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Fletcher Benton papers, 1934-2014

Creator:
Benton, Fletcher Chapman, 1931-  Search this
Subject:
Lucie-Smith, Edward  Search this
Neubert, George W.  Search this
Marquand, Ed  Search this
Wilke, Ulfert  Search this
Finn, David  Search this
Tooker, Dan  Search this
Bury, Pol  Search this
Jones, Lillian E.  Search this
Valentine, De Wain  Search this
De Wilde, Dan  Search this
Louchheim, Marlene  Search this
Sanders, Pieter  Search this
Rickey, George  Search this
André Emmerich Gallery  Search this
Galerie Denino  Search this
Type:
Drawings
Sound recordings
Interviews
Video recordings
Topic:
Artists' studios  Search this
Painters  Search this
Sculptors  Search this
Record number:
(DSI-AAA_CollID)13352
(DSI-AAA_SIRISBib)251862
AAA_collcode_bentflet
Theme:
Lives of American Artists
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_251862
Online Media:

Handbook of molecular microbial ecology I : metagenomics and complementary approaches / Frans J. de Bruijn

Author:
Bruijn, F. J. de (Frans J. de) http://id.loc.gov/authorities/names/n87841494 http://viaf.org/viaf/41993489/  Search this
Physical description:
1 online resource (785 pages)
Type:
Electronic resources
Electronic books
Date:
2011
Topic:
Molecular microbiology  Search this
Microbial ecology  Search this
Metagenomics  Search this
Microbiology  Search this
SCIENCE--Life Sciences--Biology--Microbiology  Search this
Metagenom  Search this
Molekylärbiologi  Search this
Mikrobiologi  Search this
Ekologi  Search this
Call number:
QR74 .B78 2011 (Internet)
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1129307

Vision of harmony : the sculpture of Saul Baizerman / Photographs by David Finn ; text by Melissa Debakis

Author:
Finn, David 1921-  Search this
Baizerman, Saul 1889-1957  Search this
Dabakis, Melissa  Search this
Subject:
Baizerman, Saul 1889-1957  Search this
Physical description:
152 p. : ill. ; 29 cm
Type:
Books
Catalogs
Date:
1988
C1988
Call number:
N40.1.B153 F51 1988
N40.1.B153F51 1988
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_380357

Sculpture city, St. Louis : public sculpture in the "Gateway to the West" / George McCue ; photographs by David Finn and Amy Binder

Author:
McCue, George  Search this
Finn, David 1921-  Search this
Binder, Amy  Search this
Physical description:
191 p. : ill. (some col.) ; 32 cm
Type:
Books
Place:
Missouri
Saint Louis
Date:
1988
C1988
Topic:
Sculpture, American  Search this
Public sculpture  Search this
Statues  Search this
Monuments  Search this
Outdoor sculpture  Search this
Call number:
NB235.S75M3 1988X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_364764

Fletcher Benton papers

Creator:
Benton, Fletcher, 1931-  Search this
Names:
André Emmerich Gallery  Search this
Galerie Denino  Search this
Bury, Pol, 1922-2005  Search this
De Wilde, Dan  Search this
Finn, David  Search this
Jones, Lillian E.  Search this
Louchheim, Marlene  Search this
Lucie-Smith, Edward  Search this
Marquand, Ed  Search this
Neubert, George W.  Search this
Rickey, George  Search this
Sanders, Pieter  Search this
Tooker, Dan  Search this
Valentine, De Wain, 1936-  Search this
Wilke, Ulfert, 1907-1987  Search this
Extent:
8.7 Linear feet
1.47 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Motion pictures (visual works)
Drawings
Video recordings
Transcripts
Sound recordings
Photographs
Christmas cards
Date:
1934-2014
Summary:
The papers of sculptor and painter Fletcher Benton measure 8.2 linear feet and 1.47 GB and date from 1934 to 2014. They document his career as a sculptor with international presence through certificates, personal photographs, legal papers, correspondence, exhibition and commission documentation, clippings, exhibition-related printed materials, broadcast materials, publications about his work, an editioned kinetic Christmas card, and photographs, sound and video recordings, and motion picture film documenting his work and career.
Scope and Contents:
The papers of sculptor and painter Fletcher Benton measure 8.2 linear feet and 1.47 GB and date from 1934 to 2014. They document his career through personal photographs, legal papers, correspondence, exhibition and commission documentation, clippings, exhibition-related printed materials, broadcast materials, publications about his work, an editioned kinetic Christmas card, photographs, sound and video recordings motion picture film, some of which also appears in digitized form.

