300 Prints (circa, albumen and silver gelatin (some copy prints))
1 Drawing
Type:
Collection descriptions
Archival materials
Prints
Drawings
Photographs
Place:
Marco Island (Fla. : Island)
Tarpon Springs (Fla.)
Florida -- Antiquities
Date:
1895-1896
Scope and Contents note:
The collection consists of photographs collected by Frank Hamilton Cushing that document archeological sites at Key Marco and Tarpon Springs, Florida. Photographs include views of scenery, sites, excavations, a few objects in situ, and other objects after excavation and cleaning. The photographs may have been made by Wells Moses Sawyer, photographer and artist for Cushing's expeditions in Florida.
Biographical/Historical note:
Frank Hamilton Cushing (1857-1900) was curator of the ethnological department of the United States National Museum and an ethnologist for the Bureau of American Ethnology (1876-circa 1886), best known for his work with at Zuni. In 1895 and 1896, he went to Florida due to ailing health and undertook archeological work on Florida's western coast with the joint sponsorship of the Bureau of American Ethnology and Dr. William Pepper of the University of Pennsylvania. He embarked on reconnaissance in May-June 1895 and conducted large-scale explorations in December 1895-April 1896.
Local Call Number(s):
NAA Photo Lot 2
Location of Other Archival Materials:
The original negatives for the prints and some additional negatives not printed are in National Anthropological Archives Photo Lot 14 subject and geographic file of negatives.
The artifacts depicted in these photographs were probably divided between the Department of Anthropology collections at the Smithsonian Institution and the University of Pennsylvania's museum.
The National Anthropological Archives also holds Cushing's papers (MS 2009-06, MS 4780, and MS 1847), photographs (MS 1839), and manuscripts relating to Cushing's work in Florida (MS 2527, MS 2526, MS 1849-b, MS 1849-a, MS 1848, MS 1846, MS 1844-b, MS 1844-a, MS 1842, MS 1841, and MS 1840)
The Beinecke Rare Book and Manuscript Library at Yale University also holds some of the Frank Hamilton Cushing papers, 1876-1892.
Photo lot 2, Frank Hamilton Cushing photograph collection relating to excavations on the west coast of Florida, National Anthropological Archives, Smithsonian Institution
600 Prints (circa, silver gelatin and contact prints (including stereographic images))
325 Negatives (circa)
3 Maps
Type:
Collection descriptions
Archival materials
Color prints
Sketches
Prints
Negatives
Maps
Drawings
Photographs
Place:
Horry County (S.C.) -- Antiquities
Virginia -- Antiquities
Maryland -- Antiquities
Glynn County (Ga.) -- Antiquities
Florida -- Antiquities
Washington (D.C.) -- Antiquities
Sussex County (Del.) -- Antiquities
Date:
circa 1930-1960
Scope and Contents note:
The collection includes photographs of excavations and artifacts relating to Stearns' archeological work in Delaware, the District of Columbia, Florida, Georgia, Maryland, Pennsylvania, South Carolina, and Virginia. There are also some sketches of artifacts and excavation sites, as well as notes on pictured artifacts. One photo album relates to Stearns' work in Florida, while the other contains photographs of various sites in Maryland, including Conowingo.
The collection relates to work in Sussex County in Delaware; the District of Columbia; Bay, Collier, Flagler, Franklin, St. Johnʹs, St. Lucie, and Volusia counties in Florida, Glynn County in Georgia; Anne Arundel, Baltimore, Calvert, Cecil, Charles, Frederick, Harford, Howard, Kent, Montgomery, Prince Georges, Queen Anneʹs, and St. Maryʹs counties in Maryland; Horry County in South Carolina; and Loudon and Page counties in Virginia.
