7.4 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Sketchbooks
Date:
1912-1986
Scope and Contents:
Correspondence, writings, art works, scrapbooks, printed material, photographs, and files on Julio De Diego and Kimon Nicolaides and other topics, related to Bridaham's career as an artist and writer.
REEL 8: Printed material, including articles written by Bridaham for periodicals (1950-1957), 15 exhibition catalogs (1928-1968), clippings by and about Bridaham (1930-1959), 6 press releases (1956-1957), a transcript of a radio discussion which included Bridaham (1951), 2 advertisements, a lecture announcement (1957), instructions on using egg tempera for Bridaham's students, a guide book to the Louisiana State Museum (1956), brochures about Strathmont Museum (1958), and resumes.
REEL 3: Material related to Kimon Nicolaides, including a radio address given by him, 1933; publicity for his book THE NATURAL WAY TO DRAW; exhibition catalogs; clippings; press releases; and a photograph of one of his sculptures. [Microfilm title: Kimon Nicolaides papers]
UNMICROFILMED: Correspondence with Kimon Nicolaides and Henry Schnackenberg (1921-1923), Julio De Diego (1941-1952), Ethel Spears (1961), Isabel Bishop (1975), and George and Edith Rickey. Letters to Mamie Harmon concern a Nicolaides exhibition and book (1938-1941). Writings include nine v. of diaries (1946-1954) kept during his tenure at the Art Institute of Chicago, and notes and drafts for an unpublished book (1938-1982).
Subject files concerning Ivan Albright's poetry, the Colonial Craft Survey for Massachusetts (1935), Olof Krans (1939), the reorganization of the Metropolitan Museum's photographic department (1949), Romanesque and Gothic sculpture and the Society for Contemporary American Art. A file (1921-1983) on Julio De Diego contains Bridaham's research materials, sketches and drawings by the artist, a journal kept by De Diego in New York (1932) and photographs of De Diego, his family including third wife Gypsy Rose Lee, friends and art works. Kimon Nicolaides' file (1921-1986) contains his writings and drawings (1928), drawings by Vivian Gordon and Howard Ahrens (1923-1986), photographs and other research materials.
Printed materials consists of clippings (1930-1972), "The Chicago Artist" newsletter (1938), press releases, a book cover, Artists Equity publications (1952-1953), posters, exhibition catalogs and anouncements and membership cards. Photographs show Bridaham, friends, National Art Week activities with Macena Barton, Charles Biesel, Jules Eboli and Richard Florsheim, his studio and drawings (1928-1949). Other materials include over 150 prints and drawings (1927-1977) of Moroccan scenes, Colorado wildflowers and other subjects, resumes, an illustrated notebook of Bridaham's plans for art works (1931-1932) and a list of his works (1974).
ADDITION: Material concerning the latter part of Bridaham's life, including original works of art, photographs, a dream sketchbook (1945), a notebook devoted to Julio de Diego; Bridaham's letters to Jeanette Fowler, 1989-1990 and other correspondence, 1940s-1950s; and printed material.
Biographical / Historical:
Museum director, art historian, painter, and printmaker; d. 1992. Bridaham received a degree in chemical engineering from M.I.T. and studied art history at Harvard's Fogg Museum from 1936-1937. He received a 1931 American Field Service fellowship for study in France and Morocco, and studied studio art at the Art Students League under Kimon Nicolaides and Kenneth Hayes Miller. Between 1938 and 1954, Bridaham was a staff officer at the Art Institute of Chicago. He was also the director of the Louisiana State Museum, New Orleans, and of the Strathmont Museum, Elmira, N.Y. He is the author of Gargoyles, Chimeras and the Grotesque in French Gothic Sculpture.
Related Materials:
Lester Bridaham photographs and papers relating to gargoyles, 1895-1987, are located at The Getty Research Institute Special Collections.
Provenance:
Donated 1974-1987 by Lester Burbank and Dorothy Bridaham. In 1996, an additional 0.8 ft. was donated from the Jeanette Fowler estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
The records of the Arwin Galleries consist primarily of artists' files (6 ft.), subject files (1 ft.), as well as general correspondence, photographs, various art work, motion picture film, printed material, and some scattered financial and other business records.
