Cajun band--J'etais a bal--Marie--Back door; Hezekiah and the House Rockers--Theme--Scratch my back--Lowdown dirty shame--Trying to get my baby--She's my everything--Keyhole story--unk
Track Information:
101 Mamou Hour Caqjun Band / Mamou Hour Cajun Band.
102 River Blues / Hezekiah Early, Hezekiah and the Houserockers. Trombone,Harmonica. English language.
Local Numbers:
FP-1985-7RR-0079
General:
CDR copy
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 6, 1985.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Barry Ancelet (MC); Intro--Cher tout-toute--Madame Young--Ma Chere Maman Creole--Don't laugh at me because my shiirt is torn--unk--Adieu Rose--Two step a Lafayette-- Reno waltz--Eunice two step-- Marie waltz--La vie d'un vieux garcon--Jole blon
Track Information:
101 null / Mamou Hour Cajun Band. Fiddle.
102 null / Dennis McGee, Sady Courville, D.L. Menard.
Local Numbers:
FP-1985-7RR-0089
General:
CDR copy
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 7, 1985.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101. Casey Jones (The Union Scab) / Harry McClintock, Haywire Mac. Guitar.
102. Subic / Harry McClintock, Haywire Mac. Guitar.
103. Stung Right / Harry McClintock, Haywire Mac. Guitar.
104. Outside Dan Murphy's Door / Harry McClintock, Haywire Mac. Guitar.
105. Long Haired Preacher (Preacher and the Slave) / Harry McClintock, Haywire Mac. Guitar.
106. Captain Simms / Harry McClintock, Haywire Mac. Guitar.
201. Jordan Am a Hard Road to Travel / Harry McClintock, Haywire Mac. Guitar.
202. Darkie Uncle Ned / Harry McClintock, Haywire Mac. Guitar.
203. Hedge Hog / Harry McClintock, Haywire Mac. Guitar.
204. Reconstructed Rebel Soldier / Harry McClintock, Haywire Mac. Guitar.
205. Paddy Clancy / Harry McClintock, Haywire Mac. Guitar.
206. Pete Wells and the Negro Fireman / Harry McClintock, Haywire Mac. Guitar.
207. Sweet Violets / Harry McClintock, Haywire Mac. Guitar.
208. Utah Carl / Harry McClintock, Haywire Mac. Guitar.
209. There is Nothing New in Automobiles / Harry McClintock, Haywire Mac. Guitar.
Local Numbers:
Cook.1124
Publication, Distribution, Etc. (Imprint):
Norwalk, CT, Cook 1950
General:
Harry "Haywire Mac" McClintock (1882 - 1957) led an incredibly varied life. In addition to serving the military as a civilian in the Philippines during the Spanish-American War, he was a railroad worker, cowboy, stevedore, union organizer with the "wobblies" (Industrial Workers of the World), radio entertainer, composer, recording artist beginning in the 1920's, etc. Sam Eskin, folksinger and folk song collector of renown, made these recordings of "Haywire Mac," in 1953. Preceding most of the songs and anecdotes, Sam discusses with Haywire Mac the background of each recorded item. Liner notes provide biographical information for both "Haywire Mac" and Sam Eskin.
Restrictions:
Restrictions on access.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101. Marching to Fenario / Steve Camacho. Guitar. Mexico-Baja California,Mexico.
102. Best Two Presidents / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
103. Lord What a Time / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
104. Scandalize My Name / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
105. Santa Ano / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
106. This Train / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
107. Five Times Five / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
108. Cotton Fields / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
201. Hard Times / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
202. Mumblin' Word (He Never Said a Mumblin' Word) / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
203. Devilish Mary / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
204. The Fox / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
205. Gallows Pole (Child No. 95)/ Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
206. Butcher Boy / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
207. Turtle Dove / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
208. If I Had a-Known / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
Publication, Distribution, Etc. (Imprint):
Norwalk, CT, Cook 1962
General:
Recording location: Mexico
Restrictions:
Restrictions on access.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101. I Hate the Capitalist System / Sarah Ogan Gunning. 00:03:10.
102. Lonesome Jailhouse Blues / Olen Montgomery. 00:0405.
103. Detroit Medley / 00:02:25.
104. Deportees (Plane Wreck at Los Gatos) / Woody Guthrie. 00:05:30.
105. Goodbye to Cold Winter / 00:00:50.
106. A Single Girl / 00:02:30.
107. Ludlow Massacre / Woody Guthrie. 00:03:50.
108. I Don't Want Your Millions, Mister / Jim Garland. 00:03:25.
201. Things are Slow / Robbie Merkin: piano; Andy Pitt: guitar; John Miller: bass; Dave Ellman: drums. Barbara Dane and J.B. Hutto. 00:04:00.
202. Song of My Hands / Bernie Asbel. 00:05:45.
203. Bitter Rain / Nick Cahn: electric guitar. Malvina Reynolds. 00:03:25.
204. Song of the Coats / Xuan Hong Vietnam. 00:02:50.
205. The Kent State Massacre / Jack Warshaw and Barbara Dane. 00:03:35.
206. Working Class Woman / Peter Boyd, Jane Felczer, Barbara Dane. 00:06:30.
Local Numbers:
Paredon.1014
Publication, Distribution, Etc. (Imprint):
Brooklyn, N.Y. : Paredon Records, 1973.
Creation/Production Credits:
Album cover design by Ronald Clyne.
Participant or Performer Note:
Barbara Dane, vocals and guitar; Andy Pitt, guitar; Pablo Menéndez, harmonica.
General:
Program notes by Barbara Dane and Irwin Silber, inlcuding song lyrics, (16 p. : ill.) inserted in container.
Restrictions:
Access by appointment.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk music -- United States -- 1970-1980. Search this
Protest songs -- United States -- 1970-1980. Search this
Political ballads and songs -- United States Search this
Genre/Form:
Phonograph records
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Mike Seeger--Shady grove; Bill Williams--John Henry--Old Joe Clark--Don't let the deal go down; Sam Bowles--I don't love nobody--Cripple creek; Ernest Hodges-- Cumberland gap--Coal Creek march
Track Information:
101 Appalachian / Mike Seeger.
102 Country Blues / Bill Williams.
103 null / Sam Bowles.
104 Old Time Banjo and Fiddle / Ernest Hodges. Banjo,Fiddle.
General note:
DPA number 71.101.1
Local Numbers:
FP-1971-10RR-0001
General:
CDR copy
71.101.01
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1971.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Ballad Workshop: Ellen Stekert-MC; Sarah Gunning- Letters from my father; George Tucker--Little glass of wine; Sarah Gunning--A girl of constant sorrow; George Tucker-- Man of constant sorrow; Fiddler's convention- Ralph Rinzler and Gus Meade-MCs; Turkish band; Grant Rogers--Aunt Emily's tea party--McCloggin's reel (frag)
Track Information:
101 Ballad Workshop / George Tucker, Sarah Ogan Gunning.
102 Fiddler's Convention / Don Stover, Grant Rogers, Tex Logan. Banjo,Fiddle.
General note:
DPA number 69.101.41
Local Numbers:
FP-1969-7RR-0041
General:
CDR copy
69.101.41
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 4, 1969.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: United States, Oregon, Portland (Or.), 1976.
General:
CDR copy
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: United States, Oregon, Salem (Or.), 1976.
General:
CDR copy
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.