1949 Fort Collins, CO, National Flying Farmers Convention
Collection Creator:
National Air and Space Museum. Archives Division. Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
1949 Fort Collins, CO, National Flying Farmers Convention
Collection Creator:
National Air and Space Museum. Archives Division. Search this
Container:
Drawer J1, Folder 1949-460-01
Type:
Archival materials
Scope and Contents note:
Documents
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Container:
Drawer AM, Folder 500450-01
Type:
Archival materials
Scope and Contents note:
Documents
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Container:
Drawer AM, Folder 500460-85
Type:
Archival materials
Scope and Contents note:
Negatives
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Container:
Drawer AM, Folder 500470-01
Type:
Archival materials
Scope and Contents note:
Documents
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Container:
Drawer AM, Folder 500470-80
Type:
Archival materials
Scope and Contents note:
Photos
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Container:
Drawer AM, Folder 500480-01
Type:
Archival materials
Scope and Contents note:
Documents
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Container:
Drawer AM, Folder 500500-01
Type:
Archival materials
Scope and Contents note:
Documents
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Container:
Drawer AM, Folder 500450-85
Type:
Archival materials
Scope and Contents note:
Negatives
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Container:
Drawer AS, Folder 358030-80
Type:
Archival materials
Scope and Contents note:
Photos
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Container:
Drawer CF, Folder 052000-01
Type:
Archival materials
Scope and Contents note:
Documents
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
Migration to Metropolitan Washington: Making a New Place Home
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
The second in a multi-year series, the Migration to Metropolitan Washington program offered a deeper look into the history and culture of the city that revealed more than just "official" Washington. Beyond the monuments to which millions pilgrimage each year exists a little recognized residential city undergoing a process of tremendous change and redefinition due to the impact of the migration of populations from all over the world. Washington in 1988 was the home of immigrants from more than sixty countries. Approximately twelve percent of the more than 3.5 million people in the metropolitan area were foreign born. Since the 1970s their number in the metropolitan area had tripled and since 1980 doubled. Traditional culture played an important role in making Washington home for people who have migrated to the city. Despite traumatic circumstances, if people bring little else with them, at least they carry their culture. They select, modify, adapt, reinterpret, revitalize, and drop aspects of their cultural traditions as they adjust to their new environment. In addition they adopt new traditions, synthesize and blend old with newer ones, and create new mechanisms for supporting and expressing who they see themselves to be.
As an urban setting Washington provides opportunities for people to interact with others with whom they might never have mingled and to behave in ways that they never could have in the home setting. This creates stimulae for the development of new forms of expression and distinctive local traditions arising out of the blends. The 1988 Festival program addressed these issues and many more. In telling their stories and demonstrating their traditions, immigrants to Washington allowed Festival visitors to understand the cultural aspects of migration and how they have attempted and in some cases succeeded in making a new place in the metropolitan area.
Phyllis M. May-Machunda was Curator of the program, with Camila Bryce-Laporte as Program Coordinator and Ann Dancy as Assistant Program Coordinator.
Migration to Metropolitan Washington: Making a New Place Home was made possible in part by the generous support of the Music Performance Trust Funds, a non-profit organization created by U.S. recording companies to fund live and free performances (Martin A. Paulson, Trustee), and by the D.C. Community Humanities Council.
Fieldworkers, consultants, and advisors:
Fieldworkers
Enrique Avilés, Camila Bryce-Laporte, Kathy Bullock, Olivia Cadaval, Charles Camp, Mau Thai Chen, Vennie Deas-Moore, Belay Embaye, Von Martin, Phyllis May-Machunda, Horacio Quintanilla, Daniel Sheehy, Addisu Tolesa
Consultants
Richard Kennedy, Marjorie Hunt
Advisory Board
Roy Bryce-Laporte, Olivia Cadaval, Laura Chin, Elizabeth Clark-Lewis, Belay Embaye, Von Martin, Lissan Negusie, Bernice Johnson Reagon, Sylvia Rosales, Joe Wilson
Ad Hoc Committee
Lucy Cohen, Esther Ho, Brett Williams
Presenters:
Enrique Avilés, Barry Bergey, Kathy Bullock, Olivia Cadaval, Charlie Camp, Lee Ellen Friedland, Richard Kennedy, Susan Levitas, Von Martin, Jackie Peters, Leslie Prosterman, Daniel Sheehy, Addisu Tolesa, Carolyn Wang
Participants:
Crafts
Viola Canady, 1922-, Daughters of Dorcas, quilt-makers, Washington, D.C.
