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Time-based Media Art (TBMA)

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2021-11-22T17:23:38.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_9Rxpd4g1f2I

Ann Moore Innovative Lives Presentation

Topic:
Innovative Lives Program (NMAH public program series)
Snguli baby carrier
Weego Baby Carrier
Creator:
Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.  Search this
Berger, Sondra  Search this
Moore, Ann, 1940-  Search this
Moore, Mike  Search this
Names:
Auckerman, Lucy  Search this
Extent:
2 Cubic feet (5 boxes , BetaCamSP, 1/2 inch VHS videotapes)
Type:
Collection descriptions
Archival materials
Audio cassettes
Betacam sp (videotape format)
Floppy disks
Interviews
Oral history
Videotapes
Place:
Africa, French-speaking West
Date:
1999-10
Summary:
Ann Moore is the inventor of the Snugli baby carrier and Air Lift oxygen carrier. The collection contains original, master, and reference videos, audiocassette recordings, and transcripts documenting Moore's inventive career.
Scope and Contents:
This collection contains 5.5 hours of original BetaCam SP recordings, 5.5 hours of master video copies, 5.5 hours of reference copies, 5.5 hours of audiocassette recordings, transcripts, and articles documenting the life and work of Ann Moore, inventor of the Snugli baby carrier and Air Lift oxygen carrier. The recordings include a presentation by Ann and Mike Moore for the Lemelson Center's Innovative Lives Program. Audience participants include students from Seven Locks Elementary School in Bethesda, Maryland; Burrville Elementary School in Washington, D.C.; Barrett Elementary School in Arlington, Virginia; and Jefferson Junior High School in Washington, D.C. Ann Moore's interview includes footage of her home in Colorado and discussions with users of the Air Lift oxygen carrier and Weego baby carrier.
Arrangement:
The collection is arranged into five series.

Series 1: Original videos, 1999

Series 2: Master videos, 1999

Series 3: Audiocassettes, 1999

Series 4: Reference videos, 1999

Series 5: Supplemental documentation, 1999
Biographical / Historical:
Ann Moore was born in 1940 in a small Ohio farming community and studied pediatric nursing at the University of Cincinnati. She joined the Peace Corps in 1962 as part of a medical team and was sent to Togo. She met her husband Mike Moore during training. While in Togo, Ann Moore noticed that most women tied their babies onto their backs with a long piece of fabric, which made the babies more content. Back in Colorado, Moore wanted to carry her newborn daughter Mandela in the same way. With the assistance of her mother, Lucy Aukerman, Moore designed the first Snugli baby carrier in 1969 (US Patent 3,481,517). She patented the Snugli in 1984 (US Patent 4,434,920). Snugli, Inc. grew from a small company where each Snugli was handmade by Aukerman and her neighbors to a large company with an international presence and a factory in Colorado. In 1985 Ann and Mike Moore sold Snugli, Inc. to Gerico, a Huffy Company. In 1986 Ann invented Air Lift, a soft mesh backpack oxygen carrier so people on oxygen could be more mobile (US Patent 4,739,913).

Ann and Mike Moore became disappointed in how Gerico had simplified the Snugli design so it could be manufactured less expensively so in 1999 the Moores launched Weego, a soft baby carrier similar to the original Snugli. The Weego has some modern improvements, including an adjustable buckle around the top of the carrier instead of pin tucks. The Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation was founded in 1995 at the Smithsonian Institution's National Museum of American History through a generous gift from the Lemelson Foundation. The Center's mission is to document, interpret, and disseminate information about invention and innovation; to encourage inventive creativity in young people; and to foster an appreciation for the central role invention and innovation plays in the history of the United States. The Innovative Lives series brings together Museum visitors and especially school age children, and American inventors to discuss inventions and the creative process and to experiment and play with hands-on activities related to each inventor's product. This collection was recorded by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.
Provenance:
This collection was recorded by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation on October 15, 1999.
Restrictions:
The collection is open for research use.
Rights:
Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: reproduction fees may apply.
Topic:
Infants -- Care  Search this
Inventions -- 1950-2000  Search this
Inventors -- 1950-2000  Search this
Slides  Search this
Women inventors  Search this
Women inventors -- 20th century  Search this
Genre/Form:
Audio cassettes -- 1990-2000
BetaCam SP (videotape format)
Floppy disks
Interviews -- 1980-2000
Oral history -- 1990-2000
Videotapes -- 1990-2000
Citation:
Ann Moore Innovative Lives Presentation and Interview, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0706
See more items in:
Ann Moore Innovative Lives Presentation
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep807245371-e2c3-4d78-b05a-ebd7d0d9b573
EDAN-URL:
ead_collection:sova-nmah-ac-0706
Online Media:

Generations - Study Guide (includes floppy disks)

Container:
Box 12 of 22
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 03-129, Smithsonian Institution. Traveling Exhibition Service, Exhibition Records
See more items in:
Exhibition Records
Exhibition Records / Box 12
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa03-129-refidd1e4761

Exhibition Records

Extent:
22 cu. ft. (22 record storage boxes)
Type:
Collection descriptions
Archival materials
Manuscripts
Clippings
Color photographs
Black-and-white photographs
Floppy disks
Color slides
Videotapes
Electronic records
Date:
circa 1977-2002
Descriptive Entry:
This accession consists of records that document the planning, execution, administration, and promotion of traveling exhibitions. Materials include correspondence, memoranda, press releases, press kits, catalog text, itineraries, fact sheets, checklists, meeting agendas, clippings, budgets, proposals, brochures, notes, videotapes, photographs, slides, and related records. Some materials are in electronic format.
Topic:
Traveling exhibitions  Search this
Museums -- Public relations  Search this
Genre/Form:
Manuscripts
Clippings
Color photographs
Black-and-white photographs
Floppy disks
Color slides
Videotapes
Electronic records
Citation:
Smithsonian Institution Archives, Accession 03-129, Smithsonian Institution. Traveling Exhibition Service, Exhibition Records
Identifier:
Accession 03-129
See more items in:
Exhibition Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa03-129

Phil Lucas videotape collection

Creator:
Lucas, Phil, 1942-2007  Search this
Producer:
Phil Lucas Productions  Search this
Donor:
Lucas, Mary Lou, Mrs.  Search this
Extent:
710 Items (312 Betacams, 135 BetacamSPs, 146 Umatics, 50 1inch open reels, 39 MiniDVs, 9 16 mms, 6 DVCams 3 Digibetas 3 16 mm mag tracks 1 2 inch quad, 1 D2, 1 Video8, 2 archival boxes of production materials )
Additional Preservation of film required.
Culture:
Indians of North America  Search this
Type:
Collection descriptions
Archival materials
Date:
1977-2006
Summary:
The Phil Lucas collection contains film and video from Lucas's prolific career as a Native American filmaker. Spanning from the late 1970's until 2006, this collection mostly contains videotapes of various formats as well as a small amount of film and manuscript material.
Scope and Contents:
The Phil Lucas Collection consists of recordings made by Phil Lucas Productions, Inc. These include Umatic, Betacam, Digital Betacam, DVCam, MiniDV, 1-inch Type C, and 2-inch Quad video formats, as well as 16mm and 16mm mag-track motion picture film. The collection also includes one archival box of containing related production materials from Looking Good, Walking with Grandfather, Hamilton's Quest, and other works, and ten floppy disks, and a notebook of production materials from Restoring the Sacred Circle.
Arrangement:
This collection is arranged into seventy series, based on specific productions or bodies of work. Some series are further divided into subseries. The series are arranged alphabetically with the miscellaneous videos and manuscript material at the end of the collection.
Biographical / Historical:
Phil Lucas (Choctaw) is known as a leading Native American filmmaker, and has over 100 films to his credit, playing the roles of writer, director, producer, actor, and cultural content advisor. Born in Phoenix, Arizona in 1942, Lucas was a musician in New York in the early 1960's before attending Western Washington University in 1967, graduating in 1970 with his degree in visual communications. In 1980, he formed Phil Lucas Productions, beginning a prolific film career.

