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George Sidney Collection

Collector:
Music, Sports and Entertainment, Division of, NMAH, SI  Search this
Sidney, George, 1916-2002  Search this
Music, Sports and Entertainment, Division of, NMAH, SI  Search this
Donor:
Sidney, Corinne Entratter  Search this
Sidney, Corinne Entratter  Search this
Names:
Columbia Pictures  Search this
Metro-Goldwyn-Mayer Pictures  Search this
Paramount Pictures  Search this
Goodman, Benny (Benjamin David), 1909-1986  Search this
Margret, Ann-, 1941-  Search this
Robinson, Edward G., 1893-1973  Search this
Sidney, George, 1877-1945  Search this
Sidney, Hazel Mooney  Search this
Sidney, Louis K.  Search this
Sullivan, Ed, 1901-1974  Search this
Extent:
54 Film reels
96 Cubic feet (288 boxes, 6 oversize folders)
Type:
Collection descriptions
Archival materials
Film reels
Photographs
Place:
Hollywood (Los Angeles, Calif.)
Date:
1885-2002
bulk 1940-1967
Summary:
George Sidney (1916-2002) was a film director during the Golden Age of Hollywood filmmaking (1927-1954). He spent the longest period of his career at Metro-Goldwyn-Mayer (MGM) until the 1950s. He later produced and directed films for Columbia Pictures and Paramount Pictures. He was a president of the Directors Guild of America and an avid photographer. He was the recipient of three awards from the Academy of Motion Picture Arts and Sciences (Oscar). The collection consists of photographs, photographic negatives, personal and business materials, and film. The collection also contains material created by George Sidney's uncle, George Sidney, vaudevillian and motion picture actor.
Scope and Contents:
The George Sidney Collection consists of approximately eighty-eight cubic feet of photographs and materials from the Hollywood director George Sidney, most dealing with his career in motion pictures. Sidney was an avid photographer and collector of photographs documenting extremely well the Hollywood film community during the Studio Era (1927-1954) of filmmaking. The bulk of the collection is from Sidney's most productive years, circa 1937-1968.

MGM's motto was "More Stars than there are in Heaven" and the researcher would be advised that the extent of this collection is such that it is impossible to list and identify all of the celebrities and personalities photographed, both behind and in front of the camera. There are stills from Sidney's many productions as well as his on-set personal photographs. There are photographs from dinner parties, and many studio and film community functions. Productions are dated to their generally accepted first theatrical release date (Los Angeles and New York) and in the case of a Broadway show to their opening date.
Arrangement:
The collection is arranged into six series.

Series 1: Photographs, Photographic Negatives, and Slides, 1914-1996, undated.

Subseries 1.1: The Camera Eye of George Sidney, undated.

Subseries 1.2: Productions (Motion Picture, Stage, and Radio), 1921-1968. Subseries 1.3: Personalities and People, 1932-1996, undated.

Subseries 1.4: Personal and Family, 1914-1992, undated.

Subseries 1.5: Family Photograph Albums and Scrapbooks, 1918-1950, undated.

Subseries 1.6: Travel and Locations, 1940-1981, undated.

Subseries 1.7: Studio, Entertainment, and Public Events, 1949-1995, undated.

Subseries 1.8: Tests, 1938-1967, undated.

Subseries 1.9: Photographic Negatives, 1937-1979, undated

Series 2: Production Ephemera, Posters, Scripts, 1930-1991, undated.

Subseries 2.1: Production Posters, 1943-1964, undated

Subseries 2.2: Production Ephemera and Scripts, 1930-1991, undated

Series 3: Office Files and Personal Material, 1903-2002, undated

Subseries 3.1: Personal Material, 1944-2002, undated

Subseries 3.2: Correspondence, Random Files, Indices, and Inventories, 1903-2002, undated

Series 4: Music Manuscripts, Sheet Music, and Music Related Material, 1885-1992, undated

Subseries 4.1: Music Manuscripts, 1937-1960, undated

Subseries 4.2: Sheet Music, 1885-1990

Subseries 4.3: Music Related Material, 1971-1992, undated

Series 5: Audiovisual, 1933-2001, undated

Subseries 5.1: Film, 1940-1960, undated

Subseries 5.2: Audio, 1933-2001, undated

Subseries 5.3: Video, 1989-2001, undated

Series 6: George Sidney (1877-1945), 1909-1945, undated
Biographical / Historical:
George E. Sidney was born in New York, New York on October 4th, 1916 into a show business family. His father Louis K. Sidney (birth surname Kronowith) (1891-1958) was a Broadway producer, actor-manager, and one of the vice-presidents of Loew's Incorporated. Sidney's mother, Hazael Mooney (?-1969), was a vaudeville performer, part of a sister act known as The Mooney Sisters. She was a native New Yorker, daughter of prominent New York City attorney Henry Mooney. She and Louis were married at her home, 12 West 109th Street, New York. Another residence was 179 West 63rd Street.

