Skip to main content Smithsonian Institution

Search Results

Collections Search Center
521 documents - page 1 of 27

Marlene Park and Gerald E. Markowitz research materials on New Deal Art, 1931-1999

Creator:
Park, Marlene, 1931-  Search this
Markowitz, Gerald E., 1944-  Search this
Subject:
Palmer, William  Search this
Magafan, Ethel  Search this
Markowitz, Gerald E.  Search this
Reisman, Philip  Search this
Rothschild, Lincoln  Search this
Burchfield, Charles Ephraim  Search this
Refregier, Anton  Search this
Van Veen, Stuyvesant  Search this
Solman, Joseph  Search this
Sternberg, Harry  Search this
Walton, Marion  Search this
Alston, Charles Henry  Search this
Bolotowsky, Ilya  Search this
Barnet, Will  Search this
Brooks, James  Search this
Cadmus, Paul  Search this
Cronbach, Robt.(Robert M.)  Search this
Citron, Minna Wright  Search this
Gottlieb, Adolph  Search this
Gellert, Hugo  Search this
Bouché, Louis  Search this
King, Roy E.  Search this
Katz, Leo  Search this
Lanning, Edward P.  Search this
Kotin, Albert  Search this
National Personnel Records Center (U.S.)  Search this
United States  Search this
Type:
Sound recordings
Interviews
Transcripts
Photographs
Topic:
Federal aid to the arts  Search this
Record number:
(DSI-AAA_CollID)6277
(DSI-AAA_SIRISBib)216622
AAA_collcode_parkmarl
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216622
Online Media:

Rockwell Kent papers, circa 1840-1993, bulk 1935-1961

Creator:
Kent, Rockwell, 1882-1971  Search this
Subject:
Wildenstein, Felix  Search this
Phillips, Duncan  Search this
Hays, Lee  Search this
Untermeyer, Louis  Search this
Zigrosser, Carl  Search this
Robeson, Paul  Search this
DuBois, W.E.B. (William Edward Burghardt)  Search this
Roosevelt, Franklin D. (Franklin Delano)  Search this
Ruggles, Carl  Search this
Stefansson, Vilhjalmur  Search this
Nearing, Helen  Search this
Nearing, Scott  Search this
Pach, Walter  Search this
Rasmussen, Knud  Search this
Reeves, Ruth  Search this
Seeger, Pete  Search this
Daniel, Charles  Search this
Cleland, T. M. (Thomas Maitland)  Search this
Davies, Arthur B. (Arthur Bowen)  Search this
Chamberlain, J. E.  Search this
Boyesen, Bayard  Search this
Chase, William Merritt  Search this
Freuchen, Peter  Search this
Gellert, Hugo  Search this
Gottlieb, Harry  Search this
Hartley, Marsden  Search this
Fitzgerald, James  Search this
Keller, Charles  Search this
Miller, Kenneth Hayes  Search this
Henri, Robert  Search this
Jones, Dan Burne  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
American Artists' Congress  Search this
Artists' Union (New York, N.Y.)  Search this
Artists League of America  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
Macbeth Gallery  Search this
International Workers Order  Search this
Type:
Poems
Sketches
Business records
Photographs
Drawings
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Painters -- New York (State)  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
World War, 1939-1945 -- Civilian relief  Search this
Labor unions  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Record number:
(DSI-AAA_CollID)9557
(DSI-AAA_SIRISBib)211757
AAA_collcode_kentrock
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211757
Online Media:

Elizabeth Deering

Photographer:
Horn, Sol  Search this
Subject:
Dearing, Elizabeth  Search this
Type:
Photographs
Date:
1939 Apr. 26
Topic:
Art and state  Search this
Artists at or with their work  Search this
Federal aid to the arts  Search this
New Deal, 1933-1939  Search this
Painting  Search this
Record number:
(DSI-AAA)2056
See more items in:
Federal Art Project, Photographic Division collection, circa 1920-1965, bulk 1935-1942
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_2056
Online Media:

Elizabeth Dearing

Photographer:
Horn, Sol  Search this
Subject:
Dearing, Elizabeth  Search this
Fordham Hospital  Search this
Type:
Photographs
Place:
New York, N.Y.
Date:
1939 Apr. 26
Topic:
Art and state  Search this
Artists at or with their work  Search this
Federal aid to the arts  Search this
New Deal, 1933-1939  Search this
Painting  Search this
Women artists  Search this
Record number:
(DSI-AAA)3089
See more items in:
Federal Art Project, Photographic Division collection, circa 1920-1965, bulk 1935-1942
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_3089
Online Media:

Elizabeth Deering

Photographer:
Herman, Andrew  Search this
Subject:
Dearing, Elizabeth  Search this
Type:
Photographs
Date:
1939 Sept. 24
Topic:
Art and state  Search this
Artists at or with their work  Search this
Federal aid to the arts  Search this
New Deal, 1933-1939  Search this
Painting  Search this
Record number:
(DSI-AAA)3090
See more items in:
Federal Art Project, Photographic Division collection, circa 1920-1965, bulk 1935-1942
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_3090
Online Media:

