armenia
Trinidad and Tobago
Ukraine
Date:
1977
Contents:
Steamboat whistle blues / Roy Acuff -- Marching to Utah / Rese Thompson -- Railroad Bill / Frank Hovington -- The Moore girl / A. and J. Baxter -- Jim Crow blues / Cow Cow Davenport -- Rambling love / Dick Reinhart -- Down in the bottom / Gabriel Brown -- Dear Okie / Doye O'Dell -- ZrobiA goral krzyz. na czole / ZespqoA Gqorali Giewont -- Barney McCoy / Uncle Alec Dunford and Fields Ward -- Emigrantsvisa / Otto Magnusson -- Hay nazanem yarer / Reuben J. Baboyan -- Dzieci w krateczki / WAadisAaw Polak -- Poor but ambitious / The Bamboo Orchestra, featuring Wilmoth Houdini -- O gero Amerikanos / D. Perdicopoulos -- Pesni o Dovbushe / Artistic Village Touup.
Track Information:
101 Steamboat Whistle Blues / Crazy Tennesseans (Musical group), Roy Acuff. Guitar. English language.

102 Marching to Utah / Rose Thompson. English language.

103 Railroad Bill / Frank Hovington. Guitar. English language.

104 The Moore Girl / Jim Baxter, Andrew Baxter. Guitar,Fiddle. English language.

105 Jim Crow Blues / Cow Cow Davenport. Piano,Cornet. English language.

106 Rambling Lover / Dick Reinhart. Guitar. English language.

107 Down in the Bottom / Gabriel Brown. Guitar. English language.

108 Dear Okie / Doye O'Dell. Guitar,Fiddle,Bass,Accordion,Trumpet,Hawaiian guitar. English language.

201 Zrobil Goral Krzyz Na Czole / Zespol Gorali Giewont. Bass cello,Violin. English language.

202 Barney McCoy / Uncle Eck Dunford, Fields Ward. Guitar,Fiddle,Banjo,Autoharp. English language.

203 Emigrantsvisa / Otto Magnusson. Accordion. Swedish language.

204 Hay Nazanem Yarer / Reuben Baboyan. Armenian language.

205 Dzieci W Krateczki (Children in Squares) / Wladyslaw Polak. Accordion. Polish language.

206 Poor But Ambitious / Bamboo Orchestra, Wilmoth Houdini. Guitar,Piano,Violin,Clarinet. English language.

207 O Gero Amerikanos / D. Perdicopoulos. Guitar,Violin,Bouzouki. Greek language.

208 Pesni o Dovbushe / Artistic Village Troup. Flute,Hurdy-gurdy. Ukrainian language.
Local Numbers:
FP-RINZ-LP-0945

Library of Congress.LBC 6
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Library of Congress 1977
Date/Time and Place of an Event Note:
Recorded in: Athens (Greece), Greece, Fresno (Calif.), Sweden, Galax (Va.), Virginia, Los Angeles (Calif.), California, New York (N.Y.), New York, Dallas (Tex.), Texas, Charlotte (N.C.), North Carolina, Frederica (Del.), Delaware, Saint George (Utah), Utah, Chicago (Ill.), United States, Illinois.
General:
"A bicentennial project: Library of Congress, Archive of Folk Song"; includes recordings from field and commercial sources. Various performers. Program notes, including words of the songs, translations, and bibliographical and discographical references (12 p. ill.) inserted in container. edited by Richard K. Spottswood.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Country music  Search this
Folk songs -- United States  Search this
Blues (Music)  Search this
Western swing (Music)  Search this
String band  Search this
Calypso (Music)  Search this
Guitar  Search this
Violin  Search this
Piano  Search this
Cornet  Search this
Bass  Search this
Accordion  Search this
Trumpet  Search this
Hawaiian guitar  Search this
Bass cello  Search this
Violin  Search this
Banjo  Search this
Autoharp  Search this
Clarinet  Search this
Bouzouki  Search this
Flute  Search this
Hurdy-gurdy  Search this
World music -- Sweden  Search this
Armenia -- Songs and music  Search this
African Americans  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0945
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk58103d49d-b9b1-4937-adfe-88517297aa8a
EDAN-URL:
ead_component:sova-cfch-rinz-ref5909

Folk Music in America, Vol. 7: Songs of Complaint and Protest

Producer:
Spottswood, Richard K. (Richard Keith)  Search this
Performer:
Mattie, Martha and Minnie (Musical group)  Search this
Houdini, Wilmoth, 1895-1973  Search this
Coleman, Dutch  Search this
McGhee, John  Search this
Stoneman, Ernest V.  Search this
McCain, Jerry, 1930-2012  Search this
Zukowsky, Ewgen  Search this
McCarn, Dave, 1905-1964  Search this
Brown, Gabriel  Search this
Cage, Butch  Search this
Thomas, Willie  Search this
Lenoir, J. B., 1926-1967  Search this
Scruggs, Earl  Search this
Flatt, Lester  Search this
Tucker, Bessie  Search this
Roland, Walter  Search this
Growling Tiger (Calypso singer), 1915-1993  Search this
Bumble Bee Slim  Search this
Felix's Krazy Kats Orchestra  Search this
Dixie Mountaineers (Musical group)  Search this
Jerry McCain and His Upstarts  Search this
Foggy Mountain Boys  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Trinidadian American  Search this
Ukrainian Americans  Search this
Type:
Archival materials
Phonograph records
Place:
Ohio
United States
Cincinnati (Ohio)
New York
New York (N.Y.)
Wisconsin
Grafton (Wis.)
Illinois
Chicago (Ill.)
Tennessee
Nashville (Tenn.)
Memphis (Tenn.)
Louisiana
Zachary (La.)
Texas
Dallas (Tex.)
Kentucky
Trinidad and Tobago
Shreveport (La.)
Alabama
Gadsden (Ala.)
Ukraine
North Carolina
Gastonia (N.C.)
Florida
Eatonville (Fla.)
Mississippi
Monticello (Miss.)
Birmingham (Ala.)
Date:
1976
Contents:
You can't live with 'em (and you can't live without 'em) / Mattie, Marthie and Minnie --Don't do that to me / Wilmoth Houdini --Granny get your hair cut / Dutch Coleman --Hello world doggone / John McGhee --Hard rocks in my bed / Bumble Bee Slim --All I've got's gone / Ernest V. Stoneman -- My next door neighbor / Jerry McCain and his Upstarts -- Wujjko politykan / Ewgen Zrukowsky --Poor man, rich man (Cotton mill colic no. 2) / David McCarn --I'm gonna take it easy / Gabriel Brown --Kill that nigger dead / James (Butch) Cage and Willie Thomas --Mississippi road / J.B. Lenoir -- Over the hills to the poorhouse / Lester Flatt and Earl Scruggs --Key to the bushes blues / Bessie Tucker --Collector man blues / Walter Roland --Workers' appeal / The Tiger.
Track Information:
101 You Can't Live With 'Em (And You Can't Live Without 'Em) / Mattie, Martha and Minnie (Musical group). Bass,Fiddle,Guitar,Banjo.

102 Don't Do That to Me / Felix's Krazy Kats Orchestra, Wilmoth Houdini. Bass,Ukulele,Piano,Clarinet,Trumpet,Percussion instruments.

103 Granny Get Your Hair Cut / Dutch Coleman. Guitar.

104 Hello World Doggone / John McGhee. Guitar.

105 Hard Rocks in My Bed / Bumble Bee Slim. Bass,Piano.

106 All I've Got's Gone / Dixie Mountaineers (Musical group), Ernest V. Stoneman. Fiddle,Guitar,Banjo,Harmonica.

107 My Next Door Neighbor / Jerry McCain and His Upstarts, Jerry McCain. Bass,Piano,Percussion instruments,Harmonica,Electric guitar.

108 Wujko Politykan / Ewgen Zukowsky. Bass,Clarinet,Violin,Accordion.

201 Poor Man, Rich Man (Cotton Mill Colic No. 2) / Dave McCarn. Guitar,Harmonica.

202 I'm Gonna Take It Easy / Gabriel Brown. Guitar.

203 Kill That Nigger Dead / Butch Cage, Willie Thomas. Fiddle,Guitar.

204 Mississippi Road / J.B. Lenoir. Guitar.

205 Over the Hills to the Poorhouse / Foggy Mountain Boys, Earl Scruggs, Lester Flatt. Bass,Fiddle,Guitar,Banjo,Mandolin.