Lucas's films have been honored with multiple awards and honored at several film festivals. Images of Indians, a five-part PBS series hosted by Will Sampson that explores Indian stereotypes portrayed in Hollywood westerns, won the Special Achievement Award in Documentary Film in 1980 from the American Indian Film Institute, and the Prix Italia Award in 1981. His documentaries Allan Houser/Haozous: The Lifetime Works of an American Master, an hour-long documentary on the life and work of Apache artist Allan Houser, and The Honour of All, a two part documentary on the successful rehabilitation from alcoholism by the Alkali Lake Band of British Columbia, were both official selections of the Sundance Film Festival's Native Forum in 1999, where he was also honored for his body of work. The Houser documentary was also awarded the Best Documentary Award at the Santa Fe Film Festival, the Taos Mountain Award at the Taos Talking Pictures Film Festival in 1999, and the Red Earth Film Festival's Best Long-Form Documentary award in 1998. In 1993, American Indian Dance Theatre: Dances for the New Generation, a one-hour documentary part of WNET's Great Performances Series, won the Red Earth Film Festival's "Best of Show" award, and received a National Emmy nomination. The following year, Lucas directed a two-hour episode of the three-part The Native American Series for Turner Broadcasting System, which was awarded the National Emmy for Series. In 1999, Lucas was given the Taos Mountain Award for Lifetime Achievement by the Taos Talking Picture Festival.

His other awards include Best Animated Short Subject Award from the American Indian Film Institute for The Great Wolf and Little Mouse Sister and Walking with Grandfather (1984), Best Short Documentary from the Two Rivers Film Festival for I'm Not Afraid of Me (1990), Best Long Documentary from the Two Rivers Film Festival for Voyage of Rediscovery (1990), Best of Festival Award from the Dream Speakers International Film Festival for Story Tellers of the Pacific (1996), and Best Public Service Award from the American Indian Film Festival in San Francisco for Restoring the Sacred Circle (2002).

In addition to his success as a producer and a director of documentaries, Lucas also worked as a producer, writer, advisor, and actor for several television and stage productions. In 1984 he co-wrote Night of the First Americans, a stage presentation by the Council of Energy Resource Tribes, which was performed at the Kennedy Center in Washington, D.C. In 1993, he co-produced Broken Chain, a feature-length film for Turner Network Television based on the history of the Iroquois Confederacy starring Graham Green, Buffy St. Marie, and Pierce Brosnan, a film which he also appeared in as an actor in the role of Iroquois Sachem. He also served as an advisor of cultural content on television shows such as MacGyver and Northern Exposure, on which he appeared in small roles in the early 1990's.

Lucas also taught throughout much of his career. He has taught at the United Indians of All Tribes Foundation in Seattle, WA; the Institute of American Indian Arts in Santa Fe, NM, where he also served as the head of the Department of Communication Arts; the University of Lethbridge in Alberta, Canada; and Bellevue Community College in Bellevue, WA, where he was the driving force in coordinating an American Indian Film Festival in 2003, and continued to teach until his death in 2007.
Provenance:
The collection was donated by Mrs. Mary Lou Lucas in 2010.
Restrictions:
This collection is closed to researchers until the films have been digitized.
Rights:
Researchers must contact copyright holders directly for permission to reproduce published materials. The National Museum of the American Indian cannot grant permission to use or reproduce copyrighted materials.
Topic:
Indians in motion pictures -- Social conditions  Search this
Motion pictures  Search this
Indian motion picture producers and directors -- United States  Search this
Identifier:
NMAI.AC.020
See more items in:
Phil Lucas videotape collection
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4eaa2eb6e-3147-4523-8db3-c59f03c72262
EDAN-URL:
ead_collection:sova-nmai-ac-020

Floppy Disks

Collection Creator:
Lucas, Phil, 1942-2007  Search this
Collection Producer:
Phil Lucas Productions  Search this
Type:
Archival materials
Collection Restrictions:
This collection is closed to researchers until the films have been digitized.
Collection Rights:
Researchers must contact copyright holders directly for permission to reproduce published materials. The National Museum of the American Indian cannot grant permission to use or reproduce copyrighted materials.
Identifier:
NMAI.AC.020, Subseries 70E
See more items in:
Phil Lucas videotape collection
Phil Lucas videotape collection / Series 70: Papers
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4974ab6b7-004d-4f77-aacb-209b691add77
EDAN-URL:
ead_component:sova-nmai-ac-020-ref815

Floppy Disks

Collection Creator:
Lucas, Phil, 1942-2007  Search this
Collection Producer:
Phil Lucas Productions  Search this
Container:
Box 27, Folder 70.5.1
Type:
Archival materials
Text
Collection Restrictions:
This collection is closed to researchers until the films have been digitized.
Collection Rights:
Researchers must contact copyright holders directly for permission to reproduce published materials. The National Museum of the American Indian cannot grant permission to use or reproduce copyrighted materials.
See more items in:
Phil Lucas videotape collection
Phil Lucas videotape collection / Series 70: Papers / 70E: Floppy Disks
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4e3afbf62-b290-4874-aea2-75c54403d27a
EDAN-URL:
ead_component:sova-nmai-ac-020-ref859