Lincoln Rothschild papers

Creator:
Rothschild, Lincoln, 1902-  Search this
Names:
Federal Art Project (New York, N.Y.)  Search this
Index of American Design  Search this
Archer, Edmund, 1904-  Search this
Cahill, Holger, 1887-1960  Search this
Coffey, Katherine, d. 1972  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Greenbaum, Dorothea S., 1893-1986  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Mangravite, Peppino, 1896-  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Piccoli, Girolamo, 1900-1970  Search this
Schmidt, Katherine, 1898-1978  Search this
Starr, Theodore  Search this
Von Groschwitz, Gustave, 1906-1991  Search this
Winchester, Alice  Search this
Woodhouse, Betty Burroughs, 1899-1988  Search this
Extent:
1.8 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Interviews
Sketchbooks
Date:
1920-1982
Scope and Contents:
Biographical material, interviews, printed materials, writings, correspondence, art work, and photographs.
REEL 290: Eleven scripts for radio programs on the Index of American Design, broadcast in New York throughout 1940. Interviewees include: Rothschild, Holger Cahill, director of the WPA-FAP; Edith Halpert, director of American Folk Art Gallery; Katherine Coffey, curator of Newark Museum; Alice Winchester, editor of "Antiques"; and Theodore Starr.
REEL NDA 15: Press releases; pamphlet on permanent art programs; Index of American Design papers; a report concerning government art programs; memorandum to Gustave Von Groschwitz outlining a plan for new subject matter for FAP artists; and "Report to the Sculptors of the Federal Art Project" by Girolamo Piccoli.[Report to the sculptors...under microfilm title Girolamo Piccoli]
UNMICROFILMED: Writings on art and on the Index of American Design; radio scripts for the series "The American Artists" sponsored by Artists Equity, 1953; clippings, 1936-1982; a nearly complete set of his newsletter, THE PRAGMATIST IN ART, 1964-1978; material on Kenneth Hayes Miller; resumes, school transcripts and memorabilia; photographs of Rothschild and of his sculpture; correspondence concerning THE PRAGMATIST IN ART (1964-1978), The Index of American Design (1968-1973), his research on Miller (1964-1977) and other publications, his work for Artists Equity, and other matters; a sketchbook; and a drawing. Among the correspondents are Samuel Kramer, editor of "The Shipyard Worker," Peppino Mangravite, Katherine Schmidt Shubert, Betty Burroughs Woodhouse, and critics Rudolf Arnheim, John Canaday and Donald Kuspit.
Biographical / Historical:
Lincoln Rothschild (1902-1983) was a cculptor and writer in New York, N.Y. Rothschild was the director of the New York Unit of the Index of American Design, 1937-1940. He taught at Columbia University and Adelphi College, 1946-1950 and was the National Executive Director for Artists' Equity Association, 1951-57. He was the author of SCULPTURE THROUGH THE AGES (1942) TO KEEP ART ALIVE-KENNETH HAYES MILLER, AMERICAN PAINTER 1876-1956 (1974), FORMS AND THEIR MEANINGS IN WESTERN ART (1976) and numerous articles.
Other Title:
Girolamo Piccoli [microfilm title]
Provenance:
Material on reel NDA15 donated by Rothschild, 1964; remainder donated 1987 by his widow, Elisabeth Rothschild.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors  Search this
Topic:
New Deal, 1933-1939 -- New York (State) -- New York  Search this
United States -- Economic conditions -- 1918-1945 -- New York (State) -- New York  Search this
Art and state -- New York (State) -- New York  Search this
Federal aid to the arts -- New York (State) -- New York  Search this
Federal aid to public welfare -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Sketchbooks
Identifier:
AAA.rothlinc
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rothlinc

Marlene Park and Gerald E. Markowitz research materials on New Deal Art

Creator:
Park, Marlene, 1931-  Search this
Names:
National Personnel Records Center (U.S.)  Search this
United States. Work Projects Administration  Search this
Alston, Charles Henry, 1907-1977  Search this
Barnet, Will, 1911-  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Bouché, Louis, 1896-1969  Search this
Brooks, James, 1906-1992  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Cadmus, Paul, 1904-1999  Search this
Citron, Minna Wright, 1896-1991  Search this
Cronbach, Robt.(Robert M.), 1908-  Search this
Gellert, Hugo, 1892-1985  Search this
Gottlieb, Adolph, 1903-1974  Search this
Katz, Leo, 1887-1982  Search this
King, Roy E., 1903-  Search this
Kotin, Albert, 1907-1980  Search this
Lanning, Edward P.  Search this
Magafan, Ethel, 1915 or 6-1993  Search this
Markowitz, Gerald E.  Search this
Palmer, William, 1906-1987  Search this
Refregier, Anton, 1905-  Search this
Reisman, Philip, 1904-  Search this
Rothschild, Lincoln, 1902-  Search this
Solman, Joseph, 1909-2008  Search this
Sternberg, Harry, 1904-2001  Search this
Van Veen, Stuyvesant  Search this
Walton, Marion, b. 1899  Search this
Extent:
5.8 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Transcripts
Photographs
Date:
1931-1999
Summary:
The Marlene Park and Gerald E. Markowitz research files on New Deal art are dated 1931-1999 and measure 5.8 linear feet. The research files document New Deal art projects and artists through some original correspondence with artists, printed material, interview transcripts, and several sound recordings of interviews with artists of the period. Subject files relate to WPA era art and art projects; many contain numerous photocopies of records from the Personnel Records Center and the U. S. Treasury Relief Arts Projects now in the custody of the National Archives and Records Administration.
Scope and Content Note:
The Marlene Park and Gerald E. Markowitz research files on New Deal art are dated 1931-1999 and measure 5.8 linear feet. The research files document New Deal art projects and artists through some original correspondence with artists, printed material, interview transcripts, and several sound recordings of interviews with artists of the period. Subject files relate to WPA era art and art projects; many contain numerous photocopies of records from the Personnel Records Center and the U. S. Treasury Relief Arts Projects now in the custody of the National Archives and Records Administration.

