Search Results

Creator:

Kent, Rockwell, 1882-1971  Search this

Subject:

Wildenstein, Felix  Search this

Phillips, Duncan  Search this

Hays, Lee  Search this

Untermeyer, Louis  Search this

Zigrosser, Carl  Search this

Robeson, Paul  Search this

DuBois, W.E.B. (William Edward Burghardt)  Search this

Roosevelt, Franklin D. (Franklin Delano)  Search this

Ruggles, Carl  Search this

Stefansson, Vilhjalmur  Search this

Nearing, Helen  Search this

Nearing, Scott  Search this

Pach, Walter  Search this

Rasmussen, Knud  Search this

Reeves, Ruth  Search this

Seeger, Pete  Search this

Daniel, Charles  Search this

Cleland, T. M. (Thomas Maitland)  Search this

Davies, Arthur B. (Arthur Bowen)  Search this

Chamberlain, J. E.  Search this

Boyesen, Bayard  Search this

Chase, William Merritt  Search this

Freuchen, Peter  Search this

Gellert, Hugo  Search this

Gottlieb, Harry  Search this

Hartley, Marsden  Search this

Fitzgerald, James  Search this

Keller, Charles  Search this

Miller, Kenneth Hayes  Search this

Henri, Robert  Search this

Jones, Dan Burne  Search this

United American Artists  Search this

United Office and Professional Workers of America  Search this

United Scenic Artists  Search this

National Farmers' Union (U.S.)  Search this

National Maritime Union of America  Search this

American Artists' Congress  Search this

Artists' Union (New York, N.Y.)  Search this

Artists League of America  Search this

Citizens' Committee for Government Arts Projects  Search this

Farmers Union of the New York Milk Shed  Search this

Federal Art Project  Search this

Federal Writers' Project  Search this

Macbeth Gallery  Search this

International Workers Order  Search this

Type:

Poems

Sketches

Business records

Photographs

Drawings

Citation:

Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.

Topic:

Designers -- New York (State)  Search this

Mural painting and decoration  Search this

Politics and culture  Search this

Authors -- New York  Search this

Art, Modern -- 20th century -- United States -- Political aspects  Search this

Dairy farms  Search this

Federal aid to the arts  Search this

Illustrators -- New York (State)  Search this

Illustration of books  Search this

Works of art  Search this

Art and war  Search this

Commercial art  Search this

World War, 1939-1945 -- Art and the war  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9557

(DSI-AAA_SIRISBib)211757

AAA_collcode_kentrock

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211757

Interviewee:

McMahon, Audrey, 1900?-1981  Search this

Interviewer:

Phillips, Harlan B. (Harlan Buddington), 1920-  Search this

Creator:

New Deal and the Arts Oral History Project  Search this

Names:

Federal Art Project (New York, N.Y.)  Search this

New Deal and the Arts Oral History Project  Search this

United States. Works Progress Administration  Search this

Bruce, Edward, 1879-1943  Search this

Cahill, Holger, 1887-1960  Search this

Force, Juliana, 1876-1948  Search this

Extent:

41 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1964 Nov. 18

Scope and Contents:

An interview of Audrey McMahon conducted 1964 Nov. 18, by Harlan Phillips, for the Archives of American Art.

McMahon speaks of her pre-Federal Art Project experiences; her early involvement with the WPA; how it functioned; and political problems with the WPA. She recalls Juliana Force, Edward Bruce, Holger Cahill.

Biographical / Historical:

Audry McMahon (1900?-1981) served under Holger Cahill as Regional Director of the WPA Federal Art Project for New York and New Jersey from 1935-1939.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 21 min.

Provenance:

This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Topic:

Federal aid to the arts  Search this

Arts administrators -- New York (State) -- New York -- Interviews  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.mcmaho64

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9864ed5b9-a17e-4270-8f11-238311a58054

EDAN-URL:

ead_collection:sova-aaa-mcmaho64

Interviewee:

Tamotsu, Chūzō, 1888-1975  Search this

Interviewer:

Loomis, Sylvia Glidden  Search this

Creator:

New Deal and the Arts Oral History Project  Search this

Names:

An American Group (Organization)  Search this

Artists Equity Association  Search this

Federal Art Project  Search this

New Deal and the Arts Oral History Project  Search this

Eddy, Stuart  Search this

Force, Juliana, 1876-1948  Search this

Knight, Frederic C., 1898-1979  Search this

Mandelman, Beatrice  Search this

Philipp, Robert, 1895-1981  Search this

Ribak, Louis, 1902-1979  Search this

Rush, Olive, 1873-1966  Search this

Extent:

11 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1964 September 3

Scope and Contents:

An interview of Chuzo Tamotzu (Tamotsu) conducted 1964 September 3 by Sylvia Loomis for the Archives of American Art.

Tamotzu discusses studying Occidental, Oriental art in Japan; traveling to Korea, Manchuria and China, South Sea Islands, Singapore, then Europe for a year; coming to New York in 1920; his involvement with An American Group; Juliana Force recruiting him for the Federal Art Project; being on the Easel Project and also on the Graphic Art Project; the Works Projects Administration; given "pink-slip" on the Project since he was not a U.S. citizen; stint in the U.S. Army, Office of Strategic Service doing propaganda paintings for psychological war material for the Japanese Army and soldiers; settling in Santa Fe, N.M.; Oriental painting; and Artist Equity Association. Tamotzu mentions Beatrice Mandelman, Louis Ribak, Robert Philip, Stuart Eddy, Frederick Knight, and Olive Rush.