Louis K. Sidney began working for Loew's Incorporated in 1923. He managed theatres in Denver, Pittsburgh, Toledo, Dayton, and New York. Later he was in charge of stage productions for the theatre circuit. He was in charge of MGM's East Coast film production facility in New York. He and Hazael followed son George to Los Angeles in 1937. Louis produced two motion pictures at MGM, The Big Store with the Marx Brothers and Hullabaloo. After February 1951, he was a member of the four man executive committee in charge of MGM. At his retirement in 1955, Louis K. had risen to the position of vice-president of Loew's, Incorporated. He served as vice-president and director of the Motion Picture Producers Association, as a director of the Motion Picture Relief Fund, and the Hollywood Coordinating Committee.

George Sidney had two uncles in show business, Jack Sidney, known as "Jack of Spades" a black-face comedian, and Sidney's half-uncle, George Sidney (1877-1945) (real name Samuel Greenfield), a vaudeville comic. George had a successful Broadway and screen career, most notably as the bum, Busy Izzy, a character that lasted on the vaudeville circuit from 1901-1915. His initial Broadway success was in a show entitled Welcome Stranger that ran for 309 performances. Welcome Stranger had an extensive touring schedule across the United States. In conjunction with Charlie Murray, he developed a comedy act known as Cohen and Kelly that was not only a vaudeville success but easily made the transition to motion pictures. The Cohens and Kellys films became a motion picture franchise for Universal Studios in 1924. He was married to Carrie Weber (?-1940). George was a member of the Friars Club and an avid sports fan. He owned a racehorse named Kibbitzer.

George Sidney made his on-screen debut in The Littlest Cowboy (1921) starring Tom Mix. He moved to Los Angeles in 1930. Sidney went to work as a messenger at MGM. Louis B. Mayer's nickname for Sidney was "boy". Sidney flourished at the studio and by the time he was twenty he was directing screen tests and one-reel shorts. He directed installments in the Our Gang and Little Rascals series, as well as the Pete Smith and the Crime Does Not Pay series. He won back-to-back Oscars for two of his shorts, Quicker'n a Wink (1940) and Of Pups and Puzzles (1941). His feature film directing debut was Free and Easy (1941) starring Robert Cummings. His first major film musical was the all-star, war time musical, Thousands Cheer (1943), starring Kathryn Grayson and Gene Kelly. Sidney always indicated he viewed films as entertainment and seems to have rejected the auteur theory of directing embraced by some of his well known colleagues such as John Ford and Vincent Minnelli. His film, The Three Musketeers (1948), starring Gene Kelly and Lana Turner, was one of MGM's highest grossing films in the post World War Two period. He won his third Oscar for the short, Overture to 'The Merry Wives of Windsor, in 1954. Jupiter's Darling (1955) with Esther Williams was Sidney's last film for MGM. He was loaned to Columbia Pictures to direct The Eddy Duchin Story (1956), after which his contract at MGM ended.

Sidney went on to become an independent producer and director at Columbia Pictures where he directed such films as Pal Joey (1957), starring Frank Sinatra, and Bye Bye Birdie (1963) starring Ann-Margret. He returned to MGM in the 1960s to make A Ticklish Affair (1963), starring Shirley Jones and Viva Las Vegas (1964), starring Ann-Margret and Elvis Presley. His last film was the musical Half a Sixpence (1967) starring Tommy Steele for Paramount Pictures. Sidney also directed and produced for television most notably Who Has Seen the Wind (1964). He financed and founded Hanna-Barbera Productions in 1944. He was a two-term president, 1951-1959 and 1961-1967, of the Directors Guild of America (DGA), earlier known as the Screen Directors Guild (SDG).

