New York The New York State Fair offers people the opportunity to display their best. Through research, the Beacon Milling Company developed balanced feed for farm animals. Beacon Milling Co., Cayuga, NY.
California College students learn the building trade by designing and decorating houses. Students learn about appliances. Each class constructs a house. Pasadena City College, Pasadena, CA.
Reference video, Box 12
Collection Restrictions:
Collection is open for research but the films are stored off-site. Special arrangements must be made directly with the Archives Center staff to view episodes for which no reference copy exists. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees will be charged for reproductions.
Collection Citation:
Industry on Parade Film Collection, 1950-1959, Archives Center, National Museum of American History, Smithsonian Institution.
Files consist of Henry-Russell Hitchcock's personal and professional correspondence, as well as subject files relating to academic research, teaching, curatorial interests, and professional associations. Subject files are comprised mainly of correspondence and printed material, with a small number of photographs that mostly relate to exhibitions and writings. After 1932, copies of Hitchcock's outgoing letters are almost always included, making the files from 1932-1987 almost complete.
The correspondence includes large numbers of letters from prominent architectural historians, architects, artists, preservationists, museum directors and curators. Also included is correspondence with students, friends, relatives, publishers, and representatives of organizations and institutions.
Among the correspondents of note are: Bernard Berenson, Eugene Berman, Leonid Berman, Lyonel Feininger, Brendan Gill, Robert Goldwater, George Howe, Lincoln Kirstein, J. J. P. Oud, Erwin Panofsky, Kingsley Porter, Paul J. Sachs, R. M. Schindler, Theodore Sizer, E. Baldwin Smith, Peter van der Meulen Smith, James Soby, Victor Spark, Harold Sterner, John Summerson, Virgil Thomson, Paul Vanderbilt, Theo Van Doesburg, Helmut von Erffa, and Gordon Washburn. Other important correspondents represented in a decade or more of correspondence include: Jere Abbott, Winslow Ames, Everett A. (Chick) Austin, Alfred H. Barr, Agnes Rindge Claflin, John Coddington, Walter Cook, John Coolidge, Henry (Harry) Sayles Francis, George Heard Hamilton, Ada Louise Huxtable, Philip C. Johnson, William Jordy, George N. Kates, Edgar Kauffmann, Jr., Richard Krautheimer, Phyllis W. Lehmann, Thomas J. McCormick, Agnes Mongan, Lewis Mumford, Nikolaus Pevsner, A. Kinglsey Porter, Willebald Sauerlander, Vincent Scully, Helen Searing, James Thrall Soby, Dorothy Stroud, John Summerson, Virgil Thomson, Emily Tremaine, Paul Vanderbilt, Rudolph Wittkower, and Frank Lloyd Wright.
See Appendix for a list of individuals, organizations, and subjects in Series 2
Arrangement note:
Files are arranged with a single alphabet for each year.
Appendix: Individuals, Organizations, and Subjects in Series 2:
Below is an index to individuals, institutions, organizations, and a small number of subject files, found in Series 2: Alphabetical Files. The index indicates the name and the alphabet year(s) in which each can be found.
Hitchcock did not follow strict alphabetical schema when organizing his files and filing eccentricities for the letters D, M, N, and V are explained below. The original arrangement has been left in place due to the difficulties and time involved in re-arranging the material within multiple alphabets.
Note on filing order for D's: Names beginning with the prefix "de" (e.g. De Cordova) are all filed before names beginning with the letters "de" e.g. Deerfield Academy.
Note on filing order for M's: Names beginning with the prefix "Mac" and "Mc" are all filed after names beginning with Ma. They are interfiled according to the first and subsequent letters following the prefix e.g. McIntyre, Mackay, McKean, MacLaren.
Note on filing order for N's: Proper names beginning with the word "new" (e.g. New American Library) are all filed before names incorporating the syllable "new" e.g. Newark Public Library.
Note on filing order for V's: Names beginning with the prefix "van" (e.g. Van Derpool) are all filed before names beginning with the syllable "van" e.g. Vancouver Hotel.
Ackerman, James S. (1948, 1952-1955, 1960, 1964, 1966)
Ackworth, Angus (1945)
Adams, Anthony (1960)
Adams, Florence B. (1948)
Adams, Frances S. (1965)
Adams, Frederick (1949)
Adams, Henry (1974)
Adams, Nicholas (1976-1978)
Adams, Philip R. (1952)
Addis, Reid M. (1974-1975)
Addison Gallery of American Art (1953-1954)
Addison, John (1982, 1984)
Adler, David (1928)
Agtmaal, J. G. van (1958)
African Studies, International Congress of (1978)
Ahda Artzt Gallery (1964)
Air Ministry (1946)
Aitken, Dott and Son (1946-1947)
Akron (1948)
Alabama Polytechnic Institute (1955)
Aladdin Office Services (1957)
Albany Institute of History and Art (1966, 1969)
Albers, Joseph (1946)
Albrecht, Otto (1927)
Albright Art Gallery (1947)
Albright-Knox Art Gallery (1962)
Aldrich, Frances T. (1948)
Alexander, Robert L. (1951, 1956-1958, 1960-1961, 1963-1965, 1967-1968, 1975-1977, 1986)
Alexander, Dr. and Mrs. Samuel Allen (1958)
Alexander, William (1968)
Alfa (1958)
Alfieri, Bruno (1959, 1964-1965, 1968-1969)
Alfonsin, Anthony (1983)
Alford, John (1946, 1955)
Alford, Roberta (1961)
Alinari (1958)
Allen, Mr. and Mrs. Eliot D. (1953)
Allen, F. P. (1961)
Allen, W.G. Russell (1945, 1947, 1952-1953, 1956)
Allen and Unvin, Ltd. (1978, 1980)
Allert de Lange, C. V. (1956)
Allison, George E. (1948)
Allstate Insurance (1948)
Altree, Guy (1975)
Altschul, Frank (1952)
Alumnae Association [Smith College] (1952) ( -- see also -- : Smith College Alumnae Association)
Ambassadeurs Club (1946)
America-Italy Society (1958)
American Academy in Rome (1950, 1958-1959, 1983)
American Academy of Arts and Sciences (1953-1954, 1957-1958, 1961-1963, 1965, 1970, 1973, 1976, 1981)
American Antiquarian Society (1935, 1939, 1947, 1952, 1955)
American Architectural Books (1937, 1945, 1961)
American Association for State and Local History (1963)
American Association of Architectural Bibliographers (1958-1959, 1961, 1963-1964, 1966, 1970)
American Association of Museums (1952, 1955, 1962)
American Association of Schools of Architecture (1982)
American Association of University Professors (1948, 1981-1982)
American Association of University Women (1948, 1958)
American Automobile Association (1962)
American Collector -- (1947)
American Committee on Renaissance Studies (1954)
American Council of Learned Societies (1950, 1961, 1963, 1980)
American Embassy, London (1962)
American Express (1952, 1955)
American Federation of Arts (1942, 1947-1948, 1952, 1955, 1958, 1962, 1974)
American Friends Service Committee (1951)
American Historical Association (1942)
American Historical Review -- (1943, 1952)
American Institute of Architects (1942, 1945, 1948, 1950, 1952-1955, 1957, 1959, 1961-1962, 1964, 1969-1970, 1972-1973, 1978, 1980)
American Institute of Planners (1945)
American Life Foundation (1972)
American Museum in Britain (1961)
American National Theatre and Academy (1952)
American Peoples Encyclopedia -- (1953)
American Philosophical Society (1943)
American Quarterly -- (1949, 1952-1953, 1955)
American Science and History Preservation Society (1981)
American Scholar -- (1948, 1982)
American Society of Architectural Historians (1945-1947)
American Society of Planners and Architects (1946)
