United States of America -- Vermont -- Windham -- Westminster West
Scope and Contents:
Hayward Garden includes 63 digital images and a folder that includes worksheets, photocopies of articles and additional images including a pamphlet about a musical program created for and perfomed in the garden in 2014 as a the Yellow Barn summer program.
General:
The owners describe their one and one-half acre ornamental garden as a new garden in an old place, with its 200 year-old colonial farmhouse and attached barn, low stone walls, and old farm building foundations that have been repurposed as distinctive garden rooms within surrounding meadows and woods. They purchased the property in 1983 and spent about one year clearing the land of scrap metal and other debris, brambles and weed trees, a rotting barn, dead trees, and an old Nash Metropolitan automobile. The garden style is English, with a rectilinear format from south to north softened by lush growth in season and more evident in the long Vermont winter. The design began by drawing a straight line from the front door of the house to a 75-year-old apple tree. There is a crab apple orchard along that main axis that can be seen from the house. Brick and pea stone gravel walks, 90-foot long mixed borders, and an herb garden laid out in formal parterres are either parallel or perpendicular to the central axis of the garden. The 14 garden rooms are delineated by clipped hedges of varying heights, many of yew but also other plant materials for variation. There are four places to sit within the garden: a gazebo at the far end reached through a tunnel of pleached copper beech, an outdoor dining room on pavers under tall trees, a bench slightly above and overlooking their spring garden, and another bench next to a shed near the herb garden.
Creating a garden in harmony with the rural location was important to the owners, who subsequently purchased 19 adjacent acres and preserved the meadows and woods with the Vermont Land Trust. To instill harmony in the diverse garden rooms the owners adhere to three themes: hedges for structure, black locust posts and terra cotta containers for materials, and burgundy and other reds for the color that recurs throughout the garden rooms. Since the entire garden is unified it is possible to add variations without muddling the design. Honoring the long gone dairy farms they have turned the foundations of a milking parlor into a garden room that has low, drought tolerant plants growing among the stone flooring and three rusted milk cans. The cracked cement foundation of a former silo was turned into a pond with a fountain built into a stone wellhead and a statue of Buddha on the shore.
Gordon Hayward has written many articles for Horticulture, Taunton's Fine Gardening, and regional magazines using his own garden to teach design aesthetics and their practical application. Topics include the effective placement of planted and unplanted containers and other garden ornaments, how to build a small fountain, the importance of proportions to design, how to set vertical posts, and tips on outdoor seating and dining rooms. Good design is illustrated by reshaping lawns to complement planted borders or trees, through consistent choices of decorative materials, through applying the principles of theme and variation when choosing what to put in the garden, and through planning for the winter garden with berries and crab apples for birds and good "bones" that become evident in winter.
Persons associated with the garden include: Gordon Hayward (owner, garden designer, and gardener, 1983- ), Mary Hayward (owner, garden designer, and gardener, 1983- ), Ephraim and Lydia Johnson Ranney, and their descendants in the Buxton and Reed families (former owners, circa 1790-1983); Helen O'Donnell (gardener, 2008-2015).
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Vermont -- Westminster West Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
[Deer Pond Farm]: summer view of the ancient walnut tree, the log cabin section of the house, and adjacent outbuilding with plants in the full leaf of summer.
United States of America -- Ohio -- Franklin County -- Jefferson Township -- Blacklick
Date:
2007 Jun.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- New Jersey -- Somerset County -- Peapack-Gladstone -- Gladstone
Scope and Contents:
Bamboo Brook related holdings consist of 2 folders and (15) 35 mm. slides. )The folders include worksheets, garden plans, photocopies of photographs of the garden, photocopies of articles about the garden, and a brochure describing the outdoor education center, including a site plan and plant descriptions.
General:
Formerly known as Merchiston Farm, this property was purchased in 1911 by William and Martha Brookes Hutcheson. Martha Brookes Hutcheson, a landscape architect who was educated at the Massachusetts Institute of Technology and was made a fellow of the American Association of Landscape Architects in 1935, designed and planted the ca. five-acre gardens adjacent to the house. A natural pond enclosed by native plants, a vegetable garden, flower borders, orchards, allees, and a quadrangle of farm buildings, were sited to emphasize vistas and axes, all intimately related to the house. The overall design was influenced by classical Italian gardens, but incorporated American plant material and detail. In addition, Hutcheson valued gardens not only as a repository for plants, but as a place where birdsong, the hum of insects, and the sound of water could provide inspiration and tranquility. The Morris County Park Commission acquired the property in 1972 and renamed it Bamboo Brook. It is now an outdoor education center, but its greater significance lies in its being the only personal garden of an early woman landscape architect that remains intact.
