United States of America -- Connecticut -- Hartford County -- Hartford
Date:
1904-1941
Scope and Contents note:
The folders include catalog sheets and articles.
General note:
Charles Pond, a wealthy businessman, bequeathed his estate to the City of Hartford in the late 1800s to be used as a horticultural park and named it after his wife, Elizabeth. In 1897, the Elizabeth Park Rose Garden was one of the first municipal rose gardens established in America. The rose garden was designed by Theodore Wirth, a Swiss landscape architect hired by the Olmsted firm, who finished training at London's Royal Botanical Gardens at Kew. In 1904, the rose garden was constructed and planted. In 1912, the American Rose Society recognized its splendor and significance and requested that a half acre semi-circle be added and used as this country's first test rose garden. The garden was originally famous for its variety of Hybrid Perpetuals (eight original beds continue to bloom). By the 1960s the park became so neglected and weed filled that the American Rose Society would no longer recognize it as an accredited testing grounds. In 1977, the Friends of Elizabeth Park was formed and they hired a rosarian. A restored garden replanted with new vintage plants was installed. The American Rose Society reinstated Elizabeth Park as a test garden. Today, the garden has 15,000 rose bushes of about 800 varieties--mainly Hybrid Teas, Grandifloras, Floribundas, shrubs, polyanthas, and minis. In 1990, the All-American Rose Selections awarded Elizabeth Park the most outstanding garden award. Other gardens in the park include an annual garden; a perennial garden; an herb garden; a rockery; a Dahlia garden; and a large number of rare and unusual trees and shrubs.
This collection is made up of glass lantern slides, photo prints (color and b&w), glass plate negatives, and postcards. The images include the construction of the garden and early visitors. They also depict the pond and bridge; rose gardens; perennial beds; an aerial view; and expanses of lawn.
Persons and entities associated with the property and garden include: Charles Pond (former owner); City of Hartford and Town of West Hartford (present owners); and Theodore Wirth (park designer and supervisor, 1897).
See others in:
Garden Club of America Collection, ca. 1920-[ongoing].
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
United States of America -- Massachusetts -- Norfolk County -- Brookline
Date:
1903-1930
Scope and Contents note:
The folders include a work sheet and copies of articles.
General note:
Larz and Isabel Anderson created fashionable and personally inspiring gardens on a property they named "Weld" in honor of her grandfather, William Fletcher Weld. The gardens served as inspiration for Isabel's writings of children's stories. They also evoked the history of Larz and Isabel's family heritage. During their ownership, the garden plan was nearly square, with a built-up enclosure of terrace and balustrades on the sides. A pergola stood at the end. The lowest level of the garden contained the mall and flower beds. A grove of trees shut off the formal garden from the house. Semicircular cement seats are located at each end of the 380 foot allee. Isabel left Weld to the town of Brookline for public recreation and public education. Brookline renamed Weld "Larz Anderson Park." Sited as not suited for a public facility, the house was razed and the gardens were destroyed or abandoned. The stables now house the Museum of Transportation, founded in 1949 with the Andersons' motor car collection. In 1990, an effort was attempted to stabilize the few remaining structures. Bulldozing of the grounds now makes restoration difficult.
Persons and firms associated with the garden include: William F. Weld (former owner of land); Larz and Isabel Weld Perkins Anderson (former owners, -1948); Town of Brookline (present owners, 1948-present); Edmund M. Wheelwright (architect of house, stable and garage, begun 1885); Charles A. Platt (architect of Italian garden, grove and bowling green,1901); Fox and Gale (architects of rose garden and tennis courts, 1902); Onchi San (gardener of Japanese garden, 1907); Little and Browne (architects of water garden and Chinese garden and additions to house, 1910-1916)
See others in:
Thomas Warren Sears photograph collection, 1900-1966.
Garden Club of America Collection, ca. 1920-[ongoing].
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
United States of America -- Massachusetts -- Norfolk County -- Franklin
Scope and Contents note:
The folder includes worksheets and photocopies of an article and other information.
General note:
Oakwald is a Georgian Revival style brick mansion built circa 1921 by Harry Taft Hayward (b. 1868) on a seven acre parcel. The house is approached by a long drive bordered by an avenue of deciduous trees. The extensive garden had many formal planted beds connected by grass walkways. There were Georgian style high brick walls planted with vines and flagstone walkways. A tiled pool contained an antique fountain. There were rock gardens and a pond with small waterfalls.