American State Capitols Research Project, Victorian Society in America ( -- see -- : Victorian Society in America, American State Capitols Research Project)
Burnham Library, Art Institute of Chicago (1945, 1971) ( -- see also -- : Ryerson and Burnham Libraries; Art Institute of Chicago; Chicago, Art Institute of)
Burns, Howard (1968)
Burns, John (1952, 1983)
Burroughs, T.H.B. (1967)
Burton, Christopher (1963)
Burton, Emily (1952)
Burton, Michael (1953, 1956)
Bush, Lucile (1965)
Bush, Martin H. (1963)
Bush-Brown, Albert (1952, 1956-1958, 1977)
Bush-Brown, Harold (1954, 1965)
Butler, Jeanne F. (1972)
Butler, L. D. (1967)
Butler, Ruth (1957)
Butterfield, Victor (1945, 1947)
Butterick, George F. (1978)
Cabral, Edward (1980)
Cadbury-Brown, John (1955)
Cadbury-Brown, H. T. (Jim) (1956, 1958)
Cahill, Fred V. (1957)
Cahn, Elizabeth (1977)
Calder, Sandy (1938, 1955-1956)
Caldwell, Ian (1975-1976)
Calendars (see: B.1955)
California (1965)
California Institute of Technology (1948-1949)
California Palace of the Legion of Honor (1950)
California, San Jose State University (1979)
California, University of (1951-1952, 1961, 1964, 1966-1967, 1971, 1973, 1976, 1980)
Callisen, Sterling A. (1941)
Callisen, Sterling A. and Sally (1945)
Cambridge [Mass.] Historical Society (1967)
Cambridge University (1962, 1964, 1966)
Campagnie Francaise d'Aeronautiques (1956)
Campanella, Gaspare (1970)
Campbell, Colin G. (1978)
Campbell, Malcolm (1975)
Canada, Atomic Energy Commission of (1973)
Canada Council (1971)
Canada, National Archives of (1956)
Canada, National Gallery of (1926, 1960)
Canada, Royal Architectural Institute of (1960)
Canfield, Abigail and Cass (1975)
Canner and Co. (1949)
Caples, Sara Elizabeth (1969-1970)
Car (European) (1965)
Car (1966)
Cardiff Public Library (1946)
Carey, Jane F. (1973)
Carey T. (1973)
Carlhian, Jean Paul (1952-1953, 1966, 1971, 1973)
Carling, E .B. (1947-1948)
Carlisle, Anna (1956)
Carlson, Ralph (1979)
Carnegie Book Shop (1952)
Carnegie Institute (1955, 1985)
Carnegie Institute of Technology (1947, 1954)
Carpenter, G. R. (1946)
Carpenters Company of Philadelphia (1973)
Carr, Gerald (1968)
Carre Gallerie (1947-1949)
Carrington, Robert (1953, 1970)
Carroll, Martha 1975
Carrott, Richard G. (1955-1956, 1959-1963, 1965, 1967-1969, 1971-1979, 1981-1986)
Carter, Amon E. (1960)
Carter Foundation (1961)
Carter, Lady Bonham (1956)
Carter, Edward C. (Bobby) (1926, 1944-1948, 1960)
Carter, Ernestine (1947, 1952, 1962-1963, 1968, 1978-1979, 1983) ( -- see also -- : Carter, John and Ernestine)
Carter, Gwendolyn (1952)
Carter, John 1941, (1946, 1948, 1952, 1954, 1959)
Carter, John and Ernestine (1936, 1945) ( -- see also -- : Carter, Ernestine)
Carter, Norman F. (1952, 1954, 1959)
Casabella-Continuita (1961, 1965)
Casanelles, Enric (1959)
Cascieri, Arcangelo (1954)
Case Western Reserve University (1972-1973)
Cassidy, Victor M. (1974)
Cassilly, Carolyn (1974)
Casson, Hugh (1948, 1955)
Cassy, Edmund J. (1964)
Cast Iron Architecture, Friends of (1970, 1973-1974)
Castano Galleries (1963)
Castro, Dicken (1955-1957, 1960-1961)
Catholic University of America (1963)
Catlin, Stanton L. (1952, 1956)
Catsoulis, Evangelos (1981, 1983)
Causey, Andrew (1983)
Cavanagh, Tom R. (1949)
Cement and Concrete Association (1954)
Center for Inter-American Relations (1969)
Central Corporate Library (1960)
Central Council for the Care of Churches (1955)
Central National Bank of Middletown (1946)
Central Office of Information (1955-1956)
Centrum (1963)
Century Association (1972-1973, 1975-1977, 1979-1980, 1982, 1984)
Chelmsford and District Chapter, Society of Architects (1962)
Cheltham, Charles (1962, 1964)
Chermayeff, Serge (1939, 1946-1948, 1950, 1954)
Chernow, Barbara (1982)
Chesapeake and Ohio Railway Co. (1948)
Chevojon Freres (1956, 1958)
Chicago Architectural Landmarks, Commission on (1964)
Chicago Architectural Photographing Co. (1956, 1958, 1966)
Chicago, Art Institute of (1937, 1944, 1945, 1951, 1960, 1978) ( -- see also -- : Art Institute of Chicago; Burnham Library Ryerson; Burnham Libraries)
Chicago, Arts Club of (1951-1952)
Chicago Committee on Architectural Landmarks (1960)
Chicago Historical and Architectural Landmarks, Commission on (1969-1970, 1973, 1975)
Chicago School of Architecture Foundation (1967)
Chicago, University of (1947, 1953, 1957, 1961-1962, 1973, 1986) ( -- see also -- : University of Chicago)
Chickering, A. H. (1954)
Childs, Charles D. (1951-1952, 1955)
Childs, Maurice F. (1952, 1955)
Chittenden, A. J. (1947)
Christian Science Monitor -- (1948)
Christiansen, Erwin O. (1946)
Christmas Cards (1952, 1983, undated)
Church, Robert M. (1951-1952, 1954-1955)
Churchill, Agnes (1948)
Cincinnati (1969)
Cincinnati Art Museum (1955-1956, 1960-1961)
Cincinnati Astronomical Society (1935)
Cincinnati Modern Art Society (1948)
Cincinnati, University of (1966)
Cistercian Order (1958)
City Art Museum of St. Louis ( -- see -- : St. Louis, City Art Museum of)
City University of New York (1970, 1974-1976, 1978)
City [of Springfield, Mass.] Library Association (1954)
Ciucci, Giorgio (1970)
Claflin, Agnes Rindge (1948-1949, 1952, 1956, 1959, 1961, 1966, 1973, 1977-1978) ( -- see also -- : Rindge, Agnes)
Clapp, Verner W. (1953)
Clark Art Institute (1973, 1986)
Clark, G. R. (1946)
Clark, James (1973)
Clark, Orton Loring (1952)
Clark, Robert J. (1960, 1963-1971, 1974-1975, 1980)
Clark, Ronald W. (1956)
Clark, Susan (1975)
Clark, Willene B. (1976)
Clarke, M. L. (1962)
Clarke, Marian (1947-1948, 1950)
Clarke, Peter (1946)
Clausen, Meredith (1987)
Clayton, B. D. (1971-1972)
Clayton, Barry (1965)
Clerehan, Neil (1953)
Clews, Mrs. Henry (1955)
Clifton-Raymond Associates (1968)
Clifton-Taylor, Alec (1984)
Clinton [Conn.] Historical Society (1947)
Close, Elizabeth (1960)
Clough, R. T. (1959)
Club of Odd Volumes (1948-1950, 1952-1957, 1961-1965, 1968-1970)
Coddington, John (1945-1949, 1951, 1956-1957, 1959, 1961-1962, 1968-1970, 1977, undated)
Coe, Bill (1958)
Coe, R. E. (Ted) (1962)
Coe, Ralph T. (1953, 1955, 1974)
Coffin, David R. (1965, 1968, 1973)
Cogswell, Dorothy (1951, 1959, 1962)
Cohen, Alfred (1946)
Cohen, Joan L. (1954-1957, 1960, 1963-1965)
Cohn, David N. (1984)
Cohn, Suzanne (1968)
Colby College (1968)
Cole, Dorothy (1958)
Cole, Harry (1957)
Coletti, Joseph (1961)
Coletti, Paul (1957)
Colgate University (1976, 1978)
Colibris Editora Ltda. (1962, 1964-1965, 1967)
Colin, Mrs. Ralph F. ( 1955)
Collaborazione Culturale, Instituto per la (1962)
College Art Association (1940, 1946-1953, 1955-1959, 1961-1964, 1966, 1969-1971, 1973-1979)
Colliers Encyclopedia -- (1947-1949, 1958-1959)
Collins, Cecil (1956)
Collins, Colin (1955)
Collins, Elizabeth (1959)
Collins, George R. (1960-1961, 1964, 1968, 1975-1976, 1979, 1983)
Collins, Peter (1964-1965, 1967-1968)
Colonial Travel Bureau (1955)
Columbia Historical Society (1982)
Columbia University 1937, 1939-1941, 1945, 1947-1948, 1954-1956, 1958-1959, 1961, 1964-1969, 1971, 1973-1977, 1979-1983, 1985-1986 ( -- see also -- : Avery Library; Avery Study Center, Columbia University)
Columbia University, Temple Hoyle Buell Center for the Study of American Architecture (1984)
Columbus Gallery of Fine Arts (1948-1949)
Colvin, Howard M. (1959)
Colwell, Miriam (1976)
Combs, Tom (1975)
Comite Francais D'Historie de L'Art (1967)
Commercial Credit Corporation (1947)
Committee for the Centennial Exhibition of New England Architecture (1957)
Committee for the Preservation of Architectural Records (1979)
Committee on Education and Labor, U. S. Congress (1954)