206 Key to the Bushes Blues / Bessie Tucker. Guitar,Piano.

207 Collector Man Blues / Walter Roland. Piano.

208 Worker's Appeal / Growling Tiger (Calypso singer). Bass,Guitar,Ukulele,Piano,Clarinet,Trumpet,Violin.
Local Numbers:
FP-RINZ-LP-0943

Library of Congress.LBC 7
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Library of Congress 1976
General:
"A bicentennial project: Library of Congress, Archive of Folk Song"; includes recording from field and commercial sources." Program notes, including words of the songs and bibliographical ad discographical references (10 p. ill.) inserted in container. Performer(s): Various performers. Production notes: Recorded 1929-65.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Country music  Search this
Calypso (Music)  Search this
Folk songs -- United States  Search this
Blues (Music)  Search this
Bass  Search this
Violin  Search this
Guitar  Search this
Banjo  Search this
Ukulele  Search this
Piano  Search this
Clarinet  Search this
Trumpet  Search this
Percussion instruments  Search this
Harmonica  Search this
Electric Guitar  Search this
Violin  Search this
Accordion  Search this
Mandolin  Search this
African Americans  Search this
Function:
Labor unions
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0943
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk58042051e-0a50-46fe-aad4-aadb3177aa05
EDAN-URL:
ead_component:sova-cfch-rinz-ref5910

Musical Sources/ Sources Musicales

Creator:
Takhalov, Suleiman  Search this
Nyabingi Elders  Search this
Performer:
Sukri, Uking  Search this
Sukarna, Ono  Search this
Ibrahim, Lim  Search this
Salilath, Theo  Search this
Manh, Ba  Search this
Van, Tu  Search this
Ma, Son  Search this
Tich, Van  Search this
Zhantsanchoy, D.  Search this
Blanchard, Jean  Search this
Mendoza, Mario  Search this
Khan, Asad Ali, 1937-2011  Search this
Das, Gopal  Search this
Sakalain, Mohamed  Search this
Yadav, Hiralal  Search this
Mansurov, Bahra.m, 1911-1984  Search this
Erguner, Kudsi  Search this
Jrifani, Muhammed  Search this
O-Suwa-Daiko (Musical group)  Search this
Bolonyen Orchestra  Search this
Sabri Brothers  Search this
Mullah Adnan Ensemble  Search this
Collection Creator:
UNESCO  Search this
Extent:
1 Sound disc (digital, 4 3/4 in.)
Culture:
Côte d'Ivoire  Search this
Indonesian  Search this
Laotians  Search this
Vietnamese  Search this
Chinese  Search this
Japanese  Search this
Cameroon  Search this
Côte d'Ivoire  Search this
Africans  Search this
Swiss  Search this
Italians  Search this
French  Search this
Ukrainians  Search this
Argentines  Search this
Brazilians  Search this
Indians of North America  Search this
Canadians  Search this
Pakistanis  Search this
Tibetans  Search this
Azerbaijanis  Search this
Turks  Search this
Iraqis  Search this
Syrians  Search this
Egyptians  Search this
Algerians  Search this
Australians  Search this
Baka (West African people)  Search this
Pygmies  Search this
Senufo (African people)  Search this
Banda (African people)  Search this
Inuit  Search this
Muslims  Search this
Aboriginal Australians  Search this
Type:
Archival materials
Sound discs
Place:
Java (Indonesia)
Indonesia
Laos
Vietnam
Hong Kong
China
Mongolia
Japan
Cameroon
Africa
Central African Republic
Switzerland
Sicily (Italy)
Italy
France
Ukraine
Argentina
Brazil
Canada
Nunavut
Pakistan
India
Tibet (China)
Azerbaijan
Turkey
Iraq
Syria
Egypt
Algeria
Solomon Islands
Australia
Date:
1971
Contents:
Indonesia : music from west Java -- Laos : traditional music of the south -- Viet Nam : Ca Tru & Quan Ho, traditional music -- Hong Kong : instrumental music -- China : Chuida wind and percussive ensembles -- Mongolia : traditional music -- Japan : Shomyo Buddhist ritual ; O-Suwa-Daiko drums -- Cameroon : Baka pygmy music -- Côte d'Ivoire : a Senufo-Fodonon funerary vigil -- Central African Republic : Banda polyphony -- Switzerland : Zäuerli, yodel of Appenzell -- Sicily : music for the Holy Week -- France : bagpipes of central France -- Ukraine : traditional music -- Argentina : tritonic music of the north-west -- Brazil : the Bororo world of sound -- Canada : Inuit games and songs. (cont) Pakistan : the music of the Qawal -- North India : instrumental music of mediaeval India -- India : North Indian folk music -- Tibetan ritual -- Azerbaijan : Azerbaijani Mugam -- Turkey : the Turkish ney -- Iraq : Iqa'at, traditional rhythmic structures -- Syrian Orthodox Church : Antioch liturgy -- Egypt : Taqāsīm & Layālī, Cairo tradition -- Algeria : Sahara, music of Gourara -- Solomon Islands : Fataleka and Baegu music from Malaita -- Australia : aboriginal music.
Track Information:
101 Kacapi Suling: Semarang and Banjapan / Uking Sukri, Ono Sukarna, Lim Ibrahim. Kacapi (Lute),Suling (Musical instrument),Zither.

102 Lot Fay Tay Lang / Theo Salilath. Khene-Calebass.

103 Coi-Gau / Ba Manh, Tu Van, Son Ma, Van Tich. Flute,Violin. Vietnamese language.

104 Pu Pu Chiao.

105 Taizi You / Chinese language.

106 Music for the Horse-Veile / D. Zhantsanchoy.

107 Dai Hannaya Tendoku E / Japanese language.

108 Suwa-Ikazuchi / O-Suwa-Daiko (Musical group). Japanese language.

109 The Water Drum / Water-drum.

110 Li Fugo Nyige / Bolonyen Orchestra.

111 Eci Ameya.

112 Zauerli: Sung in the Inn / Swahili language.

113 La Quarta Spada / Italian language.

114 Le Retour du Jardinier / Jean Blanchard. Bagpipe. French language.

115 Arcan, The Lasso / Ukrainian language.

116 Toque Abrapampeno / Mario Mendoza. Clarinet.

117 The Bororo World of Sound / Portuguese language.

118 Inuit Games and Songs.

119 Ghazal / Sabri Brothers.

120 Raga Darbari Kanada / Asad Ali Khan, Gopal Das, Mohamed Sakalain. Vina,Pakhavaj (Drum),Lute.

121 Kajri / Hiralal Yadav.

122 Part II / Nyabingi Elders.

123 Mugam Humayun / Bahra.m Mansurov. Tar (Lute).

124 Makam Usshak / Kudsi Erguner. Nea. Turkish language.

101 Mukhalif- Maqam Iraqi / Muhammed Jrifani, Mullah Adnan Ensemble.

126 Communion Chant.

127 Sama'I El Aryan / Suleiman Takhalov.

128 Song of the Meherza with Tebel Drum / Drum.

129 Faa Ta Gwouna.

130 Morning Star/ Pigeon and Rain Songs / Didjeridu.
Local Numbers:
UN-COMM-CD-08100-7

UNESCO.8100
Publication, Distribution, Etc. (Imprint):
Paris, France Audivis 1971
General:
Commercial

"This compact-disc proposes a selection of 10 new recordings and extracts from 20 reissues [in] the collection, in three series: "Music and Musicians of the world", "Anthology of Traditional Music" and "Traditional Music of Today"--Insert. Compact disc. Description of the Unesco collection with discography (32 p.: ill.) inserted in container.
Restrictions:
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music anthologies  Search this
World music  Search this
Indonesia -- Songs and music  Search this
Gamelan  Search this
Laos -- Songs and music  Search this
Vietnam -- Songs and music  Search this
Music -- China  Search this
Operas, Chinese  Search this
Music -- Japan  Search this
Africa -- Songs and music  Search this
Yodels  Search this
Italy -- Songs and music  Search this
Religious  Search this
Music -- France  Search this
Brazil -- Songs and music  Search this
Canada -- Songs and music  Search this
American Indian  Search this
Pakistan -- Songs and music  Search this
Qawwālī.  Search this
Music -- India  Search this
Tibet (China) -- Songs and music  Search this
Maqām.  Search this
Turkey -- Songs and music  Search this
Chants  Search this
Australia -- Songs and music  Search this
Kacapi (Lute)  Search this
Suling (Musical instrument)  Search this
Zither  Search this
Khene-Calebass  Search this
Flute  Search this
Violin  Search this
Water-drum  Search this
Bagpipe  Search this
Clarinet  Search this
Vina  Search this
Pakhavaj (Drum)  Search this
Lute  Search this
Tar (Lute)  Search this
Nea  Search this
Drum  Search this
Didjeridu  Search this
Shingon (Sect)  Search this
Funeral rites and ceremonies  Search this
Catholicism  Search this
Religion  Search this
Christianity  Search this
Islam  Search this
Buddhism  Search this
World music -- Syria.  Search this
World music -- Pakistan  Search this
Argentina. -- Songs and music  Search this
Indians  Search this
Collection Citation:
UNESCO Collection of Traditional Music of the World records, Ralph Rinzler Folklikfe Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.UNES, Item UNESCO.8100
See more items in:
UNESCO Collection of Traditional Music of the World records
UNESCO Collection of Traditional Music of the World records / Series 2: Audio records / Commercial Recordings
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5e5375756-e171-4ca0-a04c-8d06871fd13d
EDAN-URL:
ead_component:sova-cfch-unes-ref2094

Smithsonian Folklife Festival records: 1991 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Audiotapes
Photographic prints
Correspondence
Memorandums
Notes
Plans (drawings)
Digital images
Videotapes
Audiocassettes
Business records
Negatives
Sound recordings
Slides (photographs)
Contracts
Video recordings
Date:
June 28-July 7, 1991
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1991 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Family Farming in the Heartland

Series 3: Forest, Field and Sea: Folklife in Indonesia

Series 4: Land in Native American Cultures

Series 5: Roots of Rhythm and Blues: The Robert Johnson Era
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1991 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The 1991 Festival programs were largely about human relationships to land. Indonesian land punctuates sea and ocean to form some 13,000 volcanic islands. On these islands is an amazing diversity of environments, ranging from the sandy beaches of Sumatra to snowcapped mountains that rise above the rainforests in Irian Jaya on New Guinea. To sample this diversity, the Festival presented cultural traditions from three particular environments - the forests of Kalimantan, the fields of Java, and the sea coast of Sulawesi. Half a world away from Indonesia and much closer to home is the American "heartland." American culture embodies a few elemental self-images with mythic stature - the frontier is surely one; the family farm is surely another. The idea of the family farm also entails some of our strongest values - hard work, self-reliance, family solidarity, and community life, all on view to Festival visitors.