Artists' files, 1948-1981 contain correspondence, photographs, art work, printed material, writings and business records on 86 artists, including Harold Altman, Irving Berg, Harry Bertoia, William Bostick, Graciela Rodo Boulanger, Thomas Brun, John Butkin, Ray Cattell, Irma Cavat, Chuang Chi, Mihran Chobanian, Joseph Cibere, Max Arthur Cohn, Lila Copeland, Joseph Demariais, Jan De Ruth, Dick Van Dyk, Ray Elman, Kosso Eloul, Richard Fairfield, Leo Figiel, Richard Florsheim, Max Ginsburg, Harry Glassgold, Libby Golden, John Gould, Ken Guild, Frank Howell, Colette P. Iktin, Richard Jerzy, W. Louis Jones, Max Kahn, Charles Kaiman, Herbert Kallem, Deborah Kashdan, Ed Kasprowicz, John Kearney, Barbara Keidan, Richard Kozlow,
Allen Leepa, Rita Letendre, William Lewis, Leslie Loomis-Vansen, Clifton McChesney, Thomas McClure, Harry Mintz, Albert Noyer, Elliot Offner, John Pappas, Robert Parker, Richard Pepitone, James Pinto, Linda Plotkin, Steve Poleskie, Edward Pramuk, Renée Rauzy, Louis Redstone, Romanos Rizk, Clare Romano, John Ross, Jean Rouzaud, Stephen Rymph, Marlis Saunders, Leonard Schwartz, Tom Seawell, Ben and Bernarda Bryson Shahn, David Sharp, Fred Simper, Don Snyder, Jo Snyder, Nancy S. Stanford, Romeo Tabuena, David Tammany, Ann Taylor, Cledie Taylor, Russel Thayer, Lynn Tillery, Richard Treaster, John Van Haren, Emil Weddige, Derek Werwiter, Sol Wilson, Alex Wyse, Adja Yunkers, and David Zelman.
Subject files, 1963-1981, are on galleries, cities, styles of art, organizations and other topics.
Correspondence consists of Lester Arwin's personal correspondence, 1959-1980, and business correspondence, 1958-1981. Art works include greeting cards, paintings, sketches and prints. One reel of motion picture film and two reels of photonegatives are of the 1963 gallery fire. Photographs and slides are of Lester and Kathleen Arwin, their family and friends, gallery installations and openings, art works by Irma Cavat, John Kearney and others, and portraits of artists, including Ben Shahn and Richard Kozlow. Printed material, 1956-1980, consists of clippings, exhibition announcements and a sample book of prints CE CARACATURE NOEL, 1956.
Also found are notes for speeches by Lester Arwin; news releases; business and financial records, 1960-1981, regarding appraisals, framers, graphics companies, insurance, loans and sales, and including a ledger and an inventory made after the 1963 fire.
Biographical / Historical:
Art gallery; Detroit, Mich. Founded in 1963 by Lester and Kathleen Arwin. Specialized in contemporary art. Closed in 1981.
Provenance:
Donated 1981 and 1984 by Melanie Arwin, the daughter of Lester and Kathleen Arwin.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Art, Modern -- 20th century -- United States Search this
An interview of Richard A. Florsheim conducted 31 Aug. 1968, by Dorothy Seckler, for the Archives of American Art.
Biographical / Historical:
Richard A. Florsheim (1916-1979) was a painter and printmaker of Chicago, Ill.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 28 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Catalogues, exhibition announcements, articles, and clippings.
Biographical / Historical:
Painter, sculptor, etcher, lithographer, educator, lecturer, and writer (Chicago, Ill., and Provincetown, Mass.)
Related Materials:
Richard A. Florsheim papers also at Syracuse University.
Provenance:
Donated 1972 by Richard A. Florsheim.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Sound recording: 3 5" tape reels and 2 sound cassettes
113 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1971-1976
Scope and Contents:
An interview of Richard A. Florsheim conducted 1971-1976, by Robert Brown, for the Archives of American Art.
4 sessions: Aug. 31, 1971 (49 p. transcript), Aug. 30, 1972 (64 p. transcript), Oct. 3, 1972, and July 14, 1976.
Biographical / Historical:
Richard A. Florsheim (1916-1979) was a painter and printmaker from Chicago, Ill.
General:
An unrealted interview of W. G. (William George) Constable conducted 1972 July -1973 June, by Robert Brown, is on cassette 2 of this interview.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
An interview of Sylvan Cole conducted 2000 June-October, by Avis Berman, for the Archives of American Art.
The interviews took place over five sessions in New York, New York. Cole discusses the history of Associated American Artists, the gallery for whom he began working in 1946, and its marketing techniques, customer base, and personalities, such as its founder, Reeves Lewenthal. He also traces his own development as a dealer in prints after he left AAA and recalls many artists and other figures in the art world, including Will Barnet, Werner Drewes, Richard Florsheim, Helen Frankenthaler, David Hockney, Hans Hofmann, Edward Hopper, Una Johnson, Jacob Kainen, Jack Levine, William S. Lieberman, Robert Motherwell, and Raphael Soyer.