Committee on Government and Art (see: Government and Art, Committee on)
Community Arts Center (1945)
Community Chest (1958)
Comparative Studies in Society and History -- (1958)
Conant, Kenneth G. (1946-1947, 1952, 1973)
Concrete Quarterly -- (1955)
Condit, Carl W. (1963)
Condolence Letters [on death of mother] (1952)
Conference Board of Associated Research Councils (1948, 1951)
Congress on the History of Art, Twentieth International (1960-1961)
Conlon, Kathleen M. (1969)
Connaissance des Artes -- (1959)
Connecticut Automobile Assigned Risk Plan (1946-1947)
Connecticut College (1938-1942, 1944, 1947, 1953, 1956, 1963, undated)
Connecticut Commission on the Arts (1968)
Connecticut, Department of Agriculture (1937)
Connecticut State Department of Consumer Protection (1986)
Haskell, Douglas (1945, 1951-1952, 1954-1955, 1958)
Haskell, Henry C. (1946)
Haskell, Rosamund (1966)
Hasler, Charles (1962)
Hasselmann, Dorothy S. (1945)
Hatch, J. D. (1948-1949)
Hatchards Booksellers (1963-1964)
Hatje, Gerd (1959-1965, 1980)
Hattis, Phyllis (1966)
Hauf, Harold (1951)
Haupt, Otto (1963)
Hausen, Marika (1965-1966)
Haverkamp-Bergman, Egbert (1971, 1973)
Havinden, Ashley (1948, 1952, 1961)
Havinden, Margaret 1946, 1953
Havinden, Margaret and Ashley (1950)
Hawksmoor Committee (1962)
Hawthorne Books (1979)
Haydon, Harold (1961)
Hayes, Bartlett (1954)
Hayes, Marian (1954-1955, 1959, 1962, 1968, 1970)
Heath and Co. (1961)
Heaton, E. W. (1959)
Hecht, Jean (1956)
Hecht, Lynn S. (1962-1964, 1966)
Heckel, Louise (1960)
Hecksher, Morrison (1970, 1973-1974)
Hedge, Alice Payne (1948, 1953-1954, 1956, undated)
Hedge, E. Russell (1959-1963)
Hedge, Henry R. (1954, 1956-1958)
Hedge, Mrs. Henry R. (1953)
Hedge, Mrs. William R. (1947, 1953)
Hedrich, E. T. (1956)
Hedrich, J. O. (1969)
Heil, Bernard (1958)
Heilkamp, Detlef (1971)
Heimsath, Clovis B. (1952)
Heine, Georgette (1970)
Heintzelman, Arthur W. (1956)
Heinz, Thomas A. (1978-1981)
Heinzel, Brigitte (1967, 1969)
Heiser, Bruce E. (1953-1954)
Heisner, Beverly F. (1967)
Held, Mr. and Mrs. Julius (1965)
Heleniak, Kathryn Moore (1975)
Helm, Francis and Mary (1948)
Hemmenway, Mary (1948-1950, 1954)
Henderson, Pat Milne (1957, 1964) ( -- see also -- : Milne-Henderson, Pat)
Henderson, M. (1958)
Hendricks, Gordon (1967)
Henley, Helen B. (1941)
Hennessey, William J. (1975-1977)
Hennings, John (1955)
Henry (1973)
Henry, Anne Wythe (1972, 1975)
Henry, Barklie [Buzz] (1959)
Hentrich, Helmut (1957, 1959-1960, 1963-1976, 1978-1981, 1985)
Hentschel, Walter (1969)
Herald Tribune -- (1945)
Herbert, Gilbert (1970)
Herget, John T. (1960)
Hergert, Elizabeth (1963)
Heron, Patrick (1952-1954, 1956, 1979)
Herrmann, George (1960)
Herschman, Judith (1979)
Hersey, George L. (1959-1963, 1967-1968, 1971-1972, 1975
Hershberger, Howard (1960, 1961, 1963)
Herve, Lucien (1956-1957)
Herzog, Marion Rawles (1967, 1970)
Hesketh, Peter Fleetwood (1969)
Hesse (1956)
Hessler, Herman (1971)
Heyl, Bernard (1959-1963)
Hibbard, Don J. (1976)
Hibbard, Howard (1962, 1968)
Highest, Gilbert (1954)
Hill, Draper (1960)
Hill, Frederick and May (1968)
Hill, Oliver (1946, 1949, 1955)
Hiner, Walter (1946)
Hines, Thomas S. (1967, 1972, 1981)
Hirschl and Adler Galleries (1968)
Historic American Buildings Survey (1973)
Historical Society of Pennsylvania ( -- see -- : Pennsylvania, Historical Society of) -- History News -- (1963)
Hitchcock, Alice Davis [mother, Mrs. Henry Russell] (1925, 1940, 1942-1943, 1946-1950)
Hitchcock, Mr. and Mrs. Carl (1955)
Hitchcock, Charles D. (1940, 1971)
Hitchcock, Harriet (1963)
Hitchcock, Dr. and Mrs. Henry Russell [parents] (1928-1929, undated)
Hitchcock, June (1979-1980)
Hitchcock, Mrs. Peter S. (1964)
Hoag, John D. (1952, 1955-1956, 1959, 1961-1965, 1967-1968, 1970-1971, 1976)
Hochman, Elaine S. (1973, 1976)
Hodge, Alan (1957)
Hodge, Philip G. (1951)
Hodgkinson, Ianthe (1966)
Hofer, Philip (1945-1947, 1949, 1951-1952, 1959, 1961, 1968)
Hoffman, Donald L. (1964, 1969-1970, 1978)
Hoffmann, Werner (1956)
Hofstra College (1952)
Hogan, Austin (1940)
Hojer, Gerhard (1967, 1970, 1973)
Holcomb, Donald M. 1956
Holderbaum, James (1962, 1964, 1966, 1968)
Holdet, L. A. (1946)
Holdin, Harrison (1976)
Holiday Inn (1972)
Holland (1964, 1967)
Holland-America Line (1958, 1971)
Holman, William G. (1981)
Holmegaards Glasvaerk (1960)
Holmes, J. P. (1953)
Holser, Clifford B. (1952)
Holt, Rinehart and Winston (1972)
Holzbog, Tom (1967)
Homolka, Larry J. (1965-1967)
Hooker, Arthur (1952)
Honour, Hugh (1966)
Hood, Graham (1971)
Hooker, John (1953)
Hooper, S. C. (1954)
Hoover, Donald (1952)
Hoover, Kathleen O'Donnell (1948-1949, 1951)
Hope, Henry R. (1943, 1945-1950, 1954, 1957, 1959, 1962)
Hopping, D.M.C. (1955-1956)
Hordczak, Theodore (1956)
Horn, Estelle (1950)
Horn, Milton (1946, 1949, 1951-1952)
Horn, Walter (1958)
Horne, Mr. and Mrs. Bernard S. (1955)
Hornsey, Borough of (1946)
Horsburgh, Patrick (1952-1955)
Horta Committee (1960)
Hosken, Franziska Porges (1963)
Hotel Grande Bretagne (1961)
Hotel Inghilterra (1961)
Housend, Brian (1956)
House Beautiful -- (1928)
Housing (1945)
Houston (1959, 1967)
Houston, University of (1953-1954)
Howard, Charles (1956)
Howard, Tom (1945)
Howard University (1961-1962)
Howarth, Thomas (1953-1957, 1959-1960, 1962-1963, 1966)
Howe, George (1945, 1949, 1951, 1953)
Howe, Hester (1954, 1956)
Howe, Lawrence (1955)
Howe, Mrs. Lawrence (1945)
Howe, Stewart S. (1954)
Howe, Thomas C. (1953, 1954)
Howlett, D. Roger (1965)
Howland, Richard H. (1952-1954, 1959, 1961)
Hoyle, Henry D. (1969)
Hoyt, Deming (1960)
Hoyt, Natalie (1947, 1949-1951, 1956, 1959, 1963)
Hoyt, Nelly (1968)
Hubbard, L. Kent (1937)
Hubbard, R. J. (1959)
Hubbard, Ray (1978)
Hubbard, Russell (1949)
Huber, Erna (1963-1964, 1966, 1970-1971)
Huber, Erna and Charlie (1983)
Hudnut, Claire (1948)
Hudnut, Helen (1947-1948)
Hudnut, Joseph (1945, 1951)
Hudson River Conservancy Society, Inc. (1945)
Huemer, Frances (1955)
Huff, William S. (1958, 1965)
Hughenden Manor (1950)
Hughes, Richard (1953-1954)
Hughes, Talmadge C. (1945)
[Hugnet?], Georges (undated)
Hulst, Roger d' (1973)
Hulton Press (1957)
Hundertmark, Dieter (1960)
Hunn, Robert (1970)
Hunter, Anna C. (1955)
Hunter, Bob (1954)
Huntington, C. (1955)
Huntington, Constant (1952)
Huntington, David C. (1961, 1963-1965, 1967-1968, 1971)
Huntington, J. D. (1951)
Huntington, James L. (1954-1955, 1957-1959, 1963-1965)
Huntington, John (1955)
Huntington, Trudy (1952)
Huse, Norbert (1975)
Hussey, Alfred R. (1949)
Hussey, Mary (1954, 1962)
Huxley Brothers (1951, 1954)
Huxtable, Ada Louise (1947, 1950, 1957-1958, 1961-1962, 1969, 1971, 1982-1983)
Hyams, N. (1948)
Hyde Hall, Inc., Friends of (1965)
Hyman, Isabelle (1977)
Iber, Howard John (1972, 1974)
Illinois Institute of Technology (1950, 1954)
Illinois, University of (1947, 1949, 1965, 1979)
Ilmanen, William (1954, 1956)
Imperial Institute (1956)
Inaya, Beata (1956)
In the Nature of Materials -- (1968-1969) ( -- see also -- : Wright, Frank Lloyd)
Income Tax (1956-1957, 1972)
India International Center (1964-1965)
Indiana University (1948, 1953, 1966)
Indiana, University of (1945, 1961)
Indianapolis, Art Association of (1948)
Information Agency, U.S. (1955)
Information Service, U.S. (1961)
Inghilterra Hotel (1960)
Inglis, F. C. (1954)
Ingraham, David (1941)
Ingraham, Henry A. (1945, 1947)
Innendekoration (1963)
Inspector of Foreign Dividends (1956)
Inscoe, Eva Jane (1983)
Institute for Advanced Studies (1963)
Institute for Architecture and Urban Studies (1975)
Institute of Contemporary Art (1948-1949, 1953-1954, 1956, 1961, 1963-1964, 1976)