Biographical / Historical:

Chuzo Tamotzu (1888-1975) was a Japanese American painter based in Santa Fe, New Mexico. Tamotzu was born in Japan and came to the United States in 1920. He moved to Santa Fe in 1948.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 40 min.

Provenance:

Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Occupation:

Painters -- New Mexico -- Santa Fe  Search this

Topic:

Federal aid to the arts  Search this

Painting, Japanese  Search this

Asian American art  Search this

Asian American artists  Search this

Arts, Japanese -- Western influences  Search this

Painting, Asian  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American painters  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.tamots64

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9606ba830-2b86-4e11-b2ed-09c487270421

EDAN-URL:

ead_collection:sova-aaa-tamots64

Interviewee:

Graham, F. Wynn  Search this

Interviewer:

Loomis, Sylvia Glidden  Search this

Creator:

New Deal and the Arts Oral History Project  Search this

Names:

Federal Art Project (New York, N.Y.)  Search this

New Deal and the Arts Oral History Project  Search this

Force, Juliana, 1876-1948  Search this

Extent:

1 Sound tape reel (Sound recordings (1 hour), 7 in.)

25 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Sound tape reels

Pages

Sound recordings

Interviews

Date:

1965 July 22

Scope and Contents:

An interview of F. Wynn Graham conducted 1965 July 22, by Sylvia Loomis, for the Archives of American Art. Graham speaks of her background and her education at the Art Students League; working on lithography at the Harlem Arts Center; joining the WPA Federal Art Project (FAP) in 1935; working on the easel painting project; the Artists' Union; the effects of the FAP on her career and on art; and her post-FAP career. She recalls Juliana Force.

Biographical / Historical:

F. Wynn Graham is a painter and printmaker in Queens, N.Y. She painted for the Federal Art Project.

General:

An unrelated interview of Donald B. Goodall (7/8/65) conducted by S. Loomis is also on this tape.

Provenance:

Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Printmakers -- New York (State) -- New York  Search this

Painters -- New York (State)  Search this

Topic:

Federal aid to the arts  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.graham65

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw98ebf3593-9efd-44ba-8ec0-34e100175f2c

EDAN-URL:

ead_collection:sova-aaa-graham65

Creator:

Gershoy, Eugenie, 1901?-1983 or 6  Search this

Names:

Art Students League (New York, N.Y.)  Search this

Federal Art Project (N.Y.)  Search this

Woodstock Artists Association (Woodstock, N.Y.)  Search this

Yaddo (Artist's colony)  Search this

Baker, Mildred, 1905-  Search this

Blanch, Arnold, 1896-1968  Search this

Blanch, Lucile, 1895-1981  Search this

Breeskin, Adelyn Dohme, 1896-1986  Search this

Calder, Alexander Stirling, 1870-1945  Search this

Dehn, Virginia  Search this

Force, Juliana, 1876-1948  Search this

Fruhauf, Aline, 1909-1978  Search this

Gottlieb, Harry, 1895-  Search this

Hart, Agnes, 1912-1979  Search this

Knight, Frederic C., 1898-1979  Search this

Marantz, Irving, 1912-1972  Search this

Millay, Edna St. Vincent, 1892-1950  Search this

Nakian, Reuben, 1897-1986  Search this

Picken, George, 1898-  Search this

Pollet, Joseph C., 1897-1979  Search this

Presser, Josef, 1906-1967  Search this

Refregier, Anton, 1905-  Search this

Scaravaglione, Concetta, 1900-1975  Search this

Soyer, Moses, 1899-1974  Search this

Soyer, Raphael, 1899-1987  Search this

Thomson, Virgil, 1896-  Search this

Varda, Jean  Search this

Extent:

7.2 Linear feet

Type:

Collection descriptions

Archival materials

Prints

Christmas cards

Sketchbooks

Sketches

Photographs

Place:

Woodstock (N.Y.)

Date:

1914-1983

Summary:

The papers of sculptor and art instructor, Eugenie Gershoy, measure 7.2 linear feet and date from 1914 to 1983. The collection documents Gershoy's career through biographical material, correspondence, business records, notes, writings, artwork, printed material, and photographs.

Scope and Content Note:

The Eugenie Gershoy papers date from 1914 to 1983, measure 7.2 linear feet, and reflect Gershoy's career as a sculptor and teacher. The collection contains biographical material, correspondence, business records, notes, writings, artwork of Gershoy and others, printed material including exhibition catalogs, and photographs with subjects including Gershoy, her friends and colleagues, her studio, and her artwork.

Correspondence forms the bulk of the collection and includes correspondence between Gershoy and her siblings and their families regarding her activities, as well as with colleagues, many of whom were associated with the Woodstock Artist Association, and many of whom were museum colleagues.

Arrangement:

The collection is arranged into eight series according to material type. The contents of each series have been arranged chronologically.

Missing Title

Series 1: Biographical Material, 1939-1971 (boxes 1, 8-9; 3 folders)

Series 2: Correspondence, 1914-1983, undated (boxes 1-6, 8-9; 5.8 linear ft.)