The collection consists primarily of artists' files documenting the WPA, The National Personnel Records Center, the Public Art Preservation Committee, and the U.S. Treasury Relief Art Project. Also found are lists of artists arranged by category, correspondence, transcripts of interviews, printed material, exhibition catalogs, monographs, photographs, slides, and sound recordings. Among the artists are: Charles Alston, Will Barnet, Ilya Bolotowsky, Louis Bouche, James Brooks, Charles Burchfield, Paul Cadmus, Minna Citron, Robert Cronbach, Hugo Gellert, Adloph Gottlieb, Leo Katz, Roy King, Albert Kotin, Edward Lanning, Ethel Magafan, William Palmer, Anton Refregier, Philip Reisman, Lincoln Rothschild, Joseph Solman, Harry Sternberg, Stuyvesant Van Veen, and Marion Walton.
Arrangement:
The collection is arranged as 4 series:

Series 1: Artists' Files, 1931-1999 (Boxes 1-5, 7, OV 8-10; 4.8 linear feet)

Series 2: Subject Files, 1934-1999 (Boxes 5, 7, OV 10; 0.5 linear feet)

Series 3: Printed Material, 1977-1989 (Box 5; 0.2 linear ft.)

Series 4: Sound Recordings, 1974-1976 (Boxes 5-6; 0.3 linear ft.)
Biographical Note:
Art historians Marlene Park and husband Gerald E. Markowitz conducted research on New Deal art projects. Their work resulted in an exhibition "New Deal for Art: The Government Projects of the 1930's with Examples from New York City and State" (1977) and a catalog with the same title. 7), and a book, Democratic Vistas: Post Offices and Public Art in the New Deal (1984). Both were on the faculty of the John Jay College of Criminal Justice. Marlene Park served on the Public Art Preservation Committee from 1979-1982.
Related Materials:
Marlene Park and Gerald E. Markowitz Papers (Federal Arts Projects Research Materials) is located at Franklin D. Roosevelt Presidential Library & Museum.
Provenance:
The Marlene Park and Gerald E. Markowitz research materials on New Deal Art were donated to the Archives in 1999 by art historians Marlene Park and Gerald E. Markowitz.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Marlene Park and Gerald E. Markowitz research materials on New Deal art are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Federal aid to the arts  Search this
Genre/Form:
Sound recordings
Interviews
Transcripts
Photographs
Citation:
Marlene Park and Gerald E. Markowitz research material on New Deal art, circa 1974-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.parkmarl
See more items in:
Marlene Park and Gerald E. Markowitz research materials on New Deal Art
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-parkmarl

Wisconsin Federal Art Project records

Creator:
Federal Art Project (Wis.)  Search this
Names:
Index of American Design  Search this
United States. Work Projects Administration  Search this
United States. Works Progress Administration  Search this
Clark, Margaret D.  Search this
Partridge, Charlotte Russell  Search this
Extent:
7 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Place:
United States -- Economic conditions -- 1918-1945 -- Wisconsin
United States -- Social conditions -- 1933-1945 -- Wisconsin
Date:
1935-1945
Scope and Contents:
Correspondence, primarily business-related between Charlotte Partridge and Margaret Clark with Washington, D.C. officials, Wisconsin artists and staff members of the project; and two separate alphabetically arranged series of biographical sketches of Wisconsin artists. The first series includes brief typed resumes of the careers of the artists prepared by the FAP staff. The second series consists of biographical records of all those artists that worked for the project prior to 1939.
Also included in the collection is the Wisconsin FAP record cards arranged alphabetically for each art work produced by the project; and Index of American Design photographic negatives of drawings made for the Index, plate lists of the drawings, a record of the artifacts borrowed for copying, and lists and data sheets for the artifacts copied.
Biographical / Historical:
Federal work relief program for artists during the depression. Charlotte R. Partridge was director of the Layton Art Gallery and the director of the Federal Art Project in Wisconsin as well. Margaret D. Clark succeeded Partridge in 1941. Victor Volk supervised the Index of American Design in Wisconsin from 1938 on.
Provenance:
Microfilm purchased 1985 from the State Historical Society of Wisconsin.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
New Deal, 1933-1939 -- Wisconsin  Search this
Federal aid to the arts -- Wisconsin  Search this
Federal aid to the public welfare -- Wisconsin  Search this
Art and state -- Wisconsin  Search this
Identifier:
AAA.fedeartp13
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fedeartp13

Roy Emerson Stryker papers [microfilm]

Creator:
Stryker, Roy Emerson, 1893-1975  Search this
Names:
United States. Farm Security Administration. Historical Section  Search this
Collier, John, Jr., 1913-1992  Search this
Delano, Jack  Search this
Evans, Walker, 1903-1975  Search this
Lange, Dorothea  Search this
Lee, Russell, 1903-1986  Search this
Locke, Edwin  Search this
Rothstein, Arthur, 1915-1985  Search this
Vachon, John, 1914-1975  Search this
Wolcott, Marion Post, 1910-1990  Search this
Extent:
9 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Place:
United States -- Economic conditions -- 1918-1945
United States -- Social conditions -- 1933-1945
Date:
1932-1964
Scope and Contents:
Papers documenting Stryker's career as the head of the Farm Security Administration's photographic section, including correspondence with John Collier, Jack Delano, Walker Evans, Dorothea Lange, Russell Lee, Edwin Locke, Arthur Rothstein, John Vachon, Marion Post Wolcott and others; reports; articles on Stryker and the FSA; publications; speeches; photographs and miscellaneous materials.
Biographical / Historical:
Director of the Farm Security Administration Historical Section; Washington, D.C. Under Stryker the Photographic project of the FSA documented the drought, poverty and despair of rural and urban America during the Depression.
Provenance:
Papers lent for microfilming 1963-1966 by Roy Stryker.
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Federal aid to the public welfare  Search this
Art and state  Search this
Documentary photography -- United States  Search this
Identifier:
AAA.stryroyp
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stryroyp