Institute of Fine Arts, New York University (1949, 1956-1957, 1960, 1967) ( -- see also -- : New York University)
Institute of International Education (1955)
Institute of Landscape Architects (1952)
Instituto di Storia dell'Arte (1961)
Instituto Italiano di Cultura (1958)
Instituto per la Collaborazione Culturale (1965) ( -- see also -- : Collaborazione Culturale, Instituto per la)
Insurance (1970)
Insurance Company of America (1963)
Intercultural Publications, Inc. (1953)
International Architecture Students Conference (1949)
International Congress of African Studies (see: African Studies, International Congress of)
International Encyclopedia of Architecture, Engineering, and Urban Planning -- (1976-1977)
International Design Conference (1955)
International Information Administration (1952)
International Publications, Inc. (1954)
International Union of Architects, Sixth Congress (1960)
International University of Art (1970)
Ireland, Royal Institute of Architects of (1962)
Irving, Robert Grant (1968)
Irvy, Benjamin (1981)
Isham, Gyles (1954)
Isis -- (1961, 1964)
Isley, Natelle (1956)
Italian Institute (1956)
Ivins, William M. (1936)
Jack, William A. Park (1936)
Jackson, Esther (1953)
Jacobi, Frank (1952)
Jacobs Antiques (1948-1949)
Jacobs, Robert A. (1965)
Jacobs, Stephen (1966)
Jacobus, John [Jake] (1957-1962, 1964-1966, 1969-1971, 1980-1981)
Jacobus, John [Jake] and Marion (1963)
Jaffe, Michael (1952-1956, 1958-1964, 1966, 1968, 1973, 1977, 1986)
Jaffe, Ronald (1952)
James, Evan (1946)
James, George (1952)
James, Philip (1952, 1958)
Jamieson, K. I. (1953)
Janis Gallery (1949)
Janis, Sidney (1950)
Jansen, Dick (1953-1954, 1961-1962)
Jansen, Dick and Ellen (1955)
Janson, H. W. (1959-1962, 1972, 1975, 1977, 1983)
Janson, Peter (1978, 1982)
Jarrett, James (1958-1959, 1981)
Jeannert, Marie-Louise (1982)
Jefferson National Expansion Memorial (1947)
Jemma, Manuela (1965)
Jenkins, Frank I. (1955-1956, 1958, 1960-1961, 1964-1967)
Jennings, Nancy Gillespie (1970)
Jerome Hotel (1955)
Jerome, T. T. (1947)
Jersey City, N. J. (1981)
Jewell, Jim (1953, 1956)
Joedicke, Jurgen (1963)
Johanneson, Eric (1969)
John, Dorothy (1954)
Johns Hopkins University (1952, 1965, 1967-1971, 1973-1975)
Johnson Art Collection (1926-1927)
Johnson, Buffie (1948)
Johnson, Donald Leslie (1977)
Johnson Gallery, Museum of Modern Art (1984)
Johnson, J. R. (1969)
Johnson, J. Stewart (1968, 1976)
Johnson, James R. (1946-1951, 1953-1954, 1958-1959, 1966, 1978, 1983)
Johnson, Laura (1945)
Johnson, Margaret (1952)
Johnson, Peter 1977, 1979
Johnson, Philip C. (1934, 1945-1967, 1969, 1973, 1975, 1978-1979, 1981-1983, undated) ( -- see also -- : -- Nineteenth Century American Architects -- [with Philip Johnson])
Neutra, Richard (1928, 1940-1941, 1954, 1969, undated)
Neville, Elizabeth (1964)
Neville, Richard G. (1958)
Neville, Harriett Elizabeth (1966)
New American Library (1952)
New Amsterdam Casualty Co. (1948)
New England Antiquities, Society for the Preservation of (1972-1973) ( -- see also -- : Preservation of New England Antiquities, Society for the; Society for the Preservation of New England Antiquities)
New England Architecture, Committee for the Centennial Exhibition of (1957)
New England Quarterly -- (1955)
New Gallery (1963)
New Haven Festival of Arts (1959)
New Haven Preservation Trust (1964, 1966-1969)
New Jersey Historical Society (1962)
New Jersey Society of Architects (1957)
New Liberty (1952)
New London (1976)
New Mexico, University of (1957)
New Watson Hotel (1955)
New York Central Railway (1956)
New York City (1972)
New York City, Art Commission of (1983)
New York City Planning Commission (1972)
New York Graphic Society (1970
New York Herald Tribune -- (1947)
New-York Historical Society (1950-1951, 1961-1962, 1969)
New York State Association of Architects (1949)
New York State, Temporary Commission on the Restoration of the Capitol (1980-1981)
New York, State University of (1952)
New York Times -- (1947-1948, 1957, 1960-1961)
New York University (1945-1949, 1951-1954, 1958, 1960-1961, 1968-1986) ( -- see also -- : Gray Art Gallery; Institute of Fine Arts) New York University Seminar (1977, 1980)
Porter-Phelps-Huntington House, Inc. (1953, 1955-1957)
Porter-Phelps-Huntington Foundation (1962-1964, 1967)
Portnoy, Martin (1986)
Portsmouth Priory (1949)
Posener, Julius (1964-1966, 1968-1969)
Postmaster, Western District, London (1956)
Potter, Brooks ( 1956)
Potter, Inc. (1969)
Powell, Herbert ( 1963)
Powell, Philip (1952)
Powell, Philip and Moya (1954)
Praeger, Inc. (1962-1963, 1967-1971, 1973)
Prairie School Press (1963, 1966, 1968, 1970)
Prakapas, Eugene J. (1974, 1985)
Prats, Joan (1956)
Pratt and Whitney Aircraft (1945)
Praz, Mario (1955-1956)
Prentice-Hall, Inc. (1962)
Pre-Raphaelite Decorative Arts Exhibition (1971)
Preservation League of New York (1981)
Preservation of New England Antiquities, Society for the (1956, 1963, 1966) ( -- see also -- : New England Antiquities, Society for the Preservation of; Society for the Preservation of New England Antiquities)
Preservation Society of Newport Co. [Rhode Island] (1948, 1955) ( -- see also -- : Newport Co. [Rhode Island], Preservation Society of)
Prestel Verlag (1975)
Preston, James (1963)
Preusser, Robert (1957)
Prey, Pierre du (1968-1969)
Preziosi, Donald (1981)
Price, Eric J. (1946)
Price, Paton (1949)
Priest, Allen (undated)
Primex Trading Co. (1950)
Prince, Charlotte (1969)
Princeton University (1945-1947, 1951-1952, 1955, 1957-1958, 1963, 1972, 1974-1978, 1985)
Prior, Harris K. (1947-1949, 1951, 1954-1956, 1962)
Reinhardt, Phyllis A. (1953-1955, 1960-1961, 1967-1968)
Reinhold Books (1957, 1959)
Reinhold Publishing Co. (1954)
Reinink, A. W. (1964, 1966-1967, 1969-1972)
Renaissance Conference (1945)
Renaissance Quarterly -- (1970)
Renaissance Society of America (1954, 1956-1958, 1961)
Renascence (1955)
Rensselaer Polytechnic Institute (1947, 1986)
Research Publications (1970-1971)
Residenz Verlag (1968)
Revista de Occidente Argentinia -- (1949)
Rewald, John (1977)
Rewald, S. (1976)
Rheinisches Museum (1958)
Rheinland Landschaftsverband (1956)
Rhode Island (1968)
Rhode Island Architecture -- (1939, 1968)
Rhode Island School of Design (1949-1950, 1952, 1956, 1982-1983)
Rhoads, William B. (1969)
Ribner, Jonathan (1979)
Rice, Davis and and Daley (1946-1949)
Rice Institute (1958)
Rice, Norman (1966)
Rich, Daniel Catton (1981)
Rich, Frances (1966)
Richards, Brian (1955)
Richards, Charles R. (1928)
Richards, Jim (1950, 1956)
Richards, Jim and Kit (1955)
Richards, John M. (1946, 1947, 1952, 1954, 1965)
Richardson (1956)
Richardson, A. E. (1945, 1954)
Richardson, Douglas (1971-1972, 1974-1976)
Richardson, Douglas Scott (1966)
Richardson, E. P. (Ted) (1953, 1955)
Richardson, H. H. (1974, 1978, 1982)
Richardson, Joseph P. (1973)
Richmond (1947, 1965)
Ricketson, John H. (1963)
Rickey, George W. (1961)
Rider, Fremont (1950)
Rietveld (1963)
Rijksmuseum (1956)
Rindge, Agnes (1930, 1945, 1947) ( -- see also -- : Claflin, Agnes Rindge)
Ringling Museum of Art (1948-1949, 1952)
Riopelle, Chris (1979-1982, 1984)
Ripley, Dillon (1958)
Ritter, John C. (1962)
Riverside, University of California at (1966)
Robb, David M. (1945, 1953, 1959)
Roberts, Abby B. (1941)
Roberts, Laurance (1959)
Robertson, Jacques (1955)
Robertson, Nancy (1959)
Robie House, Committee for the Preservation of the (1962-1965, 1967)
Robinson and Cleaver (1960-1961)
Robinson, Cervin (1962)
Robinson, Franklin W. (1981)
Roche, Kevin (1966, 1974-1975)
Rochester (1967)
Rochester Memorial Art Gallery (1949)