Biographical Materials include personal photographs, legal documents related to a court case with book designer Ed Marquand, biographical texts, interview transcripts, and a home video made by the artist. Correspondence is with other artists, friends, galleries, museums and other institutions, including George W. Neubert, André Emmerich Gallery, Pieter Sanders, Pol Bury, George Rickey, Ulfert Wilke, Marlene Louchheim, DeWain Valentine, Lillian E. Jones, and Edward Lucie-Smith. Interviews include sound recordings of interviews with Benton by academics and journalists, including Edward Lucie-Smith, Dan Tooker, and Dan De Wilde.

Exhibition and Commission Files consist of correspondence with galleries, museums and commission patrons; financial records; shipping and subcontracting documentation; motion picture film, video, and sound recordings related to exhibitions and installations; and planning and design materials. Series includes a significant amount of oversized drawings and plans for site-specific work. There is a large volume documentation from the Folded Circle-Arc commission by Stanley Consultants, Inc. in Muscatine, Iowa; the California/International Arts Foundation Traveling Sculpture Exhibition; Double Folded Circle Ring in Brussels and Double Circle Folded by Cedars Sinai Medical Center in Los Angeles.

Printed Materials include news clippings related to Benton's career, as well as brochures, exhibition catalogs, posters and other printed materials related to exhibitions and commissions. Broadcast materials include television news footage, radio and television interviews, documentaries, and promotional materials made by galleries and other cultural institutions.

Photographic and Moving Image Materials include art-related images showing Benton in his studio and images of exhibitions, installations and inaugurations. Also found are still photographs and motion picture films of artworks, including paintings, sculptures, and kinetic drawings, and a series of photographs of sculptures taken by David Finn.

Artwork consists of an editioned art Christmas card created by Benton for Galeria Bonino in New York from 1969. An American Artist Moving Image Materials consist of 13 videocassettes (VHS) which document the production process of the documentaryFletcher Benton: An American Artist by Morgan Cavett. There is footage from interviews with Benton and with curator George W. Neubert, footage of San Francisco with comments from Benton about his time there, interviews with the artist's studio assistants, images of his studio in Dore street and a couple of almost finished rough versions of the documentary.
Arrangement:
This collection is arranged as nine series.

Series 1: Biographical Material (0.3 linear feet; boxes 1, 9)

Series 2: Correspondence (1 linear foot; boxes 1, 2, OV 10)

Series 3: Interviews (0.3 linear feet; box 2)

Series 4: Exhibition and Commission Files (2 linear feet, 0.50 GB; boxes 2-4, OV 11-13, RD 14, FC 15, ER01)

Series 5: Printed Materials (2.3 linear feet; boxes 4-6, OV 10)

Series 6: Broadcast Materials (1.1 linear foot; boxes 6-7)

Series 7: Photographic and Moving Image Materials (0.5 linear feet, 0.97 GB; boxes 7, 9, FC 16-17, ER02)

Series 8: Artwork (1 item; box 7)

Series 9: -- An American Artist -- Video Recordings (0.6 linear feet; boxes 7-8)
Biographical / Historical:
Fletcher Benton was born in Jackson, Ohio in 1931 to Fletcher and Nell Cavett Benton and was the oldest of three children. Benton graduated from Jackson High School in 1949. After serving in the Navy he graduated from Miami University (Oxford, Ohio) in 1956 and moved to San Francisco, where he started working as an instructor at the California College of Arts and Crafts in 1959. He was in San Francisco during the flourishing of the Beat generation, where he had a studio in the North beach area and exhibited at coffee house galleries.

After travelling around Europe in 1960, Benton moved to New York City where he tried to make his living through painting and teaching privately. During those years he was supported by Jackson's local arts patron and family friend, Lillian E. Jones. In 1960 he had his first solo exhibition at Gump's gallery in San Francisco, but his work was taken down after one day because it was considered obscene for including female nudes. He returned to San Francisco in late 1961.

In 1966 Fletcher started teaching at the San Francisco Art Institute and established himself as a primary figure of American kinetic art. In 1966, Peter Selz included his work in the exhibition Directions in Kinetic Sculpture at the University Art Gallery in Berkeley, CA. During the exhibition Benton met the artists Pol Bury and George Rickey with whom he became friends. The exhibition, along with an article "The Movement Movement" that appeared in Time magazine the same year, established Benton's reputation as a significant American Kinetic artist. He also started teaching at the California State University in San José in 1967 where he continued working until 1986.

