FitzHugh, Elisabeth West. 1988. Study of Pigments on Selected Paintings from the Vever Collection. In: Lowry, Glenn D. and Beach, Milo C., An Annotated and Illustrated Checklist of the Vever Collection. Washington, D.C.: Arthur M. Sackler Gallery,() pp.425-432.
FitzHugh, Elisabeth West and Zycherman, Lynda A. 1983. An Early Man-Made Blue Pigment from China-Barium Copper Silicate. Studies in Conservation, 28(1): 15-23.
FitzHugh, Elisabeth West. 2003. A database of pigments on Japanese Ukiyo-e paintings in the Freer Gallery of Art. In: FitzHugh, Elisabeth West, Winter, John and Leona, Marco, Studies using scientific methods in pigments in later Japanese paintings. Washington, DC: Smithsonian Institution,(Freer Gallery of Art Occasional Papers; new series vol. 1.) pp.1-56.
Winter, John, FitzHugh, Elisabeth West and Berrie, B. H. 2007. Pigments based on carbon. In: Berrie, B. H., Artists' pigments : a handbook of their history and characteristics. Washington ; New York: National Gallery of Art ; Oxford University Press,() pp.
FitzHugh, Elisabeth West. 1986. Red Lead and Minium. In: Artists' Pigments: A Handbook of Their History and Characteristics Volume I. Washington, D. C.: National Gallery of Art,() pp.109-139.
FitzHugh, Elisabeth West, Leona, Marco and Shibayama, Nobuko. 2011. Pigments in a Paint Box Belonging to Whistler in the Library of Congress. Studies in Conservation, 56(2): 115-124.
FitzHugh, Elisabeth West. 2012. Further observations on a paint box associated with Whistler in the Library of Congress Response. Studies in Conservation, 57(1): 58
FitzHugh, Elisabeth West. 1988. "Appendix 9: Study of Pigments on Selected Paintings from the Vever Collection." In An Annotated and Illustrated Checklist Vever Collection. Lowry, Glenn D. and Beach, Milo Cleveland, editors. 425–432. Washington, DC: Smithsonian Institution. (https://doi.org/10.5479/sil.870462.39088016775744)
Winter, John, FitzHugh, Elisabeth West, and Berrie, B. H. 2007. "Pigments based on carbon." In Artists' pigments : a handbook of their history and characteristics. Berrie, B. H., editor. Washington ; New York: National Gallery of Art ; Oxford University Press.
FitzHugh, Elisabeth West. 2003. "A database of pigments on Japanese Ukiyo-e paintings in the Freer Gallery of Art." In Studies using scientific methods in pigments in later Japanese paintings. FitzHugh, Elisabeth West, Winter, John, and Leona, Marco, editors. 1–56. Washington, DC: Smithsonian Institution. In Freer Gallery of Art Occasional Papers; new series vol. 1..
FitzHugh, Elisabeth West. 2012. "Further observations on a paint box associated with Whistler in the Library of Congress Response." Studies in Conservation, 57, (1) 58–58.
FitzHugh, Elisabeth West, Leona, Marco, and Shibayama, Nobuko. 2011. "Pigments in a Paint Box Belonging to Whistler in the Library of Congress." Studies in Conservation, 56, (2) 115–124.
FitzHugh, Elisabeth West. 1986. "Red Lead and Minium." In Artists' Pigments: A Handbook of Their History and Characteristics Volume I. 109–139. Washington, D. C.: National Gallery of Art.
FitzHugh, Elisabeth West and Zycherman, Lynda A. 1983. "An Early Man-Made Blue Pigment from China-Barium Copper Silicate." Studies in Conservation, 28, (1) 15–23.
FitzHugh, Elisabeth West. 1988. "Study of Pigments on Selected Paintings from the Vever Collection." In An Annotated and Illustrated Checklist of the Vever Collection. Lowry, Glenn D. and Beach, Milo C., editors. 425–432. Washington, D.C.: Arthur M. Sackler Gallery. (https://doi.org/10.5479/sil.870462.39088016775744)