Al Carter, urban muralist, Washington, D.C.
David Chung, 1959-, urban muralist, Washington, D.C.
George B. Liu, calligrapher, Washington, D.C.
Z.P. Lu, embroiderer, migration storyteller, Arlington, Virginia
Helen Sze McCarthy, brush painter, Silver Spring, Maryland
Ex tempo -- Ex tempoHollis Patrick "Flash" Lashley, vocalist, percussionist, Silver Spring, MarylandEmlyn "John" Roseman, 1945-, guitar player, Rockville, MarylandKendrick "Blackbird" Sheen, 1949-, vocalist, Washington, D.C.
Four Echoes, Gospel -- Four Echoes, GospelEdward David, bass singerDeacon William Evans, vocalist, guitar playerWillie Green, vocalistCharles Johnson, bass guitar playerJames Nelson, lead and tenor vocalistJames Stein, lead and baritone vocalistGlen Taylor, bass and lead guitar player
Fusion, Calypso, Silver Spring, Maryland -- Fusion, Calypso, Silver Spring, MarylandPatrick T. Belle, steel drum playerJune A. Charles, bass playerLennard Jack, steel drummerKenneth C. Joseph, drummerChris A. Toussaint, percussionist
Hobbs and Partners, Bluegrass, Fairfax, Virginia -- Hobbs and Partners, Bluegrass, Fairfax, VirginiaArnold Hobbs, 1931-1996, guitar player
Kings of Harmony Quartet, Gospel -- Kings of Harmony Quartet, GospelDean CavanaughRichard JonesCharles "Bobby" McElven, second tenorLouis Simpkins, bass playerRobert "Bobby" Terry, first tenorRobert "Bobby" Terry Jr., lead guitar playerAlvin L. TuckerClement H. Tucker, lead vocalistJohnnie "Manager" Tucker, guitar player, lead vocalistLouis A Tucker, bass playerMarvin G. Tucker, drummer
Las Estrellitas Paranderos -- Las Estrellitas ParanderosLinton Corbie, 1963-, vocalist, Washington, D.C.Patrice Frances "Patti" Gouveia, 1960-, vocalist, Washington, D.C.
McCullough's Kings of Harmony, Brass band -- McCullough's Kings of Harmony, Brass bandAlexander Bryant, third trombone playerJoe L. Chambers, tenor trombone playerHenry Cleveland, third trombone playerSamuel "Sam" Cole, run horn playerJames E. Freeman, bass drummerJosh Hampton, bass horn playerJoseph Heyward, snare drummerIvan Jackson, bass playerNorvus "Little Butch" Miller, 1948-1994, trombone playerMelvin Reid, baritone horn playerHannibal Russell, run leader playerHezekiah Shepherd, run horn playerPerry Smith, third trombone playerVirgil Smith, second trombone playerMyrick or Ivan Steward, bass horn playerHerbert Whitner, 1940-, lead vocalist
Ross School Kids -- Ross School KidsLenwood "Gato" Bentley, 1954-, director, Washington, D.C.
