Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
Chicago has one of the largest and most diverse Latino communities in the nation, with a rich history and a thriving artistic life; Latino Chicago is a multinational, multicultural community. The largest population is Mexicans, followed by Puerto Ricans, then Guatemalans. Smaller groups from the Caribbean and Central and South America include Ecuadorans, Colombians, Cubans, Peruvians, Salvadorans, and Chileans. A small group of Belizeans and Brazilians also consider themselves part of the community.
In partnership with the Old Town School of Folk Music, the Smithsonian Institution launched a research project in the spring of 2005. Twenty local researchers explored various aspects of Latino folklife in Chicago, recording the stories of artists and organizations, documenting special events and parades, foodways, and more. Two large questions guided the researchers: How do the arts shape, and how are they shaped by, community and identity? And, what characterizes Chicago's Latino community as unique and distinct from other Latino communities elsewhere?
One discovery was that diversity is key to community organization and shaping of identity. In Latino Chicago many types of diversity come into play - ethnic, national, regional, and generationaL Some community organizations are more inclusive of diverse groups and form international, multigenerational, or multiregional groups; others focus on preservation and assemble specialized groups who champion a single form. Besides music and dance, other artists are equally active in theater, poetry and spoken word, film, and graphic and mural arts.
In Chicago, numerous strong communities have formed. Chicago's Latino neighborhoods continue to be ports of entry where many new arrivals can feel right at home. Businesses in these neighborhoods thrive because they do not cater only to the needs of the local neighborhood; they are specialty supply centers for a larger community across the Midwest. Grocery stores, music, entertainment, clothing, and bridal shops line commercial strips that extend for miles.
Because there is such strong neighborhood identity and presence, it is possible for individuals to remain close to their traditions, food, music, language, religion, and other practices for their whole lives. However, those who leave the relative familiarity of the neighborhood and interact with people from other cultures can also explore multiple identities and add to the diversity of the community. Another discovery, then, was that professional musicians who work with various clienteles find that in a diverse community they must command a broad repertoire to appeal to a broader audience and increase their job opportunities.
Wherever you are in Chicago's Latino neighborhoods, you encounter a rich multisensory experience that is also highly localized, rooted in the ethnic and regional identities that define this diverse community. Heading west from the corner of 18th Street and Blue Island in the Pilsen neighborhood you enter a piece of Mexico (indeed, parts of all Mexico), run by Mexicans and catering to more than a million Mexicans who live in the Chicago area or travel there for supplies. Stand on Division Street and California Avenue, just twenty blocks north, and walk into Humboldt Park. You know you are in a Puerto Rican neighborhood because you just walked under a forty-foot-high iron gate in the shape of the Puerto Rican flag. Guatemalans, Peruvians, Ecuadorans, or Colombians also have their own neighborhoods - each unique, but all animated by the sound of nuestra música - the music of Chicago's thriving and vibrant Latino communities. The Smithsonian Folklife Festival offered visitors an opportunity to enjoy these diverse traditions first hand.
The 2006 program was the third in a multi-year sequence devoted to Latino music in the Americas (see also the 2004 2005 and 2009 programs).
Olivia Cadaval and Daniel Sheehy were Co-Curators and Juan Dies was Guest Curator. Cristina Díaz-Carrera was Research Coordinator and Courtney Lutterman was Research Assistant; Carlos Flores, Michael Orlove, Henry Roa, Silvia Rivera, David Roche, and Encarnación Teruel were Project Advisors.
Latino Chicago was part of the multi-year Nuestra Música: Music in Latino Culture project produced in partnership with the Old Town School of Folk Music in Chicago, in collaboration with the Cultural Institute of Mexico and supported by the Smithsonian Latino Initiatives Fund and the Music Performance Fund. The Smithsonian Institution thanked the Illinois Arts Council, a state agency, for supporting the participation of AfriCaribe, Carlos Mejía, Gustavo López, The Mexican Folkloric Dance Company of Chicago, Nelson Sosa, Nahuí Ollin/Tarima Son, and Sones de México Ensemble.