Biographical / Historical:
Sylvan Cole (1918-2005) was an art dealer and writer of New York, New York.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 7 hr., 6 min.
Sound quality is fair; beginning and endings of tapes tend to be garbled and low.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art dealers -- New York (State) -- New York -- Interviews Search this
Authors -- New York (State) -- New York -- Interviews Search this
The Richard Florsheim Art Fund records measure 15.0 linear feet and date from 1990-2003. Included are files arranged alphabetically concerning more than 300 grant recipients of the Richard Florsheim Art Fund. Files contain correspondence, grant proposals, biographies, slides or reproductions of works of art, catalogs, and miscellany.
Biographical / Historical:
The Richard Florsheim Art Fund (est. 1989) is an art organization in Tampa, Florida. Established in the will of artist Richard Floresheim (1916-1979), the Fund was created to support living American artists, age 60 or older, by funding exhibitions that included the publication of a substantive catalogs and by purchasing works for the collections of nonprofit institutions.
Provenance:
Donated 2004 by the Richard Florsheim Art Fund via August L. Freundlich, president of the Richard Florsheim Art Fund.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
4.5 Linear feet ((partially microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1920]-1964
Scope and Contents:
Correspondence, writings, photographs, art work, subject files, scrapbooks, and printed material.
REELS D211-D213: Ralph Mayer's correspondence is with artists, conservators, museum directors, publishers, art organizations, and others. Notebooks contain data on 19th century canvas makers and dealers of artists' materials. Also included are correspondence and a ledger regarding restoration and conservation of paintings, 1929-1963; files on Columbia University, the National Academy of Design, the Newark Museum, The New York State Department of Commerce, the Whitney Museum of Art, subway murals, and other subjects; and correspondence with the U.S. Department of Commerce regarding standards for paints and pigments. Photographs are of Ralph Mayer's paintings. Correspondents include: George Biddle, Isabel Bishop, Alexander Brook, Charles Burchfield, Richard A. Florsheim, Victor Hammer, Stefan Hirsch, Peter Hurd, Lilian MacKendrick, Kenneth H. Miller, Walter Pach, Abraham Rattner, John Sloan, and David Smith.
Bena Frank Mayer's papers consist of biographical material, clippings, correspondence, exhibition catalogs and announcements, and photographs of her paintings. Two scrapbooks contain printed material, letters, and photographs regarding the Mayers' careers.
UNMICROFILMED: Correspondence includes Ralph Mayer's, 1930-1964, mainly concerning the use of artists' materials, Bena Frank correspondence, 1910-1977, and letters concerning Mayer's book, The Painter's Craft, 1948. Among his correspondents are Josef Albers, Thomas Hart Benton, Isabel Bishop, Georgia O'Keeffe, Walter Pach, Paul Sample, John Sloan, and Frederic Taubes. Subject files are on the Artists' Laboratory, the Art Students League, Gustav Berger, Huntington Hartford, the MacDowell Colony, the National Academy of Design, Diego Rivera murals, subway murals, and other subjects. Writings consist of papers on commercial standards of paint, a typescript of The Painter's Craft, and lecture notes from classes Mayer taught at the Art Students League and Columbia University.
Art work consists of sketchbooks and sketches. Photographs are of the Mayers, their studios, family, friends, and paintings. Printed material includes exhibition catalogs and announcements, brochures, clippings, and posters. There are also six scrapbooks, ca. 1930-1940, containing clippings, photographs, letters received, and printed material.
Biographical / Historical:
Ralph Mayer: conservator, restorer, painter. Died 1979. Bena Frank Mayer: painter. They lived in New York. Ralph Mayer was educated as a chemical engineer, and spent several years working in the manufacture of paints and varnishes. He also studied painting at the Art Students League. His work in conservation and artists' materials led him to found the Artists Technical Research Institute in 1959. Author of The Artists Handbook of Materials and Techniques (1940) and The Painter's Craft (1948), and numerous articles. Taught at Columbia University.
Provenance:
Material on reels D211-D213 was lent for microfilming in 1965 by Ralph Mayer. Portions were subsequently donated along with unmicrofilmed material, 1972-1979, by Ralph and Bena Frank Mayer.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Sheeler, Charles, 1883-1965 -- Photographs Search this
Stella, Joseph, 1877-1946 -- Photographs Search this
Extent:
0.6 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
ca. 1940-1960
Scope and Contents:
Photographs of 47 American artists taken by Newman.