The 12,570 square foot house, considered the most substantial in the district, is set back from the town common. Part of the original property is now owned by St. Mary's Church, which built St. Mary's School along Main Street frontage. The Craftsman/Tudor style garage on the property was built c. 1910 and is now owned by St. Mary's Church.
Harry Taft Hayward was a prominent businessman who owned several woolen and cotton mills in New England. His wife was Edith C. Wires (b. 1872).
Persons associated with the garden include Harry Taft Hayward and Edith C. Wires Hayward (former owners, 1920s).
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
United States of America -- Rhode Island -- Newport -- Newport
Scope and Contents:
The folder includes worksheets, oversize photocopies of original plans, images, and articles.
General:
The Olmsted Brothers' 1901 design for the one-acre gardens within a seven-acre seaside property exemplified the great interest in Japonism at that time, featuring a koi pond, tea shelter, and thatch roofed parasols. The landscape design complemented California architect Irving John Gill's 1902 house, described as an Arts & Crafts variation on the New England shingle style with oriental features. The site is a rocky outcropping above a saltwater cove and the gardens highlighted natural features such as rocky outcroppings while preserving the wild character of the location. Wildacre, also known as the Japanese garden, was designed as a strolling garden with both open views of the ocean and composed garden rooms. Nearly 100 years later the garden was rejuvenated with reference to the original Olmsted plans and drawings.
The restoration included planting replacement specimen trees and adding a mixed layer of deciduous and evergreen trees as a privacy barrier along the road since the property had been reduced to 2.5 acres. A dense privet hedge clipped to resemble waves that acts as a buffer against the ocean was restored, and a gravel bocce court was installed nearby. Mostly white flowering trees, shrubs, bulbs and perennials were included in the predominantly green planting scheme. Gardens include the Japanese-themed entrance garden with a momi fir planted by Olmsted, a new Zen garden, a wisteria-covered tea shelter and surrounding garden, a pond garden, iris garden, peony garden, mountain garden and mountain top built from local rock. Many varieties of hosta, ferns, ornamental grasses, succulents, mosses, azaleas and conifers were planted throughout the property.
Persons associated with the garden include Albert H. Olmsted (1842-1929) (former owner, 1901- ); Howard Greeley (former owner, 1924- ); Thomas Bennett (former owner, 1929- ); Lilian Newlin (former owner, 1932- ); Ethel Fissell (former owner, 1935- ); C. Thomas Claggett (former owner, 1945- ); Maria Bove (former owner, 1953- ); Michael Bove III (former owner, 1982- ); Peter de Savary (former owner, 1997- ); Dorrance H. Hamilton (former owner, 1998- ); Irving John Gill (1870-1936) (architect, 1902); Madison Spencer (restoration architect, 1998); Olmsted Brothers (landscape architects, 1899-1902); Dave Quarry (head gardener, 1998-2013); Mary Ellen Flanagan (landscape designer, 1998- ); Dorrance H. Hamilton (garden designer, 1998-2013).
See also 35mm copy of 1919 postcard in the Richard Marchand Historical Postcard Collection. Image number RI091_MAR001.
Related Materials:
Wildacre related holdings consist of 3 folders (4 35mm slides; 20 digital images)
Records related to this site can be found at the Frederick Law Olmsted National Historic Site, Olmsted Job Number 02261, A. H. Olmsted, 'Wildacre.'
See others in:
Richard Marchand historical postcard collection, circa 1900s-1970s, bulk 1920-1940s.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Rhode Island -- Newport County -- Newport
Scope and Contents:
The folder includes worksheets and photocopies of articles, historic photographs, and landscape architect's plans, transcripts of interviews, and other information.
General:
The Whim is a seaside New England garden comprised of flower and shrub borders and a sunken quadrangle planted along the foundation walls of demolished greenhouses, with follies, sculptures, steps to the ocean planted with lavender, and swaths of lawn. The walls and privet hedges trimmed to calibrated heights protect the flowers from the salt spray and winds off the ocean while not blocking the view. The 3.4 acre property has other garden areas surrounding the lawns, including a border of bright blue Nikko hydrangeas that are fed aluminum sulfate, a crabapple border, a shed draped with a climbing rose, a secret garden with kousa dogwood and viburnum, and a shady garden walk alongside the house. Garden areas are named for the animal and other sculptures that are featured, including a heron by Walter Matia in the heron quadrangle, eagles at the head of the eagle borders, and rabbits copied from the ones that were at Chateau-sur-Mer, a Newport mansion.