Series 3: Business Records, 1952-1978 (box 6; 5 folders)

Series 4: Notes, 1967-1970, undated (box 6; 3 folders)

Series 5: Writings, 1970, undated (box 6; 2 folders)

Series 6: Artwork, 1932-1978, undated (boxes 6, 8-9, OV 10, 26 folders)

Series 7: Printed Material, 1932-1983, undated (boxes 7, 9; 19 folders)

Series 8: Photographs, 1916-1983, undated (boxes 7, 9; 12 folders)

Biographical Note:

Born in Krivoi Rog, Russia on January 1, 1901, Eugenie was the youngest of the Gershoy children. The family immigrated to New York City in 1903. She later became a U.S. citizen.

With the aid of two scholarships, she attended the Art Students League and studied under A. Stirling Calder, Leo Lentelli, Kenneth Hayes Miller, Boardman Robinson, and Carl Walters. During the late 1920s and early 1930s, she maintained a studio with Harry Gottlieb in Woodstock, New York. From 1936 to 1939, under the WPA Federal Art Project, she worked in conjunction with Max Spivak on murals for the children's recreation room in the Astoria branch of the Queens Borough Public Library, New York.

Gershoy's first solo show was at the Robinson Gallery in New York in 1940. Following a year of teaching at the New Orleans Art School, she moved to San Francisco in 1942. In 1946 she taught ceramics at the California School of Fine Arts, and in May 1950, she studied at Yaddo.

In addition to visits to England and France in the early 1930s, Gershoy travelled to Mexico and Guatemala in 1947, 1948, and 1961. She worked in Paris in 1951 and toured Africa, India, and the Orient in 1955.

Eugenie Gershoy died in 1986.

Related Material:

Related material in the Archives of American Art includes a transcribed oral history interview with Eugenie Gershoy conducted by Mary McChesney for the Archives of American Art's New Deal and the Arts Oral History Program, October 15, 1964. A link to the transcript is provided from the online catalog.

Provenance:

The Eugenie Gershoy papers were donated to the Archives of American Art between 1975 and 1983 by the artist.

Restrictions:

The collection is open for research. Patrons must use microfilm copy.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Sculptors -- New York (State) -- New York  Search this

Draftsmen (artists) -- New York (State) -- New York  Search this

Ceramicists -- New York (State) -- New York  Search this

Topic:

New Deal, 1933-1939  Search this

Federal aid to the arts  Search this

Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this

Women artists  Search this

Women painters  Search this

Women ceramicists  Search this

Women sculptors  Search this

Function:

Artists' studios -- New York (State)

Genre/Form:

Prints

Christmas cards

Sketchbooks

Sketches

Photographs

Citation:

Eugenie Gershoy papers, 1914-1983. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.gerseuge

See more items in:

Eugenie Gershoy papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9140504d0-90c4-45af-91c8-9c39b74aa139

EDAN-URL:

ead_collection:sova-aaa-gerseuge

Interviewee:

Glassgold, Adolph, 1899-  Search this

Interviewer:

Phillips, Harlan B. (Harlan Buddington), 1920-  Search this

Creator:

New Deal and the Arts Oral History Project  Search this

Names:

Federal Art Project  Search this

Index of American Design  Search this

New Deal and the Arts Oral History Project  Search this

Cahill, Holger, 1887-1960  Search this

Defenbacher, D. S. (Daniel S), 1906-1986  Search this

Force, Juliana, 1876-1948  Search this

McBride, Henry, 1867-1962  Search this

McMahon, Audrey, 1900?-1981  Search this

Parker, Thomas Cleveland, 1904-1967  Search this

Robinson, Edward, 1858-1931  Search this

Watson, Forbes, 1880-1960  Search this

Extent:

1 Sound tape reel (Sound recording, 7 in.)

41 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Sound tape reels

Pages

Sound recordings

Interviews

Date:

1964 Dec. 9

Scope and Contents:

An interview of Adolph Glassgold conducted by Harlan Phillips on 1964 Dec. 9 for the Archives of American Art.

Glassgold speaks of his education; working for the Whitney Museum under Juliana Force; joining the WPA Federal Art Project under Holger Cahill; becoming National Coordinator of the Index of American Design; the IAD's history; his feelings about the success of the Federal Art Project. He recalls Edward Robinson, Forbes Watson, Henry McBride, Holger Cahill, Thomas C. Parker, Juliana Force, Audrey McMahon, and Daniel Defenbacher.

Biographical / Historical:

Art administrator, New York, N.Y.

General:

An interview of Henry Billings conducted by H. Phillips is also on this tape.