By 1974 Benton abandoned kinetic art to continue exploring sculpture in three dimensions in a style that became known as "new constructivism." The artworks were conceived in the series Folded Circles and Folded Square Alphabets and were produced in bronze, aluminum and steel. It was also during the 1970s that he started doing large-scale commissions such as the 1977 IBM commission.

Between 1981 and 1984 Benton constructed his studio in Dore Street in the Market district of San Francisco where he continues to work today. During the 1980s Benton started his Balanced/Unbalanced series, which introduced the idea of gravity using geometric forms in different formats and sizes.

From 1984 he began to show more work in Europe, especially in Germany, where in 1993 he got a major commission to create a colossal public sculpture in Cologne entitled Steel Watercolor Triangle Ring. It was also in Germany where Benton encountered the work of Wassily Kandinsky and Kazimir Malevich, and he began work on his Construct Relief series in reponse, which he dedicated to Kandinsky. These geometric constructions are flat, canvas-like steel structures that combine features of painting and sculpture. As the series evolved, the work became more like painting, constructed to hang on the wall without a back piece, so they seem to be floating in the space.

Benton continues to live and work in San Francisco and is represented by multiple galleries in the United States and Germany.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Fletcher Benton conducted by Paul J. Karlstrom, 1989 May 2-4 is available on the Archives of American Art website.
Provenance:
Donated 2005-2006 and 2014 by Fletcher Benton. Benton's wife, Bobbie Benton, organized the material by subject matter and date.
Restrictions:
Use of original papers requires an appointment. Use of audiovisual material without a duplicate copy requires advanced notice.
Rights:
The Fletcher Benton papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' studios -- Photographs  Search this
Painters -- California -- San Francisco  Search this
Sculptors -- California -- San Francisco  Search this
Genre/Form:
Interviews
Motion pictures (visual works)
Drawings
Video recordings
Transcripts
Sound recordings
Photographs
Christmas cards
Citation:
Fletcher Benton papers, 1934-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bentflet
See more items in:
Fletcher Benton papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bentflet

Finn, David

Collection Creator:
Messer, Thomas M.  Search this
Container:
Box 2, Folder 16
Type:
Archival materials
Date:
1979-1996
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of electronic records requires advance notice.
Collection Rights:
The Thomas M. Messer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Thomas M. Messer papers, 1949-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas M. Messer papers
Thomas M. Messer papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-messthom-ref58

Finn, David

Collection Creator:
Henri Gallery (Washington, D.C.)  Search this
Container:
Box 18, Folder 20
Type:
Archival materials
Date:
1974-1990
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Henri Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Henri Gallery records, circa early 1900s, 1940-1996, bulk 1957-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Henri Gallery records
Henri Gallery records / Series 2: Alphabetical Files / 2.1: Name Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-henrgall-ref348

Artists Talk on Art records

Creator:
Artists Talk on Art  Search this
Names:
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Christo, 1935-  Search this
De Niro, Robert, 1922-1993  Search this
Denes, Agnes  Search this
Goldberg, Michael, 1924-  Search this
Jeanne-Claude, 1935-2009  Search this
Longo, Robert  Search this
Mendieta, Ana, 1948-1985  Search this
Morris, Robert, 1931-  Search this
Murray, Elizabeth, 1940-  Search this
Neel, Alice, 1900-1984  Search this
Pavia, Philip, 1915-2005  Search this
Sleigh, Sylvia  Search this
Wilke, Hannah  Search this
Wojnarowicz, David  Search this
Extent:
64.4 Linear feet
317.43 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Date:
circa 1974-2018
Summary:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
Scope and Contents:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

ATOA's recordings chronicle the American art world, covering critical discussions and significant art world issues over five decades. Thousands of artists such as Will Barnet, Louise Bourgeois, Christo and Jeanne-Claude, Robert De Niro, Agnes Denes, Michael Goldberg, Robert Longo, Ana Mendieta, Robert Morris, Elizabeth Murray, Alice Neel, Philip Pavia, Howardena Pindell, Larry Rivers, Sylvia Sleigh, Kahinde Wiley, Hannah Wilke, David Wojnarowicz, and others speak about their work. The original recordings exist in a variety of formats, including U-Matic and VHS videotape, MiniDVs, sound cassettes and sound tape reels. ATOA digitized most of the video and sound recordings prior to donating the collection.