In his personal life, Sidney was married in 1942 to legendary MGM drama coach, Lillian "Burnsie" Burns Salzer (1903-1998). He was eight years her junior. They lived at the Sidney home (1140 Tower Road) in Beverly Hills. They divorced in the mid 1970s. For a brief time Sidney maintained a penthouse apartment for George Sidney Productions at 144 South Beverly Drive, Beverly Hills. He maintained a suite (301) in the Palm Wilshire Building, 9201 Wilshire Boulevard in the 1970s. He married his second wife, Jane Adler Robinson (?-1991), second wife and widow of actor Edward G. Robinson (1893-1974), around 1978. The house at 1140 Tower Road was sold and Sidney moved to the Robinson home at 910 Rexford Drive in Beverly Hills. Sidney married his third wife, Corinne Kegley Entratter (1937-?), widow of showman and Las Vegas entrepreneur John Entratter, in 1991. Sidney was a prolific photographer. He collected art and was apparently an avid gardener. He was a member of the Royal Horticultural Society. He died in Las Vegas, Nevada in May 2002.
Related Materials:
The Harry Warren Collection, AC0750

The Groucho Marx Collection, AC0269

Sidney related artifacts from Sidney's films are housed in the Division of Culture and the Arts, National Museum of American History, Smithsonian. There are scrapbooks donated by the Sidney Estate in the collection of the Cinema-Television Library, Doheny Library, University of Southern California, consisting of eleven volumes containing photographs, correspondence, publicity documents, and other materials, circa 1933-1963.
Provenance:
This collection was donated to the Archives Center in 2005 by Corinne Entratter Sidney, widow of George Sidney.
Restrictions:
Collection is open for research but is stored off-site. Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.

Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.

Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period.

Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
The Archives Center does not own exclusive rights to these materials. All requests for permission to use these materials for non-museum purposes must be addressed directly to the Archives Center, and the Archives Center will forward the request to the copyright holder. Collection items are available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Topic:
Motion picture production and direction  Search this
Motion picture producers and directors  Search this
Motion pictures  Search this
Vaudeville  Search this
Musicals  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century
Citation:
George Sidney Collection, Archives Center, National Museum of American History, gift of Corinne Entratter Sidney
Identifier:
NMAH.AC.0867
See more items in:
George Sidney Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0867

Sounds of Los Angeles: César Castro’s Son Jarocho

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2016-04-11T15:20:21.000Z
YouTube Category:
Travel & Events  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_n-je6HvZNZ8

Oral history interview with Margaret Honda

Interviewee:
Honda, Margaret  Search this
Interviewer:
Proctor, Jacob  Search this
Names:
Pandemic Oral History Project  Search this
Extent:
1 Item ((25 min.), digital, mp4)
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
2020 August 17
Scope and Contents:
An interview with Margaret Honda conducted 2020 August 17, by Jacob Proctor, for the Archives of American Art's Pandemic Oral History Project, at Honda's home in Los Angeles, California.­
Biographical / Historical:
Margaret Honda (1961- ) is an Asian American experimental filmmaker in Los Angeles, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Filmmakers -- California -- Los Angeles  Search this
Topic:
Pandemics  Search this
COVID-19 (Disease)  Search this
Asian American art  Search this
Asian American artists  Search this
Women artists  Search this
Mutual aid  Search this
COVID-19 (Disease) and the arts  Search this
COVID-19 (Disease) -- Social aspects  Search this
Asian American women artists  Search this
Asian American filmmakers  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.honda20
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-honda20
Online Media:

King W. Vidor papers, 1936-1982

Creator:
Vidor, King, 1894-1982  Search this
Vidor, King, 1894-1982  Search this
Subject:
Sheets, Millard  Search this
Wood, Grant  Search this
Wyeth, Andrew  Search this
Benton, Thomas Hart  Search this
Rivera, Diego  Search this
Associated American Artists  Search this
Big parade  Search this
Metaphor: King Vidor meets with Andrew Wyeth  Search this
Type:
Photographs
Motion pictures (visual works)
Video recordings
Typescripts
Topic:
Filmmakers -- California -- Los Angeles  Search this
Art, American -- Collectors and collecting  Search this
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Theme:
The Art Market  Search this
Record number:
(DSI-AAA_CollID)7150
(DSI-AAA_SIRISBib)209284
AAA_collcode_vidoking
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209284
Online Media:

Murals of Aztlán Film Production Records, 1981

Creator:
Tartan, James, 1931-  Search this
Tartan, James, 1931-  Search this
Subject:
Craft and Folk Art Museum  Search this
Type:
Transcripts
Sound recordings
Motion pictures (visual works)
Topic:
Latino and Latin American artists  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Street art  Search this
Mexican American art  Search this
Mexican American artists  Search this
Chicano artists  Search this
Theme:
Communities, Organizations, Museums  Search this
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)13501
(DSI-AAA_SIRISBib)211809
AAA_collcode_tartjame
Theme:
Communities, Organizations, Museums
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211809