Raymond Jonson papers

Creator:
Jonson, Raymond, 1891-1982  Search this
Names:
Federal Art Project (N.M.)  Search this
Jonson Gallery  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Albers, Josef  Search this
Bisttram, Emil, 1895-1976  Search this
Bloch, Albert  Search this
Cheney, Sheldon, 1886-  Search this
Dasburg, Andrew, 1887-1979  Search this
De Kooning, Elaine  Search this
Hiler, Hilaire, 1898-1966  Search this
Levy, Beatrice S. (Beatrice Sophia), 1892-1974  Search this
Nordfeldt, Bror Julius Olsson, 1878-1955  Search this
O'Hara, Eliot, 1890-1969  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pelton, Agnes, 1881-1961  Search this
Wells, Cady, 1904-1954  Search this
Xceron, Jean, 1890-1967  Search this
Extent:
10 Linear feet ((partially microfilmed on 13 reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1910-1964
Scope and Contents:
Photographs, correspondence, exhibition materials, sketchbooks, diaries, scrapbooks, slides, and an untranscribed interview.
REEL NDA 14: Photographs of Jonson's murals for the Public Works of Art Project in Albuquerque, N.M. and a chart showing the relative sizes of the murals.
REELS RJ 1-RJ 10: Biographical data; correspondence with family members, artists, and others, including Josef Albers, Emil Bisttram, Albert Bloch, Sheldon Cheney, Andrew Dasburg, Elaine de Kooning, Hilaire Hiler, Beatrice S. Levy, B.J.O. Nordfeldt, Eliot O'Hara, Georgia O'Keeffe, Agnes Pelton, Cady Wells, Jean Xceron, and others; diaries, 1919-1926, with sketches; notebooks; scrapbooks; lectures; photographs; and exhibition records.
REEL 76: Catalogs; photographs; slides and schedule of exhibits, 1922-1962, of the Jonson Gallery, University of New Mexico; and photographs of Jonson.
UNMICROFILMED: Photocopies of correspondence with administrators of the WPA Federal Art Project in New Mexico and the Treasury Section of Fine Arts regarding the design and execution of murals by Jonson and Willard Nash for the Library of the University of New Mexico; an untranscribed tape of an interview of Jonson conducted by Ed Garman, undated; and two color charts, one a color circle and the other showing the main colors Jonson used, both used by Jonson to illustrate a lecture delivered at the Chili Club, December 6, 1948 [lecture is on reel RJ 9, fr. 6343-6346.]
Biographical / Historical:
Painter; Albuquerque, N.M. Painted murals for the WPA Federal Art Project and other New Deal art programs. He taught at the University of New Mexico where the Jonson Gallery was erected in his honor, housing the most complete permanent collection of Jonson's work.
Related Materials:
Raymond Jonson papers also at Syracuse University.
Provenance:
Material on reels RJ 1-10 was lent for microilming by Jonson c/o the Jonson Gallery, 1964-1965; all other material donated, 1966-1975, by Jonson and his brother Arthur, through the gallery.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Muralists -- New Mexico -- Albuquerque  Search this
Topic:
Federal aid to the arts -- New Mexico -- Albuquerque  Search this
Art and state -- New Mexico -- Albuquerque  Search this
Mural painting and decoration -- 20th century -- New Mexico -- Albuquerque  Search this
Art, Modern -- 20th century -- New Mexico -- Albuquerque  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.jonsraym
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jonsraym

Elizabeth McCausland papers

Topic:
Springfield Republican
Creator:
McCausland, Elizabeth, 1899-1965  Search this
Names:
American Art Research Council  Search this
Barnard College -- Faculty  Search this
Federal Art Project (U.S.)  Search this
United States. Farm Security Administration  Search this
Abbott, Berenice, 1898-1991  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Hartley, Marsden, 1877-1943  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Henri, Robert, 1865-1929  Search this
Henry, Edward Lamson, 1841-1919  Search this
Hine, Lewis Wickes, 1874-1940  Search this
Inness, George, 1825-1894  Search this
Kleinholz, Frank, 1901-  Search this
Lawrence, Jacob, 1917-2000  Search this
Maurer, Alfred Henry, 1868-1932  Search this
Morgan, Barbara Brooks, 1900-1992  Search this
Stieglitz, Alfred, 1864-1946  Search this
Weegee, 1899-1968  Search this
Weston, Edward, 1886-1958  Search this
Extent:
45 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Prints
Drawings
Photographs
Watercolors
Place:
New York N.Y. -- Pictorial works -- Photographs
Date:
1838-1995
bulk 1920-1960
Summary:
The papers of art critic, writer, and historian Elizabeth McCausland measure 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1960. The collection provides a vast accumulation of research data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material donated later from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.
Scope and Content Note:
The papers of art critic, writer, and historian Elizabeth McCausland measure approximately 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1995. The collection provides a vast accumulation of data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.