REEL 153: Artists include: Gertrude Abercrombie, Josef Albers, Ivan Albright, Milton Avery, Peggy Bacon, William Baziotes, Ludwig Bemelmans, Boris Blai, Julis Bloch, Harry Botkin, Alexander Brook, Charles Burchfield, David Burliuk, Alexander Calder, Federico Castellon, Nicolai Cikovsky, Francis Criss (2), Jo Davidson, Willem De Kooning, Philip Evergood, Lyonel Feininger, Richard Florsheim, William Gropper, Chaim Gross (2), John Groth, Louis Guglielmi, Philip Guston, Robert Gwathmey, David Hare, Morris Hirshfield, Hans Hofmann, Edward Hopper, Paul Jenkins, Mervin Jules, Morris Kantor, Joseph Kaplan, Karl Knaths, Leon Kroll, Ibram Lassaw, Robert Laurent, Julian Levi, Jack Levine, and Jacques Lipchitz.
REEL 1027: Stuart Davis, Yasuo Kuniyoshi, and Charles Sheeler.
UNMICROFILMED: Jacob Lawrence (2) and Joseph Stella (2).
Biographical / Historical:
Portrait photographer; New York City; b. New York, N.Y., Mar. 3, 1918; d. June 6, 2006, New York, N.Y.
Provenance:
Donated 1961 by Arnold Newman.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Photographers -- New York (State) -- New York Search this
Topic:
Artists -- United States -- Photographs Search this
Correspondence; photographs; writings and lecture notes; and printed material; and a scrapbook.
Circa 300 personal letters, 1945-1970, to Pollack from painter Richard Florsheim.
Files of correspondence and clippings pertaining to Pollack's career as a curator and photography historian. Most of the files concern Pollack's book "The Picture History of Photography." Other files concern Pollack's work on publications for Harry N. Abrams, Inc., the Worcester Art Museum and the Art Institute of Chicago. Also included are writings and lecture notes; a few letters and clippings from scrapbooks; and miscellany. Correspondents include: Ansel Adams, Gyuia Halasz Brassai, Sylvan Cole, Julio De Diego, Helmut Gernsheim, Philippe Halsman, Dimitrios Harissiadis, Yousuf Karsh, Grace M. Mayer, and Beaumont Newhall.
Personal correspondence, 1954-1976, with Richard Florsheim discussing various career choices and projects, exhibition openings, Florsheim's art dealers, and book projects Florsheim was involved in; project files, 1948-1962, regarding Pollack's position as the New York City-based Public Relations Consultant for the Archives of American Art, the Cincinnati Art Museum, the Guggenheim, and other institutions. Included are letters, news releases, catalogs, announcements and some photographs and clippings of such projects as the International Biennial of Prints and the AAA European art tour trip.
Also included is a scrapbook, 1939-1943, concerning exhibitions and activities of the South Side Community Art Center, Chicago, sponsored by the Illinois Art Project of the WPA-FAP and supervised by Pollack, 1938-1942. The center's purpose was to advance African American art and artists. Included are by-laws; letters from Alain Locke, and Richmond Barthe; photographs of Pollack, Jules Carlen, Horace Pippin, Eldzier Cortor, Canada Lee, Julio de Diego, Jesus Torres, and Eleanor Roosevelt at the dedication of the center, 1941; a typescript of a lecture by Daniel Catton Rich "The Art Museum and the Community Art Center," delivered at the Museum Director's conference, Detroit Institute of Arts, May 1940, newspaper clippings, exhibition announcements and catalogs and other printed material.
Biographical / Historical:
Peter Pollack (1909-1978) was a photographer, curator, historian, and writer in New York, N.Y.
Provenance:
Material on reels 822 and 4886-4887 donated 1974-1977 by Pollack, except for the scrapbook which was donated by Jane de Hart, an art historian at the University of North Carolina at Chapel Hill, who received it from Pollack for her research on African American artists and WPA projects. Material on reels 2385-2390 was lent for microfilming in 1981 by Creilly Pollack, Pollack's widow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Interviews are untranscribed; use requires an appointment and is limited to AAA's Washington, D.C. and New York, N.Y Research Centers. Interviews without a duplicate copy requires advance notice
The donor has specified as a condition of the gift that the tapes may not be transcribed or edited
Sailing with Richard Florsheim & Balcomb Greene : Harmon-Meek Gallery, Naples, Florida, March 27-April 2, 1983 [and] District Court of Appeal, Tallahassee, Florida, April 10-May 10, 1983
