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Signage

Collection Creator:
Fine Arts Federation of New York  Search this
Container:
Box 3, Folder 36
Type:
Archival materials
Date:
2000
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings and electronic records with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fine Arts Federation of New York, 1895-2005, bulk 1935-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Fine Arts Federation of New York records
Fine Arts Federation of New York records / Series 1: Presidents' Files / 1.6: Lorrie Goulet (President, 1997-2001)
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93174f875-2e54-4313-aa26-b3182501a689
EDAN-URL:
ead_component:sova-aaa-fineafny-ref98

Train to Airport

Collection Creator:
Fine Arts Federation of New York  Search this
Container:
Box 3, Folder 37
Type:
Archival materials
Date:
1998-1999
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings and electronic records with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fine Arts Federation of New York, 1895-2005, bulk 1935-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Fine Arts Federation of New York records
Fine Arts Federation of New York records / Series 1: Presidents' Files / 1.6: Lorrie Goulet (President, 1997-2001)
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw984a3b81c-d50d-48ca-9aca-5d19228b0a40
EDAN-URL:
ead_component:sova-aaa-fineafny-ref99

Stuart Davis papers

Creator:
Davis, Stuart, 1892-1964  Search this
Names:
American Artists' Congress  Search this
Downtown Gallery (New York, N.Y.)  Search this
Federal Art Project (N.Y.)  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Picasso, Pablo, 1881-1973  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1934-1940
Summary:
The papers of painter Stuart Davis measure 0.8 linear feet and date from 1934 to 1940. The collection is comprised of correspondence that includes letters from Yasuo Kuniyoshi, Arnold Blanch, Rockwell Kent, and others regarding Pablo Picasso's statement against the fascist dictatorship in Spain, as well as a letter from Davis to Picasso inviting him to speak at the 2nd Annual American Artists' Congress meeting. Also found are files from Davis's position as editor of Art Front magazine; membership files documenting Davis's activities with the American Artists' Congress, Fine Arts Federation of New York, the New York World's Fair Artists Committee, and other organizations; printed materials; a project file for the Federal Art Project; and editorials. Additional items include an article manuscript and a draft of a letter to Ben Shahn suggesting that Downtown Gallery artists provide funding to Edith Halpert in order to open another gallery.
Scope and Contents:
The papers of painter Stuart Davis measure 0.8 linear feet and date from 1934 to 1940. The collection is comprised of correspondence that includes letters from Yasuo Kuniyoshi, Arnold Blanch, Rockwell Kent, and others regarding Pablo Picasso's statement against the fascist dictatorship in Spain, as well as a letter from Davis to Picasso inviting him to speak at the 2nd Annual American Artists' Congress meeting. Also found are files from Davis's position as editor of Art Front magazine; membership files documenting Davis's activities with the American Artists' Congress, Fine Arts Federation of New York, the New York World's Fair Artists Committee, and other organizations; printed materials; a project file for the Federal Art Project; and editorials. Additional items include an article manuscript and a draft of a letter to Ben Shahn suggesting that Downtown Gallery artists provide funding to Edith Halpert in order to open another gallery.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.

Series 1: Stuart Davis papers, 1934-1940 (Boxes 1-2; 0.8 linear feet)
Biographical / Historical:
Stuart Davis (1892-1964) was a painter in New York, N.Y.

Davis was born in Philadelphia to Edward Wyatt Davis, who was the art editor of The Philadelphia Press, and sculptor Helen Stuart Foulke. He began his art training under Robert Henri at the Robert Henri School of Art in New York in 1909. His works were selected by artist William Glackens to be exhibited at the 1913 Armory Show making Davis one of the youngest artists to participate. In 1928, he traveled to Paris for a year where he painted street scenes of the city. While there, he married Bessie Chosak who later died in 1932. He remarried in 1938 to Roselle Springer. In 1933, Davis began painting murals for the for the Federal Art Project, a government project sponsored by the Works Progress Administration (WPA). Throughout his career, Davis was involved with many art groups including the American Artists' Congress, the Fine Arts Federation of New York, and others. Davis had a strong interest in politics that was often expressed through his artwork and as the editor of Art Front, a publication of the Artists Union in New York that was associated with communist ideology.

