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Oral history interview with Margery Hoffman Smith, 1964 April 10

Interviewee:
Smith, Margery Hoffman, 1888-1981  Search this
Interviewer:
Ferbraché, Lewis  Search this
Subject:
Timberline Lodge (Mount Hood, Or.)  Search this
United States. Works Progress Administration  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Margery Hoffman Smith, 1964 April 10. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Women artists  Search this
Theme:
Craft  Search this
New Deal  Search this
Women  Search this
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)12782
(DSI-AAA_SIRISBib)213841
AAA_collcode_smith64apr
Theme:
Craft
New Deal
Women
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213841
Online Media:

Oral history interview with Margery Hoffman Smith

Interviewee:
Smith, Margery Hoffman, 1888-1981  Search this
Interviewer:
Ferbraché, Lewis  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Timberline Lodge (Mount Hood, Or.)  Search this
United States. Works Progress Administration  Search this
Extent:
45 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 April 10
Scope and Contents:
An interview of Margery Hoffman Smith conducted 1964 April 10, by Lewis Ferbraché, for the Archives of American Art, at the artist's home, in San Francisco, California.
Discusses her involvement with the design of Timberline Lodge in Oregon for the Works Progress Administration.
Biographical / Historical:
Margery Hoffman Smith (1888-1981) was a painter, craftsman, and interior decorator from San Francisco, California. Smith was art director for the Timberline Lodge project on Mount Hood, Oregon, which was built under the authority of the WPA in the 1940s. She became the assistant state director of the Federal Art Project in Oregon.
General:
Originally recorded 2 sound tape reels. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 2 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- Oregon  Search this
Topic:
Federal aid to the arts  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.smith64apr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91fd88c91-ffa3-4d5b-bb19-2fdd4a3f6957
EDAN-URL:
ead_collection:sova-aaa-smith64apr
Online Media:

Maxine Seelbinder Merlino papers, 1928-2003

Creator:
Merlino, Maxine Ollie Seelbinder, 1912-  Search this
Subject:
California State University, Long Beach  Search this
Type:
Drawings
Photographs
Citation:
Maxine Seelbinder Merlino papers, 1928-2003. Archives of American Art, Smithsonian Institution.
Topic:
Mural painting and decoration -- 20th century -- California  Search this
Women artists  Search this
Federal aid to the arts  Search this
Art -- Study and teaching  Search this
Works of art  Search this
Women illustrators  Search this
Women muralists  Search this
Women designers  Search this
Women educators  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)11097
(DSI-AAA_SIRISBib)243178
AAA_collcode_merlmaxi
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_243178
Online Media:

Oral history interview with Louis Bunce, 1965 October 29

Interviewee:
Bunce, Louis, 1907-1983  Search this
Interviewer:
Bestor, Dorothy K., 1913-  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Louis Bunce, 1965 October 29. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12751
(DSI-AAA_SIRISBib)213331
AAA_collcode_bunce65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213331
Online Media:

Oral history interview with Joy Yeck Fincke, 1964 Jan. 9

Interviewee:
Fincke, Joy Yeck  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Subject:
Barela, Patrociño  Search this
Hunter, Russell Vernon  Search this
Index of American Design  Search this
Federal Art Project (N.M.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Joy Yeck Fincke, 1964 Jan. 9. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)13225
(DSI-AAA_SIRISBib)213453
AAA_collcode_fincke64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213453

Oral history interview with Margery Hoffman Smith, 1961

Interviewee:
Smith, Margery Hoffman, 1888-1981  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Margery Hoffman Smith, 1961. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Design  Search this
Designers -- California -- San Francisco -- Interviews  Search this
Women artists  Search this
Women designers  Search this
Theme:
Craft  Search this
New Deal  Search this
Women  Search this
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)11781
(DSI-AAA_SIRISBib)213846
AAA_collcode_smith61
Theme:
Craft
New Deal
Women
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213846

Burt Brown Barker papers, 1935-1938

Creator:
Barker, Burt Brown, 1873-1969  Search this
Subject:
Gannon, George H.  Search this
Glass, Carter  Search this
Lawrence, Ellis F. (Ellis Fuller)  Search this
Mish, Charlotte Roberta  Search this
Parker, Thomas Cleveland  Search this
Smith, Margery Hoffman  Search this
Baker, Jacob  Search this
Bartlett, Fred S. (Frederic Stewart)  Search this
Cahill, Holger  Search this
Danysh, Joseph A.  Search this
Edmonds, T. J.  Search this
Federal Art Center (Salem, Or.)  Search this
Federal Art Project (Or.)  Search this
Federal Music Project (Or.)  Search this
Citation:
Burt Brown Barker papers, 1935-1938. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts -- United States  Search this
Theme:
Lives of American Artists  Search this
Government Sponsorship of the Arts  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)5856
(DSI-AAA_SIRISBib)208696
AAA_collcode_barkburt
Theme:
Lives of American Artists
Government Sponsorship of the Arts
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208696