Singing Angels, Gospel -- Singing Angels, GospelSally Allen, soprano vocalistVincent Belfield, synthesizer playerDean Cary, organ playerMason Gaines, bass playerLisa Hillary, drummerBeverly Miller, lead vocalistMargaret "Tony" Ross, alto vocalistTerch Siegler, second alto vocalistRobert "Manager" WalkerRobin Walker, lead vocalistVincent Walker, lead guitar player
Sons of Grace, gospel, Washington, D.C. -- Sons of Grace, gospel, Washington, D.C.Gerald Cummins, bass guitar playerLee C. "Flint" HalseyErnest J. Mitchell, guitar playerJames E. PinkneyDavid WadeHerbert "Herb" Whitner, 1940-, manager, vocalist
Trinidad and Tobago Steel Band -- Trinidad and Tobago Steel BandMichael Carrera, steel drummerVernon A. "Jay" Cross, 1971-, drummerHubert "Mumbles" Griffith, 1958-, piano playerFranklin Martin "Ticky manager" Harding, 1941-, steel drummerLloyd Arnim "Hawkady" Haynes, 1939-, steel drummerPatricia Holloway, steel drummerStetson King, steel drummerMichael "Mikey" King, Sr., 1948-, steel drummerLinda Myers-Phifer, 1953-, steel drummerNick O'Reilly, steel drummerPatricia Phillips, steel drummerKeith "Captain" Preddie, 1938-, steel drummerRobert Roy "Bullet or Junior" Thwaites, 1950-, steel drummerRudolph Worren Walker, 1943-, steel drummer
United Indian Merrymakers -- United Indian MerrymakersAnirudh Boodram, 1957-, manager, musician, Beltsville, MarylandShariff Juman, percussionist, Alexandria, VirginiaGocool "Carl Gocool" Monaysar, 1925-, harmonium player, Arlington, Virginia
Washington Singing Convention, Gospel, Washington, D.C. -- Washington Singing Convention, Gospel, Washington, D.C.Airstine BarbourOla Mae LeachEva Gaston Rearden Redding, 1913-2001William Redding, 1912-1997
Wong Boxing Association, -- -- kung fu, tai chi, lion dance, Washington, D.C. -- Wong Boxing Association,kung fu, tai chi, lion dance, Washington, D.C.Terheran James "Tie" BrighthauptCheng-Wu HuangLi-Ling LiChikk Yin Tam Wanyi TanRaymond Wong, 1959-
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Use of the materials requires an appointment. Please contact the archivist at ACMarchives@si.edu
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Use of the materials requires an appointment. Please contact the archivist at ACMarchives@si.edu
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
United States of America -- Virginia -- Loudoun -- Leesburg
Scope and Contents:
The folder includes worksheets, photocopies of articles and biographical information.
General:
Little Oatlands has a two-acre formal garden originally designed in the mid-1930's by the owners David and Margaret Finley, and the garden rooms, allées, stone walls, gazebo, statues and sculptures have been maintained with few changes for 80 years. The first garden room inside the main gate was installed in 1935 and has four parterres bordered with boxwood around a central fountain, originally a sundial. The original English boxwood borders have been replaced with Korean and American box cultivars in this and the other three rooms. Three more garden rooms were developed in 1937: two bisecting cedar allées that lead to a gazebo set over the stone wall, a flowering cherry allée that leads to a wall fountain, and another room with a large planted urn, a statue of St. Francis Assisi and a swath formerly used as a bowling green bordered by statues of the four seasons. A swimming pool was added in 1952. Boxwood hedges define the rooms within the perimeter of stone walls and ornamental iron gates provide entry to the different rooms. Some of the statues and fountains were copied from classical Italian pieces, and the gazebo was copied from one in England. Original sculptures include "Suzanna at the Bath" by Paul Manship and "The Little Shepherd Boy" by Walter Hancock. In addition to the main house there is a guest cottage on the property. Recent work in the gardens includes replanting long borders of ephemeral spring bulbs under the flowering cherry allée.
In the early 18th century this country house was a tenant farmer's stone cottage on the 63,093 acre estate known as Oatlands Plantation. In 1887 the Carter family was forced to sell the large property but continued to own a few cottages and 180 acres, and called it Little Oatlands. Members of the Eustis family have owned this property since 1927 and have enlarged this house and converted the Carter's vegetable garden into the existing formal garden. In 1965 Oatlands mansion, garden and more than 250 surrounding acres were deeded to the National Trust for Historic Preservation with easements for the family.
Persons associated with the garden include George Carter (former owner, 1798-1847); Mrs. George Carter (former owner, 1847-1897); George Carter II (former owner, 1897-1926); Mr. and Mrs. William Corcoran Eustis (former owner, 1927-1932); David E. Finley, Jr. (1890-1977) and Margaret Morton Eustis Finley (1903-1977) (former owners, 1932-1977); Dick and Joan Williams (former owners, 1977-2014); Paul Manship (sculptor, 1947); Francesco Righetti (sculptor); Walter Hancock (sculptor, c. 1960); Margaret Eustis Finley (sculptor, c. 1930)
Related Materials:
Little Oatlands related holdings consist of 2 folders (21 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
The house carpenter (Mrs. Texas Gladden) --The farmer's curst wife (Horton Baker) --The Gypsy Davy (Woody Guthrie) --Barbara Allen (Rebecca Tarwater) --Pretty Polly (E.C. Ball) --The rich old farmer (Mrs. Pearl Borusky) -- The devil's nine questions ; Old Kimball ; One morning in May (Mrs. Texas Gladden) --The little brown bulls (Emery DeNoyer) --The Sioux Indians (Alex Moore) --Lady of Carlisle (Basil May) --Pretty Polly (Pete Steele) --It makes a long time man feel bad (Cumins State Farm) --O Lord, don't 'low me to beat 'em (Willie Williams).