Davis taught at the Art Students League, New York School for Social Research, and Yale University. He was represented by the Downtown Gallery in New York. He died in 1964 in New York.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Stuart Davis conducted on May 18-June 19, 1962 by Harlan Phillips, for the Archives of American Art and Brandeis University.

Additional Stuart Davis papers are also located at the Fogg Museum at Harvard University and Pierpont Morgan Library.
Separated Materials:
The Archives of American Art also holds material lent for microfilming including 9 scrapbooks (reels N584-N586 and N696) containing newspaper clippings, magazine articles, exhibition notices and catalogs that are in the possession of Earl Davis, son of Stuart Davis; 1 notebook (reel 3842) that is located at the Pierpont Morgan Library; and approximately 85 letters to Davis from his mother, Helen Stuart Davis (reel N70-12) dating from 1935-1939, in which she describes her work as a sculptor on the Federal Art Projects in Dade County, Florida and Berkeley, California, detailing administrative difficulties and daily work, and alluding to her son's work with the American Artists' Congress, his influence with Holger Cahill and other federal officials; her sketchbooks; and approximately 90 photographs of work done by her and others on the Federal Art Project in Florida. The material was returned to Mrs. Stuart Davis after microfilming.
Provenance:
The Stuart Davis papers were donated by Earl Davis from 1984-1988.
Restrictions:
This collection is access restricted except for a handwritten draft of a letter to Ben Shahn and a photocopy of an article by Davis titled "Abstract Painting Today"; written permission is required. Contact Reference Services for more information.

Access, with permission, to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Modernism (Art)  Search this
Citation:
Stuart Davis papers, 1934-1940. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.davistua
See more items in:
Stuart Davis papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9250aafeb-5746-43ec-a9c0-386344dd31b3
EDAN-URL:
ead_collection:sova-aaa-davistua

Stuart Davis papers

Collection Creator:
Davis, Stuart, 1892-1964  Search this
Extent:
0.8 Linear feet (Boxes 1-2)
Type:
Archival materials
Date:
1934-1940
Scope and Contents:
The collection is comprised of correspondence that includes letters from Yasuo Kuniyoshi, Arnold Blanch, Rockwell Kent, and others regarding Pablo Picasso's statement against the fascist dictatorship in Spain, as well as a letter from Davis to Picasso inviting him to speak at the 2nd Annual American Artists' Congress meeting. Also found are files from Davis's position as editor of Art Front magazine; membership files documenting Davis's activities with the American Artists' Congress, Fine Arts Federation of New York, the New York World's Fair Artists Committee, and other organizations; printed materials; a project file for the Federal Art Project; and editorials. Additional items include an article manuscript and a draft of a letter to Ben Shahn suggesting that Downtown Gallery artists provide funding to Edith Halpert in order to open another gallery.
Collection Restrictions:
This collection is access restricted except for a handwritten draft of a letter to Ben Shahn and a photocopy of an article by Davis titled "Abstract Painting Today"; written permission is required. Contact Reference Services for more information.

Access, with permission, to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stuart Davis papers, 1934-1940. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.davistua, Series 1
See more items in:
Stuart Davis papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9882ac987-0416-48f3-8e15-63fb674db85c
EDAN-URL:
ead_component:sova-aaa-davistua-ref1

Member, Fine Arts Federation of New York/Federal Arts Bill

Collection Creator:
Davis, Stuart, 1892-1964  Search this
Container:
Box 2, Folder 10
Type:
Archival materials
Date:
circa 1936
Collection Restrictions:
This collection is access restricted except for a handwritten draft of a letter to Ben Shahn and a photocopy of an article by Davis titled "Abstract Painting Today"; written permission is required. Contact Reference Services for more information.

Access, with permission, to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stuart Davis papers, 1934-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Stuart Davis papers
Stuart Davis papers / Series 1: Stuart Davis papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98c7be154-4a57-4404-94ba-1c3542dee05b
EDAN-URL:
ead_component:sova-aaa-davistua-ref17

New York City, Fine Arts Federation of New York

Collection Creator:
Christ-Janer, Albert, 1910-1973  Search this
Container:
Box 68, Folder 22
Type:
Archival materials
Date:
circa 1966-1968
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Albert Christ-Janer papers, 1915-circa 1993, bulk 1930-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Albert Christ-Janer papers
Albert Christ-Janer papers / Series 5: Professional Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw980e3a4a2-d9ce-4d04-8a90-613917d4c315
EDAN-URL:
ead_component:sova-aaa-chrialbe-ref802