For millennia before Columbus's arrival in the New World, native peoples gathered and cultivated its bounty, bred new crops, derived medicines to cure sickness, mined ores for making tools and ornaments, used its earth, stone and wood for building homes, made dyes for cloth, and invented ways of preparing and cooking food. Land and its use informed social, moral, religious, and cosmological beliefs, and sacred and secular practices. Some of this knowledge and practice of land use and its symbolic elaboration in artistic forms are continued among many Native American groups. At the Festival, culture bearers from the Haida, Tlingit, and Tsimshian people from Alaska; Hopi from Arizona; Maya and Lacandón from Chiapas, Mexico; Zapotec and Ikood from Oaxaca, Mexico; Shuar and Achuar from Ecuador; Jalq'a and Tiwanaku from Bolivia; and Taquile from Peru illustrated how the land in many varied environments is cared for and thought about, and how, almost five hundred years after Columbus, the wise and humane use, the knowledge and power of land must be re-"discovered."

The 1991 Festival, which also featured a program on the roots of rhythm and blues, took place for two four-day weeks (June 28-July 1 and July 4-7) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).

The 1991 Program Book included schedules and participant lists for each program; keynote essays on each of the four programs were supplemented by shorter pieces focusing on particular topics.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Office of Folklife Programs.

Office of Folklife Programs

Richard Kurin, Director; Diana Parker, Festival Director; Anthony Seeger, Director, Folkways Records; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Senior Ethnomusicologist; Olivia Cadaval, Director, Quincentenary Projects; Richard Kennedy, Program Analyst; Betty Belanus, Vivian Chen, Diana N'Diaye, Folklorists; Marjorie Hunt, Ed O'Reilly, Frank Proschan, Nicholas Spitzer, Research Associates; Arlene L. Reiniger, Program Specialist; Jeffrey Place, Archivist

Folklife Advisory Council

Roger Abrahams, Richard Bauman, Henry Glassie, Rayna Green, John Gwaltney, Charlotte Heth, Adrienne Kaeppler, Ivan Karp, Bernice Reagon, John Tchen, Carlos Vélez-Ibáñez

National Park Service

James M. Ridenour, Director; Robert G. Stanton, Regional Director, National Capital Region
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Forms Part Of:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
arts and crafts  Search this
Folk art  Search this
World music  Search this
Folk festivals  Search this
Folk music  Search this
Food habits  Search this
Folklore  Search this
Genre/Form:
Audiotapes
Photographic prints
Correspondence
Memorandums
Notes
Plans (drawings)
Digital images
Videotapes
Audiocassettes
Business records
Negatives
Sound recordings
Slides (photographs)
Contracts
Video recordings
Citation:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1991
See more items in:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5d98aecba-6aa1-482c-ac66-da49e3e1f4e8
EDAN-URL:
ead_collection:sova-cfch-sff-1991

Cook Labs records

Creator:
Cook Labs  Search this
Cook, Emory, 1913-2002  Search this
Names:
Cook Labs  Search this
Extent:
6.3 Cubic feet (Phonograph albums)
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
Culture:
Afro-Caribbean cults  Search this
10th Naval District Steel Band  Search this
Almerico, Tony, 1905-  Search this
American Indians  Search this
Audio Engineering Society  Search this
Ast, Anita  Search this
Bach, Johann Sebastian, 1685-1750  Search this
Beethoven, Ludwig van, 1770-1827  Search this
Big Shell Band  Search this
Boston Chorale  Search this
Brahms, Johannes, 1833-1897  Search this
Brokenshire, Norman, 1898-1965  Search this
Brundage, Al (Alfred)  Search this
Brute Force Band  Search this
Camp, Red  Search this
Carroll, Jimmy  Search this
Crowley, Daniel J., 1921-  Search this
Type:
Collection descriptions
Archival materials
Audiotapes
Photographic prints
Business records
Artifacts
Contracts
Phonograph records
Correspondence
Christmas music
Place:
Cuba
West Indies -- Lesser Antilles
Caribbean Area
Antigua
Barbuda
Amazon River Region
Benítez (Venezuela)
Baja California (Mexico : Peninsula)
Brazil
Connecticut
Cuba
Haiti
Date:
1908-2002, bulk 1948-1965
Summary:
The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.
Scope and Contents note:
There are two primary components of the Cook Labs records: the records, master tapes and other audio recordings, and the related paper files.

The Cook Labs records contains about 150 of the 200 released Cook recordings, and 739 master tapes. In addition, there are 330 unpublished tapes.

The the paper files include acquisition materials; business correspondence; recording reports; various production notes on records produced; news articles both about and by Emory Cook and Cook Labs; copyright, licensing, and trademark materials; photographs, correspondence, contracts, and other materials relating to recording artists; production materials for each Cook Labs release; and other miscellany. Many contracts are signed by both Cook Labs and the artist. Correspondence is primarily between business associates.

Two interviews were done with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer; both interviews are included in the Cook Labs records.

There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.
Arrangement note:
Many of the items in this list have been assigned an accession number, and like materials have been grouped together to create seven series:

Series 1: Business Papers, 1939-1990

Series 2: Recording Artists, 1949-1981, bulk 1950-1959

Series 3: Photographs, undated, 1957

Series 4: Production files, 1948-1995, bulk 1952-1963

Series 5: Objects, undated, 1908-1964

Series 6: Audio Interviews, 1990

Series 7: Audio Recordings
Biographical/Historical note:
Emory Cook (1913-2002) is widely regarded as a highly influencial audio engineer. Born and raised in Albany, New York, he joined the Army Air Corps in 1932. After his discharge in 1934 he obtained his degree from Cornell University and began working for Western Electric in the Audio Engineering Force. During World War II, while still at Western Electric, Cook supervised the creation of a fire-controlled radar "Trainer," for which he received a Commendation from the Service.

In the late 1940's, convinced he could do better than what was on the market, Cook began experimenting with making his own audio equipment. Cook Laboratories was started in 1945 when he developed a new cutting head to be used in record production. Future development of equipment brought about the discovery that he could record frequencies as high as 20,000 hertz, more than any other recording company at the time. He cut a record of piano and organ music to demonstrate this discovery, and took it to the 1949 Audio Fair in New York. When he demonstrated the record with the hopes to sell the recording equipment, he found that people were much more interested in buying the record itself. Shortly after, Sounds of Our Times, later called Cook Records, was born.

Cook Records collected many different sounds and was mostly aimed at the devoted high-fidelity listener. Cook believed that hearing was a sense often overlooked by people, and he wanted listeners of his albums to be able to hear things they might otherwise miss. In a New Yorker profile by Daniel Lang in 1956, Cook claimed that hearing was "always being kicked aside in favor of sight… There's a time and a place for everything, and that includes sound." In order to encourage listening, he put out many albums full of everyday sounds, such as Voice of the Sea, an album of noises of the ocean and Eye of the Storm, recorded during a thunderstorm. One of the most successful albums was Rail Dynamics, an album of steam trains pulling in and out of a station.

Cook Records also produced traditional music albums from its plant in Stamford, Connecticut. The label produced everything from organ music to folk, flamenco guitar, calypso and steel band. Cook had little interest in name musicians and instead searched high and low for anything he thought might be an interesting contribution to his label. He even invited listeners to send in their favorite sounds, some of which he eventually recorded.

Cook had such a large interest in Calypso music that he set up a second pressing plant in Port-of-Spain, Trinidad. There he pressed calypso and steel band music for both a Trinidadian and American audience, and most albums sold well in both countries.

In addition to the wide range of music Cook recorded, he was also an inventor. It was Cook who first came up with the idea of pressing records with powdered, rather than solid, vinyl, a technique he dubbed "microfusion." This technique not only saved money, but cut out many of the traditional crackles and pops associated with records.

He also developed the binaural system of recording and playing records, which he thought was superior to the more commonly used stereo method. Binaural was more precise than stereo, and it required placing two microphones six inches apart, approximately the space between two ears, during the recording. It was then played back with a special two-needle playing arm. Binaural recordings were thought by Cook to best duplicate the original sound.