This property was once part of a larger property that had gardens designed by Beatrix Farrand for her aunt, the author Edith Wharton. The Evangeline climbing rose that covers the tool shed was transplanted from the Wharton garden many years ago, and renamed the Miss Newport rose by the owner. Friends and associates have contributed design ideas and artifacts to this garden: the mushroom shaped garden furniture once belonged to a friend, the gazebo was purchased and installed by one of the gardeners, and the steps were fabricated from discarded Newport curbing.
Persons associated with the garden include Raymond Thayer, (landscape architect, 1968-present); T. J. Brown and Timothy Brown, (gardeners, 1952-present); Anne Baptista (property manager, 1989-present); and Jerica Ford (gardener, 2007-present).
Related Materials:
The Whim related holdings consist of 1 folder (20 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Vermont -- Windham -- Westminster West
Scope and Contents:
Hayward Garden includes 63 digital images and a folder that includes worksheets, photocopies of articles and additional images including a pamphlet about a musical program created for and perfomed in the garden in 2014 as a the Yellow Barn summer program.
General:
The owners describe their one and one-half acre ornamental garden as a new garden in an old place, with its 200 year-old colonial farmhouse and attached barn, low stone walls, and old farm building foundations that have been repurposed as distinctive garden rooms within surrounding meadows and woods. They purchased the property in 1983 and spent about one year clearing the land of scrap metal and other debris, brambles and weed trees, a rotting barn, dead trees, and an old Nash Metropolitan automobile. The garden style is English, with a rectilinear format from south to north softened by lush growth in season and more evident in the long Vermont winter. The design began by drawing a straight line from the front door of the house to a 75-year-old apple tree. There is a crab apple orchard along that main axis that can be seen from the house. Brick and pea stone gravel walks, 90-foot long mixed borders, and an herb garden laid out in formal parterres are either parallel or perpendicular to the central axis of the garden. The 14 garden rooms are delineated by clipped hedges of varying heights, many of yew but also other plant materials for variation. There are four places to sit within the garden: a gazebo at the far end reached through a tunnel of pleached copper beech, an outdoor dining room on pavers under tall trees, a bench slightly above and overlooking their spring garden, and another bench next to a shed near the herb garden.
Creating a garden in harmony with the rural location was important to the owners, who subsequently purchased 19 adjacent acres and preserved the meadows and woods with the Vermont Land Trust. To instill harmony in the diverse garden rooms the owners adhere to three themes: hedges for structure, black locust posts and terra cotta containers for materials, and burgundy and other reds for the color that recurs throughout the garden rooms. Since the entire garden is unified it is possible to add variations without muddling the design. Honoring the long gone dairy farms they have turned the foundations of a milking parlor into a garden room that has low, drought tolerant plants growing among the stone flooring and three rusted milk cans. The cracked cement foundation of a former silo was turned into a pond with a fountain built into a stone wellhead and a statue of Buddha on the shore.
Gordon Hayward has written many articles for Horticulture, Taunton's Fine Gardening, and regional magazines using his own garden to teach design aesthetics and their practical application. Topics include the effective placement of planted and unplanted containers and other garden ornaments, how to build a small fountain, the importance of proportions to design, how to set vertical posts, and tips on outdoor seating and dining rooms. Good design is illustrated by reshaping lawns to complement planted borders or trees, through consistent choices of decorative materials, through applying the principles of theme and variation when choosing what to put in the garden, and through planning for the winter garden with berries and crab apples for birds and good "bones" that become evident in winter.
Persons associated with the garden include: Gordon Hayward (owner, garden designer, and gardener, 1983- ), Mary Hayward (owner, garden designer, and gardener, 1983- ), Ephraim and Lydia Johnson Ranney, and their descendants in the Buxton and Reed families (former owners, circa 1790-1983); Helen O'Donnell (gardener, 2008-2015).