Biographical/Historical note:
Richard E. Stearns (1902-1969) was a commercial photographer and amateur archeologist of Maryland's prehistory. He was known for his photographic documentation, particularly of sites and specimens, most notably at Conowingo, a large village site on the Susquehanna River. In the 1930s, he became a curator for the Department of Archeology of the Natural History Society of Maryland, a position he held for over thirty years. In the 1940s, Stearns published Nicholas Yinger's investigations of the Hughes site, as well as his own investigations of sites in Maryland.
The National Museum of Natural History's Department of Anthropology holds artifacts donated by Stearns, in accessions 163264, 176236, 182055, 183968, 186144, 188274, 200211, 202602, 247561, and 308221.
Additional photos by Stearns can be found in the National Anthropological Archives in MS 4524.
Davis, E. H. (Edwin Hamilton), 1811-1888 Search this
Artist:
Squier, E. G. (Ephraim George), 1821-1888 Search this
Extent:
18 Linear feet (21 folders and 1 box)
Type:
Collection descriptions
Archival materials
Works of art
Drawings
Place:
North America
Central America
South America
Date:
circa 1855-1937
Scope and Contents:
The collection consists primarily of a portfolio of 92 drawings of Davis' collection of artifacts and related documentation. The collection also contains letters to Davis, notes, and drawings relating to Peruvian, Mexican, and Central American artifacts, as well as drawings by Ephraim G. Squier presumably used as references for some of the drawings in the portfolio.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Biographical Note:
Edwin Hamilton Davis (1811-1888) was an archaeologist and physician who is best known for his evcavation of the mounds in the Mississippi Valley and his collection of prehistoric artifacts.
Davis graduated from Cincinnati Medical College in 1838, and practiced medicine in Chillicothe, Ohio. In 1850, he joined the faculty of New York Medical College. He also served as an editor of the American Medical Monthly.
A self-taught archaeologist, in 1836 Davis aided Charles Whittlesey in his explorations of mounds in Ohio. From 1845 to 1847 with Ephraim G. Squier, Davis surveyed nearly one hundred earthworks, including the Serpent Mound in Peebles, Ohio and the Mound City Group in Chillicothe, Ohio. The results of these surveys were published as "Ancient Monuments of the Mississippi Valley" in the Smithsonian's first publication, Contributions to Knowledge, v. 1. In 1854 he delivered a series of lectures on archaeology at the Lowell Institute Boston, and also in Brooklyn and New York City. He was elected a member of the American Antiquarian Society in 1858. Davis gathered a large collection of mound relics, which became part of the collection at the Blackmore Museum in Salisbury (UK). The collection was acquired by the British Museum in 1931.
Davis died in 1888 in New York City and was buried at the Grandview Cemetery, Chillicothe in Ohio.
Exhibition Note:
The portfolio was exhibited by the Florida Archaeology Society and Tampa Bay Museum in 1937.
Related Materials:
The British Museum holds Davis' collection of artifacts, many of which are illustrated in the portfolio.
The material consists mostly of photographic prints. A few negatives, photomechanical prints, tintypes, drawings, newspaper clippings, notes, and letters are also included. Much of the material is annotated. In part, the file was assembled for or relates to many accessions and cataloging units of the division.
The material was received from professionals and amateurs, mostly working in North America. The images are of artifactual and skeletal specimens, fradulent specimens, collections of specimens, sites, excavations, site features, ruins, petroglyphs, and field parties. A few are reproductions of maps and portraits of native people. Some of the specimens are in the Smithsonianʹs collections, but many are not.
Included among the many subjects are photographs of Dighton Rock in Massachusetts; many ruins of the 1931 Moundville, Alabama, excavation; Tlingit burial boxes; excavations, specimens, and Aleut portraits taken by Waldemar I. Jochelsonʹs Ethnological Section of the Riaboushinsky Expedition, 1909-1912; Richard Wetherillʹs party in Mancos Canyon, Colorado, and F. S. Hempsteadʹs Archaeological and Topographic Map of Portsmouth," [Ohio].