Judith Wechsler papers, circa 1940-2003, bulk 1971-1994

Creator:
Wechsler, Judith, 1940-  Search this
Wechsler, Judith, 1940-  Search this
Subject:
Adams, Ansel  Search this
Albers, Josef  Search this
Cage, John  Search this
Callahan, Harry M.  Search this
Cohen, John  Search this
Falkenberg  Search this
Hockney, David  Search this
Hopps, Walter  Search this
Johns, Jasper  Search this
Menil, Dominique de  Search this
Meyerowitz, Joel  Search this
Namuth, Hans  Search this
Pearlstein, Philip  Search this
Siskind, Aaron  Search this
Stella, Frank  Search this
Stieglitz, Alfred  Search this
Steichen, Edward  Search this
Museum at Large Ltd.  Search this
Universal Limited Art Editions (Firm)  Search this
Type:
Interviews
Motion pictures (visual works)
Sound recordings
Topic:
Art patronage  Search this
Art museums  Search this
Artists -- United States  Search this
Filmmakers--Massachusetts--Boston  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15836
(DSI-AAA_SIRISBib)292401
AAA_collcode_wechjudi
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_292401

Oral history interview with Josine Ianco-Starrels, 1989 June 15

Interviewee:
Ianco-Starrels, Josine, 1926-2019  Search this
Ianco-Starrels, Josine, 1926-2019  Search this
Interviewer:
Bowman, Ruth, 1923-  Search this
Subject:
Long Beach Museum of Art  Search this
Los Angeles Municipal Art Gallery  Search this
Lytton Center of the Visual Arts  Search this
Women in the Arts in Southern California Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Women museum curators -- California -- Interviews  Search this
Museum directors -- California -- Los Angeles -- Interviews  Search this
Museum curators -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12700
(DSI-AAA_SIRISBib)211918
AAA_collcode_iancos89
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211918

Oral history interview with Rubén Ortiz Torres, 2020 August 17

Interviewee:
Ortiz Torres, Rubén, 1964-  Search this
Ortiz Torres, Rubén, 1964-  Search this
Interviewer:
Gillespie, Benjamin, 1988-  Search this
Subject:
Pandemic Oral History Project  Search this
Type:
Interviews
Video recordings
Topic:
Pandemics  Search this
COVID-19 (Disease)  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)21962
AAA_collcode_ortiz20
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_21962

Oral history interview with Margaret Honda, 2020 August 17

Interviewee:
Honda, Margaret, 1961-  Search this
Honda, Margaret, 1961-  Search this
Interviewer:
Proctor, Jacob, 1975-  Search this
Subject:
Pandemic Oral History Project  Search this
Type:
Interviews
Video recordings
Topic:
Pandemics  Search this
COVID-19 (Disease)  Search this
Asian American art  Search this
Asian American artists  Search this
Women artists  Search this
Mutual aid  Search this
COVID-19 (Disease) and the arts  Search this
COVID-19 (Disease) -- Social aspects  Search this
Asian American women artists  Search this
Asian American filmmakers  Search this
Theme:
Asian American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)22000
AAA_collcode_honda20
Theme:
Asian American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_22000

Oral history interview with Morgan Fisher, 2020 August 17

Interviewee:
Fisher, Morgan, 1942-  Search this
Fisher, Morgan, 1942-  Search this
Interviewer:
Proctor, Jacob, 1975-  Search this
Subject:
Pandemic Oral History Project  Search this
Type:
Video recordings
Interviews
Topic:
Pandemics  Search this
COVID-19 (Disease)  Search this
Record number:
(DSI-AAA_CollID)22025
AAA_collcode_fisher20
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_22025

Oral history interview with Judy Fiskin, 2009 Nov. 9-23

Interviewee:
Fiskin, Judy, 1945-  Search this
Fiskin, Judy, 1945-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Type:
Sound recordings
Interviews
Topic:
Photographers -- California -- Los Angeles -- Interviews  Search this
Video artists -- California  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15750
(DSI-AAA_SIRISBib)287095
AAA_collcode_fiskin09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_287095
Online Media:

Oral history interview with Allan Sekula, 2011 August 20-2012 February 14

Interviewee:
Sekula, Allan, 1951-2013  Search this
Sekula, Allan, 1951-2013  Search this
Interviewer:
Panzer, Mary, 1955-  Search this
Subject:
Altoon, John  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Braderman, Joan  Search this
Baldessari, John  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Diddley, Bo  Search this
Brach, Paul  Search this
Burch, Noël  Search this
Burn, Ian  Search this
Captain Beefheart  Search this
Charlesworth, Sarah  Search this
Chayefsky, Paddy  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Evans, Walker  Search this
Farber, Manny  Search this
Feldman, Ronald  Search this
Folks, Homer  Search this
Fox, Terry  Search this
Fried, Howard  Search this
Ginsberg, Allen  Search this
Graham, Dan  Search this
Graves, Michael  Search this
Halleck, DeeDee  Search this
Hanhardt, John G.  Search this
Hassan, Ihab  Search this
Hayes, Woody  Search this
Heinecken, Robert  Search this
Higgins, Dick  Search this
Hine, Lewis Wickes  Search this
Kienholz, Edward  Search this
Kirschenbaum, Baruch David  Search this
Knowles, Alison  Search this
König, Kasper  Search this
Kosuth, Joseph.  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard  Search this
Lonidier, Fred  Search this
Lord, Catherine  Search this
Lunn, Harry  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta  Search this
Mayer, Grace M.  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A.  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff  Search this
Artforum  Search this
California Institute of the Arts  Search this
Ohio State University  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
University of California, San Diego  Search this
Type:
Interviews
Sound recordings
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art -- Exhibitions -- Economic aspects  Search this
Art -- History  Search this
Art, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Record number:
(DSI-AAA_CollID)16239
(DSI-AAA_SIRISBib)370420
AAA_collcode_sekula11
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_370420
Online Media:

Oral history interview with Doug Aitken, 2017 July 22-24

Interviewee:
Aitken, Doug, 1968-  Search this
Aitken, Doug, 1968-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Type:
Interviews
Sound recordings
Topic:
Artists -- California -- Interviews  Search this
Artists -- New York (State) -- New York -- Interviews  Search this
Multimedia (Art)  Search this
Record number:
(DSI-AAA_CollID)17493
(DSI-AAA_SIRISBib)389579
AAA_collcode_aitken17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_389579
Online Media:

Janice Lovoos papers, 1870-1991

Creator:
Lovoos, Janice Dolores, 1903-  Search this
Lovoos, Janice Dolores, 1903-  Search this
Subject:
Sheets, Millard  Search this
Penney, Edmund F.  Search this
Moure, Nancy Dustin Wall  Search this
Chouinard Art Institute  Search this
Topic:
Art, Modern -- 20th century -- California  Search this
Women artists  Search this
Theme:
Women  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6351
(DSI-AAA_SIRISBib)215084
AAA_collcode_lovojani
Theme:
Women
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215084

Los Angeles Independent Film Oasis records, 1976-1981

Creator:
Los Angeles Independent Film Oasis  Search this
Los Angeles Independent Film Oasis  Search this
Subject:
Friedman, Roberta  Search this
Fisher, Morgan  Search this
Halpern, Amy  Search this
Gerry, Lyn  Search this
Gehry, Leslie  Search this
O'Neill, Pat  Search this
O'Neill, Beverly  Search this
Möritz, William  Search this
Topic:
Experimental films  Search this
Filmmakers -- California -- Los Angeles  Search this
Theme:
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)6526
(DSI-AAA_SIRISBib)215788
AAA_collcode_losangei
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215788
Online Media:

Josine Ianco-Starrels papers, 1930-2017

Creator:
Ianco-Starrels, Josine, 1926-2019  Search this
Ianco-Starrels, Josine, 1926-2019  Search this
Subject:
Kline, Herbert  Search this
Los Angeles Municipal Art Gallery  Search this
Theme:
The Art Market  Search this
Record number:
(DSI-AAA_CollID)6309
(DSI-AAA_SIRISBib)223509
AAA_collcode_iancjosi
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_223509

King W. Vidor papers

Creator:
Vidor, King, 1894-1982  Search this
Names:
Associated American Artists  Search this
Big parade (Motion picture)  Search this
Metaphor: King Vidor meets with Andrew Wyeth (motion picture)  Search this
Benton, Thomas Hart, 1889-1975  Search this
Rivera, Diego, 1886-1957  Search this
Sheets, Millard, 1907-1989  Search this
Wood, Grant, 1891-1942  Search this
Wyeth, Andrew, 1917-2009  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Motion pictures (visual works)
Video recordings
Typescripts
Date:
1936-1982
Summary:
The papers of King Vidor measure 2.1 linear feet and include correspondence, printed material, and a variety of materials related to the documentary Metaphor: King Vidor Meets Andrew Wyeth (1980) written and directed by Vidor, including production notes, photographs, and motion picture film.
Scope and Contents:
The papers of King Vidor measure 2.1 linear feet and include correspondence, printed material, and a variety of materials related to the documentary Metaphor: King Vidor Meets Andrew Wyeth (1980) written and directed by Vidor, including production notes, photographs, and motion picture film.