Researchers:
Yolanda Androzzo, Rita Arias Jirasek, Katherinne Bardales, Nashma Carrera Massari, Evelyn Delgado, Juan Dies, Sue Eleuterio, Lilia Fernández, Lidia Huante Mendoza, Melanie Maldonado, Christopher Martin, Argelia Morales, José Luis Ovalle, Lisa Rathje, Paul Tyler
Presenters:
Yolanda Androzzo, Katherinne Bardales, Nashma Carrera Massari, Lidia Huante Mendoza, Lisa Rathje, Cynthia Vidaurri, Matthew Mulcahy
Banda Ansiedad -- Banda AnsiedadJustino Román, managerSimplicio Román, 1981-, keyboard, accordion, Chicago, IllinoisMoisés Román, 1984-, electric bass, Chicago, IllinoisMelesio Román, voice, Chicago, IllinoisSalomón Román, drums, Chicago, IllinoisJesús Ocampo, 1986-, synthesizer, electric tuba, Chicago, IllinoisAlejandro Ocampo, 1983-, alto saxophone, Chicago, Illinois
Los Chalanes -- Los ChalanesRoberto Arce, 1933-, guitar, Kissimmee, FloridaAlfredo Espinosa, 1936-, cajón, guitar, Chicago, Illinois
Latin Street Dancing, Inc. -- Latin Street Dancing, Inc.Victor Manuel Ceja, 1982-, dancer, Chicago, IllinoisRosa Guadalupe Villanueva, 1987-, dancer, Chicago, Illinois
Carlos Mejía Guatemalan Marimba -- Carlos Mejía Guatemalan MarimbaCarlos Mejía, 1957-, marimba, Chicago, IllinoisKatalina Trujillo, 1990-, marimba, Chicago, Illinois
The Mexican Folkloric Dance Company of Chicago -- The Mexican Folkloric Dance Company of ChicagoJosé Luis Ovalle, 1959-, artistic director, Chicago, IllinoisMatiana Medrano Ovalle, artistic director, Chicago, Illinois
Sones de México Ensemble of Chicago -- Sones de México Ensemble of ChicagoVictor G. Pichardo, 1961-, artistic director, vocals, huapanguera, jarana, guitar, clarinet, Oak Park, IllinoisJuan Dies, 1964-, vocals, guitarrón, Chicago, IllinoisLorena Íñiguez, 1976-, vihuela, jarana, small percussion, Chicago, IllinoisVictor Zacbé Pichardo, 1986-, percussion, Oak Park, IllinoisJosé Juan Rivera, 1977-, vocals, requinto, violin, Chicago, IllinoisJavier Saume, drums, percussion, Chicago, Illinois
Nelson Sosa, 1947-, guitar, Chicago, Illinois
Paola Alemán, singer, Chicago, Illinois
Community Radio
Radio Arte -- Radio ArteSilvia Rivera, 1980-, Radio Arte manager, Chicago, IllinoisArgelia Morales, 1978-, interviewer, Chicago, IllinoisTania Unzueta Carrasco, 1983-, youth radio producer, Chicago, IllinoisDulce Jatziri García, youth radio producer, Chicago, Illinois
Son de Madera -- Son de MaderaRamón Gutiérrez Hernández, requintoJuan Pérez, bassLaura Marina Rebolloso Cuellar, leona (jarocho bass guitar)Andrés Vega Hernández, jarana
Suni Paz, 1935-, Canoga Park, California
Rafael Manríquez, voice, guitar, charango, Berkeley, California
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2006 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
The fourth annual Ralph Rinzler Memorial Concert featured the revival of interest in klezmer music, traditional instrumental music of the Jews of Eastern Europe. Heavily influenced by the existing folk genres in the area - e.g., Romanian, Russian, Polish, Ukrainian, Hungarian, Bulgarian, Gypsy - and traditional Jewish cantillation, klezmer was filtered through Jewish ears and consciousness. Immigrant klezmer musicians who came from Eastern Europe to America during the early 20th century found a ready market for their skills. Many large American cities had Jewish neighborhoods filled with large young families. Yiddish was spoken by the vast majority. The newly arrived klezmorim found work using the old repertoire at weddings, society, labor union, and synagogue functions. Those adept at reading music could also find employment in Yiddish theaters. American-born musicians began to perform klezmer music in the mid-1920s.
After 1960, however, klezmer music became dormant, awaiting rediscovery and revitalization through the efforts of the dedicated scholars and performers of the klezmer revival. Many of the revivalists, such as those who were featured in the Rinzler Concert, returned to Jewish music after serious careers in Anglo American old time music. They have redefined the old music, lending a patina of artistry to the old, once-derogatory term klezmer, that had conjured up the image of a musical simpleton only capable of playing old Yiddish tunes poorly.
