Includes songs by East Texas Serenaders, Carter Family, Wade Mainer, Jess Young's Tennessee Band, Joe Werner and the Ramblers, Jimmy Wilson's Catfish String Band, Happy-Go-Lucky Boys
Track Information:
101 Ozark Rag / East Texas Serenaders. Fiddle.
102 Lonesome Valley / Carter Family. Guitar,Autoharp.
103 Wild Bill Jones / Wade Mainer. Banjo.
104 Old Weary Blues / Jesse Young's Tennessee Band. Fiddle,Banjo.
105 Rang Tang Bully / Joe Werner and the Ramblers.
106 Catfish Whiskers / Jimmy Wilson's Catfish String Band.
107 Come Back Sweetheart / Happy-Go-Lucky Boys (Musical group). Fiddle.
Local Numbers:
FW-ASCH-10RR-0037
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Includes songs by: Carter Family, Mississippi Shieks, Happy-Go-Lucky Boys, Carolina Tar Heels, Earl Johnson and His Clodhoppers, Allen Brothers, Smith and Harper.
Track Information:
101 Who's That Knocking at My Window / Carter Family. Guitar,Autoharp.
102 We Both Are Feeling Good Right Now / Mississippi Sheiks, Sam Chatmon. Guitar.
103 No Letter in the Mail Today / Happy-Go-Lucky Boys (Musical group). Fiddle.
104 Talking Blues / Carolina Tar Heels. Guitar,Banjo.
105 Midnight Mama / Allen Brothers (Country music group). Guitar.
106 Poor Girl / Smith and Harper (Musical group). Guitar.
Local Numbers:
FW-ASCH-10RR-0039
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Intro--Northfield--Ocean--Morality (Old Harp Singers)--Rounds of Old Ireland--Over poor Anton O'Rowley (Farmer;s curst wife)(Everett Pitt); In haste to the wedding--Turkey in the straw--Irish washerwoman (don Baker)--I wonder Maria's gone--May carol (Jean Ritchie)
Local Numbers:
FW-ASCH-7RR-0810
Date/Time and Place of an Event Note:
Recorded in: United States, New York (N.Y.), 1950.
General:
PART 3; CDR copy FW-ASCH-7RR-0810 contains the third of four segments of a "concert of American folk music" which is a part of the "sixth Annual Festival of Contemporary American Music" held in McMillan Theatre at Columbia University, in 1950, sponsored by the Alan Ditson Fund of the University. This tape is labelled Part III; parts I, II and IV are on FW-ASCH-7RR-0808, -0809 and -0811. In addition to an unidentified introductory announcer, Sam Eskin and Sidney Robertson Cowell moderate. A typed program including all four segments of the concert, is included in the jewel box and tape box. In addtion to Jean Ritchie (Kentucky mountain singer and mountain dulcimer player), the tape includes: the Old Harp Singers (on Folkways record FW02356), who are from east Tennessee and sing shaped note hymn music from The Harp of Columbia; Mr. Everett Pitt (a traditional northern U.S. singer), who sings two unaccompanied ballads; and Don Baker from Michigan, who plays the hammered dulcimer. Sidney Robertson Cowell provides interesting information about the hammered dulcimer.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Budded roses--Shout Lulu--May I sleep in your barn tonight, mister--House carpenter--Man who rode the mule around the world--Rude and rambling man--Whoa mule--Wild Bill Jones--Little log cabin in the lane--Cluck old hen--Frankie Silvers --The prisoner's song --Hard luck blues --Little hillside.