Robert Pincus-Witten papers

Creator:
Pincus-Witten, Robert, 1935-2018  Search this
Names:
Gagosian Gallery  Search this
Bochner, Mel, 1940-  Search this
Hecht, Leon  Search this
Hesse, Eva, 1936-1970  Search this
Twombly, Cy, 1928-  Search this
Extent:
12.4 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Drawings
Interviews
Sound recordings
Date:
1942-2017
bulk 1962-2005
Summary:
The papers of art historian, critic, and curator Robert Pincus-Witten measure 12.4 linear feet and date from 1942-2017. The collection consists of biographical material; color and black and white photographs and negatives; writings by Pincus-Witten; teaching files and printed material; journals; sketches by Pincus-Witten; professional files related to curatorial work; correspondence; artist files maintained by Pincus-Witten; and audiovisual and born digital materials.
Scope and Contents:
The papers of art historian, critic, and curator Robert Pincus-Witten measure 12.0 linear feet and date from 1942-2017. The collection consists of biographical material; color and black and white photographs and negatives; writings by Pincus-Witten; teaching files and printed material; journals; sketches by Pincus-Witten; professional files related to curatorial work; correspondence; artist files maintained by Pincus-Witten; and audiovisual and born digital materials.

The collection includes biographical material such as passports, address books, calendars, report cards, diplomas, and other academic ephemera; journals that document Pincus-Witten's daily personal and professional activities; drafts of articles, essays and other writings by Pincus-Witten; correspondence with friends and colleagues; teaching files from City University of New York that include lecture notes, slide lists, and student correspondence; research files on artists from the circa 1970s-1996; professional files that document Pincus-Witten's work at Gagosian Gallery and other curatorial activities; and photographs and negatives of family, friends, events and works of art. Also included are audio visual material consisting of two reel-to-reel tape recordings and seventeen sound cassettes documenting panels that featured Pincus-Witten, artist interviews, and Pincus-Witten dictating essays; born digital material including a CD-R from Rose Cabot's "The Marks Project" and 5.25 floppy disk(s) that include Pincus-Witten's writings; pencil, ink, and watercolor sketches and sketchbooks; and printed material consisting of exhibition announcements and invitations, pamphlets, press releases, event programs, newsletters, flyers, and clippings.
Arrangement:
The collection is arranged as 9 series.

Series 1: Biographical Material, 1942-circa 2010s (1.00 linear feet; Box 1)

Series 2: Correspondence, 1952-2015 (1.60 linear feet, Box 1, 2, 4)

Series 3: Journals, 1958-2015 (3.30 linear feet, Box 3, 12-18)

Series 4: Writing, 1953-2016 (1.50 linear feet, Box 4-5)

Series 5: Artist Files, 1950-2016 (1.60 linear feet, Box 5-7)

Series 6: Professional Files, 1959-2009 (1.50 linear feet, Box 7-8)

Series 7: Teaching Files, circa 1970s-1996 (0.50 linear feet, Box 8-9)

Series 8: Printed Material, 1962-2017 (0.95 linear feet, Box 9-10)

Series 9: Artwork, 1959-1996 (0.25 linear feet, Box 10)

Series 10: Unidentified Born Digital Materials, 1980s-2000s (0.2 linear feet, Box 10)
Biographical / Historical:
Robert Pincus-Witten (1935-2018) was an art historian, educator, critic, and curator in New York, New York.

Born in the Bronx, Pincus-Witten attended PS4, the New York High School of Music and Art, and The Cooper Union. During this time Pincus-Witten met his husband, Leon Hecht, who lived on the same block and was in the same kindergarten class at PS4. He also formed a lifelong friendship with high school classmate and artist, Ray Johnson. Pincus-Witten received a Master of Fine Arts and PhD from the University of Chicago and lived abroad in the late 1950s and early 1960s. Pincus-Witten became interested in art at a very early age and received recognition in the Regional and National Scholastic Art Awards in 1950 and 1952.