Provenance:

Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Topic:

Federal aid to the arts  Search this

Arts administrators -- New York (State) -- New York -- Interviews  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.glassg64

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9dbbc6213-c78b-40c5-8b75-e1bc86378f65

EDAN-URL:

ead_collection:sova-aaa-glassg64

Interviewee:

Kainen, Jacob  Search this

Interviewer:

Berman, Avis  Search this

Creator:

Mark Rothko and His Times Oral History Project  Search this

Names:

ACA Galleries  Search this

Art Students League (New York, N.Y.)  Search this

Mark Rothko and His Times Oral History Project  Search this

Pratt Institute  Search this

Davis, Gene, 1920-1985  Search this

Davis, Stuart, 1892-1964  Search this

De Kooning, Willem, 1904-1997  Search this

Gorky, Arshile, 1904-1948  Search this

Graham, John, 1887-1961  Search this

Hayter, Stanley William, 1901-1988  Search this

Lazzari, Pietro, 1898-1979  Search this

Margo, Boris, 1902-1995  Search this

McNeil, George, 1908-1995  Search this

Noland, Kenneth, 1924-2010  Search this

Reinhardt, Ad, 1913-1967  Search this

Rothko, Mark, 1903-1970  Search this

Schnitzler, Max, 1903-  Search this

Solman, Joseph, 1909-2008  Search this

Thomas, Alma  Search this

Extent:

6 Cassettes (Sound recording, analog.)

108 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Cassettes

Pages

Sound recordings

Interviews

Date:

1982 Aug. 10-Sept. 22

Scope and Contents:

An interview of Jacob Kainen conducted 1982 Aug. 10-1982 Sept. 22, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.

Kainen speaks about his family and educational background; early interest in art; his studies at the Art Students League and Pratt Institute; showing at the ACA Gallery; the community of artists in New York in the late 1930s; writing for ART FRONT; his employment by the graphic arts division of the WPA-FAP in New York; his move to Washington, D.C., in 1942, to work for the Smithsonian Institution; his first marriage to Bertha Friedman and their children; his career in Washinton, D.C. as a curator, painter, printmaker, writer, and teacher; the FBI investigation of his background; and the art scene in Washington, D.C. Kainen also recalls artists he has known including Stuart Davis, Joseph Solman, John Graham, Mark Rothko, Pietro Lazzari, Willem de Kooning, Max Schnitzler, Arshile Gorky, Gene Davis, Alma Thomas, George McNeil, Kenneth Noland, Boris Margo, Stanley Hayter, and Ad Reinhardt. He discusses Mark Rothko's influences, how he "hated the art industry" and was secretive about his art materials. Kainen also recalls encountering Rothko in Provincetown in 1968 and comments on his art and his suicide. Jacob Kainen's wife, Ruth, was also present and contributed her recollections.

Biographical / Historical:

Jacob Kainen (1909-2001) was a painter, printmaker, and curator from Washington, D.C. Studied at the Art Students League and Pratt Institute; died at age 91.

Provenance:

This interview was conducted as part of the Archives of American Art's Mark Rothko and his Times oral history project, with funding provided by the Mark Rothko Foundation.

Others interviewed on the project (by various interviewers) include: Sonia Allen, Sally Avery, Ben-Zion, Bernard Braddon, Ernest Briggs, Rhys Caparn, Elaine de Kooning, Herbert Ferber, Esther Gottlieb, Juliette Hays, Sidney Janis, Buffie Johnson, Louis Kaufman, Jack Kufeld, Katharine Kuh, Stanley Kunitz, Joseph Liss, Dorothy Miller, Betty Parsons, Wallace Putnam, Rebecca Reis, Maurice Roth, Sidney Schectman, Aaron Siskind, Joseph Solman, Hedda Sterne, Jack Tworkov, Esteban Vicente and Ed Weinstein. Each has been cataloged separately.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Painters -- Washington (D.C.) -- Interviews  Search this

Topic:

Abstract expressionism  Search this

Federal aid to the arts  Search this

Printmakers -- Washington (D.C.) -- Interviews  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding provided by the Mark Rothko Foundation.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.kainen82

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b3fdd057-20aa-4e92-aaae-8b8e30d39212

EDAN-URL:

ead_collection:sova-aaa-kainen82

Interviewee:

Messick, Benjamin Newton, 1901-1981  Search this

Interviewer:

McGlynn, Betty Hoag  Search this

Creator:

New Deal and the Arts Oral History Project  Search this

Names:

New Deal and the Arts Oral History Project  Search this

Extent:

27 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1965 June 1

Scope and Contents:

An interview of Ben Messick conducted 1965 June 1, by Betty Hoag, for the Archives of American Art.

Biographical / Historical:

Ben Messick (1901-1981) was a painter and educator in California.

General:

Originally recorded on 2 sound tape reels. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 4 min.

Provenance:

Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Topic:

Federal aid to the arts  Search this

Educators -- California -- Interviews  Search this

Painters -- California -- Interviews  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.messic65

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw928d748ea-a7e4-4138-9e8a-a88924c83911

EDAN-URL:

ead_collection:sova-aaa-messic65

Creator:

Park, Marlene, 1931-  Search this

Subject:

Palmer, William  Search this

Magafan, Ethel  Search this

Markowitz, Gerald E.  Search this

Reisman, Philip  Search this

Rothschild, Lincoln  Search this

Burchfield, Charles Ephraim  Search this

Refregier, Anton  Search this

Van Veen, Stuyvesant  Search this

Solman, Joseph  Search this

Sternberg, Harry  Search this

Walton, Marion  Search this

Alston, Charles Henry  Search this

Bolotowsky, Ilya  Search this

Barnet, Will  Search this

Brooks, James  Search this

Cadmus, Paul  Search this

Cronbach, Robt. (Robert M.)  Search this

Citron, Minna Wright  Search this

Gottlieb, Adolph  Search this

Gellert, Hugo  Search this

Bouché, Louis  Search this

King, Roy E.  Search this

Katz, Leo  Search this

Lanning, Edward P.  Search this

Kotin, Albert  Search this

National Personnel Records Center (U.S.)  Search this

United States. Work Projects Administration  Search this

Type:

Sound recordings

Interviews

Transcripts

Photographs

Citation:

Marlene Park and Gerald E. Markowitz research materials on New Deal Art, 1931-1999. Archives of American Art, Smithsonian Institution.