Rochester, Print Club of (1949-1950)
Rochester, University of (1970)
Rockefeller, Mr. and Mrs. David (1967)
Rockefeller, Mr. and Mrs. John D., 3rd (1955)
Rockefeller, Winston (1957)
Rococo Architecture in Southern Germany -- (1967-1968)
Rodman, Selden (1949)
Roe, Albert S. (1961)
Rollins, Clara B. (1950)
Romaine, Lawrence B. (1941, 1946-1953, 1955, 1958, 1961)
Rome (1959)
Roop, Ellen (1967)
Roos, Frank J. (1938, 1947)
Roosevelt University (1957-1958)
Rorimer, James J. (1955)
Roscoe, Field (1952)
Rose, Francis (1947, 1949-1954, 1956, 1964, undated)
Rose, Frederica (1955)
Rose, Laura (1976)
Rosebery, Earl of (1952)
Rosenberg, Arthur M. (1951)
Rosenberg, Eugene (1956)
Rosenberg, George (1976)
Rosenberg, Jim (1954)
Rosenblum, Robert H. (1952-1953, 1956-1969, 1972, 1982)
Rosenthal, Julius (1948)
Rosenwald, Lessing J. (1948)
Rosett, Francis (1957-1958)
Rosever, Kenneth M. (1952)
Ross, Marian Dean (1941, 1947, 1952-1954, 1956, 1960-1962, undated)
Ross, Marvin C. (1957, 1962)
Ross, Robert W. (1925, undated)
Roth, Leland (1970, 1973-1974, 1976, 1978, 1982)
Rothenberg, Jacob (1952)
Rowaan, H. (1963)
Rowe, Barbara C. (1958)
Rowe, Brian and Colin (1952)
Rowe, Colin (1953-1956, 1960-1961, 1964, 1977)
Rowland, Browse and Delbanco (1952)
Rox, Henry (1953, 1945)
Royal Archaeological Institute of Great Britain and Ireland (1955)
Royal Architectural Institute of Canada ( -- see -- : Canada, Royal Architectural Institute of)
Royal Automobile Club (1956)
Royal College of Art (1953)
Royal Institute of British Architects (1936, 1946-1957, 1959, 1962, 1968, 1970, 1975, 1981,1986)
Royal Society of Arts (1950, 1953, 1955-1956, 1959-1962, 1964, 1966-1967, 1969-1970, 1972, 1975-1976, 1978-1980, 1983, 1985-1986)
Royal Vangorcum Ltd. 1965
Rub, Timothy (1978-1982, 1986-1987)
Rubin, Don (1970)
Rubin, Joan Carpenter (1980)
Rudd, J. William (1961, 1963, 1966)
Rudisill, Richard (1964)
Rudolph, Paul (1950, 1952-1954, 1963-1964, undated)
Rueger, Charles (1954)
Rufford Travel (1954-1955)
Ruggie Agency (1949-1950, 1952-1955, 1961)
Rusch, Basil (1955)
Rusk, W. S. (1935)
Ruskin Society of America (1951, 1953)
Russell, A. LeBaron (1947)
Russell, Beverly (1975)
Russell, Christopher A. (1953)
Russell, Gordon (1956)
Russell, Mr. and Mrs. William G. (1954)
Russian Review -- (1955)
Rutgers University (1955, 1972-1973, 1982, 1985)
Rutledge, Anna Wells (1951, 1955, 1957, 1962, 1966)
Ryan Studios (1958)
Ryder, Arthur (1949)
Ryerson and Burnham Libraries, Art Institute of Chicago (1949) ( -- see also -- : Burnham Library; Art Institute of Chicago; Chicago, Art Institute of)
Saarinen, Aline B. (1962)
Saarinen, Eero (1957, 1963-1964)
Sabin Coal Co. (1954-1955)
Sachs, Paul J. (1925-1926, 1928, 1951-1952, 1955)
Saint, Andrew (1982, 1986)
St. George's Gallery Books (1959, 1964-1965, 1968, 1970, 1977-1978)
St. James Press (1978)
St. John's University (1961)
St. Louis, City Art Museum of (1961, 1966)
Salmon and Son (1954)
Salto Liberia (1962)
Saltonstall, Gladys (1928)
Saltonstall, Leverett (1953)
Salzberg Seminar in American Studies (1959)
Salzburg (1953)
Samoset Garage (1946)
Samson, Miles D. (1984)
Samuel, Godfrey (1948, 1952, 1956, 1959)
San Antonio Fine Arts Forum (1958)
Sanborn, Herbert J. (1960)
San Jose State University ( -- see -- : California, San Jose State University)
Smith, Alexander Mackay (1949) ( -- see also -- : Mackay-Smith, Alexander)
Smith and Sons (1953)
Smith, Anna L. (undated)
Smith, Betty (1928-1929)
Smith College (1946-1964, 1966-1973, 1975-1976, 1978, 1981-1982) ( -- see also -- : Department; Kennedy Fund)
Smith College Alumnae Association (1954) ( -- see also -- : Alumnae Association)
Smith, E. Baldwin (1946-1947, 1953)
Smtih, Edith (1928-1929)
Smith, Fred S. (1928)
Smith, Mrs. Frederick (1945)
Smith, G. E. Kidder (1957, 1961, 1963, 1965)
Smith, George Walter Vincent Museum (1961)
Smith, Gertrude D. (1972)
Smith, Hinchman and Grulls Associates, Inc. (1976)
Smith, Kathryn (1976-1980, 1983, 1986)
Smith, Linn (1947)
Smith, Meg (1972, 1974)
Smith, Patricia Anne (1950)
Smith, Peter van der Meulen (1927-1928)
Smith, Robert C. (1950-1952, 1956)
Smith, Sidney (1947)
Smith, Vincent (1971)
Smith, William and Son (1949)
Smithson, Peter (1966)
Smithsonian Associates (1975)
Smithsonian Institution (1967, 1976, 1979)
Smyser, H. M. (1965)
Smyth, Craig Hugh (1951-1952, 1956, 1983)
Snow, Florence (1955)
Snow, Wilbert (1945)
Snowden, Ernest (1927-1928)
Snyder, John (1974)
Soby, James Thrall (1945-1950, 1954-1955, 1957-1958, 1960-1961, 1968, 1977, 1979)
Soby, Nellie (1951-1953)
Societe Editions de France (1958)
Society for the Preservation of Long Island Antiquities ( -- see -- : Long Island Antiquities, Society for the Preservation of)
Society for the Preservation of New England Antiquities (1948, 1972, 1975) ( -- see also -- : New England Antiquities, Society for the Preservation of; Preservation of New England Antiquities, Society for the)
Society of Architectural Historians (1949-1985, 1987)
Society of Architectural Historians of Great Britain (1958-1980, 1983-1986)
Society of Mayflower Descendants ( -- see -- : Mayflower Descendants, Society of)
Solomon, Arthur and Marny (1975)
Solomon, Pringle (1948)
Somerset Co. [N.J.] Park Commission (1970)
Somerwil, J. (1962)
Sommer, Clifford C. (1958)
Sommer, Frank (1970)
Sonne, Fi (1955-1956)
Sonnenberg, Benjamin (1972)
Sorem, Lucia (1961)
Soria, Martin (1958)
Sotheby Parke Bernet, Inc. (1971, 1982)
Southern California, University of (1966, 1968)
Southern Regional Education Board (1966)
Spaeth, John W. (1945-1946)
Spark, Victor (1948, 1971)
Spear, Dorothea (1955)
Speed Art Museum ( -- see -- : Louisville, J. B. Speed Art Museum)
Speed, Herbert (1946)
Speirs, Bruce (1982)
Spence, Basil (1963-1964)
Spence, Eleanor (1954)
Spencer, Brian (1973-1974)
Spencer, Stephen (1956)
Spencer, Walter L. (1975-1976, 1978)
Sperling, Harry G. (1955)
Speyer, Darthea (1952)
Spokes, P. S. (1955)
Sprague, Joan Forrester (1960)
Sprague, Paul (1973, 1980, 1983)
Springarn, J. E. (1938)
Springfield [Mass.] (1980-1981)
Springfield [Mass.] City Planning Department (1971)
Springfield [Mass.] Museum of Fine Arts (1949, 1954)
Springfield [Mass.] Republican (1944-1945)
Springfield [Miss.] Art Museum (1949)
Staatsarchiv (1966)
Stabile, Elizabeth (1963)
Stadt Koln (1957)
Stahl, Frederick A. (Tod) (1969-1970)
Staib, Hermann (1966, 1968-1969, 1974)
Staley, Karl A. (1953)
Stamm, Gunther (1979)
Stamp, Gavin (1978, 1985)
Stanford University (1985)
Stanton, Phoebe B. (1952-1954, 1958, 1965, 1968, 1970)
Staples Press (1950)
Starr, Mrs. Nathan C. (1952)
State Department, U. S. (1955, 1956, 1958) ( -- see also -- : Department of State; United States Department of State)
State Department, U.S. Information Agency (1957)
State Historical Society of Wisconsin ( -- see -- : Wisconsin, State Historical Society of)
Stebbins, Theodore E. (1965-1969, 1972-1973, 1977-1978)
Wright, Frank Lloyd, Home and Studio Foundation (1977, 1984)
Wright, Frank Lloyd, and -- In the Nature of Materials -- (1941)
Wright, John Lloyd (1968)
Wriston, Barbara (1952-1953, 1956, 1960, 1962, 1967)
Wurm, Heinrich (1966)
Wurster, William W. (1943-1944, 1946,-1948, 1950, 1951-1957, 1959, 1961)
Wurster, William W. and Catherine 1945
Wyoming, University of (1975)
Xenakis, Jason (1958)
Yale Review -- (1966-1968, 1970)
Yale University (1947-1960, 1962-1963, 1965-1979, 1982, 1986)
Yardley, Michael (1975-1978)
Yeon, John (1954)
York City Art Gallery (1958)
York Institute of Architectural Study (1957-1959, 1961)
York, University of (1962, 1970)