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Vermont -- Westminster West Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Wisconsin -- Milwaukee County -- Milwaukee
Scope and Contents:
The folder includes a work sheet, site plans, and narrative description.
General:
The decorative arts and architecture from 17th century New England served as inspiration for this garden. The site for the garden was prepared in fall of 1981 and built in spring 1982. The layout of the raised geometric beds, gravel paths, and picket fence was modeled after early Colonial designs. The central beds are devoted to herbs. The outer beds hold perennial flowers, similar to those of Colonial New England. By contrast, the garden beds around the house are filled with native plants. A knot garden of green velvet boxwood, inspired by an inlay design on an early 18th century Pennsylvania chest, was added to the kitchen terrace. The beds adjacent to the knot garden, composted only of green and white white, service as a "restful haven under the shade of the the surrounding giant oak trees."
Persons and firms associated with the garden include: Aimee Scott Sheets (horticulturist, 2001-?).
Related Materials:
Pickerel Run related holdings consist of 1 folder (22 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
The folder includes a worksheet and a copy of the garden plan. The garden is noted for its azaleas, offset by broad expanses of lawn.
General:
This one-acre site, whose development began in 1930, features extensive azalea plantings, as well as a cutting garden, stone paths and terraces, and a tree house. The gardens fully complement the New England-style architecture of the house and outbuildings, and display a unity through the use of masses of single and complementary colors.
Persons associated with the property include: Mr. and Mrs. John Sweeney Mellinger (former owners, 1930-1978); Ruth London (landscape designer, 1930); A. Gregory Catlow (landscape designer, 1978); and John F. Staub (architect).
Related Materials:
John Sweeney Mellinger Garden related holdings consist of 1 folder (32 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Massachusetts -- Berkshire County -- Alford
Scope and Contents:
The folder includes a work sheet, garden plan, vegetable garden diary (1943); copies of photographs, and copy of section in Herb Garden Design.
General:
Little Sutton, approximately 80 acres, was built in 1941 as a summer home. A garden plot, large enough to feed the family, was planted north of the house soon after it was built. The south terrace and porch has an outdoor fireplace and is planted with a yellow sedum This is bordered with low field stone walls and edged with roses and blue flowering bulbs. The owners added a square herb garden on the east side of the house near the kitchen door in 1942. In 1956, the main garden (now called the Terraced Garden) drawings were finalized and planted as well as the addition of a swimming pool to the south of the house. The bog garden and "bog pool," added in 1958, is shielded by Mugho pines, hemlock and junipers. Three years later, a more formal herb garden, two lathe houses, a fountain, two terraces edged in red brick rick rack fashion, and an entrance garden were added. The terrace near the house takes full advantage of the view of Mount Everett to the south and west.
Persons associated with the property include:Harding and Seaver (house architects, 1941); Marconica (landscape architects, 1941-?); Edmund G. Wilco (landscape architect, 1952); Sermini and Sons (stone masons); Roy Hare, Jonathan H. Rose (architects, 1963-1997); Santogostino (artist of large garden mosaic)
Related Materials:
Little Sutton related holdings consist of 1 folder (19 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Massachusetts -- Essex County -- Beverly
Scope and Contents:
The folder includes worksheets.
Reproduction Note:
There are two duplicate 35 mm. slides (MA075030) copied from an original postcard, which is not in the collection. Six 35 mm. slides are copies of original glass lantern slides. One 35 mm. slide (MA075049) is copy of original painting belonging to Society for the Preservation of New England Antiquities.
General:
Eagle Rock, a 104-room brick "cottage" in the neoclassical style, was set in a romantic, 25-acre landscape. Built in 1904, this house became Henry Clay Frick's summer house. In 1969, tired of maintaining a house Helen Frick considered pretentious, she "carefully demolished" Eagle Rock, sending the billiard room paneling, the car and carriage collection and sections of wrought iron fence to the Frick Art Museum she was building near Pittsburgh, Pennsylvania.
Related Materials:
Eagle Rock related holdings consist of 1 folder (39 35 mm. slides and 13 glass autochromes)
Plans and drawing exist in the Olmsted Association. Drawings and photographs are located at the Helen C. Frick Foundation in Pittsburgh, PA. Drawings by Arthur Little are located in the Society for the Preservation of New England Antiquities.