Some of the material relates to the work of Charles L. Bernheimer in Utah, Burnham S. Colburn in Georgia and North Carolina, Thomas Featherstonehaugh in Florida, Otto William Geist in Alaska, A. T. Hill in Nebraska, Walter Hough in Arizona (for the Gates-United States National Museum Expedition, 1901), George Langford in Illinois, Henry Montgomery in North Dakota, Clarence B. Moore in Florida, Henri F. Pittier in Costa Rica, and F. B. Stebbins in Tennessee. Collections are those of Charles Artes (filed Indiana), Thomas Beckwith (filed Missouri), C. W. Branch (filed West Indies), Burham S. Colburn Cherokee relics (filed North Carolina), James Pillars (filed Ohio), Governor Price (frauds from New Mexico), Ephraim George Squier and Edwin Hamilton Davis (filed Ohio).
The material is from Alabama, Alaska, Arizona, Arkansas, California, Colorado, Connecticut, Delaware, Florida, Georgia, Illinois, Indiana, Iowa, Kansas, Kentucky, Maryland, Maine, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, Nebraska, Nevada, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, South Carolina, Tennessee, Texas Utah, Virginia, Washington, Costa Rica, British Columbia, Canada, New Zealand, Nova Scotia, South Pacific, and West Indies.
The works of many photographers are included. Among them are John K. Hillers, William Henry Jackson, Sumner W. Matteson, Edgar A. Mearns, Victor Mindeleff, and Timothy H. OʹSullivan.
To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.
Scope and Contents:
The James Henri Howard papers document his research and professional activities from 1949-1982 and primarily deal with his work as an anthropologist, archeologist, and ethnologist, studying Native American languages & cultures. The collection consists of Series 1 correspondence; Series 2 writings and research, which consists of subject files (language and culture research materials), manuscripts, research proposals, Indian claim case materials, Howard's publications, publications of others, and bibliographical materials; Series 3 sound recordings of Native American music and dance; Series 4 photographs; and Series 5 drawings and artwork.
Howard was also a linguist, musicologist, and folklorist, as well as an informed and able practitioner in the fields of dance and handicrafts. His notable books include Choctaw Music and Dance; Oklahoma Seminoles: Medicines, Magic, and Religion; and Shawnee! The Ceremonialism of a Native American Tribe and its Cultural Background.
Some materials are oversize, specifically these three Winter Count items: 1. a Dakota Winter Count made of cloth in 1953 at the request of James H. Howard, 2. a drawing of British Museum Winter Count on 4 sheets of paper, and 3. Photographs of a Winter Count.
Arrangement:
This collection is arranged in 5 series: Series 1. Correspondence, 1960-1982, undated; Series 2. Writings and Research, 1824-1992; Series 3. Sound Recordings, 1960-1979; Series 4. Photographs, 1879-1985; Series 5. Drawings and Artwork, 1928-1982.
Chronology:
1925 -- James Henri Howard was born on September 10 in Redfield, South Dakota.
1949 -- Received his Bachelor of Arts from the University of Nebraska.
1950 -- Received his Master of Arts from the University of Nebraska and began a prolific record of publishing.
1950-1953 -- Began his first professional employment as an archaeologist and preparator at the North Dakota State Historical Museum in Bismarck.
1955-1957 -- Was a museum lecturer at the Kansas City (Missouri) Museum.
1957 -- James H. Howard received his Ph.D. at the University of Michigan. Joined the staff of the Smithsonian's River Basin Surveys in the summer.
1957-1963 -- Taught anthropology at the University of North Dakota.
1962 -- Chief archeologist at the Fortress of Louisberg Archeological Project in Nova Scotia.
1963-1968 -- Taught anthropology at the University of South Dakota; State Archeologist of South Dakota; Director of the W. H. Over Dakota Museum.
1963-1966 -- Director of the Institute of Indian Studies, University of South Dakota.