Yorke, R.F.S. (1952)
Youell, William (1948)
Young, E. A. (1947)
Young, Elaine (1962)
Young, Elizabeth (1961)
Young, Paul E. (1949)
Young, Mr. and Mrs. Wilfred B. (1954-1955)
Youritzin, Glenda Green (1974)
Zacchwatowicz, Jim (1963)
Zador, Anna (1970, 1972)
Zarnecki, George (1953)
Zaroff, Anne T. (1975)
Zawisa, Bernard J. (1952-1953, 1956)
Zenith Corp. (1969-1970)
Zenobi Sarto (1963)
Zerkowitz, A. (1957)
Zevi, Bruno (1952)
Zewicher, Mrs. Victor K. (1950)
Zimmerman Brothers (1963-1966, 1969)
Zimmerman, Mrs. Isadore (1952)
Zodiac Revue -- (1959-1969)
Zorn, Kate (1979)
Zubarec, Michael (1956-1957)
Zwemmer, A. (1946-1948, 1955, 1959)
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Henry-Russell Hitchcock papers, 1919-1987. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
United States of America -- New York -- Rockland County -- Orangetown -- Palisades
Scope and Contents:
The folder includes several worksheets and a detailed history/description of the property prepared for the New York State Office of Parks, Recreation & Historic Preservation.
General:
Situated along the Hudson River, Seven Oaks was originally developed as a 25-acre estate in the 19th century. Historically the grounds have featured open fields and dense, wooded areas, as well as numerous gardens. Although about 10 wooded acres were subdivided by the early 1990s, the Gothic Revival estate house, built in 1862, remains, as well as several Gothic Revival outbuildings and a more modern machine shop. In the 20th century a long greenhouse was added to the coachman's residence, but the core property remains essentially unaltered. Originally owned by the Park family, the estate passed in 1911 into the possession of Seth Fox, a New York City merchant. The Fox family used Seven Oaks as a summer place until the early 1920s, when they made it their year-round residence. The Fox family was also responsible for developing Seven Oaks' gardens, which are documented in this collection.
Persons associated with the garden include: Charles F. Park (former owner, ca. 1860-1911); Seth Fox (former owner, 1911-?); and Arthur Woodward Fox and Ada Augusta Treadwell Fox (former owners).
Related Materials:
Seven Oaks related holdings consist of 1 folder (113 35 mm. slides)
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.
Scope and Contents:
The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.
Administrative records include records relating to the general operation of the Contemporary Wing concerning fundraising, professional associations, budget, contact information for artists, donors, and lenders to exhibitions. Also found are records of the permanent collection of artworks acquired by the museum between 1964 and 1975 from contemporary artists and collectors of contemporary art.
Artist files contain basic biographical information on over 150 contemporary artists, with scattered correspondence, photographs, technical information about artworks, artist statements, and other writings. Artist files also include an incomplete run of artist questionnaires gathered by the New York Arts Calendar Annual for 1964.
Elayne Varian's personal papers include curatorial records, a course schedule and syllabus related to her teaching activities, and various writings. Curatorial projects documented in Varian's papers include three programs produced outside of Finch College, including a juried show at the New York State Fair in 1967, a film series at Everson Museum of Syracuse University, and an exhibition at Guild Hall in East Hampton in 1973. Several of Varian's writing projects involved interviews, which are also found in this series in the form of sound recordings and transcripts. Interview-based writing projects include individual profiles on Brian O'Doherty and Babette Newberger, and interviews conducted for an article on the artist-dealer relationship published in Art in America (January 1970). Dealers interviewed for the latter project include Leo Castelli, Virginia Dwan, John Gibson, Richard Feigen, Arnold Glimcher, Fred Mueller, Martha Jackson, Sidney Janis, Betty Parsons, Seth Siegelaub, and Howard Wise. Artists interviewed include Roy Lichtenstein, Adolph Gottlieb, and Charles Ross.
Exhibition files, comprising the bulk of the collection, document exhibitions held in the Contemporary Wing during its existence from 1964 to 1975. Types of records found in the series include exhibition catalogs, correspondence, loan agreements, lists, contact information, insurance valuations of artworks, photographs, biographical information on artists, clippings, posters, press releases, and other publicity materials. In addition to the rich textual and photographic records found for exhibitions, numerous audiovisual recordings are also found, some of which were made in preparation for an exhibition, some document mounted exhibitions, and others are artworks themselves or components of artworks exhibited in the galleries. Interviews with artists, dealers, and others involved in exhibitions include Alan Sonfist, Mel Bochner, Hans Richter, Ruth Richards, James Brooks and Janet Katz, Margaret Benyon, Irwin Hollander (transcript only), David Anderson, Doris Chase, Will Insley, Michael Kirby, Les Levine, Ursula Meyer, Brian O'Doherty, Charles Ross, Tony Smith, Douglas Davis, Jane Davis, Russ Connor, Les Levine, Michael Mazur, Paul Gedeohn, and physicists Lloyd G. Cross, Allyn Z. Lite, and Gerald Thomas Bern Pethick. Video artworks, recordings of performances, or components of multimedia artworks are found by artists Vito Acconci, Kathy Dillon, Douglas Davis, Dan Graham, Les Levine, Bruce Nauman, Michael Netter, Eric Siegel, and Robert Whitman. A film of the Art in Process: The Visual Development of a Structure (1966) exhibition is found, and video recordings of artists Lynda Benglis, Michael Singer, and Sam Wiener form as part of the documentation for the Projected Art: Artists at Work (1971) exhibition.
Arrangement:
The collection is arranged as 4 series.
Missing Title
Series 1: Administrative Records, 1950-1975 (2 linear feet; Boxes 1-2, 22, OV 23)
Series 2: Artist Files, 1958-1975 (2.4 linear feet; Boxes 3-4, 22, OV 23, FC 27-28)
Series 3: Elayne Varian Personal Papers, 1965-1970 (1.3 linear feet; Boxes 5-6)
Series 4: Exhibition Files, 1943-1975 (14.9 linear feet; Boxes 6-22, OV 24-25, FC 26)
Biographical / Historical:
The Contemporary Study Wing of the Finch College Museum of Art, later called simply the "Contemporary Wing," was established in 1964 by the president of Finch College, Roland De Marco, as an extension the Finch College Museum of Art in New York City.
Its mission was to educate art history students at the Manhattan women's college who were interested in working with contemporary art. DeMarco, himself an art collector, hired Elayne Varian as director and curator of the contemporary wing. DeMarco met Varian in the New York office of the prominent international art dealership Duveen Brothers, where she had worked since the mid-1940s, most recently as an art dealer. Varian received her art education in Chicago, where she studied art history and education at the University of Chicago, and took classes in film at the Bauhaus and in fine art the Art Institute of Chicago. Sensitive to emerging art movements in galleries and studios around the city of New York, as the contemporary wing's curator, Varian quickly established a reputation for thoughtfully conceived, cutting-edge exhibitions which were consistently well-received by the press.
