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Journal

Creator:
March, Benjamin, 1899-1934  Search this
Names:
Yanjing da xue  Search this
Ferguson, John Calvin, 1866-1945  Search this
March, Benjamin, 1899-1934  Search this
Priest, Alan Reed  Search this
Rowe, Dorothy, 1898-1969  Search this
St. Denis, Ruth, 1880-1968  Search this
Collection Creator:
March, Benjamin, 1899-1934  Search this
Extent:
182 Items (typed unbound pages with solid wood covers)
Container:
Box 1, Folder 9
Type:
Archival materials
Diaries
Place:
China
Beijing (China)
China -- Description and Travel
Date:
1925-1926
Scope and Contents note:
Binding removed, 9 ½" x 6". 182 pages. First entry, 30 June 1925. Last entry, 13 March 1926. Inscribed, "The Memoirs of MA". Wood cover. In the introduction, March wrote, "Chronicles of Benjamin" had, for three years, served as a journal, notebook, and record for himself of places he visited. Said that since he's now not alone that it is fitting to rename his notes, "Memoirs of MA." (Chinese name of his family). ["Chronicles of Benjamin" may be found in Series V, subseries B, photo albums.]
Scope and Contents:
A diary typed by the young Chinese art scholar Benjamin March from June 1925 to March 1926 describing his life in China. Events include March's marriage to the author Dorothy Rowe (1898-1969) in Nanjing, their honeymoon in Hangzhou and Suzhou, and their subsequent life in Beijing. March describes hikes through scenic areas in Hangzhou and Beijing; his acquaintance with scholars such as John Calvin Ferguson and Alan Priest; attending performances by Ruth St. Denis and Mei Lanfang, and his work at Yenching University.
The Memoirs of Ma
Biographical / Historical:
East Asian art historian, curator and lecturer, Benjamin Franklin March Jr., was born in Chicago on July 4, 1899 to Benjamin and Isabel March. He studied, lectured, and wrote in the United States and China and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. March was East Asian art lecturer at the University of Michigan, and curator of Asian art at the Detroit Institute of Art. Although he lived only thirty-five years, Benjamin March was a respected and influential scholar of Asian art.
Local Numbers:
FSA A1995.10 2.3
Collection Restrictions:
Collection is open for research.
Collection Rights:
No restrictions on use.
Topic:
Art, Asian  Search this
Art, Asian -- Research  Search this
Art, Chinese  Search this
Chinese language -- Terms and phrases  Search this
Painting, Chinese  Search this
Genre/Form:
Diaries
Collection Citation:
Benjamin March Papers, FSA.A.1995.10. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Judith March Davis, 1995
Identifier:
FSA.A1995.10, File FSA A1995.10 2.3
See more items in:
Benjamin March Papers
Benjamin March Papers / Series 2: Diaries
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc36bd63e4b-4db8-4872-ac06-0002023d7c84
EDAN-URL:
ead_component:sova-fsa-a1995-10-ref40
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  • View Journal digital asset number 1

Gender and development in Africa and its diaspora Edited by Akinloyè Òjó, Ibigbolade S. Aderibigbe and Felisters Jepchirchir Kiprono

Editor:
Ojó, Akinloyè  Search this
Aderibigbe, Gbola  Search this
Kiprono, Felisters Jepchirchir  Search this
Physical description:
xiv, 227 pages illustrations, map 24 cm
Type:
Books
Criticism, interpretation, etc
Place:
Africa
Afrique
Date:
2019
Topic:
Women--Social conditions  Search this
Women in economic development  Search this
African literature (English)--History and criticism  Search this
Women in literature  Search this
Women, Black, in literature  Search this
Femmes--Conditions sociales  Search this
Femmes dans le développement économique  Search this
Littérature africaine (anglaise)--Histoire et critique  Search this
Femmes dans la littérature  Search this
Noires dans la littérature  Search this
Africa  Search this
diasporas  Search this
gender inequality  Search this
black women  Search this
literary criticism  Search this
women's rights  Search this
gender relations  Search this
social conditions  Search this
economic development  Search this
African literature (English)  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1145946

