The personal and business papers of the comedian and Marx Brother, Harpo Marx, relating to his family and career. The papers include materials relating to his brothers Chico, Groucho, Gummo, and Zeppo Marx.
Scope and Contents:
The personal and business papers of the comedian and Marx Brother, Harpo Marx. The papers also include materials relating to his brothers Chico, Groucho, Gummo, and Zeppo Marx, his family, and career. The papers include theatrical scripts, photographs of productions and family, numerous news clippings, and extensive financial records for Harpo's investments. There is original correspondence from Harpo's friend, Alexander Woollcott. The papers include copies of Woollcott's correspondence and Harpo's replies. There is a series with material related to Harpo's son, William "Bill" W. Marx.
Arrangement:
The Harpo Marx Papers are arranged in six series.
Series 1, Correspondence and Personal Papers, 1919-2008, undated
Series 2, Scripts, Music Manuscripts, and Ephemera, 1917-1965, undated
Series 3, Photographs, 1896-1964, undated
Series 4, Marx, William "Bill" Woollcott, 1976-2009
Series 5, Financial and Investment, 1934-1991, undated
Series 6, Sound Recordings, Original Audio Discs, 1945-1957, undated
Related Materials:
Materials in the Archives Center, National Museum of American History
Groucho Marx Collection, AC0290
George Sidney Collection, AC0867
Richard Carver Wood Photographs, AC0964
Provenance:
Collection donated to the Archives Center, National Museum of American History, Smithsonian Institution by the Harpo Marx Estate, 2012.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
In 1882, brothers Charles and Henry Hagan established a carriage, coach, and wagon business in Frederick, Maryland. This collection represents approximately two decades of business transactions through 21 volumes of daybooks and ledgers.
Scope and Contents:
This collection consists of twenty-one manuscript account books documenting the company's carriage, wagon and horseshoeing business. Three volumes are ledgers, the rest are daybooks. Volumes often contain overlapping dates or missing periods of time, and ledgers have varying dates for each customer. In some instances, the weather for Christmas Day is recorded.
Arrangement:
Collection is arranged into one series.
Series 1, Account Books, 1882-1903
Biographical / Historical:
In 1882, brothers Charles and Henry Hagan founded the Hagan Brothers, Carriage & Wagonmakers and Horseshoers Company with Charles A. Hagan as president.
Horse-drawn vehicles were crucial to American transportation before railroads, and the industry that supplied these vehicles was a major factor in the economy. Most of these firms were never vertically integrated, although some later developed into the "accessory industry," or specialized production of components. Major sources of revenue for businesses like the Hagan Brothers included general blacksmithing work, carriage and wagon repair, and manufacturing carriages to the customer's specifications.
The later history of the company is not known. There are no directories for Frederick County between 1911 and 1922, and there is no listing for Hagan Brothers in the 1923 directory.
Related Materials:
One account book covering the period from April 16, 1908 to November 23, 1908 is held at the Historical Society of Frederick County, Maryland. See website at: http://www.hsfcinfo.org/ .
Provenance:
This collection was purchased from Carmen D. Valentino, a Philadelphia, Pennsylvania rare books and manuscripts dealer, by Craig Orr, archivist in April 2009.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
A farm journal and account book for a farm located at Long Branch, Harford County, Maryland, covering the time period March 1879 to August 1884 (excepting 1880) and documenting all aspects of farm life and labor.
Scope and Contents:
The diary bears numerous handwriting styles, denoting more than one author. The farm documented in this volume featured truck farming, orchards, small grain crops, dairying, and hogs. A possible German or Amish influence is indicated, probably due to its proximity to Pennsylvania, with such products as cider, sauerkraut, wheat and hay being produced, as well as by products from hogs including sausages, lard, and pudding (scrapple). Curing and preservation of meat is documented as well.
All tasks of day-to-day life on the farm, by whom they were performed and with what equipment as well as the weather were recorded. The compiler recorded other such detail as which fertilizers were used for which crops, variety names, how much was paid to each hand who worked on the farm (in the case of tenant farmers, with firewood or cow pasture), names given to animals, and such things as laborers' travel to nearby towns to purchase goods and supplies. Especially descriptive are the parts of the diary relating to livestock, with entries for births, sales, and activities such as butchering, sausage making, curing and preservation of meat.
The farm was comprised of fields, orchards, meadows and gardens, in addition to a number of outbuildings, sheds, smokehouses, a barn, a stable, and a blacksmith shop. Maintenance of these buildings is described in detail in the diary.
This volume is rich in detail about the functioning of a typical American farm during this time period. It also includes an entry for the Fallston, Maryland earthquake of March 11, 1883 (page 95).
Arrangement:
The collection is arranged into one series.