Track Information:
101 House Carpenter (Child No. 243) / Texas Gladden. Vocals.
102 The Farmer's Curst Wife (Child No. 278)./ Horton Barker.
103 Gypsy Davy (Child No. 200)/ Woody Guthrie.
104 Barbara Allen (Child No. 84) / Rebecca Tarwater.
105 Pretty Polly / E.C. Ball.
106 The Rich Old Farmer / Pearl Jacobs Borusky.
107 The Devil's Nine Questions / Texas Gladden.
108 Old Kimball / Texas Gladden.
109 One Morning in May / Texas Gladden.
201 The Little Brown Bull / Andrew DeNoyer.
202 The Sioux Indians / Alex Moore.
103 Lady of Carlisle / Basil May. Guitar.
103 Lady of Carlisle / Alex Moore. Guitar.
203 Lady of Carlisle / Basil May. Guitar.
104 Pretty Polly / Pete Steele. Banjo.
205 It Makes a Long Time Man Feel Bad.
206 O Lord Don't 'Low Me To Beat 'Em / Willie Willimas.
204 Pretty Polly / Pete Steele. Banjo.
Local Numbers:
FW-ASCH-LP-3020
Library of Congress.AAFS L1
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Library of Congress 1956
Date/Time and Place of an Event Note:
Recorded in: Richmond (Va.), Gould (Ark.), Arkansas, Hamilton (Ohio), Ohio, Salyersville (Ky.), Kentucky, Austin (Tex.), Texas, Emery (Wis.), Antigo (Wis.), Wisconsin, Rugby (Va.), Rockwood (Tenn.), Tennessee, Washington (D.C.), Chilhowie (Va.), Salem (Va.), United States, Virginia.
General:
"From the Archive of American Folk Song." Texts and bibliographical notes (5 leaflets and Bulletin, The Friends of Music in the Library of Congress, Record suppl. no. 1, 1941) inserted.--Charles Seeger, Charles Draves also contributed (recording).
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Sounds of the South --Blue Ridge Mountain music --Roots of the blues --White spirituals --American folk songs for children --Negro church music --The Blues roll on.
