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Abington Township -- Hidden Glen

Former owner:
Conger, Fred  Search this
Conger, Betty  Search this
Architect:
Brumbaugh, G. Edwin  Search this
Milner, John  Search this
Landscape designer:
Gale, Charles H.  Search this
Landscape architect:
Peck, Frederick W. G.  Search this
Owen B. Schmidt & Sons  Search this
Provenance:
Huntingdon Valley Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Hidden Glen Farms (Meadowbrook, Pennsylvania)
United States of America -- Pennsylvania -- Montgomery County -- Abington Township -- Meadowbrook
Scope and Contents:
The folder includes a worksheet, a copy of the garden plan, and three photos of the original Charles Gale installation from ca. 1983 (two of the same view).
General:
Like its neighbor, Hidden Glen Farms (PA348), Hidden Glen features design work by landscape designer Charles Gale. Although a basic garden was in place at the time of Gale's 1983 design, he incorporated the vegetable garden into the overall site plan, while adding a side garden and improving planting around the foundation of the house. Folk art ornaments and sculptures of birds and animals accented the plant material. The garden is noted for its incorporation of colonial (eighteenth-century) design elements in a contemporary setting.
Persons associated with the property include: Charles Gale (landscape designer, 1982); G. Edwin Brumbaugh (architect, 1937, 1966, 1969); Owen B. Schmidt & Sons (landscape architects, 1968); and John Milner (architect, 1981 and 1989).
Related Materials:
Hidden Glen related holdings consist of 1 folder (24 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania -- Meadowbrook  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File PA350
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref16430

[Hidden Glen]: view of garden with chicken ornament folk art in background.

Photographer:
Schorsch, Shelley D.  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slides (photographs) (col., 35mm.)
Type:
Archival materials
Slides (photographs)
Place:
Hidden Glen (Meadowbrook, Pennsylvania)
United States of America -- Pennsylvania -- Montgomery County -- Abington Township -- Meadowbrook
Date:
1998 Apr.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania -- Meadowbrook  Search this
Sculpture  Search this
Flower beds  Search this
Lawns  Search this
Genre/Form:
Slides (photographs)
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item PA350007
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania / PA350: Abington Township -- Hidden Glen
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref16654

[Hidden Glen]: closeup of chicken folk art ornament.

Photographer:
Schorsch, Shelley D.  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slides (photographs) (col., 35mm.)
Type:
Archival materials
Slides (photographs)
Place:
Hidden Glen (Meadowbrook, Pennsylvania)
United States of America -- Pennsylvania -- Montgomery County -- Abington Township -- Meadowbrook
Date:
1998 Jul.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania -- Meadowbrook  Search this
Sculpture  Search this
Formal gardens  Search this
Flower beds  Search this
Genre/Form:
Slides (photographs)
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item PA350008
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania / PA350: Abington Township -- Hidden Glen
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref16655

[Hidden Glen]: closeup of chicken folk art ornament.

Photographer:
Schorsch, Shelley D.  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slides (photographs) (col., 35mm.)
Type:
Archival materials
Slides (photographs)
Place:
Hidden Glen (Meadowbrook, Pennsylvania)
United States of America -- Pennsylvania -- Montgomery County -- Abington Township -- Meadowbrook
Date:
1998 Jul.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania -- Meadowbrook  Search this
Formal gardens  Search this
Flower beds  Search this
Sculpture  Search this
Genre/Form:
Slides (photographs)
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item PA350009
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania / PA350: Abington Township -- Hidden Glen
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref16656

[Hidden Glen]: view of left side of perennial border with deer folk art ornament.

Photographer:
Schorsch, Shelley D.  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slides (photographs) (col., 35mm.)
Type:
Archival materials
Slides (photographs)
Place:
Hidden Glen (Meadowbrook, Pennsylvania)
United States of America -- Pennsylvania -- Montgomery County -- Abington Township -- Meadowbrook
Date:
1998 Apr.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania -- Meadowbrook  Search this
Formal gardens  Search this
Flower beds  Search this
Lawns  Search this
Trees  Search this
Sculpture  Search this
Perennials  Search this
Genre/Form:
Slides (photographs)
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item PA350010
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania / PA350: Abington Township -- Hidden Glen
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref16657

[Hidden Glen]: closeup of deer folk art ornament.