Series 1, Farm diary, 1879-1884
Biographical / Historical:
This diary is a combined farm journal and account book for a farm located at or near Long Branch, Harford County, Maryland, covering the time period from March 1879 to August 1894, excepting the year 1880. This was a time when American agriculture was on the cusp of mechanization, and a time when increasing urbanization was changing the demographics of farm life. More and more youth were relocating to urban areas, challenging small family farms to continue to run with fewer people, and forcing them to bring on day laborers or other help.
Farms in the northern part of Maryland were quite distinct from those in the southern part, where tobacco dominated. The farm documented in this volume featured truck farming, orchards, small grain crops, dairying, and hogs. A possible German or Amish influence is indicated, probably due to its proximity to Pennsylvania, with such products as cider, sauerkraut, wheat and hay being produced, as well as by products from hogs including sausages, lard, and pudding (scrapple). Curing and preservation of meat is documented in the volume as well. The products (wheat, hay, cider, sauerkraut) being sold in nearby towns (as documented in the volume) indicates that the farm was not just self-sufficient but also a profitable participant in the market economy.
An interesting entry is found on page 95, for March 11, 1883, "A very perceptible earthquake was experienced here the house shook, & things on sideboard rattled. It lasted about 3 minutes." This is primary documentation of the Fallston, Maryland quake. Other entries mention the Maryland State Fair at Timonium, trips to Hanways' Mill, Ashland and other local destinations.
Related Materials:
Materials in the Archives Center, National Museum of American History
Robinson and Via Family Papers, 1845-2010, (AC0475)
Southern Agriculture Oral History Project Records, 1986-1991, (AC0773)
John K. Parlett Collection of Agriculture Ephemera, (AC1225)
Provenance:
This collection was purchased at auction from Carmen D. Valentino of Philadelphia, Pennsylvania, 2012.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Mowbray, H. Siddons (Harry Siddons), 1858-1928 Search this
Container:
Box 5, Folder 20
Type:
Archival materials
Date:
circa 1880-1910
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Harry Siddons Mowbray and Mowbray family papers, 1872-1976. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Papers related to Dr. John C. Boyd's career as a U.S. Navy surgeon, including his commission, names recommended for awards, his casebook for 1874-1877, his correspondence, including two letterpress books, 1895-1902; photographs. Also photographs, especially those by his son, Dr. Walter Willard Boyd, of Dr. Harvey Cushing performing neurosurgical and other operations; two films (1931) of an operation; two scrapbooks, including one outlining an accident and eventual amputation of the leg of Walter Jones Willard (includes letters and sympathy cards).
Scope and Contents note:
This collection is divided into six series.
Series 1: Awards and Commissions, 1917-1920
Series 2: Casebook, 1874-1877
Series 3: CORRESPONDENCE, January 1895-February 1902
Series 4: PHOTOGRAPHS,1928 - 1939
Series 5: POSTERS, early 1900's- mid 1940's
Series 6: SCRAPBOOKS, 1888-1945
Series 7: FILM, 1931
Arrangement:
Divided into 7 series.
Biographical / Historical:
The Boyd Family Collection consists primarily of correspondence, recruitment and other posters, personal papers, and photographs of a naval surgeon, John C. Boyd, and his son Walter Willard Boyd.
Dr. John C. Boyd was a surgeon and medical inspector for the United States Navy. Included in the collection is Boyd's Naval Commission, December 19, 1873, his Patient Case Book 1874-1877, and a Letterpress book of his correspondence with other professionals and military officials. As a naval inspector, he not only examined patients' conditions, but he also inspected the sanitation of the soldier's quarters and other areas aboard naval ships.
His son, Dr. Walter Willard Boyd, was a photographer of medical surgeries performed by Dr. Harvey Cushing (1869 1939). Cushing was widely known as the greatest neurosurgeon of the 20th century and his school of neuro surgery was world famous. His contributions to neuroscience were numerous and he was also known as a medical historian. Cushing's biography of Sir William Osler won a Pulitzer Prize in 1926. Boyd interned under Cushing and put together an exhibit at the Bent Brigham Hospital's 30th Anniversary Celebration in honor of Dr. Harvey Cushing's contributions to neuroscience. This collection contains photographs taken by Walter Boyd that were displayed at this exhibit. Dr. Richard U. Light (one of Cushing's last residents and also an avid photographer) and Dr. Boyd filmed Dr. Cushing's 2000th verified brain tumor operation on April 15th, 1931. Two films of this operation are included in the collection. In addition, Scrapbook #3 contains photographs of Dr. Cushing performing operations.
Also contained in this collection is a scrapbook outlining the details of a leg accident of Walter Jones Willard. Walter Jones Willard is the son of C.C. Willard, former owner and proprietor of the Ebbitt Hotel and the Willard Hotel, both in Washington, D.C. Walter Jones Willard and his brother Edward were both graduates of Yale University class of 1892 and were members of the prominent Willard family of D.C.
Related Materials:
Some materials from the donor were distributed to other NMAH divisions or to other archival repositories.