Emory Cook died at the age of 89 in 2002 after a long hospitalization.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
COOK RECORDINGS - NUMERICAL LISTING:
001 20,000 Cycle Demo (1949) COOK00001

002 Night Rain and Surf COOK00002

003 Specimen Heart Beats COOK00003

004 Katydids, Frogs and Forrest Birds

E101 Grenada Stories and Songs (1957-58) COOK00101

E102 Amazon Sound: Yacu River Tribes (Rituals and Rites) (1954) COOK00102

E103 Music of St. Lucia (1953) COOK00103

E104 Rada (1958) COOK00104

E105 JOSE RAMON FORTUNE AND OLGA MAYNARD Nancy Stories (1956) COOK00105

106 Afro-West Indian Cultural Practices (1957-58) COOK00106

107 ESCOLA DE SAMBA DE BRAZIL The Boli, The Cocolute, and Brazil (1957-58) COOK00107

901 Steelband Jump Up Boys Town, Tropical Harmony, Silvertone COOK00901

904 THE ESSO STEEL BAND Esso Steelband of Bermuda (1958) COOK0904

906 LORD MELODY Lord Melody Sings Calypso (1958-59) COOK00906

911 TOM CHARLES AND HIS SYNCOPATER ORCHESTRA Fete for So! (1959) COOK00911

914 LORD MELODY Again! Lord Melody Sings Calypso (1957-58) COOK00914

916 Calypso Cross Section Young Killer, The Mighty Bomber, Small Island Pride, The Mighty Wrangler (1957-58) COOK00916

920 THE MIGHTY SPARROW King Sparrow's Calypso Carnival (1959) COOK00920

927 LORD MELODY Calypso through the Looking Glass (1959) COOK00927

928 CLARENCE CURVAN His Drums, His Orchestra COOK00928

930 Belly to Belly Clarence Curvan, Johnny Gomez, Tom Charles, Fitz Vaughn Bryan (1960-61) COOK00930

931 LORD MELODY Lord Melody, 1962 COOK0931

1000 TITUS MOODY DDDs of Binaural (1952) COOK01000

1011 The Christmas Music Box (1950) COOK01011

1012 Music Boxes of Long Ago (1950) COOK01012

1013 CHARLIE MAGNANTE Accordion Pops Concert (1954-55) COOK01013

1014 CHARLIE MAGNANTE AND LaVERGNE SMITH His and Hers (1954-55) COOK01014

1020 SAM ESKIN Sam Eskin's Songs of All Time COOK01020

1021 GROUPE MI-O Un Ti Bo (1958) COOK01021

1022 LAVINIA WILLIAMS' GROUPE FOLKLORIQUE Haiti Confidential (1958) COOK01022

1023 The Ramayana (Hindu Ceremony) (1961) COOK01023

1024 GUSTAVO ZEPOLI Concert Guitar (1954) COOK01024

1025 SEAN McGONIGAL AND ST. COLUMCILLE'S UNITED GAELIC PIPE BAND Kilts on Parade (1950) COOK01025

1026 ANITA AST AND THE VIENNA KONZERTSCHRAMMEREIN Inside Vienna (1952) COOK01026

1027 CARLOS MONTOYA AND THE JOSE GRECO TROUPE Fiesta Flamenca (1952) COOK01027

1028 CARLOS MONTOYA Montoya (1952) COOK01028

1030 EDWARD VITO The Harp (1951) COOK01030

1031 EDWARD AND JOSEPH VITO Dual Harp (1951) COOK01031

1032 RUTH WELCOME AND DICK MARTA Zither and Cimbalom (1951) COOK01032

1035 Barrelhouse Piano (1950) COOK01035

1036 FRANK GLAZER Liszt's Paganini Variations (1952) COOK01036

1037 GRETA AND JOSEF DICHLER Two Famous European Pianos (1952) COOK01037

1038 SAMUEL SORIN Piano: The Romantic Fabric (1953) COOK01038

1039 LEONID HAMBRO A Perspective of Beethoven (1953) COOK01039

1040 Steel Band Clash Brute Force Steel Band, Big Shell Band, and Hell Gate Band (1955)

1041 JIMMY CARROLL PERCUSSION EMSEMBLE WITH RED CAMP Speed the Parting Guest (1953) and The Hot Tempered Clavichord (1957) COOK01041

1042 BRUTE FORCE STEEL BAND Brute Force Steel Band of Antigua with Big Shell Band (1955) COOK01042

1043 Three Rituals (1955) COOK01043

1044 The Compleat In Fidelytie: Sounds Natural and Unnatural (1956) COOK01044

1045 Drums of Trinidad (1956) COOK01045

1046 Champion Steel Bands of Trinidad The Highlanders, Southern All Stars, The Katzenjammers, others (1957) COOK01046

1047 THE KATZENJAMMERS The Enchanted Steelband (1957) COOK01047

1048 BRUTE FORCE STEEL BAND Music to Awaken the Ballroom Beast (1957) COOK01048

1049 BRUTE FORCE STEEL BAND Beauty and the Brute Force (1957) COOK01049

1050 MICHAEL CHESHIRE The Pipe Organ, volume 1 (1952) COOK01050

1051 MICHAEL CHESHIRE The Pipe Organ, volume 2 (1952) COOK01051

1052 REGINALD FOORT Percussion and Pedal, volume 3 (1952) COOK01052

1053 REGINALD FOORT Reginald Foort at the Mosque, volume 4 (1952) COOK01053

1054 REGINALD FOORT Organ in Symphony Hall, volume 1 (1954) COOK01054

1055 REGINALD FOORT Organ in Symphony Hall, volume 2 (1954) COOK01055

1056 ALFONSO VEGA NUÑEZ Morelia Cathedral Organ (1954) COOK01056

1057 REGINALD FOORT Foort Pops (1956) COOK01057

1058 REGINALD FOORT Waltz and Ballet: The Mosque Organ (1956) COOK01058

1059 REGINALD FOORT Intermission at the Mosque (1956) COOK01059

1060 NEW ORCHESTRAL SOCIETY OF BOSTON Brahms First Symphony (1954) COOK01060

1061 FESTIVAL CASALS ORCHESTRA Hector Campos Parsi (1958) COOK01061

1062 NEW ORCHESTRAL SOCIETY OF BOSTON Stravinsky, Villa Lobos, and Bach (1955) COOK01062

1063 NEW ORCHESTRAL SOCIETY OF BOSTON Debussy (1955) COOK01063

1064 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Dance (1955) COOK01064

1065 NEW ORCHESTRAL SOCIETY OF BOSTON Mozart Symphony No. 40 (1955) COOK01065

1066 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Theater (1955) COOK01066

1067 NEW ORCHESTRAL SOCIETY OF BOSTON Beethoven Symphony No. 5 (1955) COOK01067

1068 NEW ORCHESTRAL SOCIETY OF BOSTON New Orchestral Society of Boston (1966) COOK01068

1069 NEW ORCHESTRAL SOCIETY OF BOSTON Haydn Symphony No. 100: Military (1966) COOK01069

1070 Rail Dynamics: Steam Locomotives and Train Sounds (1950-54) COOK01070

1071 Burlesque Uncensored (1954) COOK01071

1072 Jump-up Carnival: Calypso Tent (1956) COOK01072

1073 Holy Week: Malaga (Spain) (1961) COOK01073

1074 Benevolent Society for the Preservation of Ancient Rhymes and Limerix Limerick Party COOK01074

1075 Voices of the Sky: Propellers and Jets (1957) COOK01075

1077 Voice of the Storm (1957-58) COOK01077

1078 A Double Barrel Blast: High Cost of Dying and Computer Conversations (1962) COOK01078

1079 Tour of High Fidelity (1965) COOK01079

1080 TRIO LEONES Trio Leones of Cabrito (1954) COOK01080

1081 LaVERGNE SMITH LaVergne Smith (01014B plus) (1954) COOK01081

1082 Le Jazz Primitif from Trinidad Rupert Clemendore and John Buddy Williams (1961) COOK01082

1083 Jawbone of an Ass: Musica de Cuba (1955) COOK01083

1084 SID DAVILLA AND FREDDIE KOHLMAN'S BAND WITH RED CAMP Blowout at Mardi Gras (1955) COOK01084

1085 TONY ALMERICO'S PARISIAN ROOM BAND Clambake on Bourbon Street (1954-55) COOK01085

1086 WILLIE RODRIGUEZ The Drums of Rodriguez (1953) COOK01086

1087 RED CAMP Camp Inventions: Jazz Piano and Zither Music (1955) COOK01087

1088 RED CAMP Red Camp Horizontal (1954) COOK01088

1089 RED CAMP Red Camp Upright (1954) COOK01089

1090 ARTHUR BILLINGS HUNT Arthur Billings Hunt Sings Hymns (1950) COOK01090

1091 ARTHUR BILLINGS HUNT Hunt Sings Old Favorites (1950) COOK01091

1092 HUFSTADER SINGERS Hufstader Singers (1953) COOK01092

1094 REGINALD FOORT AND THE BOSTON CHORALE The Seven Last Words of Christ (1954) COOK01094

1095 ST. JOHN'S RUSSIAN ORTHODOX CHOIR Russian Christmas (Spring Valley, New York) (1961) COOK01095

1096 ST. JOHN'S RUSSIAN ORTHODOX CHOIR Russian Easter Midnight Service (Spring Valley, New York) (1961) COOK01096

1097 ST. JOHN'S RUSSIAN ORTHODOX CHOIR St. John's Russian Orthodox Choir (1961) COOK01097

1101 THE INVADERS FROM ST. CROIX Steel Band in San Juan (1964) COOK01101

1102 10TH NAVAL DISTRICT STEEL BAND New Paths for Steel Band (1965) COOK01102

1120 BENITEZ-VALENCIA TRIO Ecuador (1958) COOK01120

1121 Island in the Moonlight Trio Los Rubies, Grupo Paquito Lopez Cruz, Las Hermanas Colón, Martita Cuadrado (1958) COOK01121