Topic:

Federal aid to the arts  Search this

Theme:

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)6277

(DSI-AAA_SIRISBib)216622

AAA_collcode_parkmarl

Theme:

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_216622

Creator:

Ney, Lloyd Raymond, 1893-1964 or 5  Search this

Names:

United States. Dept. of the Treasury. Section of Fine Arts  Search this

Rattner, Abraham  Search this

Rebay, Hilla, 1890-1967  Search this

Extent:

1.1 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Date:

1902-1987

Scope and Contents:

Biographical material; correspondence; a diary; writings; art work; subject files; photographs; printed material; and two scrapbooks.

Biographical accounts; a passport; a list of paintings in collections; a grant application; personal correspondence, including letters from Abraham Rattner from Paris describing the Parisian art scene; professional correspondence regarding the controversy ove Ney's mural for the New London, Ohio post office and letters from Hilla Rebay of the Solomon R. Guggenheim Museum, N.Y.C.; a diary, 1918, chronicling Ney's army experience in France; a subject file containing preliminary drawings, clippings, and photographs of the New London mural; a sketchbook of mural studies; photographs of Ney's art works, portraits of Ney, and exhibition installations; clippings; exhibition catalogs and announcements; unpublished manuscripts; two typescripts by Hilla Rebay and James W. Riley; two scrapbooks containing photographs, printed material, and letters relating to Ney's studies at the Pennsylvania Academy of Fine Arts; a drawing, "The Declaration of France," by Joseph Mielziner; miscellaneous printed material.

Biographical / Historical:

Lloyd Raymond Ney (1893-1964 or 5) was a Non-objective painter from New Hope, Pennsylvania and New York, N.Y. Known also as Bill Ney. Born in Friedenburg, Pennsylvania and studied at the Pennsylvania Museum School of Industrial Art and at the Pennsylvania Academy of the Fine Arts. Won a Cresson travelling scholarship in 1917 and upon completing his WWI tour in Europe, travelled to France with Abraham Rattner. Ney was commissioned to paint the post office in New London, Ohio by the Section of Fine Arts of the Department of Treasury which became a controversial issue. He was one of Hilla Rebay's favored non-objective painters.

Provenance:

Donated by Gretchen Ney Laugier, Ney's daughter. Microfilmed in 1989 as part of AAA's Philadelphia Arts Documentation Project.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

Occupation:

Painters  Search this

Topic:

Mural painting and decoration -- Ohio -- New London  Search this

Painting, Abstract -- Pennsylvania -- New Hope  Search this

Federal aid to the arts  Search this

Muralists  Search this

Genre/Form:

Scrapbooks

Identifier:

AAA.neylloyr

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw96e54cb06-bd73-43cd-a25d-195a434fb605

EDAN-URL:

ead_collection:sova-aaa-neylloyr

Creator:

Geissbuhler, Arnold, 1897-1993  Search this

Names:

Bourdelle, Emile Antoine, 1861-1929  Search this

Breeskin, Adelyn Dohme, 1896-1986  Search this

Browne, Margaret Fitzhugh, 1884-1972  Search this

Bänninger, Otto Charles, 1897-  Search this

Forbes, Edward Waldo, 1873-1969  Search this

Geissbuhler, Elisabeth Chase  Search this

Giacometti, Alberto, 1901-1966  Search this

Giacometti, Giovanni, 1868-1933  Search this

Goodyear, A. Conger (Anson Conger), 1877-1964  Search this

Grafly, Charles, 1862-1929  Search this

Richier, Germaine, 1904-1959  Search this

Extent:

0.3 Linear feet ((partially microfilmed on 6 reels))

Type:

Collection descriptions

Archival materials

Drawings

Sketchbooks

Date:

1915-1977

Scope and Contents:

Biographical material, correspondence (1920-1977), diaries, notes and writings, art works, subject files (1939-1968), printed material (1919-1971), and photographs (1919-1929) document Geissbuhler's artistic activities in Paris and New England.

Reels 1267-1268: Many letters (1920-1971), written by Geissbuhler to his wife Elisabeth Chase Geissbuhler, are illustrated. Other correspondents include Adelyn Breeskin, Margaret Browne, Edward W. Forbes, and A. Conger Goodyear. Art works consist of 26 sketchbooks (1915-1962), annotated in French and English, and over 600 figure studies (1922-1970). Printed material includes a Sculptors' Guild brochure, art course announcements (1958), and clippings (1924-1971). Other materials consist of 2 autobiographical accounts, an award from the Cambridge Centennial Exhibition (1946), an address book and calling cards.

Reel 1271: Printed material includes reproductions of Geissbuhler's work, an advertisement for the Academie Julian (1919), an exhibition announcement (1921), and a clipping (1925). Photographs (1919-1922) and a photograph album (1921-1929) contain images of Geissbuhler in his studio, his works, his family, and friends including Otto Banninger, Antoine Bourdelle, Alberto Giacometti, his father Giovanni Giacometti, and Germaine Richier. Sixteen photographs show art classes, primarily Bourdelle's classes (1919-1922), and Charles Graffley's studio (1921). Other materials consist of biographical notes, an award certificate and 4 sketches (1918).