210 The Old Hickory Cane / Mountain Ramblers, Cullen Galyean. Banjo,Guitar.
208 Big Ball in Boston (Big Ball in Cowtown) / Mountain Ramblers, Cullen Galyean. Banjo,Guitar.
211 John Brown / Hobart Smith. Banjo.
212 Poor Ellen Smith / Hobart Smith. Banjo.
213 Liza Jane / Mountain Ramblers. Banjo,Guitar.
214 Shady Grove / Mountain Ramblers, Cullen Galyean. Banjo,Guitar.
301 Jim and John / Ed Young, Lonnie Young. Fife,Drum.
307 Chevrolet (Diamond Ring) / Ed Young, Lonnie Young. Fife,Drum.
308 Oree / Ed Young, Lonnie Young. Fife,Drum.
302 Wild Ox Moan, The (Black Woman) / Vera Hall.
303 Been Drinkin' Water Out of a Hollow Log / Fred McDowell. Guitar.
305 Shake 'Em on Down / Fred McDowell, Fannie Davis, Miles Pratcher. Guitar,Comb.
312 Freight Train Blues / Fred McDowell. Guitar.
304 All Nihgt Long / Miles Pratcher, Bob Pratcher. Guitar,Fiddle.
306 Levee Camp Reminiscience / Forest City Joe, Joe B. Pugh. Harmonica.
309 Levee Camp Holler / Johnny Moore.
310 Eighteen Hammers / Johnny Moore.
311 Train Time / Forest City Joe, Joe B. Pugh. Harmonica.
313 Drink on Little Girl / Forest City Joe, Joe B. Pugh. Harmonica.
401 Tribulations / E.C. Ball, Blair Reedy, Larry Richardson. Guitar.
402 When I Get Home / E.C. Ball, Blair Reedy, Larry Richardson. Guitar.
403 Wayfairing Stranger / E.C. Ball. Guitar.
408 Please Let Me Stay a Little Longer / E.C. Ball, Blair Reedy, Larry Richardson. Guitar.
409 Father, Jesus Loves You / E.C. Ball. Guitar.
410 Lonesome Valley / E.C. Ball, Orna Ball, Blair Reedy, Larry Richardson. Guitar.
411 Father Adieu / E.C. Ball. Guitar.
414 The Cabin on the Hill / E.C. Ball, Orna Ball, Blair Reedy, Larry Richardson. Guitar.
404 Baptizing Down by the Creek / Mountain Ramblers. Banjo,Guitar.
412 The Old Country Church / Mountain Ramblers. Banjo,Guitar.
405 Baptizing Down by the Creek / I.D. Beck.
406 Antioch / W.W. Kidd, Alabama Sacred Harp Singers.
407 Calvary / W.W. Kidd, Alabama Sacred Harp Singers.
413 Little Moses / Neil Morris. Guitar.
601 Death, Have Mercy (Oh Death) / Vera Hall.
602 I Want Jesus to Walk with Me / Fred McDowell, James Shorty.
603 Jesus is Real to Me / Lee, Mary and Congregation.
604 I Love the Lord / Chrenshaw, R.C. and Congregation.
605 A Sermon Fragment / G.I. Townsel.
606 I'm Going Home on the Morning Train / Chrenshaw, R.C. and Congregation.
607 Power / Wigley. Mattie & Congregation.
608 On That Rock / Ed Young, Lonnie Young, Viola James. Fife,Drum.
609 Jesus on the Main Line / James Shorty, Viola James.
610 This Little Light of Mine / James Shorty, Viola James.
611 I'm Gonna Sail Like a Ship on the Ocean / St. Simon's Island Singers, Henry Morrison.
612 Blow Gabriel / Bessie Jones, John Davis, St. Simon's Island Singers.
613 Motherless Children / Fred McDowell, Felix Dukes.
614 What Do You Think About Jesus (He's All Right) / Bernice MacClellan.
701 Boogie Children / Boy Blue, Joe Lee, Willie Jones. Guitar,Harmonica.
702 She Lived Her Life Too Fast / Forest City Joe, Sonny Boy Rogers, Thomas Martin. Guitar,Harmonica.
706 She Don't Love Me That Way / Forest City Joe, Sonny Boy Rogers, Thomas Martin. Guitar,Harmonica.
707 Stop Breaking Down / Forest City Joe, Sonny Boy Rogers, Thomas Martin. Guitar,Harmonica.
711 Red Cross Store / Forest City Joe. Piano.
712 Forest City Jump / Forest City Joe, Sonny Boy Rogers, Thomas Martin. Guitar,Harmonica.
708 Joe Lee's Rock / Boy Blue, Joe Lee, Willie Jones. Guitar,Harmonica.
703 Drop Down Mama / Fred McDowell. Guitar.
710 When You Get Home, Write Me a Few of Your Lines / Fred McDowell. Guitar.
704 Sitting on Top of the World / Ed Young, Lonnie Young. Fife,Drum.
705 Cool Water Blues / John Dudley. Guitar.
709 Bullyin' Well / Rosa Lee Hill. Guitar.
Local Numbers:
FW-ASCH-LP-3601
Atlantic.1346-1352
Publication, Distribution, Etc. (Imprint):
New York Atlantic 1961
Date/Time and Place of an Event Note:
Recorded in: Tennessee, Kentucky, Alabama, Mississippi, Georgia, Virginia, Arkansas, North Carolina, United States.
General:
Program notes by Gary Kramer and the editor on containers ; discussion of the music and musicians by the editor ([4] p.) inserted in containers. Production notes: Recorded summer 1959.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Jean Ritchie- Swapping song; Andrew Rowan Summers--Mary Hamilton--Old Bangum--Farmer's curst wife; Sam Eskin--Golden willow tree; Old Harp Singers-- Hightower--Liberty
Track Information:
101 Swapping Song / Jean Ritchie. Appalachian dulcimer.
102 Mary Hamilton / Andrew Rowan Summers. Appalachian dulcimer.
103 Old Bangum / Andrew Rowan Summers. Appalachian dulcimer.
104 The Farmer's Curst Wife (Child No. 278)./ Andrew Rowan Summers. Appalachian dulcimer.
105 Golden Willow Tree, The (Golden Vanity) (Child No. 286)/ Sam Eskin. Guitar.
106 Hightower / Old Harp Singers of Eastern Tennessee.
107 Liberty / Old Harp Singers of Eastern Tennessee.
Local Numbers:
FW-ASCH-7RR-0811
Date/Time and Place of an Event Note:
Recorded in: New York, United States, 1950.
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.