Under Varian, the Contemporary Wing carried out a dual mission of showing work of living artists and educating students and the public about the artwork and museum work in general. Varian used the galleries to provide practical training to students interested in a gallery or museum career throughout its existence. For several years, she also maintained an assistantship position for post-graduate museum professionals to gain experience in the field, many of whom went on to careers in museums across New York State.
The Contemporary Wing's best-known exhibitions formed a series of six shows called Art in Process, held between 1965 and 1972. Each of the Art in Process shows took a different medium, including painting, sculpture, collage, conceptual art, installation art, and serial art, and brought the process of art-making into the gallery with the artworks in various ways. For example, for Art in Process V (1972), the show about installation art, the galleries were open to the public for the entire process of its installation, allowing visitors to watch the works take shape. Another show entitled Documentation (1968) exhibited artworks with documentation such as artist's notes, sales records, and conservation records, bringing to light the value of record-keeping in the visual arts. Two exhibitions entitled Projected Art were also innovative, with the first (1966-1967) bringing experimental films from the cinema to the galleries, and the second (1971) showing artists' processes via footage and slides of artists working. Another show, Artists' Videotape Performances (1971), involved both screening of and creation of works in the gallery using a range of experiments with recent video technology. The museum also participated in an experimental broadcast of an artwork entitled Talk Out! by Douglas Davis, in which a telephone in the gallery allowed visitors to participate in its creation while it was broadcast live from Syracuse, NY. Other exhibitions that showcased experimentation in art included N-Dimensional Space (1970), on holography in art, Destruction Art(1968), on destructive actions being incorporated into contemporary art-making, and Schemata 7 (1967), a show about the use of environments in contemporary art, whose working title was "Walk-in Sculpture."
Other popular exhibitions at the Contemporary Wing included shows on Art Deco (1970) and Art Nouveau (1969). Several shows mined the private collections of prominent contemporary art collectors including Martha Jackson, Betty Parsons, George Rickey, Paul Magriel, Jacques Kaplan, Josephine and Philip Bruno, and Carlo F. Bilotti. A number of exhibitions featured contemporary art from overseas including Art from Belgium (1965), Art from Finland (1973), Seven Swedish Painters (1965), and Art in Jewelry (1966), which featured mainly international jewelry artists. Retrospective exhibitions of Hans Richter, Hugo Weber, and James Brooks were also held.
Hundreds of contemporary artists were shown at the Contemporary Wing in the eleven years of its existence, including many who came to be leading figures in contemporary art, and some who already were, including Andy Warhol, Roy Lichtenstein, Mel Bochner, Eva Hesse, Lynda Benglis, Bruce Nauman, Robert Morris, Lawrence Weiner, Robert Smithson, Sol Le Witt, Dan Flavin, Philip Pearlstein, and Yayoi Kusama, to name just a few.
The Contemporary Wing and the entire Finch College Museum of Art shut its doors in 1975, when Finch College closed due to lack of funds. The permanent collection was sold at that time, and the proceeds were used to pay Finch College employee salaries. Elayne Varian went on to the position of curator of contemporary art at the John and Mabel Ringling Museum in Sarasota, Florida. She died in 1987.
Related Materials:
Also found in the Archives of American Art is an oral history interview with curator Elayne Varian conducted by Paul Cummings, May 2, 1975.
Provenance:
The Archives of American Art acquired these records from the Finch College Museum of Art after it closed permanently in June 1975.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Video artists -- New York (State) -- New York Search this
Museum administrators -- New York (State) -- New York Search this
Museum curators -- New York (State) -- New York Search this
Topic:
Sculptors -- New York (State) -- New York Search this
Art dealers -- New York (State) -- New York Search this
Painters -- New York (State) -- New York Search this
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program. Funding for the digitization of two motion picture films was provided by the Smithsonian Women's Committee, and for the remaining sound and video recordings from the Smithsonian's Collection Care Pool Fund. Funding for the digitization of the collection, not including audiovisual materials, was provided by The Walton Family Foundation and the Terra Foundation for American Art.
United States of America -- New York -- Ontario County -- Canandaigua
Scope and Contents:
The folders include worksheets, site plans, copies of brochures and articles about the gardens, correspondence, and additional information.
General:
Sonnenberg was the summer home of Frederick Ferris and Mary Clark Thompson, who purchased the property in 1863. A 40-room Queen Anne style mansion was built between 1885 and 1887, while the gardens as they exist today were developed between 1903 and 1920. Initially, Boston landscape architect Ernest Bowditch and subsequently his assistant John Handrahan (who worked independently for Mrs. Thompson after about 1903) were responsible for their creation along with other individuals including K. Wadamori (the Japanese garden) and Francis Allen (the Roman bath). Besides the Japanese garden and Roman bath, garden areas include a formal Italian garden, a blue and white garden, a rose garden, an old-fashioned garden, and a rock garden. Specimen trees punctuate the flowing lawns, while a Lord & Burnham conservatory and greenhouse complex is a highlight of the property. Following Mary Thompson's death in 1923 the property passed to her nephew, Emory Clark, who in turn sold it to the United States Government in 1931. In 1973 the non-profit "Sonnenberg Gardens" organization acquired the core 52 acres of the property, including the gardens and mansion, which were opened to the public. Various restoration efforts ensued, including those of landscape architect Noreda A. Rotunno, and in 2005 the estate became the fifth state historic park in New York State.
Persons associated with the property include Mary Lee Clark Thompson (former owner, 1863-1923); Frederick Ferris Thompson (former owner, 1863-1899); Emory Clark (former owner, 1923-1931); Ernest W. Bowditch (landscape architect, ca. 1900-1907); John Handrahan (landscape architect, ca. 1900-1921); K. Wadamori (landscape designer, 1906-1908); Francis Allen (architect, 1914); and Noreda A. Rotunno (landscape architect, 1972-1977).
Related Materials:
Sonnenberg Gardens related holdings consist of 2 folders (72 35 mm. slides (photographs); 15 photographic prints)
See others in:
J. Horace McFarland Collection, 1900-1961.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
The Gardens at Pryun House (Newtonville, New York)
United States of America -- New York -- Albany -- Newtonville
Scope and Contents:
The folder includes worksheets, histories of the property and owner families, brochures, garden club notes and records, and photocopies of articles.
General:
The late Federal/early Greek Revival Pruyn House has public gardens planted and maintained by two garden clubs, the Fort Orange Garden Club, designers of the cutting and habitat gardens, and the Blue Creek Garden Club, which installed and maintained the herb garden until 2009. The gardens feature continuous bloom for the enjoyment and education of the public and to provide plant materials for arrangements in Pruyn House. Traditional annuals and perennials have been propagated elsewhere by members of the garden committee, and they also conduct trial plantings of new or unusual varieties of flowers. The herb garden is arranged formally in rectangular and curved beds around a central circular bed with a sundial. Originally the cutting garden had 14 rectangular beds in a 40 by 80 foot plot with the historic tool shed, which has been renovated. The planting scheme has been modified over the years to remove varieties that were not suited to the sandy soil or the severe winters. The plants are labeled and a comprehensive list is located in the tool shed for the garden's visitors. The habitat garden was created in 2007 to attract monarch butterflies, and features milkweed and brightly colored annuals and perennials.
The original 700 acre property was acquired in 1632 from Native American tribes by Kiliaen Van Rensselaer (b.1580-d.1643) of Holland. There were tenant farmers on the land until 1846 when New York State outlawed the feudal land tenancy system. Over the years the size of the property has been reduced but the land continued to be farmed and gardened by subsequent owners. In 1983 the property was purchased by the Town of Colonie and was placed on the National and State registers of Historic Places in 1985.
Persons associated with the garden include: Stephen Van Rensselaer III (former owner, 1785-1839); Casparus Pruyn (former owner, 1839-1846); Alfred Mayall (former owner, 1849-1866); John L. Henkes (former owner, 1866-1893); John J. Henkes (former owner, 1893-1966); Sid Bailey (former owner, 1966-1981); Fort Orange Garden Club (garden designers and gardeners, 1988- present); Blue Creek Garden Club (herb garden designers and gardeners, 1987-2009).
Related Materials:
The Gardens at Pruyn House related holdings consist of 1 folder (10 slides (photographs) and 12 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- New York -- Nassau County -- Westbury
Scope and Contents:
The folder includes a worksheet, garden plans, photocopies of house, and several photocopies of articles about the garden.
General:
Situated on the top of a hill, Knole has been classified as a Beaux-Arts mansion and a Palladian-style villa. It was named after Sackville West's "Knole" in Sevenoaks, Kent, England. Thirty-three acres remained of the original estate as of 1985. The garden includes alles, terraces, formal gardens, a foly of limestone arches, court yard, water garden, and two walks--The Long Walk, and The Grassed Walk. A Le Notre style treillage originally surrounded the entire back of garden.