1968-1982 -- Associate professor of anthropology at Oklahoma State University at Stillwater (became a full professor in 1971).
1979 -- Consulted for exhibitions at the Western Heritage Museum in Omaha, Nebraska.
1982 -- Died October 1 after a brief illness.
Biographical/Historical note:
James H. Howard was trained in anthropology at the University of Nebraska (B.A., 1949; M.A., 1950) and the University of Michigan (Ph.D., 1957). In 1950-1953, he served as archeologist and preparator at the North Dakota State Historical Museum; and, in 1955-1957, he was on the staff of the Kansas City (Missouri) Museum. During the summer of 1957, he joined the staff of the Smithsonian's River Basin Surveys. Between 1957 and 1963, he taught anthropology at the Universtity of North Dakota. Between 1963 and 1968, he served in several capacities with the University of South Dakota including assistant and associate professor, director of the Institute of Indian Studies (1963-1966), and Director of the W.H. Over Museum (1963-1968). In 1968, he joined the Department of Sociology at Oklahoma State University, where he achieved the rank of professor in 1970. In 1979, he was a consultant for exhibitions at the Western Heritage Museum in Omaha, Nebraska.
Howard's abiding interest were the people of North America, whom he studied both as an ethnologist and archeologist. Between 1949 and 1982, he worked with the Ponca, Omaha, Yankton and Yaktonai Dakota, Yamasee, Plains Ojibwa (or Bungi), Delaware, Seneca-Cayuga, Prairie Potatwatomi of Kansas, Mississipi and Oklahoma Choctaw, Oklahoma Seminole, and Pawnee. His interest in these people varied from group to group. With some he carried out general culture studies; with other, special studies of such phenomena as ceremonies, art, dance, and music. For some, he was interest in environmental adaptation and land use, the latter particularly for the Pawnee, Yankton Dakota, Plains Ojibwa, Turtle Mountain Chippewa, and Ponca, for which he served as consultant and expert witness in suits brought before the United Stated Indian Claims Commisssion. A long-time museum man, Howard was also interested in items of Indian dress, articles associated with ceremonies, and other artifacts. He was "a thoroughgoing participant-observer and was a member of the Ponca Hethuska Society, a sharer in ceremonial activities of many Plains tribes, and a first-rate 'powwow man'." (American Anthropologist 1986, 88:692).
As an archeologist, Howard worked at Like-a-Fishhook Village in North Dakota, Spawn Mound and other sites in South Dakota, Gavin Point in Nebraska and South Dakota, Weston and Hogshooter sites in Oklahoma, and the Fortess of Louisbourg in Nova Scotia. He also conducted surveys for the Lone Star Steel Company in Haskall, Latimer, Le Flore and Pittsburg counties in Oklahoma.
Related Materials:
Howard's American Indian Cultural Collection of Costumes and Artifacts, that he acquired and created during his lifetime, is currently located at the Milwaukee Public Museum. In Boxes 19-21 of the James Henri Howard Papers, there are photographs with accompanying captions and descriptions in binders of his American Indian Cultural Collection of Costumes and Artifacts that his widow, Elfriede Heinze Howard, created in order to sell the collection to a museum.
Provenance:
These papers were donated to the National Anthropological Archives by James Henri Howard's wife,
Elfriede Heinz Howard, in 1988-1990, 1992, & 1994.
Restrictions:
The James Henri Howard papers are open for research.
Access to the James Henri Howard papers requires an appointment.