Oregon Federal Art Project records, 1936-1939

Creator:
Federal Art Project (Or.)  Search this
Subject:
Hopkins, Harry Lloyd  Search this
United States. Works Progress Administration  Search this
United States. Work Projects Administration  Search this
Citation:
Oregon Federal Art Project records, 1936-1939. Archives of American Art, Smithsonian Institution.
Topic:
New Deal, 1933-1939 -- Oregon  Search this
Federal aid to the arts -- Oregon  Search this
Federal aid to the public welfare -- Oregon  Search this
Theme:
Government Sponsorship of the Arts  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)9803
(DSI-AAA_SIRISBib)212241
AAA_collcode_fedeartp06
Theme:
Government Sponsorship of the Arts
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212241

Oral history interview with Joy Yeck Fincke

Interviewee:
Fincke, Joy Yeck  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (N.M.)  Search this
Index of American Design  Search this
New Deal and the Arts Oral History Project  Search this
Barela, Patrociño, -1964  Search this
Hunter, Russell Vernon, 1900-1955  Search this
Extent:
1 Sound tape reel (Sound recordings, 5 in.)
21 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1964 Jan. 9
Scope and Contents:
An interview of Joy Yeck Finke conducted by Sylvia Loomis on 1964 Jan. 9 for the Archives of American Art.
Fincke speaks of her background in Washington state and Oregon; going to work for the Federal Emergency Releif Administration (later the Works Progress Administration); meeting Vernon Hunter and becoming his secretary; how artists were selected for the project and how work was assigned; the work that was done by the Index of American Design in the Southwest; how Vernon Hunter supervised the project; art centers that were run by the project; community and public perception of the project; and the project's effect on artists' careers; She recalls Patrocino Barela.
Biographical / Historical:
Secretary to director of Index of American Design; Albuquerque, N.M. Index of American Design director in New Mexico was Vernon Hunter.
General:
Interviews of Louie H. and Virginia Ewing conducted by S. Loomis are also on this tape.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Occupation:
Arts administrators -- New Mexico -- Albuquerque  Search this
Topic:
Federal aid to the arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.fincke64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9caf5ee95-0e7a-4ebe-b6f6-5cc42eaef46f
EDAN-URL:
ead_collection:sova-aaa-fincke64
Online Media:

[Records of the Work Projects Administration, RG 69 [microform] : central correspondence files, 1935-44]

Author:
Federal Art Project  Search this
United States Work Projects Administration  Search this
Subject:
Federal Art Project Records and correspondence  Search this
United States Work Projects Administration Records and correspondence  Search this
Physical description:
1 microfilm reel ; 35 mm
Type:
Microforms
Place:
United States
Date:
1966
[1966?]
Topic:
Federal aid to the arts  Search this
New Deal art  Search this
Call number:
mfm 1287
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_432742

Maxine Seelbinder Merlino papers

Creator:
Merlino, Maxine Ollie Seelbinder, 1912-  Search this
Names:
California State University, Long Beach -- Faculty  Search this
Extent:
1.1 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Date:
1928-2003
Summary:
The papers of illustrator, muralist, theatrical set designer, and professor Maxine Seelbinder Merlino papers measure 1.1 linear feet and date from 1928-2003. The collection includes correspondence; newspaper clippings and reviews of artist's work; sketches for stage and set designs and mural decorations; federal commission contracts; exhibition brochures; theater playbills and announcements; photographs; original art work, including drawings and sketches; original lithographs; and material on the dedication of the Merlino Gallery at California State University, Long Beach.
Scope and Content Note:
The papers of illustrator, muralist, theatrical set designer, and professor, Maxine Seelbinder Merlino papers measures 1.1 linear feet and date from 1928-2003. The collection includes correspondence; newspaper clippings and reviews of artist's work; sketches for stage and set designs and mural decorations; federal commission contracts; exhibition brochures; theater playbills and announcements; photographs; original art work, including watercolor sketches; original lithographs; and material on the dedication of the Merlino Gallery at California State University, Long Beach.

Documenting Merlino's work on New Deal federal government programs are letters sent to her in the early 1940s from the Public Buildings Administration and the Section of Fine Arts of the Federal Works Agency in Washington, D.C. as well as three photographs of a mural executed by Merlino for the Recorder of Deeds Building in Washington, D.C. that depicts Benjamin Banneker, a pioneering African-American surveyor, inventor, and astronomer.