McCausland's personal papers consist of appointment books and engagement calendars, scrapbooks, student papers, works printed on her private press, financial records, biographical material, and scattered memorabilia, which together document other aspects of her life apart from her work. Correspondence includes incoming and outgoing letters along with enclosures, dating from McCausland's time as a journalist for The Springfield Republican in the 1920s and 1930s to her time as a freelance writer, art critic, and historian (1940s-1960s) and mostly concerning professional matters. Also included is a substantial amount of correspondence with artists, particularly Arthur Dove and Alfred Stieglitz, and some personal correspondence with her mother. General writings consists primarily of copies of McCausland's speeches and lectures on various art topics in addition to her early poems (dating from the 1930s) and scattered essays and articles.

The most extensive part of the collection is comprised of McCausland's research and writing files pertaining to large research and curatorial projects, such as ones on the artists Alfred H. Maurer and Marsden Hartley (which was begun by the American Art Research Council and subsequently taken over by McCausland), and one for the American Processional exhibition at the Corcoran Gallery in 1950. A wide variety of smaller projects are also well-documented in the series Other Research and Writing Files, including ones on E. L. Henry, Lewis Hine, George Inness, her collaborative work with Berenice Abbott on the Changing New York book and series of photographs. Numerous other artists and art topics are covered as well, such as Arthur Dove, Robert Henri, Jacob Lawrence, Charles Hawthorne, film, and photography. Files for her book Careers in Art (1950), her many speaking and lecture engagements, and editing work are also found in this series. Files consist primarily of correspondence, notes, research material, manuscripts, bibliographies, photographs of works of art, completed research forms for works of art, card index files, and printed material.

Also found are subject files containing printed material, scattered notes and correspondence, and photographs, which may have been used for reference and/or collected in the course of McCausland's research activities; files relating to various exhibitions organized by McCausland from 1939 to 1944, including ones of silk screen prints and modern photography; files relating to courses on art history taught by McCausland, especially the one she taught at Barnard College in 1956; and files stemming from her participation in various art organizations and committees, especially during the time period just before and during the Second World War.

Printed material consists primarily of clippings and tear sheets of McCausland's newspaper articles and columns, which document her contributions to The Springfield Republican from 1923 to 1946, in addition to scattered exhibition catalogs, announcements, books, and miscellaneous publications. Photographs include ones of various artists and works of art, ones from the Farm Security Administration, and ones by photographers, such as Berenice Abbott (including ones from the Federal Art Project book, Changing New York), Barbara Morgan, Weegee, and Edward Weston, among others. Photographs, sometimes annotated or including notes, are scattered throughout her research files. Also included are photographs of McCausland, dating from her childhood. Art work found in the collection includes drawings, prints, and watercolors that were either given to McCausland by the artist or collected by her in the course of her work as an art critic and historian.

Additional material belonging to Elizabeth McCausland and donated by the estate of Berenice Abbott includes biographical material; business and personal correspondence; professional project files and writings, including drafts and research materials related to the book projects Art in America, Conversations with March, and Frank Kleinholz; and printed materials, including reprints of critical essays and articles by McCausland.
Arrangement:
The collection is arranged as 15 series:

Series 1: Personal Papers, 1838, 1920-1951 (Boxes 1-2, 34; 1.5 linear feet)

Series 2: Correspondence, 1923-1960 (Boxes 2-5; 2.9 linear feet)

Series 3: General Writings, circa 1930-1954 (Boxes 5-6; 0.9 linear feet)

Series 4: Alfred H. Maurer, 1851-1951, bulk 1948-1950 (Boxes 6-9; 3.7 linear feet)

Series 5: American Processional, 1949-1951 (Boxes 10-11; 1.8 linear feet)

Series 6: Marsden Hartley, 1900-1964, bulk 1944-1964 (Boxes 11-21, OV 37; 10 linear feet)

Series 7: Other Research and Writing Files, 1896, 1926-1958 (Boxes 21-25, 31; 4.6 linear feet)

Series 8: Subject Files, 1927-1954 (Boxes 25-26; 1.0 linear feet)

Series 9: Other Exhibition Files, 1939-1941, 1944 (Box 26; 0.1 linear feet)

Series 10: Teaching Files, 1939-1965 (Box 27; 0.5 linear feet)

Series 11: Committee Files, 1936-1960 (Box 27; 0.5 linear feet)

Series 12: Printed Material, 1923-1953 (Boxes 28-32, 34, OV 38, BV 44-47; 4.6 linear feet)

Series 13: Photographs, circa 1905-1950 (Boxes 32-36, OV 37; 1.4 linear feet)

Series 14: Art Work, 1887-1942 (Boxes 33-34, OV 39-43; 0.7 linear feet)

Series 15: Elizabeth McCausland Material from the Estate of Berenice Abbott, 1920-1995 (Boxes 48-53; 5.4 linear feet)
Biographical Note:
Elizabeth McCausland, the art critic and writer, was born in Wichita, Kansas in 1899. She attended Smith College, receiving her Bachelor's degree in 1920 and her Master's in 1922. Beginning in 1923, she worked as a general reporter for The Springfield Republican (Springfield, Massachusetts). After several years, she began to review art exhibitions and soon became an established art critic. In the course of her work, she began to develop friendships with artists, such as Alfred Stieglitz and Arthur Dove. During these early years, she also wrote poetry and designed and printed limited edition publications on her private press.