Photographs relating to or made during Setzler's archaeological work. Images depict surveys and excavations, artifacts and burials, archaeological crew members, and other individuals. They document work in Ohio (including the original Hopewell site on Paint Creek, Turner site, Newark site, High Bank Works, Tremper Mound, Seip Mound, Turner Group, Miamisburg Mound, Serpent Mound, and the Madisonville site), Wisconsin (including the Schwert group, Nicholls mound, and Trempealeau group), Louisiana (including the Marksville works and sites at Saline Point, Johnson place, and West Carroll, Madison, and Union parishes), Arkansas (including the Foster Place site). Some photographs portray the excavation of an Indian canoe on Cumberland Island in Georgia, and a body found in Mammoth Cave, Kentucky. Photographs of views in Georgia, North Carolina, South Carolina, and Florida relate to the work of the De Soto Commission. Photographs from the 1948 Arnhem Land Expedition largely relate to Yirrkala, Milingimbi, Oenpelli (Gunbalanya), and Groote Eylandt, and include travel scenes, dances, and the preparation of face masks and bark for drawing. Some lantern slides are associated with a lecture at the Smithsonian Institution, while others depict Latin American ruins and artifacts from Jalapa, Palenque, Uxmal, Chichén Ítza, Xochicalco, and Cuzco that once belonged to William Henry Holmes.
Setzler annotated many of the negative enclosures with image information. Photocopies of the enclosures are available in the collection, as well as one box of empty original enclosures. Also in the collection is an index card bibliography on Australia, and an index card catalog of individuals from Groote Eylandt.
Biographical/Historical note:
Frank Maryl Setzler (1902-1975) was an archaeologist with the United States National Museum who served as Head Curator in the Department of Anthropology from 1937 until his retirement in 1960. Setzler specialized in the archeology of the midwestern states, especially the Hopewell mounds, and was also interested in the southeastern states. During his career, he conducted fieldwork throughout the United States, and in 1948 was the deputy leader for the Australian-American Arnhem Land Expedition sponsored by the Smithsonian, the National Geographic Society, and the Australian government.
Local Call Number(s):
NAA Photo Lot 36
Location of Other Archival Materials:
The National Anthropological Archives holds the Frank Maryl Setzler papers.
Artifacts collected during the Arnhem Land expedition are held in the anthropology collections of the National Museum of Natural History in accession 178294.
The National Geographic Society holds motion picture film from the Arnhem Land Expedition.
The National Library of Australia Manuscript Collection holds some of Setzler's papers relating to the Arnhem Land Expedition (Frank Maryl Setzler - Records, 1948-1973, MS 5230).
Restrictions:
Original nitrate negatives are in special storage and require advance notice to view.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Lantern slides
Citation:
Photo Lot 36, Frank Maryl Setzler photographs, National Anthropological Archives, Smithsonian Institution
Photographs originally made or collected by Jesse Walter Fewkes, the bulk of which relate to the American Southwest, including images of Native Americans of the Southwest, archeological sites and artifacts, and landscapes. The collection also includes some images of the West Indies and Mexico, coral islands and atoll formations, and archeological sites in Egypt, China, and other "Old World" regions. There are also photographs of artifacts now in the Department of Anthropology collections, including a broken ladle (ANTHRO CAT 155,771) and cooking pot (ANTHRO CAT 315, 806) from Sityatki and a stone axe from Awatobi (ANTHRO CAT 156,062). Lantern slides, which make up the bulk of the collection, were mostly made from photographs, drawings, and maps, probably for use in Fewkes's lectures. Some photographs may have been made by Fewkes, but most appear to be by other photographers, including C. B. Waite.
Biographical/Historical note:
Jesse Walter Fewkes (1850‐1930) was a naturalist, anthropologist, and archeologist who served as chief of the Bureau of American Ethnology from 1918 to his death in 1928. Fewkes received a Ph.D. in marine zoology from Harvard in 1877, and was curator of lower invertebrates at the Museum of Comparative Zoology until 1887. He became deeply interested in the culture and history of Puebloan peoples while on a collecting trip in the western United States. In 1891, he served as director of the Hemenway Southwestern Archaeological Expedition and editor of the Journal of American Archeology and Ethnology. In 1895 he embarked on various archeological explorations for the Bureau of American Ethnology, during which he conducted excavations in the Southwest, the West Indies, and Florida.