Photographer:
Schorsch, Shelley D.  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slides (photographs) (col., 35mm.)
Type:
Archival materials
Slides (photographs)
Place:
Hidden Glen (Meadowbrook, Pennsylvania)
United States of America -- Pennsylvania -- Montgomery County -- Abington Township -- Meadowbrook
Date:
1998.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania -- Meadowbrook  Search this
Sculpture  Search this
Lawns  Search this
Trees  Search this
Genre/Form:
Slides (photographs)
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item PA350011
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania / PA350: Abington Township -- Hidden Glen
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref16658

[Hidden Glen]: detail of rabbit folk art ornament.

Photographer:
Schorsch, Shelley D.  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slides (photographs) (col., 35 mm.)
Type:
Archival materials
Slides (photographs)
Place:
Hidden Glen (Meadowbrook, Pennsylvania)
United States of America -- Pennsylvania -- Montgomery County -- Abington Township -- Meadowbrook
Date:
1998 Jul.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania -- Meadowbrook  Search this
Formal gardens  Search this
Perennials  Search this
Sculpture  Search this
Houses  Search this
Genre/Form:
Slides (photographs)
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item PA350018
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania / PA350: Abington Township -- Hidden Glen
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref16665

Tomás Ybarra-Frausto research material

Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Names:
Mexican Museum  Search this
Royal Chicano Air Force  Search this
Studio 24 (San Francisco, Calif.)  Search this
Garza, Carmen Lomas  Search this
Goldman, Shifra M., 1926-2011  Search this
Mesa-Bains, Amalia  Search this
Extent:
33.1 Linear feet
1.27 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Slides (photographs)
Interviews
Place:
Mexico -- Religious life and customs
Date:
1965-2004
Summary:
The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.
Scope and Content Note:
The research material of Tomás Ybarra-Frausto, amassed throughout his long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States. As community leader and scholar, Ybarra-Frausto played dual roles of active participant and historian in the Chicano movement, chronicling this unique political and artistic movement from its inception in the 1960s to the present day.

Deeply rooted in American history, "El Movimiento," the Chicano movement, evolved from Mexican-Americans' struggle for self-determination during the civil rights era of the 1960s. It began as a grassroots community effort that enlisted the arts in the creation of a united political and cultural constituency. Chicano artists, intellectuals, and political activists were instrumental in mobilizing the Mexican-American community for the cause of social justice, and the movement was shaped by the affirmation of a cultural identity that embraced a shared heritage with Mexico and the United States.

Just as "El Movimiento" aimed to instruct and inspire through the recollection and conservation of culture, Ybarra-Frausto's own career as scholar and historian helped to shape the intellectual discourse of the Chicano art. As a leading historian and theoretician in the field of Chicano Studies, he has written extensively on the subject, and has been instrumental in defining the canons of Chicano art. His papers are accordingly rich and varied, and they will be of great use to future scholars.

His research material, dating from 1965 to 1996, are arranged in subject files containing original writings, notes, bibliographies compiled by Ybarra-Frausto and others, exhibition catalogues, announcements, newspaper clippings and other printed material, as well as slides and photographs. Many of these files also include interview transcripts and correspondence with prominent figures in the movement. While this research collection contextualizes Chicano art within the larger framework of Latino and Latin-American culture, the bulk of the files relates specifically to Chicano visual culture. The collection also contains pertinent documentation of the Chicano civil rights movement, material on Chicano poets and writers, and research files on the wider Hispanic community, but these also appear within the context of Chicano culture in general.

Prominent among the bibliographies are the many notes and drafts related to the publication of A Comprehensive Annotated Bibliography of Chicano Art, 1965-1981 (University of California, Berkeley, 1985), which Ybarra-Frausto co-authored with Shifra Goldman. Ybarra-Frausto's files on Goldman, like other files in the collection, document his close associations and collaborations with scholars.