Correspondence is mainly between Vidor and multiple galleries and artists whose artworks Vidor collected, and includes single letters from artists Grant Wood, Thomas Hart Benton, and Andrew Wyeth. Lengthy correspondence with Associated American Artists is found among other correspondence with galleries. Loan requests from museums borrowing from Vidor's painting collection, and image requests for reproduction rights for paintings owned by Vidor from various publishers are also found, as well as a few sheets of notes related to valuation of paintings.

Printed material includes exhibition catalogs for Millard Sheets and Diego Rivera, clippings on a variety of subjects, including a long article about his film project Metaphor published in the Los Angeles Herald Examiner, and periodicals with articles about the artist Grant Wood.

Scattered slides are mostly of unidentified artwork.

Material related to Metaphor, Vidor's film project with Andrew Wyeth include photographs of Wyeth and Vidor in Pennsylvania, stills from Vidor's 1925 film The Big Parade, and a still from Metaphor. Production notes include detailed footage and edit notes as well as typescripts of draft narration. Some production notes are arranged as a group, and others are arranged with documentation of the original film containers in which they were found. Motion picture film found in the collection includes a print of the final version of the film, edit master film material (A and B rolls), outtakes, and trims.
Arrangement:
The collection is arranged as 4 series. Digital photographs of original film containers are filed in Series 4.

Series 1: Correspondence, 1941-1982 (Box 1, 1 folder)

Series 2: Printed Material, 1936-1980 (Box 1, 3 folders)

Series 3: Slides, 1964 (1 folder; Box 1)

Series 4: -- Metaphor: King Vidor Meets Andrew Wyeth -- (1980), 1976-1980 (1.9 linear feet; Box 1, FC 1-17)
Biographical / Historical:
King Vidor was an American film director whose prolific career began in 1913, during the silent era, and continued through 1959 when he stopped directing large scale film projects. In addition to his prolific film career, Vidor was an avid collector of American Art who owned works by Thomas Hart Benton and Grant Wood, among others.

Vidor's final film, Metaphor: King Vidor Meets Andrew Wyeth (1980), is a documentary in which he and Wyeth discuss the impact of Vidor's most celebrated film of the silent era, The Big Parade, on Wyeth's painting. The project began when Wyeth wrote a lengthy letter to Vidor crediting his film, which Wyeth claimed to have watched over a hundred times, with having had a direct impact on the compositions of his paintings, which he only noticed after the fact when his wife, Betsy, pointed it out to him.

When Wyeth contacted Vidor for permission to use clips from The Big Parade in a documentary project by the Metropolitan Museum of Art to accompany a 1976 exhibition of these works, Two Worlds of Andrew Wyeth: Kuerners and Olsons, instead of lending his film to that effort, Vidor went to Chadds Ford, Pennsylvania to film Wyeth himself. Together, the two set out to make a documentary telling the story of the aesthetic relationship between their work, with Vidor directing. The film was completed in 1980 but was never commercially released.

Vidor died in 1982.
Related Materials:
There is an oral history interview with King Vidor held by Columbia University.
Provenance:
Donated 1985 by the King Vidor Trust.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Pennsylvania  Search this
Topic:
Filmmakers -- California -- Los Angeles  Search this
Art, American -- Collectors and collecting  Search this
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Genre/Form:
Photographs
Motion pictures (visual works)
Video recordings
Typescripts
Citation:
King W. Vidor papers, 1936-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vidoking
See more items in:
King W. Vidor papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vidoking