1122 Hellish Calypso King Fighter, The Mighty Bomber, others (1962) COOK01122

1123 Calypso Atrocities King Fighter, The Mighty Bomber, others COOK01123

1124 HAYWIRE MAC McCook LabsINTOCK Haywire Mac (1951) COOK01124

1125 LORD MYRTLE, CECIL MITCHEL, AND JAMES CONVERY Calypso Jamaica (1960) COOK01125

1126 THE MIGHTY SPARROW Sparrow in Hi-Fi (1963) COOK01126

1127 STEVE CAMACHO Folk and Other Songs (1962) COOK01127

1131 BRUCE PRINCE-JOSEPH The Pedal Harpsichord (1953) COOK01131

1132 SHINCHI YUIZE The Japanese Koto (1955) COOK01132

1133 RED CAMP The New Clavichord (1957) COOK01133

1134 LUIS BONFA Guitar in Brazil (1959) COOK01134

1140 Steelband Promenade Brute Force Steel Band, The Merrymakers, Southern All Stars (1958) COOK01140

1150 BILL FLOYD The King of Organs (1957) COOK01150

1151 REGINALD FOORT The Theatre Organ, volume 2 COOK01151

1152 REGINALD FOORT The Theatre Organ, volume 3 COOK01152

1154 REGINALD FOORT The Theatre Organ, volume 5 COOK01154

1155 REGINALD FOORT The Theatre Organ, volume 6 COOK01155

1156 REGINALD FOORT The Baroque Organ, volume 1 COOK01156

1157 REGINALD FOORT The Baroque Organ, volume 2 COOK01157

1169 NEW ORCHESTRAL SOCIETY OF BOSTON Tchaikovsky: Romeo and Juliet, Serenade for Strings (1962) COOK01169

1180 Dance Calypso Johnny Gomez Band, Small Island Pride, Dictator, others (1956) COOK01180

1181 LIZZIE MILES Lizzie Miles Buglin' Sam DeKemel and the Parisian All Stars (1954-55) COOK01181

1182 LIZZIE MILES Moans and Blues Red Camp and Tony Almerico's All Stars (1956) COOK01182

1183 LIZZIE MILES Hot Songs My Mother Taught Me Red Camp, Tony Almerico's All Stars, Albert French (1956) COOK01183

1184 LIZZIE MILES Torchy Lullabies My Mother Sang Me Red Camp and Tony Almerico's All Stars (1956) COOK01184

1185 Calypso Kings and Pink Gin: Trinidad Carnival Tent Lord Melody, The Might Sparrow, others (1957) COOK01185

1186 ENSEMBLE AUX CALEBASSES Meringue (1958) COOK01186

1187 A Night at the Tropicoro Juan Luis, Oswaldo Seda, and Lito Peña Band (1959) COOK01187

1188 Dirty Jazz from Down South: Trinidadian Instrumentals (1958) COOK01188

1189 Calypso Exposed Lord Melody, Brute Force Steel Band, King Sparrow, The Mighty Cypher, and Skipper (1961) COOK01189

1280 Caribbean Limbo Music Rupert Clemendore Orchestra, Cyril Diaz Orchestra, others COOK01280

1281 Songs from the Garden of Love Jefferson-Jones' Orchestra COOK01281

1282 Italian Moom Jefferson-Jones' Orchestra COOK01282

2004 Tour of Stereo (1958) COOK02004

2066 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Dance, volume 3 COOK02066

2070 Aboard a Fast Express / Jet Dynamics COOK02070

4057 REGINALD FOORT The Theater Organ COOK04057

4069 NEW ORCHESTRAL SOCIETY OF BOSTON Hayden Military Symphony COOK04069

5001 American Storytellers, Volume 1 Harry Wass, Master Marriner's Association (1952) COOK05001

5002 K.C. DOUGLAS K.C. Douglas (1952) COOK05002

5003 Caribeana: Hidden Music from the Caribbean (1949) COOK05003

5004 TIRORO Tiroro: Haitian Drummer (1948) COOK05004

5005 RED CAMP Camp Has a Ball (1954) COOK05005

5006 AL BRUNDAGE Square Dance (1951) COOK05006

5007 Mexican Marimba Band (1954) COOK05007

5008 American Storytellers, Volume 2 John Hawley Cook (1954) COOK05008

5009 American Storytellers, Volume 3 Captain Charles A. Chace, Matthew Richards (1954) COOK05009

5010 Calliope, Carousel, and Hand Organ (1953) COOK05010

5011 Voice of the Sea (1954) COOK05011

5012 Earthquake (1953) COOK05012

5013 Ionosphere (1955) COOK05013

5014 Mariachi Music of Mexico (1954) COOK05014

5015 Mexican Firecrackers (1951) COOK05015

5016 Calypso Lore and Legend (1956) COOK05016

5017 Bamboo-tamboo, Bongo, and Belair (1956) COOK05017

5018 East Indian Drums of Tunapuna, Trinidad (1956) COOK05018

5019 ALONZO CRUZ Blind Troubadour of Oaxaca (1956) COOK05019

5020 Epilogue to the String Band Tradition (1956) COOK05020

5022 ABCs of Hi Fi COOK05022

5025 BUCKMINSTER FULLER Buckminster Fuller Speaks His Mind COOK05025

5050 NORMAN BROKENSHIRE Radio Moscow and the Western Hemisphere COOK05050

5051 FRANKLIN D. ROOSEVELT The Four Inaugural Addresses COOK05051

6061 BUCKMINSTER FULLER The Clock Is Stopping COOK06061

8374 BUCKMINSTER FULLER Dymaxion Ditties: Buckminster Fuller Sings COOK08374

10001 Sound Effects, volume 1 COOK10001

10002 Sound Effects, volume 2 COOK10002

10003 Sound Effects, volume 3 COOK10003

10120 Music Boxes, Carousels, and Hand Organs (01012 and 05010) (1950-53) COOK10120

10248 The Voice of Mexico Gustavo Zepoli, Trio Leones (01024 and 01080) (1954) COOK10248

10251 SEAN McGONIGAL AND ST. COLUMCILLE'S UNITED GAELIC PIPE BAND Kilts on Parade (01025 plus solos) (1950-53) COOK10251

10271 CARLOS MONTOYA AND THE JOSE GRECO TROUPE Fiesta Flamenca (selections from 01027 and 01028) (1952) COOK10271

10289 CARLOS MONTOYA Montoya (selections from 01028 plus) (1952) COOK10289

10301 EDWARD AND JOSEPH VITO The Harp (selections from 01030 and 01031 plus) (1951-54) COOK10301

10326 Cafe Continental Ruth Welcome, Dick Marta, and Anita Ast (selections from 01026 and 01032) (1951-52) COOK10326

10350 Nickelodion and Calliope (selections from 01035 and 05010) (1950-53) COOK10350

10500 REGINALD FOORT The Theater Organ COOK10500

10501 MICHAEL CHESHIRE Pipe Organ in the Mosque (selections from 01050 and 01051) (1952) COOK10501

10523 REGINALD FOORT Percussion and Pedal (selections from 01052 and 01053) (1952) COOK10523

10545 REGINALD FOORT The Organ at Symphony Hall (01054 plus) (1954) COOK10545

10579 REGINALD FOORT Foort Pops (selections from 01057 and 01058) (1956) COOK10579

10646 NEW ORCHESTRAL SOCIETY OF BOSTON Tempo Vivace: Symphonic Masterpieces of Dance & Theater (selections from 01064 and 01066) (1955-56) COOK010646

10657 NEW ORCHESTRAL SOCIETY OF BOSTON Two Classical Symphonies: Mozart Symphony No. 40, Beethoven Symphony No. 5 (01065 and 01067) (1955) COOK10657

10659 NEW ORCHESTRAL SOCIETY OF BOSTON Two Classical Symphonies: Mozart Symphony No. 40, Haydn Symphony No. 100 (01065 and 01069) (1955-56) COOK10659

10683 NEW ORCHESTRAL SOCIETY OF BOSTON Modern Orchestral Textures (01068 and 01063) (1955) COOK10683

10850 RUPERT Cook LabsEMENDORE BAND Le Jazz Trinidad COOK10850

10867 Before and After Willie Rodriguez (selections from 01086 and 05007) (1953-54) COOK010867

10889 RED CAMP Horizontal & Upright & Downright & Dunright (01088 and 01089) (1954) COOK10889

10890 The Castiliane Johnny Gomez Band, John Buddy Williams Band, Girl Pat Steel Band, And Grand Curacaye String Orchestra (1956) COOK10890

11312 BRUCE PRINCE-JOSEPH AND HUFSTADER SINGERS The Forgotten Pedal Harpsichord and Hufstader Singers (01131 and 01092) (1953) COOK11312

11815 TONY ALMERICO'S PARISIAN ROOM BAND AND LIZZIE MILES Clambake on Bourbon Street (1954-55) COOK11815

50130 Tour of Cook Labs COOK50130

70889 RED CAMP Popular Piano and Combo COOK70889

80134 LUIZ BONFA Waterfall: Guitar COOK80134

80417 MARIMBA ORCHESTRA Waterfall: Children's Music COOK80417

80680 NEW ORCHESTRAL SOCIETY OF BOSTON Waterfall: Symphonic COOK80680

XX1 Audio Follies Sampler COOK00XX1

XX2 Calypso Jazz Sampler COOK00XX2

Series 10 Cook Series 10 COOK_Series10

Series 30 Cook Series 30 COOK_Series30

Series 60 Cook Series 60 COOK_Series60

Series 70 Cook Series 70 COOK_Series70

Series 80 Cook Series 80 COOK_Series80

Series 90 Cook Series 90 COOK_Series90

Series 100 Cook Series 100 COOK_Series100

Series 300 Cook Series 300 COOK_Series300

Series 301 Cook Series 301 COOK_Series301

Series 302 Cook Series 302 COOK_Series302

Series 303 Cook Series 303 COOK_Series303
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired the Cook Labs Records in 1990, when Emory and Martha Cook donated their company records to the Center for Folklife and Cultural Heritage. Anthony Seeger, then Director of Smithsonian Folkways Records, received a call from Mr. Cook in the summer of 1989 offering to donate the Cook label to the Smithsonian. Dr. Seeger visited him in August of that year to view the contents of the collection, and the Smithsonian received custody of the collection in May 1990. In return for the donation from Mr. Cook, the Center for Folklife and Cultural Heritage agreed to keep the record titles available and to store the papers in the archives.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Popular music -- 20th century -- United States  Search this
Wit and humor  Search this
Calypso (Music)  Search this
Folk music -- Caribbean Area  Search this
Folk music  Search this
Sounds  Search this
Music -- 18th century  Search this
Folk music -- United States  Search this
Jazz -- Louisiana -- New Orleans  Search this
Jazz  Search this
Accordion music  Search this
Airplane sounds  Search this
Animal sounds  Search this
Audio equipment industry  Search this
Blues (Music)  Search this
Bonfá, Luiz  Search this
Calypso (Music)  Search this
Burlesque (Theater)  Search this
Calliope music  Search this
Calypso (Music)--Trinidad and Tobago  Search this
Campos Parsi, Héctor, 1922-  Search this
Catholicism  Search this
Christianity  Search this
Christmas  Search this
Cimbalom and zither music  Search this
Clavichord  Search this
Clemendore, Rupert  Search this
Drum  Search this
Genre/Form:
Audiotapes
Photographic prints
Business records
Artifacts
Contracts
Phonograph records
Correspondence
Christmas music
Citation:
Cook Labs records, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.COOK
See more items in:
Cook Labs records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk50980aef1-30c4-4f77-9de4-97337007b9f0
EDAN-URL:
ead_collection:sova-cfch-cook
Online Media:

Negro Folk Music of Africa and America

Editor:
Courlander, Harold, 1908-1996  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Sound recording (sound-tape reel, analog, 10 in.)
Culture:
Americans  Search this
Type:
Archival materials
Sound recordings
Contents:
Ingane Kamalume (Zulu, South Africa) -- Shayisa Inkasa (Zulu, South Africa) -- Music of boatmen (Badouma, French Equatorial Africa) -- Orin Muritala Alhaji (Yoruba, Nigeria) -- Bara Sanaba-Bara (Ibo, Nigeria) -- Traveling song (Sudan) -- Festival song (Sudan) -- Bina Adamu (Swahili, Zanzibar)
Local Numbers:
FW-ASCH-10RR-0340
General:
Music from Zulu, Ethiopia, Nigeria, Sudan, Equatorial Africa, Zanzibar, Brazil, Haiti, Colombia, Cuba, Puerto Rico, Trinidad, Alabama and Mississippi.

Folkways 4500

CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music anthologies  Search this
African Americans  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-10RR-0340
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / RR
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5e9640c21-7790-4347-ae2e-ec3c8d86e11b
EDAN-URL:
ead_component:sova-cfch-asch-ref18844

Pete Seeger and Bill Broonzy at Nortrhwestern University, side 2, WFMT

Performer:
Seeger, Pete, 1919-2014  Search this
Broonzy, Big Bill, 1893-1958  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Sound recording (sound-tape reel, analog, 7 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Sound recordings
Place:
United States
Illinois
Chicago (Ill.)
New York
India
Trinidad and Tobago
Track Information:
101 Deep Blue Sea / Pete Seeger. Banjo. English language.

102 Que Bonita Bandera / Pete Seeger. Banjo. Spanish language.

103 Aimee McPherson / Pete Seeger. Banjo. English language.

104 Tangent, co-Tangent / Pete Seeger. Banjo. English language.

105 Poisoning the Student's Minds / Pete Seeger. Banjo. English language.

106 42 Kids / Pete Seeger. Banjo. English language.

107 Teacher's Blues / Pete Seeger. Banjo. English language.

109 The Black Fly / Pete Seeger. Banjo. English language.

108 Ragaputi Raga / Pete Seeger. Banjo. Indian.

110 Wimoweh / Pete Seeger. Banjo. Zulu language.

111 Michael, Row the Boat Ashore / Pete Seeger. Banjo. English language.

112 Going Down the Road Feeling Bad / Bill Broonzy. Guitar. English language.

113 Mama, Look at Bubu / Pete Seeger. Banjo. English language.

114 Ananais (Tell Me What Kind of Man Jesus Is) / Bill Broonzy. Guitar. English language.

115 A Soldier's Prayer / Pete Seeger. Banjo. English language.

116 John Henry / Pete Seeger, Bill Broonzy. Guitar. English language.

117 In the Evening When the Sun Goes Down / Bill Broonzy. Guitar. English language.

118 Study War No More (Down by the Riverside) / Pete Seeger, Bill Broonzy. Banjo,Guitar. English language.

201 The Midnight Special / Pete Seeger, Bill Broonzy. Banjo,Guitar. English language.

202 Backwater Blues / Bill Broonzy. Guitar. English language.

203 Green Corn / Pete Seeger, Bill Broonzy. Banjo,Guitar. English language.

204 This Train / Bill Broonzy. Guitar. English language.

205 Mrs. McGrath / Pete Seeger. Banjo. English language.

206 Crawdad Song / Bill Broonzy. Guitar. English language.

207 Chalil Melody / Pete Seeger. Chalil. English language.

208 Steel Drum / Pete Seeger. Steel drum (Musical instrument). English language.

209 When the Saints Go Marching In / Pete Seeger. Steel drum (Musical instrument). English language.

210 Glory of Love / Bill Broonzy. Guitar. English language.

211 Kisses Sweeter Than Wine / Pete Seeger, Bill Broonzy. Banjo,Guitar. English language.

212 Goofing-Off Suite / Pete Seeger. Banjo. English language.

213 Beethoven, Ludwig v.: Chorale from 9th Symphony / Pete Seeger. Banjo. English language.

214 Way Out West / Pete Seeger. Banjo. English language.

215 Willie Mae / Bill Broonzy. Guitar. English language.

216 Bill Bailey / Bill Broonzy. Guitar. English language.

217 Alberta / Bill Broonzy. Guitar. English language.
Local Numbers:
FW-ASCH-7RR-3626
Date/Time and Place of an Event Note:
Recorded in: Chicago (Ill.), Illinois, United States.
General:
CDR copy-Disc 347/8

Includes Broonzy's famous" What is Folk Music" quote between song 4 and 5
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folksong revival  Search this
Folk songs -- United States  Search this
Blues (Music)  Search this
Banjo  Search this
Guitar  Search this
Chalil  Search this
Steel drum (Musical instrument)  Search this
African Americans  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-7RR-3626
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / CD / CDR copy
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk534754bf1-e478-4c37-902a-91d5297152a1
EDAN-URL:
ead_component:sova-cfch-asch-ref25065

Smithsonian Folklife Festival records: 1974 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
459 Sound tape reels (approximate)
Type:
Collection descriptions
Archival materials
Sound tape reels
Plans (drawings)
Audiotapes
Digital images
Memorandums
Audiocassettes
Negatives
Photographic prints
Sound recordings
Business records
Notes
Videotapes
Video recordings
Slides (photographs)
Contracts
Correspondence
Cha-chas (music)
Lindy (dance)
Jitterbug (dance)
Place:
Caribbean Area
Trinidad and Tobago
Puerto Rico
Cuba
Date:
July 3-14, 1974
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1974 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 9 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: African Diaspora

Series 3: Children's Program

Series 4: Family Folklore

Series 5: Festival Stage

Series 6: Native Americans

Series 7: Old Ways in the New World

Series 8: Regional America

Series 9: Working Americans
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1974 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
With the 1974 Festival of American Folklife (July 3-7 and July 10-14, 1974), the seven programs that would constitute the Bicentennial Festival were all in place. As in 1973, the Festival took place in the western part of the National Mall alongside the Reflecting Pool, between 17th and 23rd Streets, and between Constitution Avenue N.W. and Independence Avenue S.W. (see site plan). It was co-organized by the Smithsonian Institution, Division of Performing Arts (James R. Morris, Director; Richard Lusher) and the National Park Service (Ronald H. Walker, Director). Ralph Rinzler was Director of the Folklife Program and the Festival.

The 1974 Festival included seven programs, with a Festival Stage bringing together performers from other programs and, in the second week, its own participants. The 1974 Program Book was supplemented by daily folios with additional information on that day's programs.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Forms Part Of:
Smithsonian Folklife Festival records: 1974 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk art  Search this
Folk festivals  Search this
Food habits  Search this
Folk music  Search this
Folklore  Search this
arts and crafts  Search this
World music  Search this
occupational folklore  Search this
Orisha religion  Search this
African diaspora  Search this
Afro-Caribbeans  Search this
Steel bands (Music)  Search this
Calypso (Music)  Search this
Mambos (Music)  Search this
Genre/Form:
Plans (drawings)
Audiotapes
Digital images
Memorandums
Audiocassettes
Negatives
Photographic prints
Sound recordings
Business records
Notes
Videotapes
Video recordings
Slides (photographs)
Contracts
Correspondence
Cha-chas (Music)
Lindy (Dance)
Jitterbug (Dance)
Citation:
Smithsonian Folklife Festival records: 1974 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1974
See more items in:
Smithsonian Folklife Festival records: 1974 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5c04ee5c0-e362-495e-8db1-3073cf7c17af
EDAN-URL:
ead_collection:sova-cfch-sff-1974
Online Media:

Bolivia: Panpipes/ Syrinx de Bolivie

Recorder:
Girault, Louis, 1921-1975 (liner notes)  Search this
Collection Creator:
UNESCO  Search this
Extent:
1 Sound disc (digital, 4 3/4 in.)
Culture:
Bolivians  Search this
Quechua Indians  Search this
Aymara Indians  Search this
Type:
Archival materials
Sound discs
Place:
Bolivia
La Paz (Bolivia)
Bautista Saavedra (Bolivia : Province)
Date:
1987
Contents:
Quechua music: Yaku kantu -- Tika tika -- Yuyarikuy kantu -- Kacharpaya kantu -- Kanchitu -- Komer chakra -- Chakipacha -- Akamani. Aymara music: Baile chiriwano -- Danza de los kunthuris -- Huayno de los kuthuris -- Danza laquita; danza, laos, llano -- Kacharpaya.
Track Information:
101 Yaku kantu / Panpipes,Drum. Quechua language.