The 1998 Festival also celebrated Folkways at 50 through a series of concerts. Folkways Records was a touchstone of the early folk music revival through its support of many influential artists and its participation in many events. Its founder Moses Asch housed Sing Out! magazine during its early years; he recorded at the Newport Folk Festival; he published the recordings of generations of researchers and scholars - including some such as Ralph Rinzler who would eventually have a major influence on the Smithsonian Folklife Festival. Moreover, the philosophies of Folkways and the Folklife Festival were similar: to celebrate cultural diversity and human artistry; to provide an educational framework through which to understand cultural manifestations; and to encourage people to delve as deeply as they wish into the subject matter by providing substantial supplemental material - liner notes in the case of Folkways and program books and sign panels in the case of the Folklife Festival. Three 50th anniversary concerts included:
Children's Matinee
Music for children was one of the most influential parts of Folkways Records - many people heard their first Folkways record in a classroom. Moses Asch thought children should be exposed to good, authentic music from many cultural traditions. This concert celebrated not only the contributions of musicians who perform for children but the creativity of children themselves.
Folkways Founders/U.S. Postal Service Folk Musicians Stamp Concert
In 1998 the U.S. Postal Service issued a stamp series commemorating four important figures in the folk music revival of the 1950s and 1960s: Lead Belly, Woody Guthrie, Sonny Terry, and Josh White. All four artists recorded for Moses Asch. To honor these men who played prominent roles in both Folkways and 20th-century American music, musicians whose styles have been strongly influenced by them performed at an evening concert.
Heartbeat: Voices of First Nations Women Concert
Because most traditional Native women's music is performed in private settings - in their homes or during tribal ceremonies - very little of this music has been heard outside the women's own communities. Some of the artists featured on a new Smithsonian Folkways recording of Native women's music were featured in a concert that celebrated both the release of the album (itself an outgrowth of a 1995 Festival program) and the half-century that Folkways Records and Smithsonian Folkways Recordings had been introducing wider audiences to community-based music.
Henry Sapoznik was Curator of the Ralph Rinzler Memorial Concert, and Kate Rinzler was Coordinator. For the children's matinee and Folkways Founders concerts, Anthony Seeger and Amy Horowitz were Curators and Ivy Young was Coordinator. For Heartbeat: Voices of First Nations Women, Howard Bass and Rayna Green were Curators.
The Ralph Rinzler Memorial Concert was made possible with support from The Recording Industries Music Performance Trust Funds, the Ruth Mott Fund, Friends of the Festival, and Kate Rinzler. Support for Folkways at 50 came from BMI (the American performance rights organization), the United States Postal Service, M.A.C.E. (Mississippi Action for Community Education), Global Arts/Media Foundation, P.A.C.E.R.S. (Program for Academic and Cultural Enhancement of Rural Schools) Small Schools Cooperative & Community Celebration of Place Project, KOCH International, Smithsonian Magazine, Smithsonian Institution National Museum of American History, TRO, The Richmond Organization, Columbia Records and Sony Music Entertainment, Michael Asch, Walter Beebe and the New York Open Center, Andrew Dapuzzo and Disctronics, David Glasser, Charlie Pilzer, and Airshow Mastering, Inc., Judith DeMaris Hearn, Ella Jenkins, Richard Kurin, Mark Miller and Queens Group, Inc., Microsoft Corporation/Media Acquisitions Department, Arnold L. Polinger, Razor & Tie Entertainment, and The Recording Industries Music Performance Trust Funds.