Local Numbers:
FW-ASCH-7RR-1526
General:
Folkways 2350
CDR copy American ballads; sung by Tom Clarence Ashley accompanying himself on banjo and guitar, with Larry "Tex" Isley, guitar and autoharp.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
102 What Sam Gray Whistled / Leizime Brusoe. Fiddle.
103 Battle in the Horseshoe / J.W. Russell. Guitar.
104 Frog Went A-Courtin' / Bob Russell. Guitar.
106 Greenfields / Old Harp Singers of Eastern Tennessee, Sam Eskin.
106 Amazing Grace (New Britian) / Old Harp Singers of Eastern Tennessee, Sam Eskin.
107 Barbara Allen (Child No. 84)/ I.N. Marlor.
108 Barbara Allen (Child No. 84)/ Slim Wilson.
109 Battle of Antietam Creek / Warde H. Ford.
110 John Henry / Bascom Lamar Lunsford. Banjo.
Local Numbers:
FW-ASCH-7RR-2537
Date/Time and Place of an Event Note:
Recorded in: North Carolina, United States, Wisconsin, 36, 1950.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The house carpenter : vocal folk song --Arkansas traveler : vocal, banjo folk song --I'm never to marry : vocal folk song -- Poor Ellen Smith : vocal, banjo folk song --Railroad Bill : vocal, guitar folk song --Down in the willow garden : vocal, fiddle folk song --The devil and the farmer : vocal, guitar folk song --Sourwood Mountain lonesome road blues : piano folk dance.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Henry Lee -- Fatal flower garden -- House carpenter -- Drunkards special -- Old lady and the devil -- The butcher's boy -- The wagoner's lad -- King kong kitchie kitchie ki-me-o -- Old shoes and leggins -- Willie Moore -- Lazy farmer boy -- Peg and awl -- Ommie Wise -- My name is John Johanna -- Bandit Cole Younger -- Charles Giteau -- John Hardy was a desperate little man -- Gonna die with my hammer in my hand -- Stackalee -- White House blues -- Frankie -- When that great ship went down -- Engine 143 -- Kassie Jones -- Down on Penny's farm -- Mississippi boweavil blues -- Got the farm land blues.
Track Information:
101 Henry Lee (Child No. 68) / Dick Justice. Guitar.
406 Got the Farm Land Blues / Clarence Ashley, Carolina Tar Heels, Garley Foster. Guitar,Banjo,Harmonica.
Local Numbers:
Folkways.2951; Folkways.251
FW-ASCH-LP-02951
Publication, Distribution, Etc. (Imprint):
New York Folkways 1952
Date/Time and Place of an Event Note:
Recorded in: Dallas (Tex.), United States, Texas.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
1. ACT-056 Radio: World War II news 2. ACT-057 Woody Guthrie, Cisco Houston, Sonny Terry "Jackhammer Blues" 3. ACT-059 samples of musical instruments 4. ACT-059 Aunt Molly Jackson "Story Behind Hungry Ragged Blues" 5. ACT-059 Woody Guthrie "Talking Dust Bowl" 6. ACT-059 Bess Hawes, Folk Group "Down in the Valley" 7. ACT-059 South African street musicians 8. ACT-059 versions of "Mbube" 9. ACT-059 Mexican folk song
Track Information:
101 World War II Radio Program (ACT-056).
102 Jackhammer John (ACT-057) / Cisco Houston, Woody Guthrie. Guitar. English language.
103 Folk Music Lecture: Samples of Musical Instruments (ACT-059).
104 Story of Hungry Ragged Blues (ACT-059) / Aunt Molly Jackson. English language.
106 Down in the Valley (ACT-059) / Bess Lomax Hawes. Guitar. English language.
107 Folk Music Lecture: South African Street Musicians (ACT-059).
108 Mbube (Wimoweh)(ACT-059).
108 Wimoweh (ACT-059) / Weavers (Musical group), Pete Seeger. Banjo. English language.
109 Folk Music Lecture: Mexican Folk Song (ACT-059).
Local Numbers:
FP-CDR-0187-7
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only; No duplication.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Coo-co bird--Crawdad song--Rising Sun blues--Lee highway blues--Shady grove--Corrina Corrina--Omie Wise--Amzing grace--unk--Mighty dark to travel--Out in the cold world--I saw the light--unk--Cumberland Gap--Tough luck--unk--Daniel prayed--Walking boss--My home's across the Blue Ridge Mountains
Local Numbers:
FP-RINZ-7RR-0315
FLP.90913
Date/Time and Place of an Event Note:
Recorded in: United States, California, Los Angeles (Calif.), June 2, 1963.