Art historians have traditionally found the categorization of Chicano art a difficult task. Unsure whether to classify the work as "American" or "Latin American," critics often ignored the work altogether. An outgrowth of this dilemma was the proliferation of artists, curators, and critics within the Chicano community, and the papers contain many original writings by Chicano artists about Chicano art, found in extensive files on artists that will be of particular significance to researchers. These often contain exhibition essays, dissertation proposals, and course outlines authored by the artists, along with the standard biographies, exhibition records, and reviews. Some of the files contain rare interviews conducted and transcribed by Ybarra-Frausto. Highlights include conversations with Carmen Lomas Garza, Amalia Mesa-Bains, and members of the Royal Chicano Air Force artist cooperative.

As a member of several Chicano art organizations and institutions, Ybarra-Frausto kept active records of their operation. The extensive files on the Mexican Museum and Galerie de la Raza/Studio 24, both in San Francisco, not only chronicle the history of Chicano art through the records of exhibitions and programming, but also offer case studies on the development of non-profit art institutions. The files on artist cooperatives, organizations, and exhibition spaces cover several regions of the United States, but focus on California, Texas and New York.

Two notable events in the development of Chicano art were the 1982 Califas: Chicano Art and Culture in California seminar at the University of California at Santa Cruz, and the 1990 traveling exhibition Chicano Art: Resistance and Affirmation, 1965-1985 (CARA), of which Ybarra-Frausto served as organizer and catalogue essayist. His records document the planning and development of these seminal events. Ybarra-Frausto's files on folk art, altars, posters, murals, performance art, border art, Chicana feminist art, and Southwestern and Mexican imagery (both urban and rural expressions) mirror the diverse forms and subject matter of Chicano art.

Spanning almost four decades of American culture from a Chicano perspective, these files have a unique historical value. The legacy of Chicano art and its contribution to the cultural landscape of this country, kept alive in Ybarra-Frausto's files, attests to the richness and diversity of American art.

Henry C. Estrada

Research Fellow, 1997.
Arrangement:
The collection is arranged as a single series of subject files. The general contents of each folder have been listed. The subject files are arranged in alphabetical order. While no two files are alike, they may contain résumés, printed and digital material, letters, draft writings, and photographs. Unless otherwise noted, each listing represents one file folder. The abbreviation TYF was used to refer to the name Tomá Ybarra-Frausto throughtout the Series Description.
Autobiographical Note:
Papelitos (little bits of paper), whether rent receipts, paid bills, or piles of personal letters, can become layered bundles of personal history. I have always been a pepenador (a scavenger) and saver of paper scraps. Diary notes, scribbled annotations, and first drafts are often useful indicators of ideas and gestation. Papelitos are the fragments of every-day life that gain expanded meaning integrated into the larger historical events of a period.

In the decade of the 1960s, I started saving ephemeral material--exhibition announcements, clippings of individual artists and of organizations fomenting a Chicano art movement. The social scenarios of the period such as marches, strikes, sit-ins, and mobilizations for social justice all spawned manifestos, posters, leaflets, and other forms of printed material. I somehow managed to assemble and protect the evanescent printed information that recorded the birth and development of Chicano art.

As I started to research and write about Chicano art and artists of the period, I continued to clip, photocopy, and preserve material given me by Mexican-American artists from throughout the nation. My idea was to form an archive that would be comprehensive rather than selective. I knew that it was the offbeat, singular piece of paper with a missing link of information that would attract the scholar.

Today, several decades after the flowering of Chicano art, there is still a lamentable paucity of research and information about this significant component of American art.

It is my fervent hope that this compendium of information will function as a resonant print and image bank for investigators of Chicano culture. Perhaps contained within the archive are the facts that will inspire new visions or revisions of Chicano art and culture--this is my fondest dream.

Dr. Tomás Ybarra-Frausto

New York City, 1998
Related Materials:
Tomás Ybarra-Frausto Papers are located at University of Texas Libraries, The University of Texas at Austin.
Provenance:
The collection was donated to the Archives of American Art by Tomás Ybarra-Frausto in 1997, and in 2004.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Santos (Art)  Search this
Household shrines -- Mexico  Search this
Chicano art  Search this
Chicano artists  Search this
Mexican American art  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Photographs
Slides (photographs)
Interviews
Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ybartoma
See more items in:
Tomás Ybarra-Frausto research material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ybartoma
Online Media:

López, Alma (see also: Museum of International Folk Art)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 16, Folder 1
Type:
Archival materials
Date:
1999-2004
Scope and Contents note:
(postcard to TYF from López, 1/30/01; exhibition announcements; series of emails re. López' "Our Lady" in the Cyber Arte exhibition, Museum of International Folk Art, Sante Fe, New Mexico, 2001; invitation; clippings; writings by López; resume)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1013

General, continued

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(18 folders; 2 folders for 1983; see also: Acosta-Colñn, Marie; Arreguín, Alfredo; Gronk; INTAR; Lomas-Garza, Carmen; Montoya, José; Valdez, Patssi; Box 30)
Container:
Box 18, Folder 1-18
Type:
Archival materials
Scope and Contents note:
(see above, and: letter to TYF from Gloria Jaramillo, Curator of Collections, 04/27/1983, re. TYF's purchase of a ceramic by Richard and Graciela [Rios] and sales receipt; photocopy of letter to "Compañeros", from TYF, 09/30/1983; photocopy of letter to Mariano and Linda, from TYF, 09/30/1983; TYF's notes on issues concering the museum's Board of Directors; "Annotated Bibliography of Mexican Folk Art" by Beverly Herzog and Dr. Joyce Bishop, 1985; letter to TYF from the museum, re. a lecture TYF would give for the "From Inside Out..." exhibition; administrative planning documents for "From Inside Out..." and "Lo Del Corazó", including artists' applications and booklet of artists' statements for "Lo Del Corazó"; "Bibliography for the Exhibit 'Folk Art of Michcacan'" by Susan Warren-Kunkler; "Assessment of the Mexican Museum, Museum Assessment Program, American Association of Museums"; "Communal Land Paintings From Central Mexico: An Overview" by Marion Oettinger, Jr., Curator of Folk Art and Latin American Art, San Antonio Museum Association; "But Is It Folk? Defining the Field" by Joyce M. Bishop, presented at "From the Inside Out..."; typescript of essay by Jim Griffith, no title; "Notes Toward An Interpretive History of California-Mexican Music" by Manuel Peña; "From the Inside Out..." symposium program; postcard to TYF from Aurelio and Cecilia Barrera, 10/27/1987; letter to TYF from David de la Torre, Director, The Mexican Museum, 02/08/1988, re. dinner to honor TYF; bound volume, From the Inside Out... Proceedings from the conference, ed. Karana Hattersley-Drayton, Joyce Bishop, TYF, 1989; NEH grant application materials; Christmas card to TYF from Marie Acosta-Colón; slides; letter to José Montoya, from Peter Rodriguez, 11/30/1990, (cc: TYF; photocopy; grant proposals; "The Mexican Museum Long Range Work Plan," CAC Multicultural Advancement Program, circa 1993; photocopy of letter to TYF from Jonathan [Yorba], 06/05/1996; note to Jonathan [Yorba] from TYF, 06/17/1996; artist biographies by TYF, undated: Daniel Salazar and José Alfredo Mendoza Arreguín; newsletter: vol. 7 Spring 1982; vol. 8 (Summer 1983); Winter and Spring 1988; Spring/Summer 1990; Fall/Winter 1990; Fall 1991; Winter/Spring 1992; Spring/Summer 1992; Fall 1992; Winter/Spring 1993; Fall 1993; Winter 1997; Fall 1998; Spring - Fall 1999; Winter 2000 - Summer 2001)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files / Mexican Museum, continued
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1112

Museum of International Folk Art, Houston, Texas

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 20, Folder 34
Type:
Archival materials
Date:
1990-1991
Scope and Contents note:
(note to TYF from Raúl [Berrera], 12/07/1990 with illustration; museum brochures)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1228

Las Notícías, Newsletter, Pasadena, California (see also: Folk Art),

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 21, Folder 28
Type:
Archival materials
Date:
1986-1989
Scope and Contents note:
(issues Nov./Dec. 1986; Feb./March 1987; Nov./Dec. 1989)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1283

Paño Arte (see also: Museum of International Folk Art),

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 22, Folder 18
Type:
Archival materials
Date:
1971-1997, undated
Scope and Contents note:
(clippings; exhibition announcements; Mexican-American Self-Help (MASH) Seminar Report on Prison Reform; exhibition guide; photographs of art and information about the exhibition Paño Art From the Inside Out, Museum of International Folk Art)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1317