Participants:
Folkways at 50 Anniversary Concerts
Children's Matinee
Ella Jenkins, Chicago, Illinois
Larry Long, Minneapolis, Minnesota
Slater Huff, Packers Bend, Alabama
CHILDREN FROM MONROE HIGH SCHOOL, PACKERS BEND, ALABAMA -- CHILDREN FROM MONROE HIGH SCHOOL, PACKERS BEND, ALABAMAAngel Carstarphen, Packers Bend, AlabamaLaKecia Carstarphen, Packers Bend, AlabamaPaulette Carstarphen, Packers Bend, AlabamaAdrienn Cheeseboro, Packers Bend, AlabamaKimberly Cheeseboro, Packers Bend, AlabamaLatonya Cheeseboro, Packers Bend, AlabamaYshika Cheeseboro, Packers Bend, AlabamaRapheal Davis, Packers Bend, AlabamaDomoneek McCoy, Packers Bend, AlabamaTromesha Packer, Packers Bend, AlabamaBryant Timmons, Packers Bend, AlabamaPatricia Tunstall, Packers Bend, Alabama
CHILDREN FROM T.W. MARTIN HIGH SCHOOL, GOODSPRINGS, ALABAMA -- CHILDREN FROM T.W. MARTIN HIGH SCHOOL, GOODSPRINGS, ALABAMAShawn Bromley, Goodsprings, AlabamaCourtney Dotson, Goodsprings, AlabamaJon Dotson, Goodsprings, AlabamaStephanie Hicks, Goodsprings, AlabamaRyan Logan, Goodsprings, AlabamaBrandon Morris, Goodsprings, AlabamaJada Parker, Goodsprings, AlabamaCameo Raney, Goodsprings, AlabamaBrandon Reynolds, Goodsprings, AlabamaJosh Salter, Goodsprings, AlabamaLandon Waid, Goodsprings, AlabamaSabrina Williams, Goodsprings, Alabama
Folkways Founders, U.S. Postal Service Folk Musicians Stamp Concert
Arlo Guthrie, Housatonic, Massachusetts
Abe Guthrie, Housatonic, Massachusetts
Annie Guthrie, Housatonic, Massachusetts
Cathy Guthrie, Housatonic, Massachusetts
Sarah Guthrie, Housatonic, Massachusetts
Toshi Reagon, Brooklyn, New York
Josh White, Jr., Detroit, Michigan
THE WILLIE FOSTER BLUES BAND -- THE WILLIE FOSTER BLUES BANDWillie Foster, 1922-, Greenville, MississippiJohn Horton, III, Greenville, MississippiRoosevelt Rogers, Greenville, MississippiRichard E. Taliaferro, Greenville, MississippiLarry Wright, Leland, Mississippi
Heartbeat: Voices of First Nations Women Concert
Sharon Burch, Santa Rosa, California
Cedric Goodhouse, Fort Yates, North Dakota
Sissy Goodhouse, Fort Yates, North Dakota
Christina Gonzalez, Schurz, Nevada
Delgadina Gonzalez, Schurz, Nevada
JOY HARJO AND POETIC JUSTICE -- JOY HARJO AND POETIC JUSTICECharlie Baca, Albuquerque, New MexicoRichard Carbajal, Phoenix, ArizonaJoy Harjo, Hollywood, CaliforniaDerek James, Los Angeles, CaliforniaJohn Williams, Albuquerque, New MexicoSusan Williams, Albuquerque, New Mexico
Judy Trejo, Wadsworth, Nevada
TZO'KAM -- TZO'KAMJoyce Fossella, Vancouver, British Columbia, CanadaJudy Lemke, North Vancouver, British Columbia, CanadaIrma Rabang, Sumner, WashingtonMaria Stiglich, Langley, British Columbia, CanadaFreda Wallace, Vancouver, British Columbia, CanadaFlora Wallace, Vancouver, British Columbia, CanadaRussell Wallace, North Vancouver, British Columbia, Canada
Mary Youngblood, Sacramento, California
Ralph Rinzler Memorial Concert
Sid Beckerman, clarinet
Lauren Brody, accordion, piano, vocals
Steven Greenman, violin
Margot Leverett, clarinet, saxophone
Paul Pincus, tenor saxophone
Mark Rubin, bass, tuba
Henry Sapoznik, banjo, vocal, producer, director
Peter Sokolow, keyboard, vocal, musical director
Michael Spielzinger, drums
Steven Weintraub, dance instructor
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1998 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