McCausland moved to New York in 1935, but continued to contribute a weekly art column to The Springfield Republican until it suspended publication in 1946. From the mid-1930s on, she worked primarily as a freelance writer and art critic, contributing articles to publications such as Parnassas, The New Republic, and Magazine of Art. In the latter part of her career, her writings focused more on art history and special studies on artists.

In the late-1930s, McCausland collaborated with the photographer Berenice Abbott on the Federal Art Project book, Changing New York, for which she provided the text to Abbott's now-famous photographs of New York City neighborhoods, architecture, and street scenes. She studied and wrote about photography, including numerous articles on the photographer Lewis Hine (of whose work she organized a retrospective exhibition at the Riverside Museum in 1939), and was appointed to the Advisory Committee of the Museum of Modern Art's Department of Photography in 1944.

McCausland went on to organize other exhibitions, including a show of contemporary work, "The World of Today" (Berkshire Museum, 1939), shows of silk screen prints (Springfield Museum of Fine Arts, March 1940 and New York State Museum, Summer 1940), and a photography show, "Photography Today" (A.C.A. Gallery, 1944). In the late 1930s, she embarked upon a study of "the status of the artist in America from colonial times to the present, with especial attention to the relation between art and patronage," which continued over twenty years (and was never completed) and for which she received a Guggenheim fellowship in 1943.

In addition to her other writing, during the 1940s, McCausland carried out studies on the artists, E. L. Henry and George Inness, which resulted in exhibitions at the New York State Museum in 1942 and the George Walter Vincent Smith Art Museum in 1946, respectively and publications (a report on Henry and a book on Inness). From 1948 to 1949, she carried out an extensive study of the painter, Alfred H. Maurer, organizing an exhibition, "A. H. Maurer: 1868-1932," which showed at the Walker Art Center and the Whitney Museum of American Art in 1949, and publishing the biography, A. H. Maurer, in 1951. In 1950, she worked as a special consultant on the American Processional exhibition at the Corcoran Gallery and as editor of the accompanying book. Shortly thereafter, she began a study of Marsden Hartley for a monograph, which was published in 1952, and she helped organize the Hartley exhibition at the University of Minnesota that same year. She continued the Hartley study on larger scale for a planned biography and catalogue raisonne; although she continued to work on it off and on for the next decade, the project was never completed.

McCausland published other books, including Careers in the Arts (1951), and undertook other research and consulting projects, such as photo-editing Carl Sandburg's Poems of the Midwest (1946), conducting surveys of art and advertising for an article in Magazine of Art and of art education for Cooper Union Art School, and contributing yearly articles on art to various encyclopedias. At different times throughout her career, she supplemented her income by taking teaching positions. She taught courses on art history at Sarah Lawrence College from 1942 to 1944 and at Barnard College in 1956, as well as courses at the Design Laboratory (1939) and the New School for Social Research (1946). She also gave numerous lectures and speeches on various art topics, and regularly participated in conferences and symposiums. Towards the end of her career, she was publishing less, but was still involved in many projects, most notably the Hartley study.

McCausland was a tireless promoter of the arts, and often an advocate for artists. Even though her work was well-known among certain art circles, she never received the recognition as a writer that she deserved. Nor was she ever able to free herself from the pressure of writing for a living. Continually suffering from poor health, she died on May 14, 1965.
Related Material:
Related material found in the Archives includes a sound recording from a symposium on Marsden Hartley, of which McCausland was a participant, held at the Portland Museum of Art in 1961. The Frank Kleinholz papers contain a recorded interview of McCausland done in 1944-1945 for radio station WNYC. Some of McCausland's correspondence is found in the G. Alan Chidsey papers; Chidsey served as a trustee of the Marsden Hartley estate.
Separated Material:
Material separated from the collection includes some issues of Camera Work (Vol. 30, 47, 49/50), which were combined with other issues in an artificial collection created by the Archives at some earlier point.
Provenance:
Elizabeth McCausland donated the bulk of her papers in several installments from 1956 to 1961. An unknown donor, perhaps her literary executor, donated additional papers sometime after her death in 1965. It appears that McCausland originally donated her research files on Marsden Hartley, measuring 10 linear feet, to the Whitney Museum, who then lent them to the Archives for microfilming in 1966, and donated them sometime thereafter. McCausland originally donated files of newspaper clippings and offprints of her articles to the The New York Public Library, who gave them to the Archives in 1968. Additional McCausland material from the estate of Berenice Abbott was donated to the Archives in 2009.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Elizabeth McCausland papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art historians -- New York (State) -- New York  Search this
Federal aid to the arts  Search this
Art criticism -- United States  Search this
Documentary photography -- United States  Search this
Authors -- New York (State) -- New York  Search this
Art -- Exhibitions -- United States  Search this
Art -- History -- Study and teaching  Search this
Art, Modern -- 20th century -- United States  Search this
Art -- Societies, etc. -- United States  Search this
Modernism (Art) -- United States  Search this
Art, American  Search this
Art critics -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Prints
Drawings
Photographs
Watercolors
Citation:
Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccaeliz
See more items in:
Elizabeth McCausland papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mccaeliz
Online Media:

Lloyd Raymond Ney papers

Creator:
Ney, Lloyd Raymond, 1893-1964 or 5  Search this
Names:
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Rattner, Abraham  Search this
Rebay, Hilla, 1890-1967  Search this
Extent:
1.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1902-1987
Scope and Contents:
Biographical material; correspondence; a diary; writings; art work; subject files; photographs; printed material; and two scrapbooks.
Biographical accounts; a passport; a list of paintings in collections; a grant application; personal correspondence, including letters from Abraham Rattner from Paris describing the Parisian art scene; professional correspondence regarding the controversy ove Ney's mural for the New London, Ohio post office and letters from Hilla Rebay of the Solomon R. Guggenheim Museum, N.Y.C.; a diary, 1918, chronicling Ney's army experience in France; a subject file containing preliminary drawings, clippings, and photographs of the New London mural; a sketchbook of mural studies; photographs of Ney's art works, portraits of Ney, and exhibition installations; clippings; exhibition catalogs and announcements; unpublished manuscripts; two typescripts by Hilla Rebay and James W. Riley; two scrapbooks containing photographs, printed material, and letters relating to Ney's studies at the Pennsylvania Academy of Fine Arts; a drawing, "The Declaration of France," by Joseph Mielziner; miscellaneous printed material.
Biographical / Historical:
Lloyd Raymond Ney (1893-1964 or 5) was a Non-objective painter from New Hope, Pennsylvania and New York, N.Y. Known also as Bill Ney. Born in Friedenburg, Pennsylvania and studied at the Pennsylvania Museum School of Industrial Art and at the Pennsylvania Academy of the Fine Arts. Won a Cresson travelling scholarship in 1917 and upon completing his WWI tour in Europe, travelled to France with Abraham Rattner. Ney was commissioned to paint the post office in New London, Ohio by the Section of Fine Arts of the Department of Treasury which became a controversial issue. He was one of Hilla Rebay's favored non-objective painters.
Provenance:
Donated by Gretchen Ney Laugier, Ney's daughter. Microfilmed in 1989 as part of AAA's Philadelphia Arts Documentation Project.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Mural painting and decoration -- Ohio -- New London  Search this
Painting, Abstract -- Pennsylvania -- New Hope  Search this
Federal aid to the arts  Search this
Muralists  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.neylloyr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-neylloyr

Harold Weston papers, 1894-1978, bulk 1912-1972

Creator:
Weston, Harold, 1894-1972  Search this
Subject:
Sizer, Theodore  Search this
Rosenfeld, Paul  Search this
Weston, Faith  Search this
Carmichael, Leonard  Search this
Mumford, Lewis  Search this
Phillips, Duncan  Search this
Dows, Olin  Search this
Roosevelt, Eleanor  Search this
Studio House (Phillips Memorial Gallery)  Search this
Adirondack Trail Improvement Society  Search this
Corcoran Gallery of Art  Search this
International Association of Art. United States Committee  Search this
Food for Freedom, Inc.  Search this
Harvard Lampoon (Organization)  Search this
Federation of Modern Painters and Sculptors  Search this
Committee to Defend America by Aiding the Allies (UNITED STATES OF AMERICA). Americans-in-Britain Outpost  Search this
New York State Council on the Arts  Search this
Phillips Collection  Search this
National Council on the Arts and Government  Search this
National Endowment for the Arts  Search this
Montross Gallery  Search this
Harvard University  Search this
Type:
Christmas cards
Notes
Etchings
Speeches
Articles
Postcards
Poems
Woodcuts
Sketches
Photographs
Scrapbooks
Glass negatives
Lantern slides
Copper plates
Place:
Adirondack Mountain Reserve (N.Y.)
Topic:
Painting, Abstract -- New York (State) -- New York  Search this
Federal aid to the arts  Search this
Art and state  Search this
Painters -- New York (State) -- New York  Search this
World War, 1914-1918 -- Personal narratives, American  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)9346
(DSI-AAA_SIRISBib)211542
AAA_collcode_westharo
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211542
Online Media:

Merlin F. Pollock papers, 1936-1979

Creator:
Pollock, Merlin F., 1905-1996  Search this
Subject:
Siporin, Mitchell  Search this
Federal Art Project  Search this
Place:
United States -- Social conditions -- 1933-1945
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts -- Illinois -- Chicago  Search this
Art and state -- Illinois -- Chicago  Search this
Mural painting and decoration -- Illinois -- Chicago  Search this
Muralists  Search this
Record number:
(DSI-AAA_CollID)8821
(DSI-AAA_SIRISBib)211006
AAA_collcode_pollmerl
Theme:
Government Sponsorship of the Arts
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211006