Sin Nombre: Hispana and Hispano Artists of the New Deal Era, Exhibition, Museum of New Mexcio Museum of International Folk Art, Santa Fe, New Mexico (see also: Flore y Canto: Reflections From Nuevo Mexico)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 25, Folder 42
Type:
Archival materials
Date:
1999, 2001
Scope and Contents note:
(clippings; exhibition announcement; catalog; self-guided tour booklet; artist list; report - fax; Christmas card to TYF from Tey Marianna Nunn and Jim Ross, 2001)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1559

Essay (see also: Folk Art)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 27, Folder 34
Type:
Archival materials
Date:
undated
Scope and Contents note:
(abstract of a proposal for a panel addressing the future of Chicano Art; TYF's notes on folk art with names of specialists and bibliographic information)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files / Texas - Arte Chicano
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1700

General

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(see also: Amado, Jesse; Barraza, Santa; Briseño, Rolando; Casas, mel; Lomas Garza, Carmen; González, Robert; Huerta, Benito; Martínez, César; Quirarte, Jacinto; Reyes, Felipe; Treviño, Jesse; Box 30)
Container:
Box 27, Folder 35-37
Type:
Archival materials
Date:
1964-1990
Scope and Contents note:
(lists of artists; clippings; letter to TYF from Charles Richard Carlisle, Southwest Texas State University, 08/01/1980; catalogs; press release; generic letter to members of Xochil Art Institute from Xavier Gorena, 03/1982; letter to TYF from Ida Rodríguez Prampolini, 08/05/1982; letter to TYF from Ricardo Rodríguez Burgess, 08/25/1982; letter to TYF from Jaime Labastida, 08/13/1982; event and exhibition announcements; catalog, New Works By Austin Artists with inscription to TYF from Santa Barraza; catalogs: Houston Hispanic Artists: New Views, The Glassell School of Art, Museum of Fine Arts, Houston, Texas, 1987; and Arte Entre Nosotros: Mexican American Folk Art of San Antonio, San Antonio Museum of Art and Guadalupe Cultural Arts Center, San Antonio, Texas, 1986; catalog, Tejanos: artistas Mexicano-norteamericanos, 1990, with text by Jacinto Quirarte; letter to TYF from Harwood Hinton, Editor, Texas State Historical Association Handbook of Texas; essays)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files / Texas - Arte Chicano
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1702

Flore y Canto: Reflections From Nuevo Mexico, Exhibition, Museum of International Folk Art, Museum of New Mexico, Santa Fe, NM

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 10, Folder 9
Type:
Archival materials
Date:
2002
Scope and Contents note:
(exhibition announcement; letter to TYF from Tey [Nunn], Museum of International Fold Art, Museum of New Mexico, 10/30/2002; press release; clipping; draft sections of catalog)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref691

Folk Art

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 10
Type:
Archival materials
Date:
1983-1987
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref698

ArtSpace Southwestern Contemporary Arts Quarterly Special Issue: Ethnic and Folk Art Tradition and Translation, Spring

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 10, Folder 13
Type:
Archival materials
Date:
1987
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files / Folk Art
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref699

General

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 10, Folder 14
Type:
Archival materials
Date:
1982-87
Scope and Contents note:
(course bibliography, University of Washington Continuing Education; TYF's notes on folk art; flyers; lecture announcement; brochures; exhibition announcements; San Antonio Museum Un-School schedule; San Antonio Museum Association Quarterly, Autumn 1986; letter to TYF from David J. de la Torre, Executive Director, The Mexican Museum, San Francisco, 08/06/1986, invitation to symposium, Mexican Folklife, Folklore and Folk Art: Impact and Meaning in a Contemporary Context; grant application for symposium, Mexican Folklife, Folklore and Folk Art: Impact and Meaning in a Contemporary Context; clippings; Las Notícías [community newsletter], Pasadena, California: Nov-Dec. 1984, Jan.-Feb. 1985, May-June [1985], Sept.-Oct. [1985], Nov-Dec. [1985], Mar.-Apr. [1986], May-June-July [1986], Sept.-Oct. [1986], last page of issue 6)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files / Folk Art
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref700

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