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Drawn to Figures: Proportions of the Head

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2020-06-25T14:45:00.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_7w67TdHXfII

Drawn to Figures: Drawing the Seated Figure

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2020-07-16T15:00:13.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
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NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_F5kPx-DU3yE

Drawn to Figures: Proportions of the Figure

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2020-06-25T14:45:01.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_MXHxVv_UU8s

Drawn to Figures: Figure Drawing

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2020-06-25T14:45:00.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_NrjaC1iQgeI

Live Drawn to Figures: Working in Acrylics

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2021-04-07T17:48:03.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
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NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_VRPp60uWA00

Drawn to Figures: Drawing from Sculptures

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2020-09-24T15:00:08.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
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NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_Z-wvKbWqKt0

Drawn to Figures: The Artist's Toolkit

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2020-06-25T14:45:00.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_aV224MI-RE4

Drawn to Figures: Drawing with Values

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2020-06-25T14:45:01.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_sd2eSfoMnsQ

Live Drawn to Figures: Working with Palette Knives

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2021-05-06T15:00:20.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_uksimH2SArQ

Artwork & Sketchbooks

Collection Creator:
Stout, George L. (George Leslie)  Search this
Extent:
0.1 Linear feet (Box 6)
Type:
Archival materials
Date:
circa 1924-circa 1938
1970-1977
Scope and Contents:
Artwork consists of numerous sketches and one sketchbook by George Leslie Stout. The sketchbook is filled with figure drawings. Sketches are in pencil and ink of landscapes, animals, people and scenes from travels. Stout loosely grouped the sketches together by topic with titles such as "Pool Doodles" of people lounging by a poolside and "Pencil Studies Zoo, Park Studies," which are sketches of animals and landscapes. Stout also made holiday greetings cards for which he drew illustrations and added text. Photocopies of several of the completed greeting cards are included. There is one caricature of Eric Brown, Director of the National Gallery of Canada, by Murray Pease, Stout's friend and colleague.
Arrangement:
The materials in this series have been arranged in loose chronological order. One drawing by Murray Pease is at the end of the series.
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization. For more information, please contact Reference Services.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
George Leslie Stout papers, 1855, 1897-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stougeor, Series 8
See more items in:
George Leslie Stout papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e8176299-6f6f-4fae-ab5a-d19be4ab8555
EDAN-URL:
ead_component:sova-aaa-stougeor-ref325

Figure Drawing Sketchbook

Collection Creator:
Stout, George L. (George Leslie)  Search this
Container:
Box 6, Folder 5
Type:
Archival materials
Date:
circa 1924
Scope and Contents:
Sketchbook of figure drawings of models.
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization. For more information, please contact Reference Services.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
George Leslie Stout papers, 1855, 1897-1978. Archives of American Art, Smithsonian Institution.
See more items in:
George Leslie Stout papers
George Leslie Stout papers / Series 8: Artwork & Sketchbooks
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9547f7fe3-62c7-4ffe-9299-b6d8a0897ee7
EDAN-URL:
ead_component:sova-aaa-stougeor-ref328

Oral history interview with Viola Frey, 1995 Feb. 27-June 19

Interviewee:
Frey, Viola, 1933-2004  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Women in the Arts in Southern California Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Viola Frey, 1995 Feb. 27-June 19. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Women artists  Search this
Women sculptors  Search this
Women ceramicists  Search this
Ceramics  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12554
(DSI-AAA_SIRISBib)215850
AAA_collcode_frey95
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215850
Online Media:

Oral history interview with Viola Frey

Interviewee:
Frey, Viola, 1933-2004  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Creator:
Women in the Arts in Southern California Oral History Project  Search this
Names:
Women in the Arts in Southern California Oral History Project  Search this
Extent:
5 Sound cassettes (Sound recording (5 hrs.), analog)
126 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1995 Feb. 27-June 19
Scope and Contents:
An interview of Viola Frey conducted 1995 Feb. 27-1995 June 19, by Paul Karlstrom, for the Archives of American Art, Women in the Arts in Southern California Oral History Project, at the artist's studio, in Oakland, Calif.
FEB. 27, 1995 SESSION: Family background in the Midwest; Huguenot ancestry; importance of grandmother in her life; living in Central Valley, Calif.; father's collecting junk; early plans to become a writer; declining her acceptance to UC Berkeley and attending community college to study art; attending California College of Arts and Crafts in Oakland, majoring in ceramics; winning a first prize at City of Paris contest; attending Tulane University; moving to New York; working at the Museum of Modern Art; returning to San Francisco in 1960 and community there. She recalls Richard Diebenkorn, Mark Rothko, Peter Voulkos, and Robert Arneson.
MAY 15, 1995 SESSION: Influence of Robert Arneson; comparison of her work to Voulkos, Arneson and Manuel Neri; effect of gender on art subjects; Frey's theme of man in suit as power to do good or bad; interest in archeology; influence of National Geographic magazine on her work, especially as a source for images of grandmothers; production of her large-scale ceramic sculpture; her preference for electric kiln; modular production; studio spaces in Oakland and San Francisco and effect of varying light; working on a piece over a long period of time, which is unusual for sculpture; and the importance of space in the creation of work.
JUNE 19, 1995 SESSION: Influence of television and radio; attitude toward Japanese-influenced ceramics; use of color; overglaze painting; china painting in France; relationships between her figure drawing and sculpture; New York period; funk; plate art; autobiographical and personal qualities in her work; move from house to studio; personal relationship with Charles Fiske; her private art library; interest in artist's monographs; social life; image of man in suit; influence of AIDS in her work; art-brute; and response to critics Donald Kuspit and Susan Larsen.
Biographical / Historical:
Viola Frey (1933-2004) was a ceramist and sculptor of Oakland, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview was provided by the Margery and Harry Kahn Philanthropic Fund of the Jewish Communal Fund of New York.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors -- California -- Oakland  Search this
Ceramicists -- California -- Oakland  Search this
Topic:
Decorative arts  Search this
Women artists  Search this
Women sculptors  Search this
Women ceramicists  Search this
Ceramics  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.frey95
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9db9c412d-25d6-496d-a6a5-de26a0eb82d9
EDAN-URL:
ead_collection:sova-aaa-frey95
Online Media:

Oral history interview with Robert Beverly Hale, 1984 Mar. 7

Interviewee:
Hale, Robert Beverly, 1901-1985  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Barr, Alfred H., Jr.  Search this
Bridgman, George Brant  Search this
Coyle, Terence  Search this
Duchamp, Marcel  Search this
Geldzahler, Henry  Search this
Hirshhorn, Joseph H.  Search this
Huxley, Julian  Search this
Klonis, Stewart  Search this
McNulty, William Charles  Search this
Peirce, Waldo  Search this
Pollock, Jackson  Search this
Priest, Alan Reed  Search this
Rockefeller, David  Search this
Root, Edward Wales  Search this
Rorimer, James J. (James Joseph)  Search this
Russell, Bertrand  Search this
Art Students League (New York, N.Y.)  Search this
Columbia University  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Robert Beverly Hale, 1984 Mar. 7. Archives of American Art, Smithsonian Institution.
Topic:
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Drawing -- Technique  Search this
Record number:
(DSI-AAA_CollID)13205
(DSI-AAA_SIRISBib)212259
AAA_collcode_hale84
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212259
Online Media:

Oral history interview with Eleanor Dickinson, 2000 October 25

Interviewee:
Dickinson, Eleanor Creekmore, 1931-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Eleanor Dickinson, 2000 October 25. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Women educators  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)13340
(DSI-AAA_SIRISBib)229431
AAA_collcode_dickin00
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_229431
Online Media:

Margarita Gibbons papers

Creator:
Gibbons, Margarita  Search this
Names:
Getz, Arthur  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Date:
circa 1920-1976
bulk 1938-1946
Summary:
The papers of painter Margarita Gibbons measure 2 linear feet and date from circa 1920 to 1976, with bulk dates from 1938 to 1946. The papers document her carreer as a painter in New York and her relationship with her husband, American illustrator Arthur Getz through biographical material; correspondence with Getz, friends, and other artists; gallery records such as price lists, dimension notes and a signed exhibition guestbook; news clippings, and exhibition flyers; photographs; detached scrapbooks of photographs of artwork, news clippings, and exhibition flyers; and artwork including two sketchbooks and an oil self portait by Arthur Getz.
Scope and Contents:
The Margarita Gibbons papers measure 2 linear feet and date from circa 1920 to 1976, with bulk dates from 1938 to 1946. The papers document her carreer as a painter in New York City and her relationship with her husband, American illustrator Arthur Getz through biographical material; correspondence with Getz, friends, and other artists including holiday cards from painter Moses Soyer. Also found are gallery records comprised of price lists, dimension notes and a signed exhibition guestbook. Printed material is comprised of news clippings and exhibition flyers. Additionally, there are detached scrapbooks of photographs of artwork, news clippings, and exhibition flyers. Photographs consist of black and white prints of artwork as well as portraits of Gibbons, her family and friends. Artwork includes two sketchbooks of graphite figure drawings as well as an oil self portrait of Arthur Getz.
Arrangement:
This collection is arranged as seven series.

Series 1: Biographical Material, circa 1960-1968 (0.2 Linear feet: Box 1)

Series 2: Correspondence, circa 1938-1973 (1.3 Linear Feet: Box 1-2)

Series 3: Gallery Records, circa 1960-1972 (0.2 Linear Feet: Box 2)

Series 4: Printed Material, circa 1944-1976 (0.1 Linear Feet: Box 2)

Series 5: Scrapbooks, circa 1942-1968 (0.2 Linear Feet: Box 2)

Series 6: Photographic Material, circa 1920-1968 (0.2 Linear Feet: Box 2)

Series 7: Artwork, circa 1920-1976 (0.2 Linear Feet: Box 2)
Biographical / Historical:
Margarita Gibbons (1906-1976) was a painter from New York City. Gibbons originally performed as a ballerina for the Metropolitan Opera House before pursing a career as a fine artist. She studied at the Art Students League, Pratt institute and later in Paris and Amsterdam. Her work has been shown in a number of galleries and museums including the Argent gallery, the Brooklyn Museum, and the Whitney Museum of American Art. Gibbons first husband was Ecuadorian painter Camilo Egas, whom she brought to the United States. Her second husband was American illustrator and painter Arthur Getz.
Related Materials:
Also found in the Archives of American Art is the Arthur Getz letter from Charles E. Burchfield March 19, 1961.
Provenance:
The records were donated to the Archives of American Art by owner Margarita Gibbons, February 1975 and the Arthur Getz letters were donated by William Gibbons, nephew of Margarita Gibbons, June 1977.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
Terms of Use statement: The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Cartoonists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Citation:
Margarita Gibbons papers, circa 1920-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gibbmarg
See more items in:
Margarita Gibbons papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b2b00e3-ed2e-4985-8d36-239a89897681
EDAN-URL:
ead_collection:sova-aaa-gibbmarg

Oral history interview with Eleanor Dickinson

Interviewee:
Dickinson, Eleanor, 1931-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Extent:
22 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2000 October 25
Scope and Contents:
An interview of Eleanor Dickinson conducted 2000 October 25, by Paul Karlstrom, for the Archives of American Art, in Dickinson's studio/home, in San Francisco, California.
Dickinson discusses her relationship to and use of the human figure in her art. She explains her "interest in the ecstatic"; her identification with her subjects; being completely involved with the personality of the model and the "performance" in the studio; how her finished works often look more like the artist than like the model; her 1975 show at the California Palace of the Legion of Honor in which the life-class was moved into a museum gallery to share the experience with museum visitors; her view that the artist participates in the lives and actions of her subjects through empathy and the artist's role as a mirror to society, reflecting and recording who and what we are.
Biographical / Historical:
Eleanor Dickinson (1931-2017 ) was a painter, graphic, video artist and instructor in San Francisco, Calif. Teacher of life drawing at the California College of Arts and Crafts in Oakland, for many years, Dickinson was known for her figurative drawing and involvement with her students and models as individuals.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 48 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- California -- San Francisco  Search this
Graphic artists -- California -- San Francisco  Search this
Video artists -- California -- San Francisco  Search this
Educators -- California -- San Francisco  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women educators  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.dickin00
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fb6af5a1-90ff-4f4f-aff7-18591f61c642
EDAN-URL:
ead_collection:sova-aaa-dickin00
Online Media:

Oral history interview with Robert Beverly Hale

Interviewee:
Hale, Robert Beverly, 1901-1985  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Columbia University -- Students  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bridgman, George Brant, 1864-1943  Search this
Coyle, Terence  Search this
Duchamp, Marcel, 1887-1968  Search this
Geldzahler, Henry  Search this
Hirshhorn, Joseph H.  Search this
Huxley, Julian, 1887-1975  Search this
Klonis, Stewart, 1901-1989  Search this
McNulty, William Charles, 1884-1963  Search this
Peirce, Waldo, 1884-1970  Search this
Pollock, Jackson, 1912-1956  Search this
Priest, Alan Reed  Search this
Rockefeller, David, 1915-  Search this
Root, Edward Wales, d. 1956  Search this
Rorimer, James J. (James Joseph), 1905-1966  Search this
Russell, Bertrand, 1872-1970  Search this
Extent:
23 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1984 Mar. 7
Scope and Contents:
An interview of Robert Beverly Hale conducted 1984 Mar. 7, by Robert F. Brown, for the Archives of American Art.
Hale speaks of his childhood years living a bohemian life; personal and family friend Marcel Duchamp; his time as a student at the Columbia School of Architecture; being a biology student at Columbia University; studying painting in Paris at Fontainebleau; assisting Waldo Pierce as a secretary; the gold medal from the American Poetry Society; running the publicity department of the Arts Students League; connection to the Metropolitan Museum of Art; Art News magazine critic in 1930s; tenure in the American wing of the Met; friend Jackson Pollack and the art scene at East Hampton; discussion of drawing the planes of the human body; and writing a book on figure drawing. Hale also recalls Bertrand Russell, Julian Huxley, Henry Oliver Walker, Phil Wiley, George Bridgman, William McNulty, Stuart Klonis, Sam Lewis, Edward Root, Walter Baker, Joseph Hirshhorn, Alan Priest, Albert Gardner, Henry Geldzahler, James Rorimer; David Rockefeller, Alfred Barr, and Terrance Coyle.
Biographical / Historical:
Robert Beverly Hale (1901-1985) was an administrator, instructor, and art historian from New York, N.Y.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 7 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art teachers -- Interviews  Search this
Topic:
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Drawing -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hale84
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fc7b4b75-f7eb-44c8-8463-d8cdc43707af
EDAN-URL:
ead_collection:sova-aaa-hale84
Online Media:

Pratt Report-Orig. Pls.

Collection Creator:
Sturtevant, William C.  Search this
Container:
Box 99
Type:
Archival materials
Date:
undated
Scope and Contents note:
figure drawings
Collection Restrictions:
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
See more items in:
William C. Sturtevant papers
William C. Sturtevant papers / Series 2: Research Files / 2.1: Seminole
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3ace6a18b-fb96-4090-90af-d2cf428da32c
EDAN-URL:
ead_component:sova-naa-2008-24-ref3916

Oral history interview with Edward Landon, 1975 Apr. 17-May 28

Interviewee:
Landon, Edward August, 1911-1984  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Abbott, Berenice  Search this
Bridgman, George Brant  Search this
Dove, Arthur Garfield  Search this
Gottlieb, Harry  Search this
Hartley, Dennis  Search this
Hughes, Marian  Search this
Lozowick, Louis  Search this
Mark, Henry  Search this
Marin, John  Search this
Mauer, Alfred  Search this
McCausland, Elizabeth  Search this
O'Keeffe, Georgia  Search this
Olds, Elizabeth  Search this
Perry, Marvo  Search this
Rebay, Hilla  Search this
Rogers, William T.  Search this
Sabbath, Bernie  Search this
Stieglitz, Alfred  Search this
Stein, Gertrude  Search this
Strand, Paul  Search this
Weber, Max  Search this
Federal art project (Mass.)  Search this
Artists' Union (New York, N.Y.)  Search this
National Serigraph Society  Search this
American Artists' Congress  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Edward Landon, 1975 Apr. 17-May 28. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Printmakers -- Vermont -- Weston -- Interviews  Search this
Printing -- Technique  Search this
Record number:
(DSI-AAA_CollID)12109
(DSI-AAA_SIRISBib)212814
AAA_collcode_landon75
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212814
Online Media:

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