Cornelia Chapin Correspondence

Collection Creator:
Sanford, Marion  Search this
Container:
Box 1, Folder 5
Type:
Archival materials
Date:
1938-1952
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marion Sanford and Cornelia Chapin papers, 1929-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Marion Sanford and Cornelia Chapin papers
Marion Sanford and Cornelia Chapin papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9aa17dab4-f231-4d97-b0eb-388097112ea1
EDAN-URL:
ead_component:sova-aaa-sanfmari-ref18
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Gussow, Roy-Fine Arts Federation of New York

Collection Creator:
New York Artists Equity Association  Search this
Container:
Box 2, Folder 2
Type:
Archival materials
Date:
1996
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
New York Artists Equity Association records, 1920-2012. Archives of American Art, Smithsonian Institution.
See more items in:
New York Artists Equity Association records
New York Artists Equity Association records / Series 2: Presidents' Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw955351a8d-6fb0-4d5e-b42b-43380925646a
EDAN-URL:
ead_component:sova-aaa-nyarteqa-ref37

Ada Rasario Cecere Papers

Collection Creator:
Cecere, Ada Rasario, 1894 or 1898-1971  Search this
Extent:
0.2 Linear feet (Box 1)
Type:
Archival materials
Date:
1938-1972
Scope and Contents:
Correspondence is from artists, galleries, institutions, museums, and organizations concerning the sale and exhibition of Cecere's works. Correspondents include Audubon Artists, Ralph Fabri, Fine Arts Federation of New York, National Association of Women Artists, Inc., National Association of Women Painters and Sculptors, The Pen and Brush, and Pencil Points, among others. Also found are photographs of Cecere's murals, paintings, and screens.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ada Rasario Cecere papers, 1938-1972. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ceceada, Series 1
See more items in:
Ada Rasario Cecere papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a3554b5a-654e-427f-af32-0758ee6facba
EDAN-URL:
ead_component:sova-aaa-ceceada-ref4

Abraham Joel Tobias papers

Creator:
Tobias, Abraham Joel, 1913-1996  Search this
Names:
Congress of Industrial Organizations (U.S.)  Search this
Fine Arts Federation of New York  Search this
United States. Work Projects Administration  Search this
Block, Irving  Search this
Brooks, James, 1906-1992  Search this
Caswell, Edward C.  Search this
Evergood, Philip, 1901-1973  Search this
Gaber, George  Search this
Gill, Brendan, 1914-1997  Search this
La Gambina, Vincent, 1909-1994  Search this
Lishinsky, Abraham  Search this
Orozco, José Clemente, 1883-1949  Search this
Spivak, Max, 1906-1981  Search this
Tobey, Alton S. (Alton Stanley), 1914-2005  Search this
Extent:
2.8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Photographs
Date:
1913-2000
Summary:
The Abraham Joel Tobias papers date from 1913 to 2000 and measure 2.8 linear feet. Through project and exhibition files, printed material, correspondence, and photographs, the collection provides an overview of Tobias's career as a painter and muralist in New York City.
Scope and Content Note:
The Abraham Joel Tobias papers date from 1913 to 2000 and measure 2.8 linear feet. Through project and exhibition files, printed material, correspondence, and photographs, the collection provides an overview of Tobias's career as a painter and muralist in New York City.

General correspondence regards mural proposals, exhibitions, professional activities, and museums' acquisitions of artwork by Tobias. A file of correspondence with the Fine Arts Federation of New York concerns efforts to recognize murals by Irving Block, James Brooks, Philip Evergood, Abraham Lishinsky, José Clemente Orozco, and Max Spivak as landmarks; it also includes minutes of meetings, 1988-1995, that reflect Tobias's service as a board member. Other correspondence is with friends and artists including Edward Caswell, George Gaber, Filia Holtzman, Vincent La Gambina, and Alton S. Tobey.