Oral history interview with Allan Sekula

Interviewee:
Sekula, Allan  Search this
Interviewer:
Panzer, Mary  Search this
Names:
Artforum  Search this
California Institute of the Arts  Search this
Ohio State University -- Faculty  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
University of California, San Diego  Search this
Altoon, John, 1925-  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Baldessari, John, 1931-  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Brach, Paul, 1924-  Search this
Braderman, Joan  Search this
Burch, Noël, 1932-  Search this
Burn, Ian, 1939-1993  Search this
Captain Beefheart  Search this
Charlesworth, Sarah, 1947-2013  Search this
Chayefsky, Paddy, 1923-1981  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Diddley, Bo, 1928-2008  Search this
Evans, Walker, 1903-1975  Search this
Farber, Manny  Search this
Feldman, Ronald, 1938-  Search this
Folks, Homer, 1867-1963  Search this
Fox, Terry, 1943-  Search this
Fried, Howard, 1946-  Search this
Ginsberg, Allen, 1926-1997  Search this
Graham, Dan, 1942-  Search this
Graves, Michael, 1934-2015  Search this
Halleck, DeeDee  Search this
Hanhardt, John G.  Search this
Hassan, Ihab, 1925-2015  Search this
Hayes, Woody, 1913-1987  Search this
Heinecken, Robert, 1931-  Search this
Higgins, Dick, 1938-1998  Search this
Hine, Lewis Wickes, 1874-1940  Search this
Kienholz, Edward, 1927-  Search this
Kirschenbaum, Baruch David, 1931-  Search this
Knowles, Alison, 1933-  Search this
Kosuth, Joseph.  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
König, Kasper  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard, 1932-  Search this
Lonidier, Fred  Search this
Lord, Catherine, 1949-  Search this
Lunn, Harry, 1933-1998  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta, 1912-2002  Search this
Mayer, Grace M.  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A., 1949-  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene, 1950-  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff, 1946-  Search this
Extent:
12 Items (Sound recording: 12 sound files (6 hr.,14 min.), digital, wav)
143 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2011 August 20-2012 February 14
Scope and Contents:
An interview with Allan Sekula conducted 2011 August 20-2012 February 14, by Mary Panzer, for the Archives of American Art at Sekula's studio and home in Los Angeles, California and at the Museum of Modern Art in New York, New York.
Sekula speaks of his career and some of the mediums he works in; language and contemporary art; Roland Barthes; his relation to contemporary art; west coast conceptualism; genre switches; realism; documentary photography; Belgium and the industrial revolution; Meunier; minor figures; art history and marginalism; Roberto Matta; World War I; Homer Folks; Fish Story; historic cinema; economic factors of art shows and publication; galleries and the art world; growing up and his family; his father and moving; Ohio; his brothers and sisters; San Pedro; demographics of students at school; sports at school; Vietnam; protests; cross country and swimming; California; fishing; college; U.C. system; declaring a major; John Altoon; Ed Kienholz; exposure to art; visiting museums; Marcuse's classes; Baldessari's classes; course work and student life; student demonstrations; working in a library and exposure to books; father losing his job; science and working as a chemical technician; politics; his uncle committing suicide; moving away from his father; the draft; John Birch; Students for a Democratic Society; his mother; politics of his parents; Aerospace Folk Tales, autodidacts and scholarship; San Diego and Mexico; obtaining a camera and starting to use it; art school; CalArts; UCSD; Meditations on a Triptych; David Salle; Fred Lonidier; Phel Steinmetz; MFA and art training; poets; story of Allen Ginsberg and one of Sekula's sculptures; production and the audience; A Photograph is Worth a Thousand Questions, photography and the burden of tradition; pictorialism; moving to New York; Artforum; October; New York music scene; Captain Beefheart; Bo Diddley; Little Richard; Steichen and aerial photography; origins of October; New Criterion; Art Critic's Grant; teaching at Ohio State; television; technological historians; New York subway and getting a ticket for using French money; RISD lectures; Long Beach; photography; collages; Metro Pictures; New Topographics; School as a Factory; moral choice and the viewer; work method and the audience; Social Criticism and Art Practice; east and west coasts; Ed Ruscha; documentary; film, Los Angeles; cinema and social history; Ohio State Department of Photography and Cinema; Los Angeles Plays Itself; Committee in Solidarity with the People of El Salvador; Ohio State campus, anti-Semitism; Ronald Reagan and protest; influences and colleagues; intellectual genealogy; Michael Graves and Ohio State architecture; Bad Ohio; tenure; University Exposed; AIDS issue of October; The Body and the Archive; making film; Korean War; collectors and images. Sekula also recalls Eleanor Antin, Jeff Wall, Terry Fox, Lewis Hine, Walker Evans, Paul Saltman, Marcuse, Baldessari, Sacvan Bercovitch, Stanley Miller, Jef Raskin, Paul Brach, David Antin, Howard Fried, Peter Van Riper, Alison Knowles, Dick Higgins, Manny Farber, Ihab Hassan, Diane Wakoski, Jackson Mac Low, Martha Rosler, Lenny Neufeld, Joshua Neufeld, David Wing, Brian Connell, Max Kozloff, Ian Burn, Mel Ramsden, Carole Conde, Karl Beveridge, Barry Rosens, Tom Crow, John Copeland, Harry Lunn, Hilton Kramer, Grace Mayer, Carol Duncan, Eva Cockroft, Richard Pommer, Rosalind Krauss, Sally Stein, Paddy Chayefsky, John Hanhardt, Mel Ramsden, Sarah Charlesworth, Jospeh Kosuth, Baruch Kirschenbaum, Robert Heinecken, Brian O'Doherty, Howard Becker, Jay Ruby, Jerry Liebling, Anna Wilkie, Ronald Feldman, John Gibson, David Ross, Britt Salvesen, Larry Sultan, Mike Mandel, Roy Ascott, Ilene Segalove, Paul Schimmel, DeeDee Halleck, Noel Burch, Joan Braderman, Woody Hayes, Thom Andersen, John Quigley, Ron Green, Kasper Koenig, Dan Graham, Jonathan Green, Christa Wolf, Catherine Lord, Ben Lifson, and Annette Michelson.
Biographical / Historical:
Allan Sekula (1951-2013) was a photographer, filmmaker, and writer, based at the California Institute of the Arts in Valencia, California. Mary Panzer (1955- ) is a historian from New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Sculptors  Search this
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art -- Exhibitions -- Economic aspects  Search this
Art -- History  Search this
Art, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Function:
Art galleries, Commercial
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.sekula11
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sekula11