Persons and firms associated with the garden include: Herman B. Duryea (former owner, 1902-1903); Bradley Martin (former owner, 1907-1963); Carrere & Hastings (architects, 1902-1903); Thomas Hastings (architect, 1902-1903); and Lewis & Valentine (landscape architects (1902-1903).
Related Materials:
Knole related holdings consist of 2 folders (32 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- New York -- Otsego County -- Otsego -- Cooperstown
Scope and Contents:
The file includes 9 35mm slides, worksheets, photocopies of printed information about the garden, and photocopies of photographs of the garden from the New York State Historical Association library.
General:
Fernleigh, the country home of the Clark family since the 19th century, is situated along both sides of the Susquehanna River, linked by a footbridge. The house, only part of which remains, was a Second Empire stone mansion designed by New Jersey architect James Van Dyke and built in 1869. The original garden was located to the south of the mansion and included a servants' house and Turkish bath. In 1923 Stephen Clark commissioned Marcus T. Reynolds to design new gardens for Fernleigh. Reynolds incorporated his love for Italian villas into the plans. When they were completed in 1929, the new Fernleigh gardens had terraces, balustrades, a fountain, and a swimming pool, which was placed on the site of the original garden. The garden architecture included a wrought-iron casino, pavilions, iron trellises, and bird cages. Reynolds' design centered the mansion, servants' house, and Turkish bath around the swimming pool and terraces. Period photographs show that the property was used extensively for lawn parties, fairs, and other recreational activities. Reynolds was reponsible for the terraced plan for the garden, while Bryant Fleming, a landscape design professor at Cornell, drew up the planting plans. Planted beds are evident in the period photographs. Today, only a portion of the Fernleigh mansion remains. The Turkish bath is gone and the swimming pool has been replaced with grass. The wrought-iron casino and fountain still stand. Containers of large topiaries are placed in the garden during the summer months. Planted beds are not used, although some permanent plantings exist.
Persons associated with the garden include: the Clark family (owners, 1869 to date); James Van Dyke (architect, 1868); Henry Hardenburgh (architect, 1870s); Marcus T. Reynolds (architect and landscape architect, 1923-1929); Bryant Fleming (landscape designer, 1920s); and Christi Vadnais (artist od mural in pavilion, 1995).
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- New York -- Nassau County -- Oyster Bay -- Glen Head
Scope and Contents:
The folders include worksheets, garden plan, and copies of articles.
General:
The gardens at Rynwood, originally designed by Ellen Shipman were replanted in 1982 by Innocenti & Webel for minimum care. Today the gardens feature 45 acres of vineyard, started in 1982, along with formal lawn terraces. A reflecting pool is approached by descending steps in Lutyens' style from the upper lawn terrace.
Persons associated with the garden include: Sir Samuel Agar Salvage (former owner, 1927-1946); Miss Margaret Emerson, widow of Alfred G. Vanderbilt, daughter of Isaac Emerson (former owner, 1946-1960), Frederick Wm. Irving Lundy (former owner, 1960-1977); Banfi Wine Corporation (owners, 1979-present); Roger Harrington Bullard (architect, 1927); Dr. Marcello Matteini and Mark Hampton (interior designers, 1980); Ellen Shipman (landscape architect, 1927); Innocenti & Webel (landscape architects, 1982); and Banfi Vintners (owners, 1979- ).
Related Materials:
Rynwood related holdings consist of 2 folders (42 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- New York -- Nassau County -- Oyster Bay -- Brookville
Scope and Contents:
The folder includes a worksheet, landscape plans, copies of photographs, and copies of articles and programs.
General:
This Hillwood was owned by Mr. and Mrs. Edward F. Hutton. After the Hutton's divorce in 1935, Hillwood became the property of Marjorie (formerly Mrs. Hutton) and her second husband Joseph E. Davies. Mrs. E. F. Hutton, after several divorces, was later known as Mrs. Marjorie Merriweather Post. Long Island University bought the property in 1947 to use it as one of their off-campus locations. Classes began in the mansion in 1951. The University then named the property after Marjorie Merriweather Post's father, Charles William Post, to become C. W. Post College. In 1955, Mrs. Post built a separate estate in Washington, DC, and named it "Hillwood." This is now Hillwood Museum and Gardens.
(The Fine Arts Center, located on the college property, was originally owned by Mr. E.F. Hutton, who built it after his divorce from Marjorie. He hired Marian Coffin to design this property as well.)
Persons and organizations associated with this garden include: Mr. and Mrs. William A. Prime (former owners, 1911); Mr. and Mrs. Edward F. Hutton (former owners, 1921-ca.1940); Mr. and Mrs. Joseph E. Davies (former owners); (Marian Coffin (landscape architect, 1921-1929); Charles M. Hart (architect, 1921); Hart & Shape (architects); and Long Island University, C.W. Post College (owners, 1947-present).
Earliest slides are taken from published sources.
Related Materials:
Hillwood related holdings consist of 3 folders (20 35 mm. slides)
Another repository of images (23) of this garden is the Richard E. Ballard Collection at Winterthur Museum, Delaware.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- New York -- Essex County -- Willsboro
Scope and Contents:
The folder includes worksheets, features map, planting plans, historical images and other documentation as well as 21 digital images.
General:
Established circa 1910, Scragwood Garden is located on one third of an acre in Willsboro, New York. The property lies on what was once a large land tract owned by the Clark family that dates back to the mid-1800s. The garden is adjacent to the Scragwood home, a clapboard house with elements of the Gothic Revival Style, built circa 1842. From 1857 to 1895 it was the home of Solomon Wesley Clark, Rhoda Adsit Clark and their seven children. Solomon Clark operated an extensive limestone quarry which furnished stones for the foundations of the Brooklyn Bridge and the New York State Capitol. Scragwood Garden's establishment is attributed to Florence Tanner Wood, the wife of Charles Fiske Wood, Solomon's grandson. Scragwood Garden was abandoned following Florence's death in 1945. The original plan for the garden was discovered in 2003. Restoration of the garden's traditional Colonial Revival pattern was begun in 2004 and completed in 2012.
The perimeters of Scragwood Garden are defined by low limestone walls. The garden is divided into five parterres separated by paths of blue limestone. The paths converge at a diamond shape in the center, marked by a sundial and centerpiece of Lake Champlain stones. During the restoration, perennials found still growing on the grounds were kept and reset if necessary. These include varieties of Dutch iris, daffodils, narcissus, thistle, lupine, pink and white phlox, hens and chicks, and century plants. The garden was restored with close attention to the plantings noted on the original drawings. Some plants from the original plan will not thrive in the current climate, and annuals have been included to compensate.
Scragwood Garden is visited by garden clubs, historians and other groups and individuals who are particularly interested in vernacular Colonial Revival gardens.
Persons associated with the garden include: Charles Fiske Wood (former owner, 1920-1943); and Florence Tanner Wood (garden designer, circa 1910).
Related Materials:
Original documents pertaining to the Clark family are located in the private collection of the current owner of the property.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- New York -- Westchester County -- Mount Kisco
Date:
1920.
Local Call Number(s):
NY394006, NY354006
General:
Slide indicates image may be the work of Richard Averill Smith and the property of New York State Historical Association. The image, however, is identical to one appearing in Augusta Owen Patterson's American Homes of Today (1924) and credited to Mattie Edwards Hewitt. In 1920 Hewitt published two views of Avalon, one of which may be this image. See citation in Richard G. Kenworthy, "Published Records of Italianate Gardens in America," Journal of Garden History 10, No. 1 (January-March 1990), p.53.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- New York -- Nassau County -- Oyster Bay -- Muttontown
Date:
1933
General:
NO REPRODUCTION.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- New York -- Nassau County -- Oyster Bay
Date:
1984
General:
The original house of W. R. Coe was destroyed by a fire in 1918. Between 1918-1921, Coe Hall was designed by the New York firm, Walker and Gillette. The house was derived from famous Engish Tudor Homes of the 16th and 17th century. Mattie E. Hewitt Collection, Nassau County History Museum, #133270.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- New York -- Nassau County -- Oyster Bay
Date:
1984
General:
The original house of W. R. Coe was destroyed by a fire in 1918. Between 1918-1921, Coe Hall was designed by the New York firm, Walker and Gillette. The house was derived from famous Engish Tudor Homes of the 16th and 17th century. Mattie E. Hewitt Collection, Nassau County History Museum, #133270.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- New York -- Nassau County -- Oyster Bay
Date:
1921
General:
The original house of W. R. Coe was destroyed by a fire in 1918. Between 1918-1921, Coe Hall was designed by the New York firm, Walker and Gillette. The house was derived from famous Engish Tudor Homes of the 16th and 17th century. Mattie E. Hewitt Collection, Nassau County History Museum, #133270.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Currently stored in box 1.2.1 [21], moved from [223].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Currently stored in box 1.1.1 [162], moved from [158]. Orig. no. 34-B.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Streets -- New York (State) -- New York Search this
"Color stereo only. Barnes Crosby & Co..." on envelope.
Currently stored in box 1.1.1 [162], moved from [158]. Orig. no. 44-B.
Apparently part of a set of 3-color separation images.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