Project files document murals such as: The Four Freedoms, Midwood High School, Brooklyn, New York, honoring students and teachers who died in World War II (circa 1946); Birth for the maternity ward at Mount Sinai Hospital, New York City (1951-1953); and Medical Science and Medical Research, Long Island Jewish Hospital (1954). The Science and Engineering project file (1958) contains a patent certificate for striated plastic, a material Tobias used in two murals. Also of interest is correspondence with the Harman Foundation regarding a documentary film about Tobias's use of ethyl silicate for outdoor murals. Among the exhibitions documented are: "Plastics U.S.A.," "New York WPA Artists Then and Now," and "Abraham Joel Tobias: Sculptural Paintings of the 1930s."

Printed material consists of announcements, invitations, solo and group exhibition catalogs, and clippings relating to Tobias's artistic career. Also found are pamphlets he designed for the Congress of Industrial Organizations. Photographs are of Tobias's artwork and the artist with friends and family. There is a video recording of an interview with Tobias conducted by Brendan Gill in 1995.
Arrangement:
The collection is arranged as 8 series:

Missing Title

Series 1: Biographical Materials, 1913-1996 (Boxes 1, 4; 0.3 linear feet)

Series 2: Correspondence, 1933-1997 (Box 1; 0.4 linear feet)

Series 3: Project and Exhibition Files, 1938-2000 (Boxes 1, 2, 4, OV 5; 1.6 linear feet)

Series 4: Writings, circa 1928-1992 (Box 2; 0.1 linear feet)

Series 5: Printed Material, 1913-1999 (Boxes 3, 4; 0.3 linear feet)

Series 6: Artwork, circa 1990s (Box 3; 1 folder)

Series 7: Photographs, 1929-1970 (Box 3; 0.1 linear feet)

Series 8: Video Recording, 1995 (Box 3, 1 folder)
Biographical Note:
Abraham Joel Tobias (1913-1996) was a painter, muralist, and educator in New York City. He was a pioneer in the use of shaped canvases.

A native of Rochester, New York, Tobias came to New York City to study at the Cooper Union School of Art, 1930-1931, and at the Art Students League, 1930-1933. He worked for the Federal Arts Project,1938-1940, where he continued his training as a muralist, working with artist and technicians.

During World War II, Tobias served in the armed forces. He was an art director with the Intelligence Division, Army Air Force, and in 1945 was employed as a graphic designer for the Office of Strategic Services (OSS). Tobias was artist-in-residence and served as instructor in painting and drawing at Adelphia College, Garden City, Long Island, 1947-1957. He also was was a visiting lecturer at various schools including Howard University, Brooklyn Museum Art School, Pratt Institute Art School, as well as at colleges in Illinois and Kansas.

Tobias completed over ten mural commissions for governmental agencies and educational institutions, including: United States Post Office, Clarendon, Arkansas; Howard University, Washington, D.C.; James Madison High School, Brooklyn, New York; Beth Israel Hospital, New York City; Domestic Relations Court Building, Brooklyn, New York; and Adelphi College, Garden City, New York. In 1962, Tobias began The History of Science mural for the lobby of the Polytechnic Institute of Brooklyn; it was never completed.

Tobias experimented with diverse materials such as terrazzo and mosaic for mural application. He also broke new ground with the use of ethyl silicate paint as a permanent medium for outdoor murals. In 1958, he patented striated plastic, a pliable material used to achieve an effect similar to stained glass.

He participated in many solo and group exhibitions. In 1935, Tobias presented his shaped canvas painting in the "Sculptural Painting" exhibition at Delphic Studios in New York City. In 1987, Tobias was recognized for his earlier pioneering work with a retrospective exhibition, "Abraham Joel Tobias: Sculptural Paintings" at The Jane Voorhees Zimmerli Art Museum of Rutgers University. Other exhibitions included: "Plastics U.S.A.," the United States Information Service's exhibition in Moscow (1961); "New York City WPA Art," Parsons School of Design, New York City (1977); "For a Permanent Public Art," Tweed Gallery, New York City (1989); and "The Technological Muse," Katonah Museum of Art, New York (1991).

Tobias's professional memberships included the Architectural League of New York, National Society of Mural Painters, and New York Artists Equity Association. He served on the Board of Directors for the Fine Arts Federation of New York from 1988-1996. He won the Architectural League Award in 1952. The Art Commission of the City of New York recognized Tobias, posthumously, for distinguished service to public art.