Reel 1331: Correspondence consists of letters received from Antoine and Rhoda Bourdelle (1921-1977) and general correspondence concerning art business matters (1927-1971). A diary in 8 volumes (1921-1922) contains some illustrated entries. Printed material (1934-1971) consists of 40 exhibition catalogs, 8 clippings, and a school brochure. Four loose sketches are undated. Seven subject files concerning Geissbuhler's sculpture projects contain letters, business records, notes, and clippings.

Reel 1813: Photographs of Geissbuhler's work and one of his house, ca. 1924-1933.

Unfilmed: Letters (1937-1941) concern Geissbuhler's work for the WPA, Treasury Department, and the Federal Works Agency, primarily the Medford project and the Foxboro, Massachusetts, post office project. Other material consists of 3 forms, 2 exhibition catalogs, a press release concerning government projects, 2 rolled charcoal drawings and 2 photographs of the sculptural relief "Straw Cutting and Weaving" from the Foxboro, Massachusetts post office project, and notes.

Biographical / Historical:

Sculptor; Dennis, Mass. Born in Delemont, Switzerland. In 1914, Geissbuhler traveled to Zurich to become a sculptor's apprentice in the studio of Otto Munch. He attended the Kunst Gewerbe School and worked as Munch's assistant until 1919. In that year, Geissbuhler went to Paris to study with Antoine Bourdelle at the Academie Julian. He maintained a studio in Paris until 1927, when he travelled to the United States and married Elisabeth Chase, a Boston sculptor whom he met in Bourdelle's class. They moved to New England in 1933, and in 1937 he became an art instructor at Wellesley College.

Provenance:

Material on reels 1267-1268, 1271, 1331 and 1813 lent for microfilming 1977-1978; unmicrofilmed material donated 1984 all by Arnold Geissbuhler.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Occupation:

Sculptors -- Massachusetts  Search this

Sculptors -- Switzerland  Search this

Topic:

Expatriate artists -- Massachusetts  Search this

Federal aid to the arts -- Massachusetts  Search this

Sculpture, Modern -- 20th century  Search this

Genre/Form:

Drawings

Sketchbooks

Identifier:

AAA.geisarno

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9860cccdd-d4ac-4fe8-9325-396c05fadde6

EDAN-URL:

ead_collection:sova-aaa-geisarno

Interviewee:

Mayer, Ralph, 1895-1979  Search this

Interviewer:

Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this

Subject:

Mayer, Bena Frank, 1898-1991  Search this

New Deal and the Arts Oral History Project  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Bena Frank Mayer and Ralph Mayer, circa 1964. Archives of American Art, Smithsonian Institution.

Topic:

Federal aid to the arts  Search this

Educators -- New York (State) -- New York -- Interviews  Search this

Painters -- New York (State) -- Interviews  Search this

Printmakers -- New York (State) -- New York -- Interviews  Search this

Theme:

New Deal  Search this

Record number:

(DSI-AAA_CollID)13096

(DSI-AAA_SIRISBib)213658

AAA_collcode_mayer64

Theme:

New Deal

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_213658

Interviewee:

Mayer, Ralph, 1895-1979  Search this

Mayer, Bena Frank, 1898-1991  Search this

Interviewer:

Phillips, Harlan B. (Harlan Buddington), 1920-  Search this

Names:

New Deal and the Arts Oral History Project  Search this

Extent:

76 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

circa 1964

Scope and Contents:

An interview of Ralph and Bena Frank Mayer conducted circa 1964, by Harlan Phillips, for the Archives of American Art.

Biographical / Historical:

Bena Frank Mayer (1898-1991) and her husband, Ralph (1895-1979) were painters and educators in New York, N.Y. Bena Frank Mayer was also a printmaker.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 8 min.

Provenance:

This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Restrictions:

This interview is open for research. Contact Reference Services for more information.

Topic:

Federal aid to the arts  Search this

Educators -- New York (State) -- New York -- Interviews  Search this

Painters -- New York (State) -- Interviews  Search this

Printmakers -- New York (State) -- New York -- Interviews  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.mayer64

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a23e29e8-1c5e-43b7-b4b6-b94f4bd7aedb

EDAN-URL:

ead_collection:sova-aaa-mayer64

Creator:

Bunn, William E. L., 1910-2009  Search this

Names:

United States. Dept. of the Treasury. Section of Fine Arts  Search this

United States. Dept. of the Treasury. Section of Painting and Sculpture  Search this

United States. General Services Administration  Search this

W.A. Sheaffer Pen Company  Search this

Allen, Lee, 1910-2006  Search this

Wood, Grant, 1891-1942  Search this

Extent:

13.4 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Blueprints

Sketchbooks

Drawings

Transcriptions

Watercolors

Sketches

Interviews

Designs

Diaries

Date:

1863-2009

Summary:

The papers of painter, muralist, and designer William E. L. Bunn measure 13.4 linear feet and date from 1863-2009. The collection documents Bunn's career as a painter, industrial designer, and his work on Treasury Department post office mural commissions through biographical material, scattered correspondence, project files, industrial design records, diaries and journals, writings and notes, printed material, photographs, and artwork. Also found are Bunn's papers regarding Grant Wood.