102 Tika tika / Panpipes,Drum. Quechua language.

103 Yuyarikuy kantu / Panpipes,Drum. Quechua language.

104 Kacharpaya kantu / Panpipes,Drum. Quechua language.

105 Kanchitu / Panpipes,Drum. Quechua language.

106 Komer chakra / Panpipes,Drum. Quechua language.

107 Chakipacha / Panpipes,Drum. Quechua language.

108 Akamani / Panpipes,Drum. Quechua language.

109 Baile chiriwano / Panpipes,Drum. Aymara language.

110 anza de los Kunthuris / Panpipes,Drum. Spanishlanguage.

111 Huayno de los Kunthuris / Panpipes,Drum. Aymara language.

112 Danza laquita: a. Danza/ b. Loas/ c. Llano / Panpipes,Drum. Spanish language.

113 Kacharpaya / Panpipes,Drum. Aymara language.
Local Numbers:
UN-COMM-CD-08009-9

Audivis.8009
Publication, Distribution, Etc. (Imprint):
Paris, France Audivis 1987
General:
Commercial

Traditional music of the Quechua and Aymara Indians of Bolivia. Compact disc. "Of the album Bolivia (collection "Musical atlas" founded by Alain Danielou) realized by the International Institute for Comparative [Music] Studies and Documentation (IICMSD) Berlin, for the International Music Council." -- container. Notes by Louis Girault and Xavier Bellenger, in container; in French and English, with photos.
Restrictions:
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music  Search this
Folk music  Search this
Music  Search this
Dance  Search this
Panpipes  Search this
Drum  Search this
Collection Citation:
UNESCO Collection of Traditional Music of the World records, Ralph Rinzler Folklikfe Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.UNES, Item UN-COMM-CD-08009-9
See more items in:
UNESCO Collection of Traditional Music of the World records
UNESCO Collection of Traditional Music of the World records / Series 2: Audio records / Commercial Recordings
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5fe9f6887-06ef-414c-8040-d2de01a94211
EDAN-URL:
ead_component:sova-cfch-unes-ref2105

Afro-Venezuelan Music. Vols. I and II

Performer:
Hernandez, Bernabela  Search this
Urbina, Miguel  Search this
Rudas, Jhonny  Search this
García, Jesús, 1954- (liner notes)  Search this
Escobar, Juan  Search this
Blanco, Henry  Search this
Bolívar, Venancio  Search this
León, Enrique  Search this
Bolívar, Otilia  Search this
León, Enrique, Jr.  Search this
Blanco, Temistocle  Search this
Montes, Eduardo  Search this
Laya, Alexis  Search this
Blanco, Julián  Search this
Cardona, Roger  Search this
Bolívar, Ruder  Search this
Sojo, Nina  Search this
Eleuteria, Petra  Search this
Chourio, Elias  Search this
Pirela, Dixie  Search this
Pulgar, Angel  Search this
Pulgar, Escolástico  Search this
Rasabe, Norman  Search this
Mesa, Victor  Search this
Rivera, Dixon  Search this
Rodríguez Silva, Fernando Trinidad  Search this
Florez, Aquiles  Search this
Silva Rodríguez, Ricardo Rafael  Search this
Pargas, Rafael Antonio  Search this
Pargas, Gary Antonio  Search this
Rodríguez Rodríguez, Pilar Antonio  Search this
Silva Florez, José Epifanio  Search this
Báez, Lino Antonio  Search this
Pérez, Fermín Antonio  Search this
Huice, Aureliano  Search this
Blanco, Agustín  Search this
Abello, Jesús  Search this
Llasmosa, Erasmo  Search this
Sanz, Bernardo  Search this
Rivas, Agustín  Search this
Garda, Chucho  Search this
Duarte, Celsa  Search this
Palma, Jorge  Search this
Duarte, Jesús  Search this
Colina, Carlos  Search this
Martinski, Carlos  Search this
Palacios, Belén  Search this
Palacios, Calixta  Search this
Pérez, Yamile  Search this
Rondan, Heidi  Search this
Abello, Chucho  Search this
García, Chucho  Search this
Velázquez, Ursulino  Search this
Guache, Hilario  Search this
Aguiar, Pedro  Search this
Guache, José Gregorio  Search this
Arteaga, Pedro Pablo  Search this
Purroy, Angel  Search this
Muñoz, Santiago  Search this
Machado, Leonardo  Search this
Valle, Luis  Search this
Lapez, Ursula  Search this
Sevilla, Eloy  Search this
Graterol, Andre Avelina  Search this
Landfnez, Herson  Search this
Landfnez, Juana  Search this
Estanga, Nancy  Search this
Hernández, Ismael  Search this
Meza, Sergio  Search this
Hernández, Librada  Search this
Recorder:
Urbina, Miguel  Search this
Totono Blanco, Jesús  Search this
Arriechi, Randy  Search this
Rudas, Jhonny  Search this
García, Jesús, 1954- (liner notes)  Search this
Producer:
García, Jesús, 1954- (liner notes)  Search this
Commentator:
García, Jesús, 1954- (liner notes)  Search this
Collection Creator:
UNESCO  Search this
Extent:
1 Sound disc (digital, 4 3/4 in.)
Culture:
Afro-Venezuelan  Search this
Type:
Archival materials
Sound discs
Place:
Venezuela
Track Information:
101 Macizón-Gangue / Juan Escobar, Henry Blanco, Venancio Bolívar, Enrique León, Otilia Bolívar, Enrique, Jr. León, Temistocle Blanco, Eduardo Montes, Alexis Laya, Julián Blanco, Roger Cardona, Ruder Bolívar, Nina Sojo, Petra Eleuteria. Conch shell,Drum.

102 Mono-Perra / Juan Escobar, Henry Blanco, Venancio Bolívar, Enrique León, Otilia Bolívar, Enrique, Jr. León, Temistocle Blanco, Eduardo Montes, Alexis Laya, Julián Blanco, Roger Cardona, Ruder Bolívar, Nina Sojo, Petra Eleuteria. Conch shell,Drum.

103 Cántica / Elias Chourio, Dixie Pirela, Angel Pulgar, Escolástico Pulgar, Norman Rasabe, Victor Mesa, Dixon Rivera. Drum.

104 Golpe chocho / Elias Chourio, Dixie Pirela, Angel Pulgar, Escolástico Pulgar, Norman Rasabe, Victor Mesa, Dixon Rivera. Drum.

105 Aje-Benito-Aje / Elias Chourio, Dixie Pirela, Angel Pulgar, Escolástico Pulgar, Norman Rasabe, Victor Mesa, Dixon Rivera. Drum.

106 Chimbangalero vaya / Elias Chourio, Dixie Pirela, Escolástico Pulgar, Norman Rasabe, Victor Mesa, Dixon Rivera. Drum.

107 Songorongome vaya / Elias Chourio, Dixie Pirela, Angel Pulgar, Escolástico Pulgar, Norman Rasabe, Victor Mesa, Dixon Rivera. Drum.

108 Misericordia / Elias Chourio, Dixie Pirela, Angel Pulgar, Escolástico Pulgar, Norman Rasabe, Victor Mesa, Dixon Rivera. Drum.

109 Yiyivamos / Fernando Trinidad Rodríguez Silva, Aquiles Florez, Ricardo Rafael Silva Rodríguez, Rafael Antonio Pargas, Gary Antonio Pargas, Pilar Antonio Rodríguez Rodríguez, José Epifanio Silva Florez, Lino Antonio Báez, Fermín Antonio Pérez. Cavaquinho,Sticks (Musical instrument).

110 La Bella / Fernando Trinidad Rodríguez Silva, Aquiles Florez, Ricardo Rafael Silva Rodríguez, Rafael Antonio Pargas, Gary Antonio Pargas, Pilar Antonio Rodríguez Rodríguez, José Epifanio Silva Florez, Lino Antonio Báez, Fermín Antonio Pérez. Cavaquinho,Sticks (Musical instrument).

111 Juluminga / Fernando Trinidad Rodríguez Silva, Aquiles Florez, Ricardo Rafael Silva Rodríguez, Rafael Antonio Pargas, Gary Antonio Pargas, Pilar Antonio Rodríguez Rodríguez, José Epifanio Silva Florez, Lino Antonio Báez, Fermín Antonio Pérez. Cavaquinho,Sticks (Musical instrument).

112 Poco a poco / Fernando Trinidad Rodríguez Silva, Aquiles Florez, Ricardo Rafael Silva Rodríguez, Rafael Antonio Pargas, Gary Antonio Pargas, Pilar Antonio Rodríguez Rodríguez, José Epifanio Silva Florez, Lino Antonio Báez, Fermín Antonio Pérez. Cavaquinho,Sticks (Musical instrument).

201 Barlovento e la tierra del cacao / Aureliano Huice, Miguel Urbina, Jhonny Rudas, Agustín Blanco, Jesús Abello, Jesús García, Erasmo Llasmosa, Bernardo Sanz, Agustín Rivas, Chucho Garda, Celsa Duarte, Jorge Palma, Jesús Duarte, Carlos Colina, Carlos Martinski, Belén Palacios, Calixta Palacios, Yamile Pérez, Heidi Rondan, Chucho Abello, Chucho García, Ursulino Velázquez, Hilario Guache, Pedro Aguiar, José Gregorio Guache, Pedro Pablo Arteaga, Angel Purroy, Santiago Muñoz. Cavaquinho,Friction drum,Bombo (Drum),Percussion instruments,Mvet,Mouth bow,Mbira.