When we imagine grace black men and subject making Simone C. Drake

Author:
Drake, Simone C. 1975-  Search this
Physical description:
1 online resource (xviii, 250 pages) illustrations
Type:
Electronic resources
Electronic books
Date:
2016
Topic:
African American men--Social conditions  Search this
African Americans--Social conditions  Search this
SOCIAL SCIENCE--Discrimination & Race Relations  Search this
SOCIAL SCIENCE--Minority Studies  Search this
Call number:
E185.86 .D73 2016 (Internet)
Restrictions & Rights:
1-user
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1147328

Family matters feminist concepts in African philosophy of culture Nkiru Uwechia Nzegwu

Author:
Nzegwu, Nkiru  Search this
Physical description:
x, 319 pages 23 cm
Type:
Books
Place:
Nigeria
Ibo
Date:
2006
Topic:
Kinship  Search this
Women, Igbo--Social conditions  Search this
Philosophy, Igbo  Search this
Sex role  Search this
Families  Search this
Patrilineal kinship  Search this
Feminist theory  Search this
Ibo (Peuple d'Afrique)--Parenté  Search this
Femmes ibo--Conditions sociales  Search this
Philosophie ibo  Search this
Rôle selon le sexe  Search this
Familles  Search this
Filiation patrilinéaire  Search this
Théorie féministe  Search this
Patriarchat  Search this
Feministische Philosophie  Search this
Familie  Search this
Frau  Search this
Igbo (African people)--Kinship  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1153025

Nancy Spero papers

Creator:
Spero, Nancy, 1926-2009  Search this
Names:
A.I.R. Gallery (New York, N.Y.)  Search this
Galerie Lelong (New York, N.Y.)  Search this
Golub, Leon, 1922-2004  Search this
Mendieta, Ana, 1948-1985  Search this
Sosa, Irene  Search this
Extent:
26.4 Linear feet
19.12 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Video recordings
Documentary films
Motion pictures
Date:
1940s-2009
Summary:
The papers of painter, collage artist, and printmaker Nancy Spero measure 26.4 linear feet and 19.12 GB and are dated 1940s-2009. Biographical material, correspondence and other files documenting Spero's personal and professional relationships, interviews and writings, records of Spero's many exhibitions and projects, files highlighting the major subjects that galvanized her, business records, printed and photographic material, and digital and video recordings, offer detailed insight into the career of one of the earliest feminist artists.
Scope and Contents:
The papers of painter, collage artist, and printmaker Nancy Spero measure 26.4 linear feet and 19.12 GB and are dated 1940s-2009. Biographical material, correspondence and other files documenting Spero's personal and professional relationships, interviews and writings, records of Spero's many exhibitions and projects, files highlighting the major subjects that galvanized her, business records, printed and photographic material, and digital and video recordings, offer detailed insight into the career of one of the earliest feminist artists.

Biographical material includes biographical notes and curricula vitae, as well as several video recordings of documentaries about Spero by Patsy Scala and Irene Sosa which feature original footage of Spero at work. Correspondence is personal and professional, and includes letters from artists including Judy Chicago and Ana Mendieta, writers and curators such as Deborah Frizzell and Susanne Altmann, regarding Spero exhibition catalogs, monographs, and articles, and personal news from family members such as Spero's sons, and correspondence related to other aspects of Spero's career.

Interviews of Spero include transcripts, published interviews, and video recordings. Writings include many of Spero's statements about her work, as well as notes, published versions of articles written by Spero, and video recordings of talks and panel discussions she participated in.

Exhibition files for over 75 shows document the extent to which Spero's work has been widely exhibited in her lifetime with numerous solo exhibitions, including major retrospectives in London, Paris, Barcelona, and Madrid, and dozens of group exhibitions in which she participated over the course of her career.

Gallery and museum files supplement the exhibition files by further documenting Spero's dealings with numerous galleries and museums, including Galerie Lelong, which represents Spero's estate, Barbara Gross Galerie, the first gallery in Germany to represent Spero, the Museum of Fine Arts, Boston, the National Gallery of Canada, and many others. The series also documents Spero's involvement with A.I.R. Gallery, the first independent women's art venue in the United States.