While living abroad and finishing his doctorate, Pincus-Witten accepted a teaching position at Queens College, part of the City University of New York (CUNY) network, where he taught art history courses until his retirement in 1991. Coining the term, "postminimalism," Pincus-Witten played a central role in explicating postmodern art as it emerged between 1960 and his death in 2018. He exhaustively documented his daily life on the front lines of the art world as a contributing editor for Artforum for nearly fifty years, including a stint as senior editor from 1973-1974. In addition to his long teaching career at the CUNY, Pincus-Witten worked for Larry Gagosian and Robert Mnuchin, curating exhibitions and writing catalog essays for their galleries. He was the author of several books, including Postminimalism (1977).
Related Materials:
Also found in the Archives of American Art is an oral history interview with Robert Pincus-Witten conducted by Francis M. Naumann, March 23-24, 2016.
Provenance:
The papers were donated in 2019 by Leon Hecht, Robert Pincus-Witten's husband.
Restrictions:
Robert Picus-Witten's journals are access restricted; written permission is required. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: Robert Pincus-Witten's journals.
Occupation:
Art critics -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
LGBTQ+  Search this
Postmodernism  Search this
Genre/Form:
Diaries
Drawings
Interviews
Sound recordings
Citation:
Robert Pincus-Witten papers, 1942-2017. Archives of American Art, Smithsonian Institution
Identifier:
AAA.pincrobe
See more items in:
Robert Pincus-Witten papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw901f20149-a4b4-48e1-99b6-38e9f74f4d40
EDAN-URL:
ead_collection:sova-aaa-pincrobe

Unidentified Born Digital Materials

Collection Creator:
Pincus-Witten, Robert, 1935-2018  Search this
Extent:
0.2 Linear feet (Box 10)
Type:
Archival materials
Date:
circa 1980s-circa 2000s
Scope and Contents:
Unidentified Born Digital Materials include thirty-one 5.25 floppy disk(s). Labels indicate files contained on the discs may be writings by Pincus-Witten. Some software disk(s) are included.
Collection Restrictions:
Robert Picus-Witten's journals are access restricted; written permission is required. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: Robert Pincus-Witten's journals.
Collection Citation:
Robert Pincus-Witten papers, 1942-2017. Archives of American Art, Smithsonian Institution
Identifier:
AAA.pincrobe, Series 10
See more items in:
Robert Pincus-Witten papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96a0e5fc0-2413-4f18-9d19-015e7aced5b1
EDAN-URL:
ead_component:sova-aaa-pincrobe-ref24

Fred Truck papers, 1965-2019

Creator:
Truck, Fred, 1946-  Search this
Subject:
Brown, Jean  Search this
Held, John  Search this
Welch, Chuck  Search this
Gibbs, Michael  Search this
Des Moines Festival of the Avant-garde (1979)  Search this
Type:
Performances (creative events)
Motion pictures
Sound recordings
Video recordings
Citation:
Fred Truck papers, 1965-2019. Archives of American Art, Smithsonian Institution.
Topic:
Mail art  Search this
Fluxus (Group of artists)  Search this
Performance art  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)21930
(DSI-AAA_SIRISBib)401519
AAA_collcode_trucfred
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_401519

Xidex, floppy disk

Collection Creator:
Landor Associates  Search this
Landor, Walter  Search this
Container:
Box 65, Folder 11
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Landor Design Collection, circa 1862-2002, Archives Center, National Museum of American History.
See more items in:
Landor Design Collection
Landor Design Collection / Series 1: Landor Associates Business Records / 1.16: Client Files / 1.16.1: Companies A-Z
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep87fa93054-f704-4cdf-adaf-010cf20b5320
EDAN-URL:
ead_component:sova-nmah-ac-0500-ref1301

[Folder of Floppy Disks]

Collection Creator:
Davies, R. E. G. (Ronald Edward George)  Search this
Container:
Box 141, Folder 14
Type:
Archival materials
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection Citation:
R. E. G. (Ron) Davies Air Transport Collection, Acc. NASM.XXXX.0604, National Air and Space Museum, Smithsonian Institution.
See more items in:
R. E. G. (Ron) Davies Air Transport Collection
R. E. G. (Ron) Davies Air Transport Collection / Series 4: Oral History / Textual Materials
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg24417e374-8ac5-4181-aed8-531fed9ac834
EDAN-URL:
ead_component:sova-nasm-xxxx-0604-ref3281