202 Rajuñao / Aureliano Huice, Miguel Urbina, Jhonny Rudas, Agustín Blanco, Jesús Abello, Jesús García, Erasmo Llasmosa, Bernardo Sanz, Agustín Rivas, Chucho Garda, Celsa Duarte, Jorge Palma, Jesús Duarte, Carlos Colina, Carlos Martinski, Belén Palacios, Calixta Palacios, Yamile Pérez, Heidi Rondan, Chucho Abello, Chucho García, Ursulino Velázquez, Hilario Guache, Pedro Aguiar, José Gregorio Guache, Pedro Pablo Arteaga, Angel Purroy, Santiago Muñoz. Cavaquinho,Friction drum,Bombo (Drum),Percussion instruments,Mvet,Mouth bow,Mbira.

203 Yo vengo regando flores / Aureliano Huice, Miguel Urbina, Jhonny Rudas, Agustín Blanco, Jesús Abello, Jesús García, Erasmo Llasmosa, Bernardo Sanz, Agustín Rivas, Chucho Garda, Celsa Duarte, Jorge Palma, Jesús Duarte, Carlos Colina, Carlos Martinski, Belén Palacios, Calixta Palacios, Yamile Pérez, Heidi Rondan, Chucho Abello, Chucho García, Ursulino Velázquez, Hilario Guache, Pedro Aguiar, José Gregorio Guache, Pedro Pablo Arteaga, Angel Purroy, Santiago Muñoz. Cavaquinho,Bombo (Drum),Percussion instruments,Mvet,Mouth bow,Mbira,Friction bow.

204 Décima al muchacho / Aureliano Huice, Miguel Urbina, Jhonny Rudas, Agustín Blanco, Jesús Abello, Jesús García, Erasmo Llasmosa, Bernardo Sanz, Agustín Rivas, Chucho Garda, Celsa Duarte, Jorge Palma, Jesús Duarte, Carlos Colina, Carlos Martinski, Belén Palacios, Calixta Palacios, Yamile Pérez, Heidi Rondan, Chucho Abello, Chucho García, Ursulino Velázquez, Hilario Guache, Pedro Aguiar, José Gregorio Guache, Pedro Pablo Arteaga, Angel Purroy, Santiago Muñoz. Cavaquinho,Bombo (Drum),Percussion instruments,Mvet,Mouth bow,Mbira,Friction bow.

205 Bocón / Aureliano Huice, Miguel Urbina, Jhonny Rudas, Agustín Blanco, Jesús Abello, Jesús García, Erasmo Llasmosa, Bernardo Sanz, Agustín Rivas, Celsa Duarte, Jorge Palma, Jesús Duarte, Carlos Colina, Carlos Martinski, Belén Palacios, Calixta Palacios, Yamile Pérez, Heidi Rondan, Chucho Abello, Chucho García, Ursulino Velázquez, Hilario Guache, Pedro Aguiar, José Gregorio Guache, Pedro Pablo Arteaga, Angel Purroy, Santiago Muñoz. Cavaquinho,Friction drum,Bombo (Drum),Percussion instruments,Mvet,Mouth bow,Mbira.

206 Cantos a Barlovento / Aureliano Huice, Miguel Urbina, Jhonny Rudas, Agustín Blanco, Jesús Abello, Jesús García, Erasmo Llasmosa, Bernardo Sanz, Agustín Rivas, Chucho Garda, Celsa Duarte, Jorge Palma, Jesús Duarte, Carlos Colina, Carlos Martinski, Belén Palacios, Calixta Palacios, Yamile Pérez, Heidi Rondan, Chucho Abello, Chucho García, Ursulino Velázquez, Hilario Guache, Pedro Aguiar, José Gregorio Guache, Pedro Pablo Arteaga, Angel Purroy, Santiago Muñoz. Cavaquinho,Friction drum,Bombo (Drum),Percussion instruments,Mvet,Mouth bow,Mbira.

207 Gallina no tiene teta / Aureliano Huice, Miguel Urbina, Jhonny Rudas, Agustín Blanco, Jesús Abello, Jesús García, Erasmo Llasmosa, Bernardo Sanz, Agustín Rivas, Chucho Garda, Celsa Duarte, Jorge Palma, Jesús Duarte, Carlos Colina, Carlos Martinski, Belén Palacios, Calixta Palacios, Yamile Pérez, Heidi Rondan, Chucho Abello, Chucho García, Ursulino Velázquez, Hilario Guache, Pedro Aguiar, José Gregorio Guache, Pedro Pablo Arteaga, Angel Purroy, Santiago Muñoz. Cavaquinho,Friction drum,Percussion instruments,Mvet,Mouth bow,Mbira,Bomba (Drum).

208 Adiós puebla cantadores / Aureliano Huice, Miguel Urbina, Jhonny Rudas, Agustín Blanco, Jesús Abello, Jesús García, Erasmo Llasmosa, Bernardo Sanz, Agustín Rivas, Chucho Garda, Celsa Duarte, Jorge Palma, Jesús Duarte, Carlos Colina, Carlos Martinski, Belén Palacios, Calixta Palacios, Yamile Pérez, Heidi Rondan, Chucho Abello, Chucho García, Ursulino Velázquez, Hilario Guache, Pedro Aguiar, José Gregorio Guache, Pedro Pablo Arteaga, Angel Purroy, Santiago Muñoz. Cavaquinho,Friction drum,Bombo (Drum),Percussion instruments,Mvet,Mouth bow,Mbira.

209 [Untitled] / Aureliano Huice, Miguel Urbina, Jhonny Rudas, Agustín Blanco, Jesús Abello, Jesús García, Erasmo Llasmosa, Bernardo Sanz, Agustín Rivas, Chucho Garda, Celsa Duarte, Jorge Palma, Jesús Duarte, Carlos Colina, Carlos Martinski, Belén Palacios, Calixta Palacios, Yamile Pérez, Heidi Rondan, Chucho Abello, Chucho García, Ursulino Velázquez, Hilario Guache, Pedro Aguiar, José Gregorio Guache, Pedro Pablo Arteaga, Angel Purroy, Santiago Muñoz. Cavaquinho,Friction drum,Bombo (Drum),Percussion instruments,Mvet,Mouth bow,Mbira.

210 El araguato / Aureliano Huice, Miguel Urbina, Jhonny Rudas, Agustín Blanco, Jesús Abello, Jesús García, Erasmo Llasmosa, Bernardo Sanz, Agustín Rivas, Chucho Garda, Celsa Duarte, Jorge Palma, Jesús Duarte, Carlos Colina, Carlos Martinski, Belén Palacios, Calixta Palacios, Yamile Pérez, Heidi Rondan, Chucho Abello, Chucho García, Ursulino Velázquez, Hilario Guache, Pedro Aguiar, José Gregorio Guache, Pedro Pablo Arteaga, Angel Purroy, Santiago Muñoz. Cavaquinho,Friction drum,Bombo (Drum),Percussion instruments,Mvet,Mouth bow,Mbira.

211 Quiéreme niña / Leonardo Machado, Luis Valle, Ursula Lapez, Eloy Sevilla, Andre Avelina Graterol, Herson Landfnez, Juana Landfnez, Nancy Estanga, Ismael Hernández, Sergio Meza. Drum.

212 Viene saliendo la luna / Leonardo Machado, Luis Valle, Ursula Lapez, Eloy Sevilla, Andre Avelina Graterol, Herson Landfnez, Juana Landfnez, Nancy Estanga, Ismael Hernández, Sergio Meza. Drum.

213 Cantos a San Juan / Leonardo Machado, Luis Valle, Ursula Lapez, Eloy Sevilla, Andre Avelina Graterol, Herson Landfnez, Juana Landfnez, Nancy Estanga, Ismael Hernández, Sergio Meza, Librada Hernández, Bernabela Hernandez.

214 No hay suegra coma la mía / Leonardo Machado, Luis Valle, Ursula Lapez, Eloy Sevilla, Andre Avelina Graterol, Herson Landfnez, Juana Landfnez, Nancy Estanga, Ismael Hernández, Sergio Meza.
Local Numbers:
UNESCO.8318
Publication, Distribution, Etc. (Imprint):
France Audivis
Date/Time and Place of an Event Note:
Recorded in: Venezuela, 1992-1998.
General:
Commercial
Restrictions:
Restrictions on access.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Venezuela -- Songs and music  Search this
Folk music -- Venezuela.  Search this
Conch shell  Search this
Drum  Search this
Cavaquinho  Search this
Sticks (Musical instrument)  Search this
Friction drum  Search this
Bombo (Drum)  Search this
Percussion instruments  Search this
Mvet  Search this
Mouth bow  Search this
Mbira  Search this
Friction bow  Search this
Bomba (Drum)  Search this
Collection Citation:
UNESCO Collection of Traditional Music of the World records, Ralph Rinzler Folklikfe Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.UNES, Item UNESCO.8318
See more items in:
UNESCO Collection of Traditional Music of the World records
UNESCO Collection of Traditional Music of the World records / Series 2: Audio records / Commercial Recordings
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk56b54b45d-20a9-4109-9653-c9010a0e9834
EDAN-URL:
ead_component:sova-cfch-unes-ref2180

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