Local Call Number(s):
NAA Photo Lot 1
Varying Form of Title:
E. Kenneth Stabler collection of J. W. Fewkes photographs
Location of Other Archival Materials:
The National Anthropological Archives also holds Fewkes's field notes (MS 4408).
Additional Fewkes photographs held in National Anthropological Archives Photo Lot 4321, Photo Lot 30, and Photo Lot 86 (his negatives).
Correspondence from Fewkes held in the National Anthropological Archives in the George L. Beam papers (MS 4517), the Henry Bascom Collins, Jr. papers, the Anthropological Society of Washington records (MS 4821), the Herbert William Krieger papers, the J.C. Pilling papers, the Walter Hough Papers (in the records of the Department of Anthropology), and the records of the Bureau of American Ethnology.
See others in:
Jesse Walter Fewkes photograph collection donated by E. Kenneth Stabler n.d.
Denver and Rio Grande Western Railroad Company Search this
Photographer:
Beam, George L. (George Lytle), 1868-1935 Search this
Extent:
45 Prints (silver gelatin and photostat)
3 sketches on graph paper
Type:
Collection descriptions
Archival materials
Prints
Photographs
Maps
Drawings
Place:
Mesa Verde National Park (Colo.)
Colorado -- Antiquities
Date:
circa 1919-1921
Scope and Contents note:
Photographs, drawings, and maps relating to Jesse Walter Fewkes' excavations in Mesa Verde National Park in Colorado. Photographs depict the ruins and paths through the park before and after excavation and repair. There are also original photographs by George L. Beam made for the Denver and Rio Grande Railroad. Some of the drawings are original illustrations for Fewkes' publications.
Biographical/Historical note:
Jesse Walter Fewkes (1850‐1930) was a naturalist, anthropologist, and archeologist who served as chief of the Bureau of American Ethnology from 1918 to 1928. Fewkes received a Ph.D. in marine zoology from Harvard in 1877, and was curator of lower invertebrates at the Museum of Comparative Zoology until 1887. Some of his research focuses on the culture and history of the Pueblo Indians, an interest he developed while on a collecting trip in the western United States. In 1891, Fewkes became director of the Hemenway Southwestern Archeological Expedition and editor of the Journal of American Archeology and Ethnology. Embarking on various archeological explorations for the Bureau of American Ethnology in 1895, he conducted excavations in the Southwest, the West Indies, and Florida. During the summers of 1908‐1909, 1915‐1916, and 1918-1922, Fewkes worked almost exclusively on excavations and repairs of ruins in Mesa Verde National Park.
Local Call Number(s):
NAA Photo Lot 30
Location of Other Archival Materials:
Additional Fewkes photographs held in National Anthropological Archives Photo Lot 4321, Photo Lot 1, and Photo Lot 86 (negatives).
The National Anthropological Archives also holds Fewkesʹs field notes and papers (MS 4408).
Correspondence from Fewkes held in the National Anthropological Archives in the George L. Beam papers (MS 4517), the Henry Bascom Collins, Jr. papers, the Anthropological Society of Washington records (MS 4821), the Herbert William Krieger papers, the J.C. Pilling papers, the Walter Hough Papers (in the records of the Department of Anthropology), and the records of the Bureau of American Ethnology.
See others in:
Jesse Walter Fewkes photographs of excavations in Mesa Verde National Park, circa 1919-1921
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the partial digitization of this collection was provided by the Roy Lichtenstein Foundation.
Photographs and negatives of Sonia P. and Hans C. Seherr-Thoss. Mounted and unmounted color slides, transparencies, black and white negatives, mounted prints, contact sheets, and a photograph, circa 1960-1968. The majority of images, taken by Hans C. Seherr-Thoss, appear in their publication, Design and Color in Islamic Architecture: Afghanistan, Iran, and Turkey, published by the, Smithsonian Institution Press, in 1968. Countries depicted are Iran, Turkey, Afghanistan, Tajikistan, and Uzbekistan.