Abraham Joel Tobias married Carolyn Pratt in 1949; the couple had one daughter. Abraham Joel Tobias died in Rego Park, New York, in 1996 at the age of 82.
Provenance:
The papers were donated in 2001 by Carolyn Tobias, the widow of Abraham Joel Tobias.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Mural painting and decoration  Search this
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Video recordings
Photographs
Citation:
Abraham Joel Tobias papers, 1913-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tobijoel
See more items in:
Abraham Joel Tobias papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98be0c478-da69-4155-9f53-1ac5d5ac617b
EDAN-URL:
ead_collection:sova-aaa-tobijoel

The Fine Arts Federation of New York

Collection Creator:
Tobias, Abraham Joel, 1913-1996  Search this
Container:
Box 1, Folder 17
Type:
Archival materials
Date:
undated
1988-1995
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Abraham Joel Tobias papers, 1913-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Abraham Joel Tobias papers
Abraham Joel Tobias papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95cd059c7-9038-494d-bb05-791ada851278
EDAN-URL:
ead_component:sova-aaa-tobijoel-ref26

Seal of the Fine Arts Federation of New York [sculpture] / (photographer unknown)

Artist:
Brenner, Victor David 1871-1924  Search this
Type:
Photograph
Topic:
Figure female--Full length  Search this
Allegory--Arts & Sciences  Search this
Object--Art Object--Sculpture  Search this
Object--Art Tool--Palette  Search this
Object--Art Tool--Artist's Brush  Search this
Architecture--Detail--Column  Search this
Image number:
SSC S0000330
See more items in:
Photograph Study Collection
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127036
Online Media:

Fine Arts Federation of New York [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
New York (N.Y.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_100121

Memo to the New York City Council regarding the proposed Battery-Brooklyn Bridge

Creator:
Fine Arts Federation of New York  Search this
Type:
Correspondence
Place:
New York, N.Y.
Date:
1939 Mar. 25
Citation:
Fine Arts Federation of New York. Memo to the New York City Council regarding the proposed Battery-Brooklyn Bridge, 1939 Mar. 25. Fine Arts Federation of New York records, 1895-2005. Archives of American Art, Smithsonian Institution.
Topic:
Historic preservation  Search this
Record number:
(DSI-AAA)13728
See more items in:
Fine Arts Federation of New York records, 1895-2005
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13728
Online Media:

Semi-annual meeting of the Fine Arts Federation of NY

Creator:
Fine Arts Federation of New York  Search this
Subject:
Fine Arts Federation of New York  Search this
Type:
Sound Recording
Date:
1968 November 21
Citation:
Fine Arts Federation of New York. Semi-annual meeting of the Fine Arts Federation of NY, 1968 November 21. Fine Arts Federation of New York records, 1895-2005. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)15309
See more items in:
Fine Arts Federation of New York records, 1895-2005
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15309

Fine Arts Federation meeting

Creator:
Fine Arts Federation of New York  Search this
Subject:
Fine Arts Federation of New York  Search this
Type:
Sound Recording
Date:
1969 April 24
Citation:
Fine Arts Federation of New York. Fine Arts Federation meeting, 1969 April 24. Fine Arts Federation of New York records, 1895-2005. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)15310
See more items in:
Fine Arts Federation of New York records, 1895-2005
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15310

Review of city development, New York City, by Albert S. Bard, Charles N. Lowrie, Charles W. Stoughton [and] John V. Van Pelt, with foreword by Arthur F. Brinckerhoff. 1935-1938

Author:
Fine Arts Federation of New York  Search this
Bard, Albert Sprague 1866-  Search this
Physical description:
34 p., 1 l., 19 p. 23 cm
Type:
Books
Place:
New York (State)
New York
Date:
1938
1938?]
Topic:
City planning  Search this
Call number:
NA9127.N5 F5X
NA9127.N5F5X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_132709

Calendar of regular meetings of the art organizations in New York city. Issued by the Fine Arts Federation of New York

Author:
Fine Arts Federation of New York  Search this
Physical description:
24 cm
Type:
Periodicals
Place:
New York (State)
New York
Topic:
Art--Societies, etc  Search this
Call number:
AP1 .F493
AP1.F493
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_116601

Year book of the art societies of New York, 1898-1899 / [Barr Ferree, editor]

Physical description:
169 p. : ill. ; 25 cm
Type:
Books
Place:
New York (State)
New York
Date:
1899
Topic:
Art societies  Search this
Call number:
N11 .N5X 1899
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_513185

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