The collection also includes printed histories, board and program committee meeting minutes, financial statements, general correspondence files of the president and chair, attendance statistics, grant files, panel participant release forms, sixteen panel transcripts, a complete set of panel flyers (many are annotated) and other printed materials, three dismantled scrapbooks, as well as photographs, slides, and negatives of panels and panel participants.
Arrangement:
The records are arranged into nine series.

Series 1: Adminstrative Files, 1974-2013 (0.4 linear feet, Box 1)

Series 2: Director's and Chairman's Correspondence, 1977-2006 (0.4 linear feet, Box 1)

Series 3: Grant Files, 1977-2009 (1 linear foot, Boxes 1-2)

Series 4: Panel Release Forms, 1978-2012 (1 linear foot, Boxes 2-3)

Series 5: Panel Transcripts, 1981, 1986, 1988, 2017-2018 (1 folder, Box 3; 0.002 GB, ER01)

Series 6: Printed Materials, 1975-2015 (0.8 linear feet, Boxes 3-4; 0.434 GB, ER02)

Series 7: Scrapbooks, 1975-1989 (0.2 linear feet, Box 4)

Series 8: Photographic Materials, circa 1975-circa 2000 (1 linear foot, Boxes 4-5)

Series 9: Video and Sound Recordings of Events, 1977-2016 (59 linear feet, Boxes 6-65; 317.43 GB, ER03-ER04)
Biographical / Historical:
Established in 1974 and still active in New York, Artists Talk on Art is the art world's longest running and most prolific aesthetic panel discussion series organized by artists for artists. Founded by Lori Antonacci, Douglas I. Sheer, and Robert Wiegand, the forum has presented 6,000 artists in nearly 1,000 documented panels or dialogues. ATOA held its first panel, "Whatever Happened to Public Art," on January 10, 1975 and it drew a "crowd" of 77 people. In the decades that followed, ATOA presented dozens of panels or dialogues a year, tackling such diverse topics as "What is Happening with Conceptual Art," with Louise Lawler and Lawrence Weiner; "Painting and Photography: Defining the Difference," with Sarah Charlesworth, Jack Goldstein, Joseph Kosuth, Barbara Kruger, and Robert Mapplethorpe; "Organizing Arts Activism," with Lucy Lippard; "The Artist and the Epidemic—an information panel about AIDS"; "Cross-generational Views of Feminism"; and hundreds more.
Provenance:
The Artists Talk on Art (ATOA) records, including digital files of the video and sound recordings, were donated to the Archives in 2016 by Douglas Sheer, Chairman of ATOA.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American  Search this
Art critics  Search this
Art dealers  Search this
Art historians  Search this
Artists  Search this
Historians  Search this
Genre/Form:
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artitalk
See more items in:
Artists Talk on Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artitalk
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Online Media:

Iris, Messenger of the Gods

Artist:
Auguste Rodin, French, b. Paris, 1840–1917  Search this
Medium:
Bronze
Dimensions:
32 1/2 x 34 x 14 3/4 in. (82.5 x 86.3 x 37.5 cm)
Type:
Sculpture
Date:
(1890-1891/cast 1890s)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4330
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2c73c99f9-e770-447c-a9af-3e1064f3df90
EDAN-URL:
edanmdm:hmsg_66.4330

Finn, David

Collection Creator:
Penney, Charles Rand, 1923-2010  Search this
Container:
Box 7, Folder 51-52
Type:
Archival materials
Date:
1971-1977
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Charles Rand Penney papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Charles Rand Penney Papers, 1923-1994, bulk 1945-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Charles Rand Penney papers
Charles Rand Penney papers / Series 1: Art Collection Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pennchar-ref394

Finn, David

Collection Creator:
Penney, Charles Rand, 1923-2010  Search this
Container:
Box 8, Folder 1-4
Type:
Archival materials
Date:
1978-1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Charles Rand Penney papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Charles Rand Penney Papers, 1923-1994, bulk 1945-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Charles Rand Penney papers
Charles Rand Penney papers / Series 1: Art Collection Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pennchar-ref395

Masked Figure, (sculpture)

Sculptor:
Finn, David 1921-  Search this
Medium:
Metal and refuse materials
Type:
Sculptures
Owner/Location:
Fondation Cartier pour l'art contemporain 3, rue de la Manufacture Jouy-en-Josas France 78350
Date:
1986
Topic:
Figure group  Search this
Control number:
IAS 65660004
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_294567