Persons associated with the property include: Frederick Hunnel and heirs (former owners, mid-1700s-1854); William Hutcheson (former owner, 1911-1959); Martha Brookes Hutcheson (former owner and landscape architect, 1911-1959); Mr. and Mrs. C. McKim Norton (former owners, 1959-1972); David Hendershot (contractor, ca. 1914); George Temple (farmer); and Herbert Hannah (gardener and preservationist, 1947-1970s).
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- New Jersey -- Monmouth County -- Red Bank
Date:
2006 May.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
50 Platinum prints (1 album, black & white, 20 x 26 cm)
50 Photographic prints (dupe prints (1 v.), black & white, 8 x 10 in.)
50 Photographic prints (black & white, 4 x 5 in.)
Container:
Item 50
Box 1
Volume 1
Type:
Collection descriptions
Archival materials
Platinum prints
Photographic prints
Black-and-white photographs
Place:
Matoppo Hills (South Africa)
Pietermaritzburg (South Africa)
Buluwayo (South Africa)
Johannesburg (South Africa)
Pretoria (South Africa)
Zambezi River
Quilimane (South Africa)
CMP Company's Carisbrook Castle
Cape Town (South Africa)
Barberton Proper (South Africa)
Queen's River (South Africa)
Chinde (South Africa)
Beira (South Africa)
South Africa
Delaoa Bay (South Africa)
Inhambane (South Africa)
Grahamstown (South Africa)
Port Elizabeth (South Africa)
Durban (South Africa)
East London (South Africa)
Africa
Zambezi River -- Photographs
Date:
1898
Summary:
Fifty photographs taken by J.E. Mittlebrook and published by D'Urban and Kimberley in 1898 in an album entitled, South African Souvenir.
Arrangement note:
Images indexed by negative number. The fifty-two platinotypes are arranged by the photographer following the itinerary of a route from Capetown up the eastern coast of South Africa, through Port Elizabeth, Grahamstown, and East London, to Durban, and Pietermaritzburg, and provide views of the churches, parks, harbors, and main streets of these cities. Also included is a portrait of a Zulu boy, wearing animal horns on his head, with his rickshaw. Continuing up the coast into what is now Mozambique, Middlebrook photographs Delagoa Bay, and the towns of Inhambane, Beira, Chinde, at the mouth of the Zambezi River, and Quelimane. As he crosses west into the Matoppo Hills towards Bulawayo, he records "Mr. Rhodes' Farm Buildings," with a photo of "C.J.R."--Cecil Rhodes--in the entrance of one of his conical "huts". Shots of Kimberley include a bird's eye view of the city from the De Beers Floors, and the Kimberley Sanitorium built by Rhodes. In Johannesburg, Middlebrook records a bird's eye view of the city, the imposing new post office, Commissioner and Pritchard Streets, Joubert Park, the vast produce market, and processing buildings of the Randt Gold Mining Companies. There are also views of Pretoria--including a scene of "Naachtmaal," when Boer farmers and families come to town for church services, and camp out in the town square--and the hills near Barberton, where Sheba G.M. Company mines quartz. Seven of the photographs portray native people, such as Chief Khama of the Batlapins, well-known for his friendship with Livingstone; Zulu men wearing head gear of rickshaw pullers in Durban; Zulu families in front of their homes in Natal, Zululand; an Amaxosa family in Cape Colony (Cape of Good Hope); a Matabele cane seller; a woman from Swaziland in native garb; and an east coast man, known as a Zanzibaree. The final two photographs are steamships: U[nion] S[steam] S[hip] Company's "Briton"; and C[astle] M[ail] P[ackets] Company's "Carisbrook Castle."
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Chief Khama of the Batlapina (South Africa) Search this
United States of America -- New Jersey -- Morris County -- Mendham
Date:
1990 Mar.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Pastured opening in pine-oak forest; Tanner Ranch, near and below farm buildings; Workman Creek Canyon, Sierra Ancha Mountains. Gila County., Arizona, United States, North America
Grandin farm house and buildings. One item is a stereograph, while the other is a non-stereo print (although both bear the imprint "Northern Pacific Stereographs" on the recto. The cards are on the same type of beige (?) mount with the same imprint on the verso: "Northern Pacific Views / Embrace all points of Interest [sic] between Lake Superior and the Black / Hills, and along the Line of the N. P. R. R. to the Yellowstone. / Red River Farm Views. Catalogues on Application. / Photographed & published by / F. Jay Haynes, / Fargo, D. T." The stereograph is marked "#442 Farm House Grandin #1" and the other print is marked "#440 Grandin Farm Buildings #1", both in the negative.
Restrictions:
Unrestricted research use on site. Photographs must be handled with white cotton gloves, unless protected by plastic sleeves.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