Scope and Content Note:

The papers of painter, muralist, and designer William E. L. Bunn measure 13.4 linear feet and date from 1863-2009. The collection documents Bunn's career as a painter, industrial designer, and his work on Treasury Department post office mural commissions through biographical material, scattered correspondence, project files, industrial design records, diaries and journals, writings and notes, printed material, photographs, and artwork. Also found are Bunn's papers regarding Grant Wood.

Biographical material consists of certificates, school records, Bunn family genealogy records, an interview transcript, and an autobiographical file maintained by Bunn containing professional summaries, lists of works, one motion picture film reel of home movies, and other records. Correspondence documents exhibitions, awards, mural projects, and other commissions. Of note is correspondence with the General Services Administration, friend and fellow artist Lee Allen, and illustrated envelopes Bunn sent to his wife Annavene.

Project files contain photographs, notes, sketches, correspondence, and news clippings. Included is Bunn's notebook "Index to Projects" which provides additional information. Industrial design records include drawings and blueprints, employment records, photographs and publications, primarily from his work at Sheaffer Pen Company and Cuckler Steele Span Company.

Bunn's papers relating to Grant Wood include documentation from the Grant Wood Art Festival, as well as printed material, notes, and correspondence about Wood. Also found are photographs, including two photographs of Wood and photographs of his residence in Iowa City. Forty-one diaries and journals date from 1929-1951 and 1969-2003. Early diaries document art projects and school activities while he was a student at University of Iowa. Later journals document his work, travel, expenditures, and goals. Writings and notes include to-do lists, documentation on people Bunn knew, his artworks, lists of personal belongings, and topics of interest, such as astrology and steamboats. Also found are five notebooks on various subjects.

Printed material consists of exhibition catalogs, magazines, news clippings, and Treasury Department bulletins. Also found are announcements of mural competitions, postcards, and published images of steamboats. Photographs depict Bunn, his family, friends, and artwork. Additional photographs depict various subjects that were of interest to Bunn, including nature scenes, steamboats, airplanes, and bridges.

Artwork includes costume and theater designs created as part of William Bunn's thesis at University of Iowa. Also included are drawings and watercolors for potential art projects, as well as preliminary drawings and studies or technical drawings from his work as an industrial designer. Additionally, there are four sketchbooks, two of which include sketches and notes for the post office murals in Minden, Nebraska, and Hamburg, Iowa.

Arrangement:

The collection is arranged as 10 series:

Missing Title

Series 1: Biographical Material, 1910-2009 (Box 1, 12, FC 33; 0.7 linear feet)

Series 2: Correspondence, 1927-2006 (Box 1; 0.3 linear feet)

Series 3: Project Files, circa 1925-2002 (Box 1-3, 12, OV 15-19, RD 31; 2.2 linear feet)

Series 4: Industrial Design Records, circa 1944-1977 (Box 3, 12, OV 20; 0.6 linear feet)

Series 5: Papers Relating to Grant Wood, 1935-2006 (Box 3-4, 12; 0.5 linear feet)

Series 6: Diaries and Journals, 1929-2003 (Box 4-6; 2.2 linear feet)

Series 7: Writings and Notes, circa 1928-2004 (Box 6-7; 1.0 linear foot)

Series 8: Printed Material, 1896-2009 (Box 7-8, 12, OV 21; 1.4 linear feet)

Series 9: Photographs, 1863-1990s (Box 8-9, 13; 1.6 linear feet)

Series 10: Artwork, circa 1926-2004 (Box 9-11, 14, OVs 22-30, RD 32; 2.3 linear feet)

Biographical Note:

William E. L. Bunn (1910-2009) was a designer, muralist, and painter in Ft. Madison, Iowa and Ojai, California. Bunn was born in Muscatine, Iowa and received his B.A. in Graphic and Plastic Arts and an M.A. in Theater Design, both from the University of Iowa. In 1937 he was awarded a one-year post-graduate fellowship as an art intern for Grant Wood. From 1938 to 1942 he won four commissions from the Treasury Department to produce murals for Federal buildings. He also exhibited paintings, primarily depicting Mississippi River steamboats, at the National Academy of Design, Art Institute of Chicago, Pennsylvania Academy of Fine Arts, and other group shows. Beginning in 1943 Bunn worked as an industrial designer at several companies including Sheaffer Pen Company (1946-1967) and Cuckler Steele Span Company (1967-1977). After his retirement, he and his wife, Annavene, moved to California, and he continued to paint. Bunn was also active in the Theosophical Society and had an interest in aviation.

Provenance:

The collection was donated by William E. L. Bunn in 1989 and in 2010 by Bunn's daughter, Chari Petrowski. In 1986 two sketchbooks and sketches were transferred with Bunn's permssion from the General Services Administration, which had received them from Bunn.

Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Designers -- Iowa  Search this

Federal aid to the arts  Search this

Muralists -- Iowa  Search this

Mural painting and decoration -- Middle West  Search this

New Deal, 1933-1939  Search this

Genre/Form:

Photographs

Blueprints

Sketchbooks

Drawings

Transcriptions

Watercolors

Sketches

Interviews

Designs

Diaries

Citation:

William E. L. Bunn papers, 1863-2009. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.bunnwill

See more items in:

William E. L. Bunn papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw91212b330-04e0-4bcb-8ed7-8787c0f37d84

EDAN-URL:

ead_collection:sova-aaa-bunnwill

Interviewee:

McChesney, Robert, 1913-2008  Search this

Interviewer:

Ferbraché, Lewis  Search this

Subject:

McChesney, Mary Fuller  Search this

New Deal and the Arts Oral History Project  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Robert McChesney, 1964 Apr. 4. Archives of American Art, Smithsonian Institution.

Topic:

Federal aid to the arts  Search this

Muralists -- California -- Interviews  Search this

Painters -- California -- Interviews  Search this

Theme:

New Deal  Search this

Record number:

(DSI-AAA_CollID)11683

(DSI-AAA_SIRISBib)213647

AAA_collcode_mcches64

Theme:

New Deal

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_213647

Interviewee:

McChesney, Robert, 1913-2008  Search this

Interviewer:

Ferbraché, Lewis  Search this

Creator:

New Deal and the Arts Oral History Project  Search this

McChesney, Mary Fuller  Search this

Names:

New Deal and the Arts Oral History Project  Search this

Extent:

22 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1964 Apr. 4

Scope and Contents:

An interview of Robert McChesney conducted 1964 Apr. 4, by Lewis Ferbraché, for the Archives of American Art.

Biographical / Historical:

Robert McChesney (1913-2008) was a muralist in California.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 5 min.

Provenance:

Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Rights:

This interview is open for research. Contact Reference Services for more information.

Topic:

Federal aid to the arts  Search this

Muralists -- California -- Interviews  Search this

Painters -- California -- Interviews  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.mcches64

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw95a2903f5-334d-46af-a6ff-e8529eb9e09c

EDAN-URL:

ead_collection:sova-aaa-mcches64

Interviewee:

Lowe, Peter, 1913-1989  Search this

Interviewer:

McChesney, Mary Fuller, 1922-2022  Search this

Subject:

McChesney, Robert, 1913-2008  Search this

New Deal and the Arts Oral History Project  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Peter Lowe, 1965 Mar. 3. Archives of American Art, Smithsonian Institution.

Topic:

Federal aid to the arts  Search this

Painters -- California -- Oakland -- Interviews  Search this

Printmakers -- California -- Oakland -- Interviews  Search this

Theme:

New Deal  Search this

Record number:

(DSI-AAA_CollID)13304

(DSI-AAA_SIRISBib)213640

AAA_collcode_lowe65

Theme:

New Deal

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_213640

Interviewee:

Matthew, John Britton, 1896-1980  Search this

Interviewer:

McChesney, Mary Fuller, 1922-2022  Search this

Subject:

McChesney, Robert, 1913-2008  Search this

New Deal and the Arts Oral History Project  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with John Britton Matthew, 1964 Oct. 25. Archives of American Art, Smithsonian Institution.

Topic:

Federal aid to the arts  Search this

Theme:

New Deal  Search this

Record number:

(DSI-AAA_CollID)12553

(DSI-AAA_SIRISBib)213655

AAA_collcode_matthe64

Theme:

New Deal

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_213655

Interviewee:

Matthew, John Britton, 1896-1980  Search this

McChesney, Robert, 1913-2008  Search this

Interviewer:

McChesney, Mary Fuller  Search this

Creator:

New Deal and the Arts Oral History Project  Search this

Names:

New Deal and the Arts Oral History Project  Search this

Extent:

20 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1964 Oct. 25

Scope and Contents:

An interview of John Britton Matthew conducted 1964 Oct. 25, by Mary Fuller McChesney, for the Archives of American Art.

Biographical / Historical:

John Britton Matthew (1896-1980) was an arts administrator, painter, and educator in Sacramento, Calif. Director of the Sacramento Art Center.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 3 min.

Provenance:

Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Restrictions:

This interview is open for research. Contact Reference Services for more information.

Occupation:

Arts administrators -- California -- Sacramento -- Interviews  Search this

Topic:

Federal aid to the arts  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.matthe64

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw950f1f8bf-6245-4e3b-9941-d0f28f917d78

EDAN-URL:

ead_collection:sova-aaa-matthe64

Interviewee:

Lowe, Peter  Search this

Interviewer:

McChesney, Mary Fuller  Search this

McChesney, Robert, 1913-2008  Search this

Creator:

New Deal and the Arts Oral History Project  Search this

Names:

New Deal and the Arts Oral History Project  Search this

Extent:

23 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1965 Mar. 3

Scope and Contents:

An interview of Peter Lowe conducted 1965 Mar. 3, by Mary McChesney, for the Archives of American Art.

Biographical / Historical:

Peter Lowe (1913-1989) was a painter and graphic artist from Oakland, Calif.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 51 min.

Provenance:

Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Rights:

This interview is open for research. Contact Reference Services for more information.

Topic:

Federal aid to the arts  Search this

Painters -- California -- Oakland -- Interviews  Search this

Printmakers -- California -- Oakland -- Interviews  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.lowe65

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9cdb87966-3a75-4c8d-9f56-271331527792

EDAN-URL:

ead_collection:sova-aaa-lowe65