General:
CDR copy
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Art Thieme was a noted folk singer who recorded many traditional ballads and folk songs from midwestern states. This collection is a series of 459 color slides documenting folk musicians and folk music, in both concert settings and informal portraiture, all taken by the donor.
Scope and Contents:
459 35mm color slides documenting folk musicians and folk music, in both concert settings and informal portraiture, all taken by the donor, Art Thieme, a noted folksinger. Subjects include such well-known performers as Stephen Wade, the New Lost City Ramblers, Mike Seeger, Pete Seeger, Peggy Seeger, Jack Elliott, Ike Everly, B.B. King, Dave Edmonson, Ray Harris, Kenny Baker, Tom Paxton, John Hammond, Bill Monroe, Justin Bishop, Steve Goodman, Cathy Fink, Wes Asbury, Ron F. Kirkpatrick, Doc Watson, Jim Kweskin, and Lightnin' Hopkins, and other notables such as oral historian Studs Terkel. The collection also contains a CD with Thieme's recordings and a folder of newspaper clippings, a program, and a map of local folk singers across the country. The slides are unarranged, but most slides have names, places, and dates.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Art Thieme was born on July 9, 1941 in Chicago, Illinois. He becamea noted folk singer. He launched his career at a Hyde Park, Chicago club, the Limelight, in 1959 and went on to perform for many years at a coffeehouse called No Exit, also in Chicago. Touring all over the country, he photographed and recorded many folk singers and concerts, documented in this collection. At the end of his career, he performed on the steamboats Julia Belle Swain, Twilight on the Mississippi, and Illinois Rivers. He has recorded traditional folk songs rendered by himself for Folk Legacy Records. Thieme died on May 26, 2015.
Provenance:
The collection was donated by Art Thieme in 2012.
Restrictions:
The collection is open for research. Gloves must be worn when handling unprotected photographs and negatives.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
This collection contains 73 open reel tapes, made by Eric H. Davidson between 1958-1984, featuring the traditional music of Southern Appalachia.
Scope and Contents:
The Eric H. Davidson audio recordings consists of 73 open reel tapes dating from 1958-1984, featuring field recordings made by Davidson and his colleagues (including Caleb Ellicott Finch, Paul Newman, Lyn Davidson, and Jane Rigg) featuring the traditional music of Southern Appalachia. The recordings were collected primarily in Grayson and Carroll counties in Southwestern Virginia, and adjacent counties in North Carolina.
Arrangement:
The Eric H. Davidson audio recordings are arranged in chronological order. Each open reel tape was assigned a unique number by Eric Davidson.
Biographical / Historical:
Eric H. Davidson was born in 1937, in New York City. He was primarily known as a pioneering developmental biologist, who revolutionized the research of and theoretical framework behind "the gene regulatory networks that perform complex biological processes, such as the transformation of a single-celled egg into a complex organism. His work helped to reveal how the DNA sequences inherited in the genome are used to initiate and drive forward the sequence of steps that result in development." (1)
Davidson's work in biology began at the age of 16, when he began conducting research with cell physiologist L. V. Heilbrunn, a family friend, at the Marine Biological Laboratory (MBL) in Woods Hole, Massachusetts. He began as a dish washer at the MBL, but was informed by Heilbrunn that he was also expected to have a research project. This project resulted in a published abstract in the Biological Bulletin on clotting in sand dollars.
Davidson earned his bachelor of arts degree from the University of Pennsylvania in 1958 and his doctorate from Rockefeller University in 1963. After working as a postdoctoral researcher and faculty member at Rockefeller, he moved to Caltech, where he would spend the rest of his career, beginning as a visiting assistant professor. He was named Norman Chandler Professor of Cell Biology in 1982 and remained there until his death.
His interest in old time music arose at nearly the same time as his interest in biology. His father, a well-known abstract painter, and mother were connected to several people who were hired to do research for the Works Progress Administration (WPA) of the late 1930's and 40's. At 14, he began to play the 5-string banjo after being introduced to the instrument through his exposure to recordings of Southern Appalachian music recorded as a part of the WPA, held at the Library of Congress.