Representing Merlino's early New York period are brochures of group exhibitions and her one-woman show in a theater gallery. Among the original works of art are two original lithographs: Franco's Destruction, which was reproduced in a 1938 issue of New Masses, and Hearst's Empire, which appeared in the April 1938 edition of The Fight magazine.
Arrangement:
The collection is arranged as five series:

Missing Title

Series 1: Biographical, 1929-2003 (Box 1; 5 folders)

Series 2: Letters, 1936-2001 (Box 1; 6 folders)

Series 3: Projects, 1927-2002 (Box 1-2; 26 folders)

Series 4: Printed Material, 1939-1969 (Box 1-2; 13 folders)

Series 5: Works of Art, 1932-1957 (Box 1, 3, OV 4; 21 folders)
Biographical Note:
Maxine Ollie Seelbinder Merlino was born in Portland, Oregon in 1912. She trained at the Portland Art Museum School before venturing to New York City where she took classes at the Art Students' League with, among others, Will Barnet, Anton Refregier, Adolph Gottlieb, Hans Hofmann, and Harry Sternberg. Maxine Merlino worked in New York from 1936 to 1943 as a free-lance illustrator, muralist, and theatrical set designer.

In 1940 and 1942, Merlino won mural commissions for the United States Department of Interior Section of Fine Arts program. She designed and executed murals for the S.S. Garfield, and painted a mural that graced the Recorder of Deeds Building in Washington, D.C., one of seven murals in the building celebrating the contributions of African Americans.

Relocating to Long Beach, California in 1943, she worked as a scientific illustrator for the Army Air Force during the Second World War and subsequently as a stage, set and costume designer for theater and film producer Preston Sturges. From the early 1950s until her retirement in 1976, she was affiliated with California State University, Long Beach where she served as a Professor of Art and Theater Design and then as Dean of the Art Department. In recognition of Dr. Merlino's contributions to the department, the university dedicated an art gallery in her name, in February 2003.
Provenance:
Dr. Merlino donated her papers in 2003.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Set designers -- California  Search this
Topic:
Mural painting and decoration -- 20th century -- California  Search this
Women artists  Search this
Federal aid to the arts  Search this
Art -- Study and teaching  Search this
Works of art  Search this
Women illustrators  Search this
Women muralists  Search this
Women designers  Search this
Women educators  Search this
Genre/Form:
Drawings
Photographs
Citation:
Maxine Seelbinder Merlino papers, 1928-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.merlmaxi
See more items in:
Maxine Seelbinder Merlino papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90a9011ad-dc22-46af-8069-cbf79c038f97
EDAN-URL:
ead_collection:sova-aaa-merlmaxi

Oregon Federal Art Project records

Creator:
Federal Art Project (Or.)  Search this
Names:
United States. Work Projects Administration  Search this
United States. Works Progress Administration  Search this
Hopkins, Harry Lloyd, 1890-1946  Search this
Extent:
15 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1936-1939
Scope and Contents:
Typescript of a speech given by Harry Hopkins, FAP bulletins, reports, and some correspondence.
Biographical / Historical:
The Federal Art Project (FAP) fell under the jurisdiction of Federal Project No. 1 of the Works Progress Administration (WPA). The WPA was established in May 1935 specifically as a work relief program for the millions of individuals left unemployed during the Depression. Its name changed to the Work Projects Administration in 1939 when it fell under the administrative hand of the newly created Federal Works Agency. The FAP was created in August 1935 to aid unemployed artists, following the precedent set by the Public Works of Art Project and other Treasury department art relief projects. Holger Cahill was appointed director of the FAP and remained in that position throughout its existence. Harry Hopkins was the administrator for the WPA.
Provenance:
Lent for microfilming by Margery Hoffman Smith.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
New Deal, 1933-1939 -- Oregon  Search this
Federal aid to the arts -- Oregon  Search this
Federal aid to the public welfare -- Oregon  Search this
Function:
Programs (organizations)
Agencies
Identifier:
AAA.fedeartp06
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91033c5a1-eeeb-448f-adec-dff6142ff767
EDAN-URL:
ead_collection:sova-aaa-fedeartp06

Oral history interview with Louis Bunce

Interviewee:
Bunce, Louis, 1907-1983  Search this
Interviewer:
Bestor, Dorothy K., 1913-  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 October 29
Scope and Contents:
An interview of Louis Bunce conducted 1965 October 29, by Dorothy Bestor, for the Archives of American Art.
Bunce speaks of his early art training; WPA mural projects he was involved in; the Northwest art scene in the 1930s; his WPA colleagues; how subject matter was selected for the murals; public perception of the project; the dispersal of the work produced by the Federal Art Project; leaving the Northwest, going to New York and getting on the mural project there; and the project's impact on the careers of artists.
Biographical / Historical:
Louis Bunce (1907-1983) was a painter, printmaker, educator, and mural painter in Portland, Oregon.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 4 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Occupation:
Painters -- Oregon -- Portland  Search this
Printmakers -- Oregon  Search this
Educators -- Oregon  Search this
Muralists -- Oregon -- Portland  Search this
Topic:
Federal aid to the arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bunce65
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93493f60e-4b3b-4ddd-ba40-2f020eaa8d7c
EDAN-URL:
ead_collection:sova-aaa-bunce65
Online Media:

Burt Brown Barker papers

Creator:
Barker, Burt Brown, 1873-1969  Search this
Names:
Federal Art Center (Salem, Or.)  Search this
Federal Art Project (Or.)  Search this
Federal Music Project (Or.)  Search this
Baker, Jacob  Search this
Bartlett, Fred S. (Frederic Stewart), 1905-  Search this
Cahill, Holger, 1887-1960  Search this
Danysh, Joseph A., 1906-1982  Search this
Edmonds, T. J.  Search this
Gannon, George H.  Search this
Glass, Carter, 1858-1946  Search this
Lawrence, Ellis F. (Ellis Fuller), 1879-1946  Search this
Mish, Charlotte Roberta, 1903-  Search this
Parker, Thomas Cleveland, 1904-1967  Search this
Smith, Margery Hoffman, 1888-1981  Search this
Extent:
1 Microfilm reel (circa 860 items on 1 microfilm reel)
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1935-1938
Scope and Contents:
The microfilmed Burt Brown Barker papers contain Barker's correspondence as director of the Federal Art Project in Portland, Oregon; reports; memoranda; travel vouchers; lists of artists and art projects; minutes of the Oregon Federal Music Project; a typescript of an article, "The Federal Art Center, Salem, Oregon," and other writings; printed material; and miscellany. Correspondents include Jacob Baker, Frederic Stewart Bartlett, Holger Cahill, Joseph A. Danysh, T. J. Edmonds, George H. Gannon, Carter Glass, Ellis Fuller Lawrence, Charlotte Roberta Mish, Thomas Cleveland Parker, Margery Hoffman Smith, and others.
Biographical / Historical:
Burt Brown Barker (1873-1969) was a lawyer and arts administrator in Portland, Oregon. He was director of the Federal Art Project in Portland, president of the Oregan Historical Society, the McLoughlin Memorial Association, and the Herbert Hoover Foundation of Oregon. He also played an active role in the restoration of the John Minthorn House and its transformation into a museum.
Related Materials:
The Archives of American Art also holds the Oregon FAP records, 1936-1939.

Willamette University Archives and Special Collections holds the Burt Brown Barker papers, 1890-1935. The Herbert Hoover Presidential Library holds the Burt Brown Barker papers, 1885-1976.
Provenance:
Lent for microfilming 1982 by Sarah Munro.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Arts administrators -- Oregon -- Portland  Search this
Lawyers -- Oregon -- Portland  Search this
Topic:
Federal aid to the arts -- United States  Search this
Citation:
Burt Brown Barker papers, 1935-1938. Owned by Friends of Timberline. Microfilmed by the Archives of American Art, Smithsonian Institution.
Identifier:
AAA.barkburt
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw964ede97f-d226-42d5-8614-e3c0e14a1d4a
EDAN-URL:
ead_collection:sova-aaa-barkburt

Oral history interview with Margery Hoffman Smith

Creator:
Smith, Margery Hoffman, 1888-1981  Search this
New Deal and the Arts Oral History Project  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
31 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1961
Scope and Contents:
An interview of Margery Hoffman Smith conducted in 1961 by Harlan Phillips for the Archives of American Art.
Smith speaks of her work with the Federal Art Project in Oregon, working on the design for Timberline Lodge, a ski lodge built under the authority of the WPA in the 1940s.
Biographical / Historical:
Margery Hoffman Smith (1888-1981) was a painter, craftsman, and interior decorator from San Francisco, California. Smith was art director for the Timberline Lodge project on Mount Hood, Oregon, which was built under the authority of the WPA in the 1940s. She became the assistant state director of the Federal Art Project in Oregon.
General:
Originally recorded 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 45 min.
Sound quality is extremely poor.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Topic:
Federal aid to the arts  Search this
Design  Search this
Designers -- California -- San Francisco -- Interviews  Search this
Women artists  Search this
Women designers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.smith61
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96208257e-30b8-4078-bc5c-90f73fe7cd95
EDAN-URL:
ead_collection:sova-aaa-smith61
Online Media:

Funding sources for cultural facilities : private and Federal support for capital projects / compiled by Linda C. Coe

Author:
Coe, Linda 1945-  Search this
National Endowment for the Arts Design Arts Program  Search this
Oregon Arts Commission  Search this
Physical description:
[72] p. ; 28 cm
Type:
Books
Place:
United States
Date:
1980
Topic:
Art patronage  Search this
Federal aid to the arts  Search this
Capital investments  Search this
Call number:
NX700 .C67 1980
NX700.C67 1980
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_136215

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