Janice Lovoos papers

Creator:
Lovoos, Janice  Search this
Names:
Chouinard Art Institute (Los Angeles, Calif.)  Search this
Moure, Nancy Dustin Wall  Search this
Penney, Edmund F.  Search this
Sheets, Millard, 1907-1989  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1870-1991
Scope and Contents:
Writings from newspapers, periodicals, photographs, catalogs and books on art, relating to Lovoos' close involvement with California art and artists; photographs of family and other photographs; a 4 p. essay about Lovoos by Nancy Moure, and information on her son, documentary filmmaker Edmund Penney.
Family photographs include Lovoos' parents, ca. 1870s; family portraits in Montana, ca. 1910; Lovoos in Los Angeles, ca. 1920s; Chouinard School of Art students, ca. 1920s; and other family shots from the mid-1920s to the 1980s, including her husband, painter Frederic Penney with Millard Sheets and others.
Biographical / Historical:
Writer, painter, designer; California. Born 1903. Lovoos received formal art training at Chouinard School of Art in Los Angeles where she learned to design rugs, textiles, murals, and illustrate children's books. As a writer and art historian, Lovoos has contributed richly to documenting Southern California art.
Provenance:
Donated 1991-1993 by Janice Lovoos.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Artists -- California  Search this
Topic:
Art, Modern -- 20th century -- California  Search this
Women artists  Search this
Identifier:
AAA.lovojani
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lovojani

Josine Ianco-Starrels papers

Creator:
Ianco-Starrels, Josine  Search this
Names:
Los Angeles Municipal Art Gallery  Search this
Kline, Herbert  Search this
Extent:
11 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1930-2017
Scope and Contents:
The papers of curator and gallery director, Josine Ianco- Starrels, measure 11.0 linear feet and date from 1930-2017. Included are biographical material; files relating to Ianco-Starrels' work at various museum and galleries; correspondence; writings about exhibitions and autobiographical writings; photographs, negatives and slides of Ianco- Starrels, others and works of art; audio visual material including video and sound recordings of conversations, events and a documentary on Marcel Janco; and scattered artwork by others including a poster made by George Herms and drawings by Raymond Saunders. Also included are the papers of Ianco-Starrels' husband, Herbert Kline, who was a filmmaker. Included in his papers are some of the items from his making of the film, Posing as an American Nazi, which was filmed in Spain.
Biographical / Historical:
Josine Ianco-Starrels (1926-2019) was a curator and gallery administrator in Los Angeles, California. Born 1926 in Bucharest, Romania. Josine Ianco-Starrels was curator of the Lytton Center of the Visual Arts (1961-1969), Associate Professor, Art Gallery Division at California State University, Los Angeles (1969-1975), Director of the Los Angeles Municipal Art Gallery at Barnsdall Park (1975-1984), and Senior Curator at the Long Beach Art Museum (1987-1990). Ianco-Starrels died at the age of 92 at her home in Rogue City, Oregon.
Provenance:
Donated 2000 by Josine Ianco-Starrels and in 2019 by Elissa Kline, Ianco-Starrels' daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Arts administrators -- California -- Los Angeles  Search this
Identifier:
AAA.iancjosi
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-iancjosi

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