Professional files document other aspects of Spero's career including, but not limited to, awards she received, organizations she participated in or contributed to, publishing projects related to her work, and individual projects she executed such as an installation at the Harold Washington Library in Chicago and the Artemis, Acrobats, Divas & Dancers mosaic tiles she created for the Metropolitan Transit Authority for the 66th Street/Lincoln Center subway station. Also included here are files related to works of art such as Codex Artaud, and Notes in Time.

Subject files, contents of which were presumably used as source material for Spero, document subjects of interest to her, many of which were incorporated into her work and consists primarily of printed material. Broad subject categories include animal rights and conservation, feminism, war, and women. One set of folders documents "museum and political actions" undertaken by Spero and other activists during the 1960s-1970s to fight for equal representation of women in the arts and challenge the male-dominated hierarchy of the art world. Subject files include multiple news articles on torture, rape, and other atrocities committed particularly against women during wartime and by repressive and autocratic political regimes, and also include source material on the archetypal images of women that were fundamental to her interpretation of the female experience.

Printed material documents Spero's entire career from the late 1950s on. Announcements, exhibition catalogs, invitations, news clippings, and periodicals provide comprehensive coverage of her many exhibitions and other events. Printed material also documents the activities of a few other artists, primarily from the 2000s, and includes periodicals, primarily about art, and video recordings of documentaries about art and various other subjects.

Photographic material includes photographs of Nancy Spero from the 1940s on, photos of Spero with family and friends, and photographs of artwork including the heads of Spero's 2007 Maypole: Take No Prisoners which was the last major work completed before her death, originally realized for the Venice Biennale. Also found are a few installation shots and prints, slides, and digital images of Notes in Time at A.I.R. Gallery in 1979.
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, 1950-2009 (Box 1, FC 30; 0.85 linear feet, ER01-ER04; 9.58 GB)

Series 2: Correspondence, 1946-2009 (Boxes 1-4, 27; 2.75 linear feet)

Series 3: Interviews, 1973-2007 (Boxes 4-5; 0.6 linear feet)

Series 4: Writings, 1950-2007 (Boxes 5-6; 1 linear foot)

Series 5: Exhibition Files, circa 1976-2009 (Boxes 6-9, 27, OV 28; 3.3 linear feet, ER09-ER10, ER14-ER17; 1.5 GB)

Series 6: Gallery and Museum Files, 1972-2009 (Boxes 9-14; 5.1 linear feet; ER05-ER08, ER12-ER13; 2.962 GB)

Series 7: Professional Files, circa 1967-2008 (Boxes 14-17, RD 29; 3.5 linear feet; ER15; 0.74 GB)

Series 8: Subject Files, 1950s-2009 (Boxes 17-19, 27, OV 28; 2.4 linear feet)

Series 9: Business Records, circa 1976-2008 (Boxes 19-20; 0.7 linear foot)

Series 10: Printed Material, 1949-2009 (Boxes 20-25, 27, OV 28; 5.5 linear feet)

Series 11: Photographic Material, 1940s-2009 (Boxes 25-27; 0.7 linear foot; ER18-ER19; 0.151 GB)
Biographical / Historical:
Nancy Spero (1926-2009) was a figurative painter, printmaker, and collage artist based in New York City whose work was executed primarily on paper from the 1960s on, and often incorporated text. Spero was among the first feminist artists and a political activist whose convictions were expressed relentlessly in her work. Using archetypal representations of women to examine the range of female experience, Spero centered "woman as protagonist" whilst simultaneously examining the suffering women have long been subjected to through structural inequality, the systematic abuses of repressive political regimes, and the atrocities of war.

Born in Cleveland, Nancy Spero lived in Chicago from the time she was a very young child until completing her studies at the School of the Art Institute of Chicago (BFA 1949) where she met her future husband, painter Leon Golub (1922-2004). Spero studied briefly in Paris and lived in New York City, returning to Chicago after her marriage in 1951. The couple and their two sons lived in Italy from 1956 to 1957. In 1959, after a few years in New York, the family moved to Paris where Spero developed an interest in existentialism and produced a series of black paintings. Spero and Golub returned to New York in 1964 with their three sons.

