National Portrait Gallery, Smithsonian Institution; owned jointly with Monticello, Thomas Jefferson Foundation, Incorporated, Charlottesville, Virginia; purchase funds provided by the Regents of the Smithsonian Institution, the Trustees of the Thomas Jefferson Foundation, Incorporated, and the Enid and Crosby Kemper Foundation
National Portrait Gallery, Smithsonian Institution; bequest of Charles Francis Adams; frame conserved with funds from the Smithsonian Women's Committee
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.
Vision Without Sight! John Hayes built company after losing eyesight; food industry. Fanny Farmer Candy Co., Bedford, MA.
Behind the Brick! Making bricks. Glen Gery Shale Brick Corp., Harrisburg, PA.
Soap from the Sea! Processing kelp for use in manufacturing soap and shampoo. Soil Renewal Products Co., Depoe Bay, OR.
Marsh Buggy! Amphibious vehicle used to carry tools in Louisiana swamps and bayous. Andrew Cheramie Company, LA.
Collection Restrictions:
Collection is open for research but the films are stored off-site. Special arrangements must be made directly with the Archives Center staff to view episodes for which no reference copy exists. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees will be charged for reproductions.
Collection Citation:
Industry on Parade Film Collection, 1950-1959, Archives Center, National Museum of American History, Smithsonian Institution.
Collection of the Smithsonian National Museum of African American History and Culture; Gift of Dr. and Mrs. T.B. Boyd, III and R.H. Boyd Publishing Corporation
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of the Alma Thomas paper is provided by The Walton Family Foundation and The Friends of Alma Thomas
102 The Farmer's Curst Wife (Child No. 278)./ Pete Seeger. Banjo.
103 Hebrew Children / Andrew Rowan Summers. Appalachian dulcimer.
104 On a Monday / Lead Belly, Sonny Terry. Guitar.
105 Old Dan Tucker / Burl Ives. Guitar.
106 Soldier / Burl Ives. Guitar.
107 The Wife of Usher's Well (Child No. 79)/ Bess Lomax Hawes, Butch Hawes. Guitar.
108 No Room / John Jacob Niles. Guitar.
109 House of the Rising Sun / Woody Guthrie. Guitar.
110 Hard Traveling / Sonny Terry, Woody Guthrie. Guitar.
111 Two Maidens / Richard Dyer-Bennet. Guitar.
112 Mama Mama (Eggs and Marrowbones) / Alan Lomax. Guitar.
Local Numbers:
FW-ASCH-10RR-5095
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
19. frag.- Burl Ives 20. Red River Valley- Burl Ives 21. Roll on Little Doggie- Burl Ives 22. The Fox- Burl Ives 23. The Fox (slower tempo)- Burl Ives 24. The Devil and the Farmers Wife- Burl Ives 25. Haul Away Joe- Lead Belly 26. Where are the Hebrew Children- Andrew Rowan Summers 27. Pushin, Pushin- John Jacob Niles 28. Froggie Went A-Courtin'- John Jacob Niles 1. Roving Gambler- Cisco Houston 2. Billy the Kid- Woody Guthrie 3. On a Monday- Lead Belly 4. Go Tell Aunt Nancy- Seeger, Ives, Lomax
Track Information:
101 Red River Valley / Burl Ives. Guitar.
102 Roll On Little Dogies / Burl Ives. Guitar.
103 The Fox / Burl Ives. Guitar.
105 Devil and the Woman, The (Farmer's Curst Wife) (Child No. 278)/ Burl Ives. Guitar.
106 Haul Away Joe / Lead Belly. Guitar.
107 Where are the Hebrew Children? / Andrew Rowan Summers. Appalachian dulcimer.
108 Pushin Pushin / John Jacob Niles. Appalachian dulcimer.
109 Froggie Went A-Courtin' / John Jacob Niles. Appalachian dulcimer.
110 Roving Gambler / Cisco Houston. Guitar.
111 Billy the Kid / Woody Guthrie. Guitar.
112 On a Monday / Lead Belly, Sonny Terry. Guitar,Harmonica.
113 Go Tell Aunt Nancy / Burl Ives, Alan Lomax, Pete Seeger. Guitar,Banjo.
Local Numbers:
FW-ASCH-10RR-5950-7
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only; No Duplication.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