In college, he played music in cafes. He also got a hold of the log of WPA recordings that were so influential to him. He began to stick pins in maps wherever the recordings were made, and began to notice that most of the pins were clustered in two counties in Southwestern Virginia--Grayson and Carroll counties--and adjacent counties in North Carolina.
In 1956, he began to take trips down to these areas during breaks from school to record musicians that had learned songs and skills through oral tradition, as opposed to the radio or records. He continued to go every year for many years, until the last person he knew had learned by oral tradition passed away. He formed close relationships with many notable musicians during these trips, including Wade Ward (from whom he learned the clawhammer banjo playing technique), Tommy Jarrell, Paul Joines, Glen Neaves, Vester Jones, Ed Spencer, Glen Smith, Cullen Galyean, and Bobby Harrison. He often recorded with his longtime collaborators Caleb Ellicott Finch, Paul Newman, Lyn Davidson, and Jane Rigg. Many of these recordings were released by Moses Asch as Folkways Records albums, produced by Davidson and his collaborators between 1962-1986.
Davidson was interested in the personal, musical, structural, traditional, and historical aspects of Southern Appalachian music. His fieldwork style was to continue to record a musician until they got tired or he'd run out of tape. Then he'd come back the next day, and the next year, and the year after that, until he had recorded everything that musician knew. This gave his work the characteristic of what he described as, borrowing from his scientific background, a longitudinal study. He was able to observe changes in the musical tradition of the region: the transition of traditional ballad singing from a cappella to string band accompaniment, the incorporation of the guitar into the string band ensemble, and the shift from clawhammer to three-finger banjo picking. In an oral history interview with Davidson conducted by the Ralph Rinzler Folklife and Collections in 2015, Davidson said that in his research, he could see how "ballads combine and recombine like genetic organisms in biology."
Davidson was also an accomplished banjo musician in his own right. He formed the Iron Mountain String Band together with Caleb Finch (fiddle), and Peggy Haine (guitar), releasing an album (FA 2473) on Folkways Records in 1973 consisting of songs and tunes learned from his many recording trips into Grayson and Carroll counties.
Eric Davidson died on September 1, 2015 at the age of 78.
1. "Developmental Biologist Eric H. Davidson Passes Away," Caltech News, September 4, 2015, accessed January 5, 2016, http://www.caltech.edu/news/developmental-biologist-eric-h-davidson-passes-away-47772.
Disclaimer:
Please note that some language in this collection is culturally insensitive or offensive to viewers. It is presented as it exists in the original material for the benefit of research and the historical record. The material reflects the culture and context in which it was created and not the views of the Smithsonian Institution.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Related Materials:
An oral history with Eric H. Davidson was conducted by the Ralph Rinzler Folklife Archives and Collections on April 26, 2015. Both the video and transcript is available for researchers. Contact archives staff for information.
Provenance:
Donated by Eric H. Davidson.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Fiddle tunes -- Appalachian Region, Southern Search this
Folk music -- Appalachian Region, Southern Search this
Banjo music -- Appalachian Region, Southern Search this
Recorded in: United States, Virginia, Galax (Va.).
General:
CDR copy
Restrictions:
Restrictions on access.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk music -- Appalachian Region, South Search this
102 Old Time String Band / Roan Mountain Hilltoppers, Bill Birchfield, Creed Birchfield, Joe Birchfield. Guitar,Fiddle,Banjo,Washtub bass.
101 Old-Time String Band / Frazier Moss, Red Rector, Reece Shipley, Jack D. Sallee. Mandolin.
Local Numbers:
FP-1986-7RR-0101
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 6, 1986.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Mike Seeger--Shady grove; Bill Williams--John Henry--Old Joe Clark--Don't let the deal go down; Sam Bowles--I don't love nobody--Cripple creek; Ernest Hodges-- Cumberland gap--Coal Creek march
Track Information:
101 Appalachian / Mike Seeger.
102 Country Blues / Bill Williams.
103 null / Sam Bowles.
104 Old Time Banjo and Fiddle / Ernest Hodges. Banjo,Fiddle.
General note:
DPA number 71.101.1
Local Numbers:
FP-1971-10RR-0001
General:
CDR copy
71.101.01
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1971.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, July 6, 1969.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
