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Fischbach Gallery

Collection Creator:
Bechtle, Robert, 1932-2020  Search this
Container:
Box 4, Folder 26
Type:
Archival materials
Date:
circa 1969-1973
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: 40 demonstration works of art on papers by Robert Bechtle.
Collection Citation:
Robert Bechtle papers, circa 1950-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Bechtle papers
Robert Bechtle papers / Series 4: Exhibition and Gallery Records / Galleries
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw978331d7c-ef13-4da6-b124-11ff1f68484f
EDAN-URL:
ead_component:sova-aaa-bechrobe-ref126

Lucy R. Lippard papers

Creator:
Lippard, Lucy R.  Search this
Names:
Addison Gallery of American Art  Search this
Alliance for Cultural Democracy  Search this
Art Workers Coalition  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Political Art Documentation/Distribution (Organization)  Search this
Printed Matter, Inc.  Search this
Studio International (Firm)  Search this
University of Colorado -- Faculty  Search this
Women's Caucus for Art  Search this
Andre, Carl, 1935-  Search this
Chicago, Judy, 1939-  Search this
Darboven, Hanne  Search this
Edelson, Mary Beth  Search this
Hammond, Harmony  Search this
Henes, Donna  Search this
Johnson, Ray, 1927-  Search this
Judd, Donald, 1928-  Search this
LeWitt, Sol, 1928-2007  Search this
Pearson, Henry, 1914-2006  Search this
Stevens, May  Search this
Extent:
70.5 Linear feet
0.454 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Photographs
Date:
1930s-2010
bulk 1960-1990
Summary:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Scope and Contents:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Arrangement:
The collection is arranged as nine series:

Missing Title

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)

Series 9: Unprocessed Addition, circa 1965-2010, (Boxes 78-94; 17.0 linear feet)
Biographical / Historical:
New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.
Provenance:
Lucy R. Lippard donated her papers in several increments between 1972-1995, 2006, 2015 and 2021.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Curators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists -- Political activity  Search this
Art criticism  Search this
Feminism and art  Search this
Women authors  Search this
Women art critics  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Minimal art  Search this
Women museum curators  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipplucy
See more items in:
Lucy R. Lippard papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9101c6a69-dde9-42ed-94cc-d03650c249ed
EDAN-URL:
ead_collection:sova-aaa-lipplucy
Online Media:

Folder 22 Fischbach Gallery

Container:
Box 32 of 287
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 321, National Museum of American Art, Office of Program Support, Records
See more items in:
Records
Records / Series 7: Collections and Collectors / Box 32
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0321-refidd1e4764

Stephen Antonakos papers, 1932-2014, bulk 1960-2014

Creator:
Antonakos, Stephen, 1926-2013  Search this
Subject:
Spector, Naomi  Search this
Bladen, Ronald  Search this
Kitagawa, Fram  Search this
Adler, Sebastian  Search this
Kokkinos, George  Search this
Marzona, Egidio  Search this
Koshalek, Richard  Search this
Allentown Art Museum  Search this
Ileana Tounta Contemporary Art Center  Search this
John Weber Gallery  Search this
Ādo furondo gyararī  Search this
Rose Art Museum  Search this
Mouseio Benakē  Search this
Galleriaforma  Search this
The Drawing Room  Search this
Galleria Bonomo  Search this
Fischbach Gallery  Search this
Savannah College of Art and Design  Search this
Kalfayan Galleries  Search this
Galerie Bernier  Search this
Konrad Fischer Gallery  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Ethniko Mouseio Synchronēs Technēs (Greece)  Search this
Lori Bookstein Fine Art  Search this
La Jolla Museum of Contemporary Art  Search this
Type:
Transcripts
Interviews
Photographs
Sketchbooks
Drawings
Blueprints
Obituaries
Citation:
Stephen Antonakos papers, 1932-2014, bulk 1960-2014. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Neon sculpture  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5861
(DSI-AAA_SIRISBib)208701
AAA_collcode_antostep
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208701
Online Media:

Fischbach Gallery records, 1937-2015, bulk 1963-1977

Creator:
Fischbach Gallery  Search this
Subject:
Swain, Robert  Search this
Sugarman, George  Search this
Altoon, John  Search this
Bladen, Ronald  Search this
Antonakos, Stephen  Search this
Chamberlain, Wynn  Search this
D'Arcangelo, Allan  Search this
Davis, Gene  Search this
Dunn, Anne  Search this
Gilardi, Piero  Search this
Hesse, Eva  Search this
Katz, Alex  Search this
Krushenick, Nicholas  Search this
Levine, Les  Search this
Mangold, Robert  Search this
Ohlson, Douglas Dean  Search this
Ryan, Anne  Search this
Ryman, Robert  Search this
Slavin, Arlene  Search this
Smith, Tony  Search this
Thiabaut Galley  Search this
Type:
Gallery records
Photographs
Citation:
Fischbach Gallery records, 1937-2015, bulk 1963-1977. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Minimal art -- United States  Search this
Artists -- United States  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)8173
(DSI-AAA_SIRISBib)210344
AAA_collcode_fiscgall
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210344
Online Media:

Mell Daniel papers, 1916-1976

Creator:
Daniel, Mell, 1899-1975  Search this
Subject:
Weed, Clive R.  Search this
Society of Independent Artists (New York, N.Y.)  Search this
Fischbach Gallery  Search this
Modern Gallery (New York, N.Y.)  Search this
Independent's Studio (Art gallery : New York, N.Y.)  Search this
Citation:
Mell Daniel papers, 1916-1976. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10782
(DSI-AAA_SIRISBib)214415
AAA_collcode_danimell
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214415

Leslie Barrett papers, 1962-2006

Creator:
Barrett, Leslie K., 1919-  Search this
Subject:
Rose, Herman  Search this
Frank, Mary  Search this
Wesselmann, Tom  Search this
Clarke, Mark  Search this
Marvell, Jean  Search this
Citation:
Leslie Barrett papers, 1962-2006. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting  Search this
Women artists  Search this
Theme:
Women  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)6334
(DSI-AAA_SIRISBib)226590
AAA_collcode_barrlesl
Theme:
Women
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_226590

Ian Hornak papers, 1955-1991

Creator:
Hornak, Ian, 1944-2002  Search this
Subject:
Blake, Amanda  Search this
De Kooning, Willem  Search this
Foote, John  Search this
Hartigan, Grace  Search this
Hornak, Ian  Search this
Kasle, Gertrude  Search this
Mitchell, Jack  Search this
Nesbitt, Lowell  Search this
Stella, Frank  Search this
Tillich, Hanna  Search this
Warhol, Andy  Search this
Tibor de Nagy Gallery  Search this
Type:
Drawings
Sketchbooks
Citation:
Ian Hornak papers, 1955-1991. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)13650
(DSI-AAA_SIRISBib)273147
AAA_collcode_hornian
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_273147

Raymond Ciarrocchi papers, 1953-2010

Creator:
Ciarrocchi, Raymond, 1933-  Search this
Subject:
Tibor de Nagy Gallery  Search this
Fischbach Gallery  Search this
Type:
Sketchbooks
Photographs
Citation:
Raymond Ciarrocchi papers, 1953-2010. Archives of American Art, Smithsonian Institution.
Topic:
Landscape painters -- New York (State) -- New York  Search this
Landsape painting -- United States  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)15941
(DSI-AAA_SIRISBib)300464
AAA_collcode_ciarraym
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_300464
Online Media:

Fischbach Gallery

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 174, Folder 26
Type:
Archival materials
Date:
1977
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 11: Consignment Records / 11.2: Consignments from Other Galleries
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f8a49a87-8bae-4369-8399-ca3ffdf93b1f
EDAN-URL:
ead_component:sova-aaa-andremmg-ref5386

Ian Hornak papers

Creator:
Hornak, Ian, 1944-2002  Search this
Names:
Tibor de Nagy Gallery  Search this
Blake, Amanda  Search this
De Kooning, Willem, 1904-1997  Search this
Foote, John  Search this
Hartigan, Grace  Search this
Hornak, Ian, 1944-2002  Search this
Kasle, Gertrude, 1917-  Search this
Mitchell, Jack, 1925-2013  Search this
Nesbitt, Lowell, 1933-1993  Search this
Stella, Frank  Search this
Tillich, Hanna  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
2.8 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Date:
1955-1991
Scope and Contents:
Correspondence, photographs, artwork, and printed material regarding Ian Hornak's career as a representational painter and his involvement with the art world.
Correspondence is with friends, family, associates, and galleries including Lowell Nesbitt, Hanna Tillich, Gertrude Kasle, the Tibor de Nagy Gallery, the Fischbach Gallery, and the Katharina Rich Perlow Gallery. Photographs taken by Jack Mitchell and John Foote are of Hornak and Hornak's friends and family, including Hanna Tillich and Virgil Thompson. Additional photographs include Hornak with artists Andy Warhol, Grace Hartigan, Amanda Blake, Willem de Kooning and others and a printed card with reproduction of artwork by Frank Stella signed "Frank Stella '76". Also included are slides of Hornak's works of art and photo studies for his artwork including studies for a pencil portrait of the Gertrude Kasle family. Artwork includes drawings and sketchbooks. Printed material consists of newspaper and magazine clippings featuring Hornak, exhibition announcements, and catalogs.
Provenance:
Donated 2007 by Ian Hornak estate via Hornak's executor and nephew Eric Ian Spoutz. Spoutz donated 15 additional photographs and a printed card in 2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- Michigan  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.hornian
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99a320614-2d71-4bf7-b2f5-f29640593174
EDAN-URL:
ead_collection:sova-aaa-hornian

Fischbach Gallery - Fitzhugh, J. Perry

Collection Creator:
Wagstaff, Samuel J.  Search this
Container:
Box 1, Folder 22
Type:
Archival materials
Date:
1963-1971
Scope and Contents note:
Fischbach Gallery

Fitzhugh, J. Perry
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Samuel J. Wagstaff papers, circa 1932-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Samuel J. Wagstaff papers
Samuel J. Wagstaff papers / Series 1: Correspondence / 1.1: Correspondence with Artists and Others
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw998331bb8-c8e9-48df-8c59-ca4f956bab2e
EDAN-URL:
ead_component:sova-aaa-wagssamu-ref34

Fischbach Gallery, New York, N.Y.