Nancy Spero was strongly affected by the war in Vietnam and the many social changes of the period. She became an activist and feminist, joined various organizations, and participated in a variety of demonstrations. Work such as the War series began to include political and sexual imagery, and Spero's work from here on was primarily executed on paper.

Spero was among the founding members of the women's cooperative A.I.R. Gallery established in 1972. In the 1970s archetypal representations of women in mythology, history, art, and literature became predominant in her work. Included in this vein are major series and installations, among them Torture of Women, Notes in Time on Women, The First Language, and her 66th Street/Lincoln Center subway station mosaic mural Artemis, Acrobats, Divas and Dancers.

Spero exhibited in the 1950 Salon des Independents and her first solo exhibition (in tandem with Leon Golub) was held at Indiana University in 1958. Thereafter, she showed sporadically until nearly 30 years later when her career flourished and she enjoyed international stature. Beginning in 1986, each year brought multiple solo exhibitions at galleries and museums in the United States and internationally. In addition, she continued to participate in group shows such as "Documenta" and the Venice Biennale. Her work is included in the permanent collections of museums throughout the world.

Awards and honors included the Skowhegan Medal for Works on Paper (1995), Hiroshima Art Prize shared with Leon Golub (1996), The Women's Caucus for Art award for Outstanding Achievement in Visual Arts (2003), and The Women's Caucus for Art Distinguished Artist Award for Lifetime Achievement (2005). Spero was awarded honorary Doctorates of Fine Arts by The School of the Art Institute of Chicago (1991) and Williams College (2001), and was elected a member of the American Academy of Arts and Letters (2006).

After several years of declining health, Nancy Spero died from heart failure in New York City, October 18, 2009.
Related Materials:
Also among the holdings of the Archives of American Art are an interview with Nancy Spero conducted 2008 Februay 6-July 24, by Judith Olch Richards, and the papers of Spero's husband, Leon Golub.
Provenance:
Following a gift of materials by Nancy Spero in 1979, the majority of the collection was donated by Spero's sons, Stephen Golub, Philip Golub, and Paul Golub, in 2013.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Collagists -- New York (State) -- New York  Search this
Topic:
Art -- Political aspects  Search this
Feminism and art  Search this
Women artists  Search this
Women printmakers  Search this
Women painters  Search this
Genre/Form:
Sound recordings
Interviews
Video recordings
Documentary films
Motion pictures
Citation:
Nancy Spero papers, 1940s-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.spernanc
See more items in:
Nancy Spero papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ee586015-b282-427f-88a2-0768b0b0e79b
EDAN-URL:
ead_collection:sova-aaa-spernanc
Online Media:

Oral history interview with Claudia DeMonte

Interviewee:
DeMonte, Claudia, 1947-  Search this
Interviewer:
Kirwin, Liza  Search this
Names:
Gracie Mansion Gallery  Search this
McGowin, Ed, 1938-  Search this
Extent:
54 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1991 February 13- April 24
Scope and Contents:
An interview of Claudia DeMonte conducted 1991 February 13-1991 April 24, by Liza Kirwin, for the Archives of American Art.
DeMonte recalls her childhood and growing up in Astoria, New York; her Italian heritage and Catholic education; her early work including the "trade pieces"; the calendar she produced for the Corcoran Gallery show "Five Plus One" in 1976; her marriage to artist Ed McGowin; moving from Washington, D.C. to New York; the making and meaning of her "Claudia dolls"; exhibiting at the Gracie Mansion Gallery; the art community in the East Village in the early 1980s; the dealer Gracie Mansion; gallery representation outside of New York; critical acceptance of her art; collecting the work of Southern self-taught artists and the influence of Sister Gertrude Morgan and James Son Ford Thomas; work methods and techniques; autobiographical and feminist themes; teaching at the university of Maryland from 1972 to the present; and new directions in her art.
Biographical / Historical:
Claudia DeMonte (1947- ) is a painter, mixed-media artist, and instructor of College Park, Maryland and New York, New York.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 22 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Mixed-media artists -- New York (State) -- New York  Search this
Educators -- Maryland -- College Park  Search this
Collagists -- New York (State) -- New York  Search this
Topic:
Feminism  Search this
Women artists  Search this
Women sculptors  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.demont91
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90981449b-2ae6-48db-acbf-6aa8adbdf658
EDAN-URL:
ead_collection:sova-aaa-demont91
Online Media:

Oral history interview with Mary Beth Edelson

Interviewee:
Edelson, Mary Beth  Search this
Interviewer:
Richards, Judith Olch  Search this
Names:
Heresies Collective, Inc.  Search this
Extent:
4 Items (wav files (4 hr., 39 min.), digital)
80 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 February 1-16
Scope and Contents:
An interview of Mary Beth Edelson conducted 2009 February 1 and 16, by Judith Olch Richards, for the Archives of American Art, at Edelson's studio in New York, New York.
Biographical / Historical:
Mary Beth Edelson (1933-2021) was a feminist artist who lived and worked in New York, New York.

Judith Olch Richards (1947- ) is former Executive director of iCI in New York, New York. Edelson is considered a pioneer in the Feminist Art movement.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 40 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the recording is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Performance artists -- New York (State) -- New York  Search this
Collagists -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Women printmakers  Search this
Women performance artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.edelso09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cd1b6dc5-e87c-475b-87d0-218e81a7b8af
EDAN-URL:
ead_collection:sova-aaa-edelso09
Online Media:

Amelia Earhart: Pioneering Feminist

Creator:
National Air and Space Museum  Search this
Type:
YouTube Videos
Uploaded:
2022-05-17T01:07:12.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Aeronautics;Flight;Space Sciences  Search this
See more by:
airandspace
Data Source:
National Air and Space Museum
YouTube Channel:
airandspace
EDAN-URL:
edanmdm:yt_sqd03F7x4gg

Living Self-Portrait: Dolores Huerta - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2015-10-05T21:17:49.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_PDgBPT5cEhQ

“We Starve Ourselves and Each Other”: Hunger and Lesbian Self-Fashioning in 1970s America

Creator:
National Portrait Gallery  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-06-09T19:28:38.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_ZPr4wLNBETM

An Animated Interview with Bluegrass Pioneer Alice Gerrard

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2022-11-21T16:49:24.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_E9JxmHxYhJ4

Quetzal - "Imaginaries" [Behind The Scenes Documentary]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2012-02-13T16:58:24.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_Sxz-Pj_tlu4

Quetzal - "Get To Knowing (feat. Aloe Blacc)" [Studio Session]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2017-03-08T15:21:08.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_Tg3WLkrA0fw

Hazel Dickens and Alice Gerrard - "Childish Love" (Official Audio)

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2022-09-07T13:41:50.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_mKggZDzVHbg

Quetzal - "Pillow People" [Official Music Video]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2017-04-17T13:40:09.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_plqlNu0sFA0

Linda Nochlin Consider the Difference: American Women Artists

Creator:
Smithsonian Institution  Search this
Type:
YouTube Videos
Uploaded:
2009-11-19T07:01:26.000Z
YouTube Category:
Education  Search this
See more by:
SmithsonianVideos
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianVideos
EDAN-URL:
edanmdm:yt_PYRnH-DmO7E

Guided Tour: “¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now”

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2021-09-22T16:06:07.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_4slZFDX4Deo

Women Filmmakers Festival at SAAM: Conversation with Vivienne Dick

Creator:
Smithsonian American Art Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2023-04-17T17:44:24.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_6ocoHi5kSHU

“¡Printing the Revolution!” Virtual Conversation: Spirituality and Indigeneity within Chicanx Art

Creator:
Smithsonian American Art Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-05-07T13:56:02.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_CAYTuqTYm7w

Smithsonian American Art Museum: Oree Originol, “Justice for Our Lives” Installation Time Lapse

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2021-05-25T18:20:03.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_HyxaRB0qETM

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