Group Interview - A. Jefferson, B. Lane, J. Preston

Collection Creator:
Kendall Productions  Search this
Container:
Box 5
Type:
Archival materials
Text
Date:
1998 September 27
Scope and Contents:
Floppy Disk. Additional label: "Guys9271A, Guys9272A."
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Kendall Productions records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Beverly Lindsey-Johnson.
See more items in:
Kendall Productions Records
Kendall Productions Records / Series 5: Audiovisual and Digital Material
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7b0aa4bcd-a7c0-4dde-a4a2-755333a3d969
EDAN-URL:
ead_component:sova-acma-06-055-ref111

Gene Chandler, Joe King, Reggie Luckett

Collection Creator:
Kendall Productions  Search this
Type:
Archival materials
Date:
1998 May 20 - 1998 June 18
Scope and Contents:
Floppy Disk. Additional label: "Group meeting - 04-02-98 - meet 42; Group meeting - 07-08-98 - meet 78; 07-08-98 - meet 782."
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Kendall Productions records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Beverly Lindsey-Johnson.
See more items in:
Kendall Productions Records
Kendall Productions Records / Series 5: Audiovisual and Digital Material
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa71fd7f7f9-2960-4aba-8792-e62647a7d914
EDAN-URL:
ead_component:sova-acma-06-055-ref113

Dev 3.jpeg, Dev 4.jpeg

Collection Creator:
Kendall Productions  Search this
Container:
Box 5
Type:
Archival materials
Text
Date:
undated
Scope and Contents:
Floppy disk.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Kendall Productions records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Beverly Lindsey-Johnson.
See more items in:
Kendall Productions Records
Kendall Productions Records / Series 5: Audiovisual and Digital Material
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7f7fa5a48-6535-4e86-8021-19171b872252
EDAN-URL:
ead_component:sova-acma-06-055-ref115

Totsie C, Girl8WK

Collection Creator:
Kendall Productions  Search this
Container:
Box 5
Type:
Archival materials
Text
Date:
undated
Scope and Contents:
Floppy disk.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Kendall Productions records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Beverly Lindsey-Johnson.
See more items in:
Kendall Productions Records
Kendall Productions Records / Series 5: Audiovisual and Digital Material
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7b3b5377a-86dc-48a6-9650-a4160d9bfc02
EDAN-URL:
ead_component:sova-acma-06-055-ref117

McKinley Tech Wookers Pat Brock

Collection Creator:
Kendall Productions  Search this
Container:
Box 5
Type:
Archival materials
Text
Date:
undated
Scope and Contents:
Floppy disk.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Kendall Productions records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Beverly Lindsey-Johnson.
See more items in:
Kendall Productions Records
Kendall Productions Records / Series 5: Audiovisual and Digital Material
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7becd3dd4-ba73-4c59-8963-614a7fb1f5cc
EDAN-URL:
ead_component:sova-acma-06-055-ref119

Dr. No and Car

Collection Creator:
Kendall Productions  Search this
Container:
Box 5
Type:
Archival materials
Text
Date:
undated
Scope and Contents:
Floppy disk.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Kendall Productions records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Beverly Lindsey-Johnson.
See more items in:
Kendall Productions Records
Kendall Productions Records / Series 5: Audiovisual and Digital Material
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa74cc10d7d-508c-401f-b330-26f9621a2685
EDAN-URL:
ead_component:sova-acma-06-055-ref121

Vickie/Jackie Wilson (VC and JWIL.jpg)

Collection Creator:
Kendall Productions  Search this
Container:
Box 5
Type:
Archival materials
Text
Date:
undated
Scope and Contents:
Floppy disk.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Kendall Productions records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Beverly Lindsey-Johnson.
See more items in:
Kendall Productions Records
Kendall Productions Records / Series 5: Audiovisual and Digital Material
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa75866a83e-9323-4a53-9a0a-8ae1499542ae
EDAN-URL:
ead_component:sova-acma-06-055-ref123

Bev61.jpeg, Bev62.jpeg

Collection Creator:
Kendall Productions  Search this
Container:
Box 5
Type:
Archival materials
Text
Date:
undated
Scope and Contents:
Floppy disk.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Kendall Productions records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Beverly Lindsey-Johnson.
See more items in:
Kendall Productions Records
Kendall Productions Records / Series 5: Audiovisual and Digital Material
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa78ffb6b7c-7982-40ed-9a88-dec6e09beeea
EDAN-URL:
ead_component:sova-acma-06-055-ref124

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