The papers of curator Philip Brookman measure 3.5 linear feet and date from 1977 to 1993. The collection documents Brookman's exhibition, writing, and filmmaking projects in the form of artist files, exhibition files, professional files, and subject and research files. Much of the material concerns the production and distribution of Brookman's 1988 video documentary about Chicano art in California, Mi Otro Yo (My Other Self), that grew out of the exhibition and conference "Califas: An Exhibition of Chicano Art and Culture in California," held at University of California, Santa Cruz in 1981 and 1982.
Scope and Contents:
The papers of curator Philip Brookman measure 3.5 linear feet and date from 1977 to 1993. The collection documents Brookman's exhibition, writing, and filmmaking projects in the form of artist files, exhibition files, professional files, and subject and research files. Much of the material concerns the production and distribution of Brookman's 1988 video documentary about Chicano art in California, Mi Otro Yo (My Other Self), that grew out of the exhibition and conference "Califas: An Exhibition of Chicano Art and Culture in California," held at University of California, Santa Cruz in 1981 and 1982.
Artist files are for David Avalos, Guillermo Gómez-Peña, Louis Hock, Elizabeth Sisco, and others. Exhibition files include correspondence, notes, loan agreements, and printed material concerning Made in Aztlán, Photographing Ourselves: Contemporary Native American Photography, Chicano Art: Resistance and Affirmation/CARA among others. Professional files provide documentation on "El Centro Cultural de la Raza - Fifteen Years," Culture Wars: Documents from the Recent Controversies in the Arts, and various projects at Washington Project for the Arts.
Arrangement:
The collection is arranged as five series.
Series 1: Artist Files, 1981-1991 (Box 1; 0.5 linear feet)
Series 2: Exhibition Files, 1982-1992 (Boxes 1-2; 1.0 linear feet)
Series 3: Professional Files, 1982-1991 (Boxes 2-3, OV 5; 0.8 linear feet)
Series 4: Subject and Research Files, 1977-1993 (Box 3; 0.4 linear feet)
Series 5: Califas Documentation, 1981-1993 (Boxes 3-4, OV 5; 0.8 linear feet)
Biographical / Historical:
Philip Brookman is a curator in California and Washington, D.C. He was director of the Mary Porter Sesnon Art Gallery at the University of California at Santa Cruz from 1974 to 1983, a curator at El Centro Cultural de la Raza in San Diego from 1985 to 1986, and a curator at the Washington Project for the Arts from 1987 to 1997. Brookman was also Curator of Photography and Media Arts at the Corcoran Gallery of Art and is a consulting curator at the National Gallery of Art in Washington, D.C. He and his wife, Amy Brookman, co-directed the documentary Mi Otro Yo (My Other Self) about Chicano art in California which grew out of the Califas conference held at the University of California at Santa Cruz (UCSC) in 1982.
Provenance:
The papers were donated by Philip Brookman in 1999.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Art museum curators -- Washington (D.C.) Search this
Copy of typed transcription of notes possibly referring to prewar film shot by professional Japanese filmmakers at Hamadi Shoji studio in Mashiko.
Collection Restrictions:
Collection is open for research.
Collection Rights:
No restrictions on use.
Collection Citation:
The Elizabeth Gordon Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Elizabeth Gordon, 1988
Interview created as part of the research for the Anacostia Community Museum's "A Right to the City" exhibition.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