Princeton University Posters Collection. The Princeton University Library donated this extensive collection of WWI, and WWII materials to the Smithsonian in 1963 and 1967.
Photographic scrapbook #4 of Dr. Cushing's operations can be found at the Cyber Museum of Neurosurgery. It was donated to the American Association of Neurosurgery Archives by Dr. Richard U. Light. http://www.neurosurgery.org/cybermuseum/journal/
Provenance:
Donated by Ms. Josephine Carpenter, daughter of Dr. Walter Willard Boyd, Nov. 19, 1999.
Restrictions:
Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
The collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
Reel 5049: Museum of Modern Art, NY: John Graham Notebooks: Authorization to publish, quote or reproduce requires written permission from the Museum of Modern Art. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Graham Papers, 1799-1988. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James D. Smillie and Smillie family papers, 1853-1957. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ellen Hale and Hale family papers, circa 1860-1952. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection was funded by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ellen Hale and Hale family papers, circa 1860-1952. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection was funded by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ellen Hale and Hale family papers, circa 1860-1952. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection was funded by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ellen Hale and Hale family papers, circa 1860-1952. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection was funded by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ellen Hale and Hale family papers, circa 1860-1952. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection was funded by the Terra Foundation for American Art
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Wilmer Dewing and Dewing family papers, 1876-1963, bulk 1890-1930. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitzation of this colleciton was provided by the Terra Foundation for American Art.
Some items are in fragile condition. Please seek assistance with the following writings: Cummings, Grace E Shimm: "Birth" 1883, "Refinement" 1883 November 28, "The Infant Repblic" 1884, "Education circa 1881 - circa 1900, "Fractions" circa 1881 - circa 1900, "In a Family Dispute Which Should Stop First?" circa 1881 - circa 1900, "The Leper" circa 1881 - circa 1900, "The Study of the Catechism" circa 1881 - circa 1900.
Hodges, Joyce Ethel Cummings: "The Attitude Toward the Medieval Romance During the Renaissance" circa 1930, "The Vogue of the Bevis of Hampton Romance in the 16th Century" circa 1930, student writings, 1910-1953.
Shimm, Erminie F.: "The Voices of Fiction" circa 1880 - circa 1910, "Liberia" circa 1910 - circa 1920.
Collection Rights:
This collection is subject to all copyright laws.
Collection Citation:
Charlene Hodges Byrd collection, circa 1750-2009. National Museum of African American History and Culture, Smithsonian Institution.
Sponsor:
This project received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Some items are in fragile condition. Please seek assistance with the following writings: Cummings, Grace E Shimm: "Birth" 1883, "Refinement" 1883 November 28, "The Infant Repblic" 1884, "Education circa 1881 - circa 1900, "Fractions" circa 1881 - circa 1900, "In a Family Dispute Which Should Stop First?" circa 1881 - circa 1900, "The Leper" circa 1881 - circa 1900, "The Study of the Catechism" circa 1881 - circa 1900.
Hodges, Joyce Ethel Cummings: "The Attitude Toward the Medieval Romance During the Renaissance" circa 1930, "The Vogue of the Bevis of Hampton Romance in the 16th Century" circa 1930, student writings, 1910-1953.
Shimm, Erminie F.: "The Voices of Fiction" circa 1880 - circa 1910, "Liberia" circa 1910 - circa 1920.
Collection Rights:
This collection is subject to all copyright laws.
Collection Citation:
Charlene Hodges Byrd collection, circa 1750-2009. National Museum of African American History and Culture, Smithsonian Institution.
Sponsor:
This project received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Some items are in fragile condition. Please seek assistance with the following writings: Cummings, Grace E Shimm: "Birth" 1883, "Refinement" 1883 November 28, "The Infant Repblic" 1884, "Education circa 1881 - circa 1900, "Fractions" circa 1881 - circa 1900, "In a Family Dispute Which Should Stop First?" circa 1881 - circa 1900, "The Leper" circa 1881 - circa 1900, "The Study of the Catechism" circa 1881 - circa 1900.
Hodges, Joyce Ethel Cummings: "The Attitude Toward the Medieval Romance During the Renaissance" circa 1930, "The Vogue of the Bevis of Hampton Romance in the 16th Century" circa 1930, student writings, 1910-1953.
Shimm, Erminie F.: "The Voices of Fiction" circa 1880 - circa 1910, "Liberia" circa 1910 - circa 1920.
Collection Rights:
This collection is subject to all copyright laws.
Collection Citation:
Charlene Hodges Byrd collection, circa 1750-2009. National Museum of African American History and Culture, Smithsonian Institution.
Sponsor:
This project received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Studio portrait of four men and three women in an open car. Three of the men have cigars in their mouths. Photographer unidentified.
Arrangement:
In Series ?, Box 2, Folder Maloley.
Local Numbers:
AC0078-0000103 (AC Scan)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Louis Bouché papers, 1880-2007. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Louis Bouché papers, 1880-2007. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