Scope and Contents of the Collection:
Photographs and negatives of Islamic monuments. Photos taken by Hans C. Seherr-Thoss and most appear in his and Sonia P. Seherr-Thoss' publication, Design and color in Islamic architecture: Afghanistan, Iran, Turkey.
The mounted slides have been placed in cold storage due to preservation concerns and the transparencies and mounted photos have not yet been processed.
Arrangement note:
This collection is arranged into three series by format: 1. Mounted slides, 2. Transparencies, and 3. Mounted photos. Only the mounted slides have been arranged and remain in their original order.
Biographical/Historical note:
Count Hans Seherr-Thoss was born in Dobrau, Germany in 1912 (New York Times, October 29, 1992.) He later became a United States citizen and served in the United States' Army during World War II. Sonia Phipps Farrell married Seherr-Thoss in Palm Beach, Florida, on March 3, 1948 (The Washington Post, March 2, 1948.) Both had children from previous marriages. Mrs. Seherr-Thoss graduated from Columbia University with majors in economics and sociology. She served as president of the Litchfield (Connecticut) Historical Society and the Oliver Wolcott Library. She received the Paul Harris Fellowship for community service and the Connecticut Association of Schools awarded her the Distinguished Friend of Education Award. In 1968, the Smithsonian Institution Press published, Design and Color in Islamic Architecture: Afganistan, Iran, Turkey. Written by Mrs. Seherr-Thoss, the photographs were taken by Mr. Seherr-Thoss during their travels to the concerned regions. Many of the photographs featured in that publication are included in this collection. Hans C. Seherr-Thoss died on October 28, 1992 and Sonia P. Seherr-Thoss died on June 13, 2006.
Biography of Sonia P. and Hans C. Seherr-Thoss:
Count Hans Seherr-Thoss was born in Dobrau, Germany in 1912 (New York Times, October 29, 1992.) He later became a United States citizen and served in the United States' Army during World War II.
Sonia Phipps Farrell married Seherr-Thoss in Palm Beach, Florida, on March 3, 1948 (The Washington Post, March 2, 1948.) Both had children from previous marriages. Mrs. Seherr-Thoss graduated from Columbia University with majors in economics and sociology. She served as president of the Litchfield (Connecticut) Historical Society and the Oliver Wolcott Library. She received the Paul Harris Fellowship for community service and the Connecticut Association of Schools awarded her the Distinguished Friend of Education Award.
In 1968, the Smithsonian Institution Press published, Design and Color in Islamic Architecture: Afganistan, Iran, Turkey. Written by Mrs. Seherr-Thoss, the photographs were taken by Mr. Seherr-Thoss during their travels to the concerned regions. Many of the photographs featured in that publication are included in this collection.
Hans C. Seherr-Thoss died on October 28, 1992 and Sonia P. Seherr-Thoss died on June 13, 2006.
Related Materials:
Other collections housed in the archives documenting Islamic monuments include: Ambassador Richard B. Parker Photographs of Islamic Monuments and the Lionel Bier Architectural Drawings.
Provenance:
This collection was donated by Sonia P. Seherr-Thoss, 2001
Restrictions:
Collection is open for research. Mounted slides are in cold storage; digital surrogates are preferred for access. One week's notice is required prior to access originals.
Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Decoration and ornament, Architectural -- Middle East Search this
Hans C. and Sonia P. Seherr-Thoss Photographs of Islamic Architecture. FSA.A2001.15. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Sonia P. Seherr-Thoss, 2001.
The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution Search this
Credit Line:
The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution; a joint gift of the Arthur M. Sackler Foundation, Paul Singer, the AMS Foundation for the Arts, Sciences, and Humanities, and the Children of Arthur M. Sackler
United States of America -- Florida -- Duval -- Jacksonville
Scope and Contents:
The folder includes worksheets, site plans, and additional information.