106 Ay Jalisco / Guitar,Bajo sexto,Trumpet,Violin.
107 Solamente Una Vez / Guitar,Bajo sexto,Trumpet,Violin.
108 La Paloma / Guitar,Bajo sexto,Trumpet,Violin.
109 La Bamba / Guitar,Bajo sexto,Trumpet,Violin.
Local Numbers:
MR-COMM-CT-0078
Publication, Distribution, Etc. (Imprint):
Albuquerque, N.M. M.O.R.E. 1990
General:
Commercial
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
110 El Cutillo los Reyes Magos / Violin,Bajo sexto,Guitar.
111 Porque Te Quiero / Violin,Bajo sexto,Guitar.
112 La Entrega de los Novios / Violin,Bajo sexto,Guitar.
Local Numbers:
MR-COMM-CT-0079
Publication, Distribution, Etc. (Imprint):
Albuquerque, N.M. M.O.R.E. 1981
General:
Commercial
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
109 La Comancha / Lorenzo Martinez, Reyes Albuquerque (Musical group). Guitar.
110 La Cuna No. 2 / Lorenzo Martinez, Reyes Albuquerque (Musical group). Guitar.
111 Jesusita en Chihuahua / Lorenzo Martinez, Reyes Albuquerque (Musical group). Guitar.
112 La Picona / Lorenzo Martinez, Reyes Albuquerque (Musical group). Guitar.
Local Numbers:
MR-COMM-CT-0080
Publication, Distribution, Etc. (Imprint):
Albuquerque, N.M. M.O.R.E. 1988
General:
Commercial
Liner notes on container are in English, Spanish and French. Originally published in 1975 as MORE 8027 by Minority Owned Recording Enterprises. Performer(s): Performed by Lorenzo Martinez, and Reyes de Albuquerque.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Las perlitas polka -- El baile de la escoba -- La cuna sin nombre -- La raspa -- Chotis desconocido -- La varsoviana -- Hoe-down polka -- Las cuadrillas de don Gregorio: Entrada ; Polka ; Mano derecha ; Arco ; Polka cruzada ; Cutilio -- Sobre las olas.
Track Information:
101 Las Perlitas Polka / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
102 Las Perlitas Polka / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
103 El Baile de la Escoba / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
104 La Raspa / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
106 La Varsoviana / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
107 Hoe Down Polka / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
108 Las Cuadrillas de Don Gregorio: Entrada, Polka, Mano Derecha / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
109 Sobre Las Olas / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
Local Numbers:
MR-COMM-CT-0081
Publication, Distribution, Etc. (Imprint):
Albuquerque, N.M. M.O.R.E. 1989
General:
Commercial
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
110 El Redondo Largo / Guitar,Bajo sexto,Trumpet,Violin.
111 Por Una Mujer Casada / Guitar,Bajo sexto,Trumpet,Violin.
112 La Vaquera / Guitar,Bajo sexto,Trumpet,Violin.
Local Numbers:
MR-COMM-CT-0082
Publication, Distribution, Etc. (Imprint):
Albuquerque, N.M. M.O.R.E. 1986
General:
Commercial
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
San Juan Del Rio / D.A.R. -- Las man.anitas Guadalupanas / D.A.R. -- Carin.ito de mi vida / T. Ortega ; Felipe Leal -- La nueva senaida / D.A.R. --Un dia ala vez / Olegario Angulo -- Prisionero de tus brazos / Felipe Valdez Leal -- Veinte an.os / Felipe Valdez Leal -- Las Isabeles / Luis Perez Meza --En donde estas / D.A.R. -- Flor de las flores / D.A.R. -- Las man.anitas Tapatias / D.A.R. -- An.illo de compromiso / Cuco Sanchez.
Track Information:
101 San Juan Del Rio / Guitar,Bajo sexto,Trumpet,Violin.
102 Las Mananitas Guadalupanas / Guitar,Bajo sexto,Trumpet,Violin.
103 Carnito de Mi Vida / Guitar,Bajo sexto,Trumpet,Violin.
104 La Nueva Senaida / Guitar,Bajo sexto,Trumpet,Violin.
105 Un Dia Ala Vez / Guitar,Bajo sexto,Trumpet,Violin.
106 Prisionero de Tus Brazos / Guitar,Bajo sexto,Trumpet,Violin.
107 Viente Anos / Guitar,Bajo sexto,Trumpet,Violin.
108 Las Isabeles / Guitar,Bajo sexto,Trumpet,Violin.
109 En Donde Estas / Guitar,Bajo sexto,Trumpet,Violin.
110 Flor de las Flores / Guitar,Bajo sexto,Trumpet,Violin.
111 Las Mananitas Tapatias / Guitar,Bajo sexto,Trumpet,Violin.
112 Anillo de Compromiso / Guitar,Bajo sexto,Trumpet,Violin.
Local Numbers:
MR-COMM-CT-0083
Publication, Distribution, Etc. (Imprint):
Albuquerque, N.M. M.O.R.E. 1989
General:
Commercial
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
El sube y baja / F. Valdes, R. Ortega C. -- Dos seres que se aman -- Hace un an.o / G. Valdez Leal -- Tu amor y el mio / Filiple Valdez Leal -- Tu solo tu -- La mancornadora / Manuel Esquivel -- Chaparita de oro -- La marcha -- El baile de honor : redondo -- Polka "La Rosita" -- La indita de Cochiti -- El redondo San Lorenzo / Lorenzo Martinez -- Las cuadrillas -- Valse de los pan.os -- Polka "Don Castulo" -- Chotiz "El pasiadito."
Track Information:
101 El Sube y Baja / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
102 Dos Seres Que Se Aman / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
103 Hace Un Ano / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
104 Tu Amor y el Mio / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
105 Tu Solo Tu / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
106 La Mancornadora / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
107 La Chapartia / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
108 La Marcha / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
109 El Baile de Honor (Redondo) / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
110 Polka- La Rosita / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
111 La Indita de Cochiti / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
112 El Redondo San Lorenzo / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
113 Las Cuadrillas (Una Parte) / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
114 El Valse de Los Panos / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
115 Polka Don Castulo / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
116 Chotiz "El Paciadito" / Reyes Albuquerque (Musical group), Lorenzo Martinez. Guitar,Bajo sexto,Trumpet,Violin.
Local Numbers:
MR-COMM-CT-0085
Publication, Distribution, Etc. (Imprint):
Albuquerque, N.M. M.O.R.E. 1987
General:
Commercial
Popular mariachi songs and traditional dance music. Historical notes, program notes, and bibliography (4 p.) inserted in container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Que viva mi gente -- La mujer que quierro -- Indio -- Homenaje a mis abuelos -- Ramoncita -- Polka alegre -- Que hay amigo -- El redondo dulce -- Amor perdido -- Las man.anitas Chicanas -- Polka Pat -- Despedida.
Track Information:
101 Que Viva Mi Gente? / Debbie Martinez, Lorenzo Martinez. Violin.
102 Que Viva Mi Gente / Debbie Martinez, Lorenzo Martinez. Violin.
103 La Mujer Que Quierro / Debbie Martinez, Lorenzo Martinez. Violin.
104 Indio / Debbie Martinez, Lorenzo Martinez. Violin.
105 Homenaje a Mis Abuelos / Debbie Martinez, Lorenzo Martinez. Violin.
106 Ramoncita / Debbie Martinez, Lorenzo Martinez. Violin.
107 Polka Alegre / Debbie Martinez, Lorenzo Martinez. Violin.
108 Que Hay Amigo / Debbie Martinez, Lorenzo Martinez. Violin.
109 El ` Redondo Dulce / Debbie Martinez, Lorenzo Martinez. Violin.
110 Amor Perdido / Debbie Martinez, Lorenzo Martinez. Violin.
111 Las Mananitas Chicanas / Debbie Martinez, Lorenzo Martinez. Violin.
112 Polka Pat / Debbie Martinez, Lorenzo Martinez. Violin.
113 Despedida / Debbie Martinez, Lorenzo Martinez. Violin.
Local Numbers:
MR-COMM-CT-0087
MORE.087
Publication, Distribution, Etc. (Imprint):
Albuquerque, N.M. M.O.R.E.
General:
Commercial
All songs with instrumental acc. composed by Lorenzo Martinez.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
El sube y baja / F. Valdez ; R. Ortega -- Dos seres que se aman -- Tur solo tur / Felipe Valders Leal -- La chapar[r]ita de oro -- La mancornadora -- San Juan del Riro -- Las man.anitas guadalupanas -- Noches tenebrosas -- El corrido de Daniel Fernarndez / R. Martirnez -- Asir es Nuevo Merxico / canta Roberto Mondragorn ; Amadeo Lucero -- El bandolero -- Cuatro meses -- Corrido de Riro Arriba / Roberto Martirnez -- El corrido de Juanito / M. Sarnchez ; A. Sarnchez -- Yo / Joser Alfredo Jimernez -- Volver, volver / canta Sheila Martirnez -- Tus desprecios -- Allar en el Rancho Grande -- Mi Virgen ranchera -- Cuatro Milpas -- Pajarillo baranquen.o -- Hermosirsimo lucero -- El corrido del 720 / Roberto Martirnez -- Viva quien sabe querer.