Lynn Chadwick :b : the collection at Lypiatt Park / Judith Collins, text ; David Finn, photography

Title:
Collection at Lypiatt park
Author:
Chadwick, Lynn 1914-2003  Search this
Collins, Judith 1946-  Search this
Finn, David 1921-  Search this
Subject:
Chadwick, Lynn 1914-2003  Search this
Physical description:
299 p. : chiefly ill. (some col.) ; 34 cm
Type:
Books
Place:
Great Britain
Date:
2006
C2006
20th century
Topic:
Sculptors  Search this
Sculpture, British  Search this
Call number:
NB497.C45 A4 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_814141

Leonda Finke / photographs by David Finn

Author:
Finke, Leonda  Search this
Finn, David 1921-  Search this
Subject:
Finke, Leonda Criticism and interpretation  Search this
Finke, Leonda  Search this
Physical description:
288 p. : ill ; 28 cm
Type:
Books
Date:
2006
C2006
20th century
Topic:
Sculpture, American  Search this
Call number:
NB237.F468 F57 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_822486

Sculpture at the Corcoran : photographs by David Finn / text by David Finn with Susan Joy Slack

Author:
Finn, David 1921-  Search this
Slack, Susan Joy  Search this
Subject:
Finn, David 1921-  Search this
Corcoran Gallery of Art  Search this
Physical description:
190 p. : ill. ; 28 cm
Type:
Exhibitions
Date:
2002
Topic:
Photography of sculpture  Search this
Call number:
TR658.3 .F56 2002
NB25.W37 .C67 2002
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_719721

Eduardo Chillida / photography by David Finn ; text by Giovanni Carandente ; reflections on the sculptures by Dena Merriam ; translated from Spanish by Richard Lewis Rees

Author:
Chillida, Eduardo 1924-2002  Search this
Carandente, Giovanni  Search this
Finn, David 1921-  Search this
Merriam, Dena  Search this
Subject:
Chillida, Eduardo 1924-2002 Criticism and interpretation  Search this
Physical description:
xvi, 303 p. : ill. (some col.) ; 29 cm
Type:
Pictorial works
Date:
1999
C1999
20th century
Topic:
Sculpture, Spanish  Search this
Call number:
NB813.C45 A4 1999
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_740257

Joseph McDonnell / introduction, Andre Emmerich ; text, Donald Kuspit ; photographs, David Finn and Rebecca Binder

Author:
McDonnell, Joseph 1936-  Search this
Kuspit, Donald B (Donald Burton) 1935-  Search this
Finn, David 1952-  Search this
Binder, Rebecca L  Search this
Subject:
McDonnell, Joseph 1936- Criticism and interpretation  Search this
Physical description:
251 p. : ill. (some col.) ; 29 cm
Type:
Books
Date:
2004
C2004
Call number:
NB237.M366 A4 2004
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_766589

Portrait of the artist, running / Danniel Bennett Schwartz ; with photographs by David Finn

Author:
Schwartz, Daniel 1929-  Search this
Finn, David 1921-  Search this
Subject:
Schwartz, Daniel 1929-  Search this
Physical description:
110 p. : col. ill. ; 27 cm
Type:
Books
Catalogs
Date:
2005
Call number:
N6537.S3597 A4 2005
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_770301

Fletcher Benton : the alphabet / text and photographs by David Finn

Title:
Alphabet
Author:
Benton, Fletcher 1931-  Search this
Finn, David 1921-  Search this
Subject:
Benton, Fletcher 1931-  Search this
Physical description:
250 p. : col. ill. ; 28 cm
Type:
Catalogs
Date:
2005
Topic:
Alphabet in art  Search this
Numbers in art  Search this
Call number:
NB237.B4348 A4 2005b
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_796420

20th-century American sculpture in the White House garden / text and photographs by David Finn ; foreword by Hillary Rodham Clinton ; with an essay by Betty C. Monkman

Title:
Twentieth-century American sculpture in the White House garden
Author:
Finn, David 1921-  Search this
Monkman, Betty C  Search this
Physical description:
142 p. : ill. (chiefly col.), port. ; 29 cm
Type:
Exhibitions
Biography
Place:
United States
White House Gardens (Washington, D.C.)
Date:
2000
20th century
Topic:
Sculpture, American  Search this
Sculptors  Search this
Exhibitions  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_616491

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