General:
Two vacant suburban parcels comprising three riverfront acres were assembled by the owners in the 1970s, and construction of the contemporary style residence and initial landscape planting were completed in 1978. Originally, the land was virtually devoid of trees or plants, whereas now lush and comprehensive landscaping reflects 37 years of careful and continuous design and planting. Today the property's landscape is best described as comprehensive and highly informal. Nearly half of the acreage consists of medium density woods at the north and south precincts of the property, comprising live oaks, magnolias and screening shrubbery such as viburnum, elaeagnus, holly, anise and ligustrum. The buildings and grounds are entirely screened from road view (west) by a continuous multi-layered tall hedge whose foreground planting includes azalea, sago palm and holly fern. The east lawn is generally open to the St. John's River. Inside the property, informally curving hedges of varying height define the boundaries of the woods, again using holly, eleagnus, viburnum, azalea and ligustrum, as well as aspidistra, pittosporum and podocarpus. A tennis court pavilion is arbored in jasmine, which also blankets the court fence. Certain walls of the residence are espaliered with jasmine and podocarpus, and ground cover in the oak-shaded areas includes liriope, juniper, mondo and jasmine. The more open areas are punctuated by specimen oaks, clusters of ilex, sago palm, Indian hawthorn, philodendron and flowering annuals.
The contemporary art collection extends from within the residence onto the grounds in the form of fourteen large outdoor sculptures. These vary in form and medium, but all are quite abstract and - most importantly - carefully integrated into the landscape.Nearly every sculpture occupies a curved, embracing niche giving its own partially enclosed space and creating a unique relationship between art and landscaping. Indeed, this integration of the sculpture collection with the planting is the most distinctive aspect of the gardens. The sculptors whose work has been installed are Arthur Gibbons, Tom Raye, Beverly Pepper, Charles O. Perry, Alexander Liberman, Amolldo Pomodoro, George Sherwood, Doris Leper, Ed Hallgeuik, and Kenneth Snelson.
Persons associated with the property include Admiral Gilchrist Stockton (former owner, 1935?-1972); Mrs. Margaret Stockton Blount (former owner, 1935?-1972); Wayne O. Manning, Jr. (landscape architect, 1970s).
Related Materials:
Haskell Gardens related holdings consist of 2 folders (24 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Florida -- Sarasota County -- Sarasota
Scope and Contents:
The folder includes worksheets and historical information.
General:
The subtropical gardens were designed to provide splashes of color with low maintenance and minimal water usage. The Mediterranean revival style house was built circa 1925-27 on 16 acres. It was a private home that sold in 1957 at a below market price provided that the purchasers formed a private club and did not tear down the David Adler mansion or subdivide the grounds. The original main entrance was a long straight driveway under an allée of calamondin orange trees intended to perfume the air in winter when the owners were in residence. Another private entrance at the end of a winding drive, shaded by royal palms and West Indies mahogany trees, was turned into the club's main entrance. Historic Live Oak trees, Hong Kong orchid, jacaranda, royal Poinciana, mango, slash pine and various palms are found around the mansion and throughout the property. Four flower beds around the central fountain in the courtyard contain foxtail palms, bromeliads and various succulents. Wax begonias are featured in containers and combined with juniper in a large bed that surrounds an antique urn. Two enormous staghorn ferns hang on a bottlebrush tree. Black mangrove hedges, pruned with permission, line the banks of the lagoon with an island of unclipped mangroves and flowering trees.
Although there have been additions to the mansion, including dining rooms and a commercial kitchen, and the interior has been completely redesigned, The Field Club was listed on the National Register of Historic Places on June 5, 1986.
Persons associated with the garden include: Mr. and Mrs. Stanley Field (former owners, 1924-1957); David Adler (architect, circa 1925); and Irene Page (landscape designer, 2003- ).
Related Materials:
The Field Club related holdings consist of 1 folder (25 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