Collection Creator:
Fendrick Gallery  Search this
Container:
Box 69, Folder 8
Type:
Archival materials
Date:
1975-1988, undated
Collection Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Fendrick Gallery records
Fendrick Gallery records / Series 5: Museums and Galleries Files / 5.1: Domestic Museums and Galleries / New York
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e9c14640-c68e-461d-808b-8fa1389584ef
EDAN-URL:
ead_component:sova-aaa-fendgall-ref937

Installation photograph of Eccentric Abstraction show at Fischbach Gallery in New York City

Photographer:
Burckhardt, Rudy  Search this
Subject:
Fischbach Gallery  Search this
Type:
Photographs
Date:
1966 September
Citation:
Rudy Burckhardt. Installation photograph of Eccentric Abstraction show at Fischbach Gallery in New York City, 1966 September. Fischbach Gallery records, 1937-2015. Archives of American Art, Smithsonian Institution.
Topic:
Art gallery  Search this
Installations (Art)  Search this
Sculpture  Search this
Sculpture, Abstract  Search this
Record number:
(DSI-AAA)17965
See more items in:
Fischbach Gallery records, 1937-2015, bulk 1963-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17965
Online Media:

Oral history interview with Stephen Antonakos, 1975 May 9

Interviewee:
Antonakos, Stephen, 1926-2013  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Droll, Donald E.  Search this
Fischbach, Marilyn Cole  Search this
Lippard, Lucy R.  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Stephen Antonakos, 1975 May 9. Archives of American Art, Smithsonian Institution.
Topic:
Neon sculpture -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12023
(DSI-AAA_SIRISBib)212217
AAA_collcode_antona75
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212217
Online Media:

Oral history interview with Stephen Antonakos

Interviewee:
Antonakos, Stephen, 1926-2013  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Droll, Donald E.  Search this
Fischbach, Marilyn Cole, 1931?-2003  Search this
Lippard, Lucy R.  Search this
Extent:
125 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1975 May 9
Scope and Contents:
An interview of Stephen Antonakos conducted 1975 May 9, by Paul Cummings, for the Archives of American Art.
Antonakos speaks of his family and educational background; his work as a commercial artist; the influence of Ben Shahn and David Martin; his association with the Allan Stone Gallery, Fischbach Gallery, and John Weber Gallery; and his collages, pillow assemblages and mail art projects. He discusses his neon sculpture, including electrical wiring and timing devices, selection of colors, glass tubing, installation problems and the cost of electricity. He discusses the aesthetic and conceptual development of his work with neon and mail art. He recalls Donald E. Droll, Marilyn Cole Fischbach and Lucy Lippard.
Biographical / Historical:
Stephen Antonakos (1926-) is a sculptor from New York, New York.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 3 hrs., 30 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Neon sculpture -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.antona75
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95bbc35e1-37e4-4cb4-9df4-6c2e2fefd376
EDAN-URL:
ead_collection:sova-aaa-antona75
Online Media:

Collage #534

Artist:
Anne Ryan, American, b. Hoboken, New Jersey, 1889–1954  Search this
Medium:
Paper, fabric, photomechanical reproduction, ink stamp, sand, and charcoal on paperboard
Dimensions:
12 9/16 x 9 5/8 in. (31.9 x 24.5 cm)
Type:
Collage
Date:
(1953)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972
Accession Number:
72.253
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2e8957d23-2e5a-4ef2-8d94-20c0137ed754
EDAN-URL:
edanmdm:hmsg_72.253

Collage #538

Artist:
Anne Ryan, American, b. Hoboken, New Jersey, 1889–1954  Search this
Medium:
Paper and fabric on paperboard
Dimensions:
12 1/2 x 9 13/16 in. (31.8 x 24.9 cm)
Type:
Collage
Date:
(1953)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972
Accession Number:
72.254
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2b749b069-0117-4d83-a1f7-ca5f22b661e9
EDAN-URL:
edanmdm:hmsg_72.254

Aladar Marberger #3

Artist:
Elaine de Kooning, 12 Mar 1918 - 1 Feb 1989  Search this
Sitter:
Aladar Marberger  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 162.6 × 106.7cm (64 × 42")
Frame: 166.4 × 110.5cm (65 1/2 × 43 1/2")
Type:
Painting
Date:
1986
Topic:
Portrait  Search this
Credit Line:
Owner: Jon L. Marberger O.D.
Object number:
EXH.EK.95
Restrictions & Rights:
Usage conditions apply
Copyright:
© Elaine de Kooning Trust
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4899878a1-ffbf-41b2-a7d1-1f65a09a9bb9
EDAN-URL:
edanmdm:npg_EXH.EK.95

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Type:
Photograph
Image number:
JUL J0122940
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_122941

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