Forbes Watson papers, 1840-1967, bulk 1900-1960

Creator:
Watson, Forbes, 1879-1960  Search this
Subject:
Sheeler, Charles  Search this
Saint-Gaudens, Homer  Search this
Marsh, Reginald  Search this
Kuniyoshi, Yasuo  Search this
Kroll, Leon  Search this
Barr, Alfred H., Jr.  Search this
Zorach, William  Search this
Gallatin, A. E. (Albert Eugene)  Search this
Adams, Ansel  Search this
Citron, Minna Wright  Search this
Bruce, Edward  Search this
Brancusi, Constantin  Search this
Glackens, Ira  Search this
Genthe, Arnold  Search this
Klonis, Stewart  Search this
Dows, Olin  Search this
Coleman, Glenn O.  Search this
Pène Du Bois, Guy  Search this
Matisse, Henri  Search this
Morgenthau, Henry  Search this
Kuniyoshi, Yasuo  Search this
Manship, Paul  Search this
Mangravite, Peppino  Search this
Shimin, Symeon  Search this
Beal, Gifford  Search this
Sterne, Maurice  Search this
Ray, Man  Search this
Rowan, Edward Beatty  Search this
Watson, Nan  Search this
Weber, Max  Search this
Tucker, Allen  Search this
United States  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Art Students League (New York, N.Y.)  Search this
Pepsi-Cola Company  Search this
Public Works of Art Project  Search this
Red Cross  Search this
United States  Search this
Type:
Notes
Photographs
Drafts (documents)
Scrapbooks
Place:
United States -- Social conditions -- 1933-1945
New York N.Y. -- Buildings, structures, etc., Photographs
Topic:
Arts (Magazine)  Search this
Art and state  Search this
Art, American  Search this
Art publishing  Search this
Art critics -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York  Search this
Architecture, New York State, New York -- Photographs  Search this
Architecture -- New York, N.Y. -- Photographs  Search this
New Deal, 1933-1939  Search this
World War, 1939-1945 -- Art and the war  Search this
Authors -- New York (State) -- New York  Search this
Federal aid to the arts  Search this
Record number:
(DSI-AAA_CollID)11027
(DSI-AAA_SIRISBib)211525
AAA_collcode_watsforb
Theme:
Government Sponsorship of the Arts
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211525
Online Media:

Roy Emerson Stryker papers [microfilm], 1932-1964

Creator:
Stryker, Roy Emerson, 1893-1975  Search this
Subject:
Vachon, John  Search this
Wolcott, Marion Post  Search this
Collier, John, Jr.  Search this
Delano, Jack  Search this
Evans, Walker  Search this
Lange, Dorothea  Search this
Lee, Russell  Search this
Locke, Edwin  Search this
Rothstein, Arthur  Search this
United States  Search this
Place:
United States -- Economic conditions -- 1918-1945
United States -- Social conditions -- 1933-1945
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Federal aid to the public welfare  Search this
Art and state  Search this
Documentary photography -- United States  Search this
Record number:
(DSI-AAA_CollID)9492
(DSI-AAA_SIRISBib)211690
AAA_collcode_stryroyp
Theme:
Government Sponsorship of the Arts
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211690

Will Shuster papers, [undated] and 1914-1970

Creator:
Shuster, Will, 1893-1969  Search this
Subject:
Henri, Robert  Search this
La Farge, Oliver  Search this
Scott, Winfield Townley  Search this
Sheridan, John E.  Search this
Wheelock, Warren  Search this
Nash, Willard Ayer  Search this
Karig, Walter  Search this
Sloan, John  Search this
Public Works of Art Project  Search this
Place:
United States -- Social conditions -- 1933-1945 -- New Mexico
Topic:
Art, American -- New Mexico -- Santa Fe  Search this
Art festivals  Search this
New Deal, 1933-1939 -- New Mexico  Search this
Art and state -- New Mexico  Search this
Federal aid to the arts -- New Mexico  Search this
Mural painting and decoration -- 20th century -- New Mexico  Search this
Record number:
(DSI-AAA_CollID)13458
(DSI-AAA_SIRISBib)211861
AAA_collcode_shuswill
Theme:
Lives of American Artists
Diaries
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211861

Marian Simpson clippings and photographs, 1934-1958

Creator:
Simpson, Marian, 1899-1978  Search this
Subject:
Federal Art Project (Calif.)  Search this
Place:
United States -- Economic conditions -- 1918-1945 -- California -- Oakland -- Photographs
United States -- Social conditions -- 1933-1945 -- California -- Oakland -- Photographs
Topic:
New Deal, 1933-1939 -- California -- Oakland -- Photographs  Search this
Federal aid to the arts -- California -- Oakland -- Photographs  Search this
Federal aid to the public welfare -- California -- Oakland -- Photographs  Search this
Art and state -- California -- Oakland -- Photographs  Search this
Muralists  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)9822
(DSI-AAA_SIRISBib)212282
AAA_collcode_simpmari
Theme:
Women
Government Sponsorship of the Arts
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212282

Wilbur D. Peat papers, 1933-1939

Creator:
Peat, Wilbur David, 1898-1966  Search this
Subject:
Milliken, William Mathewson  Search this
Public Works of Art Project  Search this
Treasury Relief Art Project  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Place:
United States -- Economic conditions -- 1918-1945
United States -- Social conditions -- 1933-1945
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts -- Indiana  Search this
Federal aid to the public welfare -- Indiana  Search this
Art and state -- Indiana  Search this
Record number:
(DSI-AAA_CollID)9845
(DSI-AAA_SIRISBib)212340
AAA_collcode_peatwilb
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212340

Federal art program papers of Franklin D. Roosevelt and Harry L. Hopkins, 1932-1942

Creator:
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Hopkins, Harry Lloyd, 1890-1946  Search this
Subject:
Biddle, George  Search this
Bruce, Edward  Search this
Chambless, Edgar  Search this
Dows, Olin  Search this
Kent, Rockwell  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Zorach, William  Search this
American Institute of Architects  Search this
Federal Art Project  Search this
Federal Theatre Project (U.S.)  Search this
Public Works of Art Project  Search this
Treasury Relief Art Project  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
United States  Search this
Place:
United States -- Economic conditions -- 1918-1945
United States -- Social conditions -- 1933-1945
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Federal aid to the public welfare  Search this
Art and state  Search this
Record number:
(DSI-AAA_CollID)9867
(DSI-AAA_SIRISBib)212368
AAA_collcode_roosfran
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212368

Modify Your Search







or


Narrow By