Track Information:
101 El Sube y Baja / Violin,Guitar,Bajo sexto.
102 Dos Seres Que Se Aman / Violin,Guitar,Bajo sexto.
103 Tu Solo Tu / Violin,Guitar,Bajo sexto.
104 La Chaparita de Oro / Violin,Guitar,Bajo sexto.
105 La Mancornadora / Violin,Guitar,Bajo sexto.
106 San Juan del Rio / Violin,Guitar,Bajo sexto.
107 Las Mananitas Guadalupanas / Violin,Guitar,Bajo sexto.
108 Noches Tenebrosas / Violin,Guitar,Bajo sexto.
109 El Corrido de Daniel Fernandez / Violin,Guitar,Bajo sexto.
110 Asi Es Nuevo Mexico / Violin,Guitar,Bajo sexto.
111 El Bandolero / Violin,Guitar,Bajo sexto.
112 Cuatro Meses / Violin,Guitar,Bajo sexto.
113 Corrido de Rio Ariba / Violin,Guitar,Bajo sexto.
114 El Corrido de Juanito / Violin,Guitar,Bajo sexto.
115 Yo / Violin,Guitar,Bajo sexto.
116 Volver, Volver / Violin,Guitar,Bajo sexto.
117 Tus Desprecios / Violin,Guitar,Bajo sexto.
118 Alla En El Rancho Grande / Violin,Guitar,Bajo sexto.
119 Mi Virgen Ranchera / Violin,Guitar,Bajo sexto.
123 El Corrido Del 720 / Violin,Guitar,Bajo sexto.
124 Viva Quien Sabe Querer / Violin,Guitar,Bajo sexto.
Local Numbers:
MR-COMM-CD-0822
M.O.R.E.822
Publication, Distribution, Etc. (Imprint):
Albuquerque, N.M. M.O.R.E. 1993
General:
Commercial
Restrictions:
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
107 Corrido de Daniel Fernandez / Violin,Bajo sexto,Accordion.
108 El Rancho Grande / Violin,Bajo sexto,Accordion.
109 El Escapulario / Violin,Bajo sexto,Accordion.
110 Solamente Tu / Violin,Bajo sexto,Accordion.
Local Numbers:
MR-COMM-CT-1204
Publication, Distribution, Etc. (Imprint):
Albuquerque, N.M. M.O.R.E. 1992
General:
Commercial
Restrictions:
Restrictions on access. rr.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Sea Asi (Let it Be)--Si yo Fuera Carpiniero (If I were a Carpenter)--Laborador de tierra Negra (Blackland farmer)--Brillara La Luz (I will the light ever shine--Un carpinter (Mama)--Dame abrigo (Gimme shelter)--Buenos tiempos vendran (Good times coming)--Playa sollozante (Sobbing crowd)--Adios Mi Amor (Goodbye my love)--Cuando Calienta El Sol--Hey Jude
Local Numbers:
MO-COMM-CD-00830
M.O.R.E.830
Publication, Distribution, Etc. (Imprint):
Albuquerque, N.M. M.O.R.E.
General:
Commercial
Restrictions:
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101. Marching to Fenario / Steve Camacho. Guitar. Mexico-Baja California,Mexico.
102. Best Two Presidents / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
103. Lord What a Time / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
104. Scandalize My Name / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
105. Santa Ano / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
106. This Train / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
107. Five Times Five / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
108. Cotton Fields / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
201. Hard Times / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
202. Mumblin' Word (He Never Said a Mumblin' Word) / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
203. Devilish Mary / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
204. The Fox / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
205. Gallows Pole (Child No. 95)/ Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
206. Butcher Boy / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
207. Turtle Dove / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
208. If I Had a-Known / Steve Camacho. Guitar. United States,Mexico-Baja California,Mexico.
Publication, Distribution, Etc. (Imprint):
Norwalk, CT, Cook 1962
General:
Recording location: Mexico
Restrictions:
Restrictions on access.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