Records related to this site can be found at the Frederick Law Olmsted National Historic Site, Olmsted Job Number 01071, W. C. Loring.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Massachusetts -- Beverly -- Pride's Crossing Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Massachusetts -- Norfolk County -- Brookline
Scope and Contents:
The folders include a work sheet and copies of articles.
General:
Larz and Isabel Anderson created fashionable and personally inspiring gardens on a property they named "Weld" in honor of her grandfather, William Fletcher Weld. The gardens served as inspiration for Isabel's writings of children's stories. They also evoked the history of Larz and Isabel's family heritage. During their ownership, the garden plan was nearly square, with a built-up enclosure of terrace and balustrades on the sides. A pergola stood at the end. The lowest level of the garden contained the mall and flower beds. A grove of trees shut off the formal garden from the house. Semicircular cement seats are located at each end of the 380 foot allee. Isabel left Weld to the town of Brookline for public recreation and public education. Brookline renamed Weld "Larz Anderson Park." Sited as not suited for a public facility, the house was razed and the gardens were destroyed or abandoned. The stables now house the Museum of Transportation, founded in 1949 with the Andersons' motor car collection. In 1990, an effort was attempted to stabilize the few remaining structures. Bulldozing of the grounds now makes restoration difficult.
Persons and firms associated with the garden include: William F. Weld (former owner of land); Larz and Isabel Weld Perkins Anderson (former owners, -1948); Town of Brookline (present owners, 1948-present); Edmund M. Wheelwright (architect of house, stable and garage, begun 1885); Charles A. Platt (architect of Italian garden, grove and bowling green,1901); Fox and Gale (architects of rose garden and tennis courts, 1902); Onchi San (gardener of Japanese garden, 1907); Little and Browne (architects of water garden and Chinese garden and additions to house, 1910-1916)
Related Materials:
Weld related holdings consist of 4 folders (65 slides, 29 photoprints, and 57 glass plate negatives)
See others in:
J. Horace McFarland Collection, 1900-1961
Thomas Warren Sears photograph collection, 1900-1966.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Massachusetts -- Norfolk County -- Brookline
Scope and Contents:
The folders include worksheets and several photocopies of articles about the garden.
General:
Established in 1869, this now mostly vanished garden was the 150-acre estate of Harvard professor and Arnold Arboretum director Charles Sprague Sargent (1841-1927). An amalgamation of several older holdings, Holm Lea was noted for its size, the variety of its trees and shrubs, its broad expanses of lawn and meadow, and its vistas and natural woods. As noted by Andrew Jackson Downing in the second edition of his work on landscape gardening published in 1844, much of the groundwork was laid by Thomas Lee, an owner prior to Sargent, who planted trees and shrubs such as rhododendron and kalmia. By the early 1900s the garden's collection of these plants was considered to be outstanding. A later writer noted that Holm Lea "is the most inspiring estate in the United States and the best specimen of landscape-gardening in America because every department of country life is here represented in due proportion without extravagance or faddism, and all are blended into a beautiful and useful picture which is nothing short of exquisite." Among Holm Lea's other features were a rock garden, a pond, and a small herd of cows that added to the picturesque aspect of the landscape. Charles Sander, Holm Lea's gardener for more than 30 years, was a recognized plantsman and Massachusetts Horticultural Society award winner. Although the estate was subdivided after Sargent's death, elements of the garden, including the now algae-choked pond and overgrown rock garden, still survived in the 1990s.
Persons associated with the garden include: Thomas Lee (former owner, ca. 1825-ca. 1864); Charles Sprague Sargent (former owner, 1869-1927); and Charles Sander (gardener, 1875-ca. 1910).
In addition to the 41 original images, there are 16 additional black and white 35 mm. slides, copies of photographs in The Public Library of Brookline, 361 Washington Street, Brookline, MA 024445.
Related Materials:
Holm Lea related holdings consist of 4 folders (41 35 mm. slides, glass slides, photoprints, and photonegatives)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Massachusetts -- Norfolk County -- Brookline
Scope and Contents:
The folder includes information sheet, garden plan and slide list.
General:
"Behind the house is a conventional garden, enriched by three variously shaped pools, each with a fountain. A connecting path leads to a New England version of a Japanese stroll garden. From an overgrown wooded area a magnificent rock of conglomerate stone, commonly known as Roxbury pudding stone was uncovered. A pool was built underneath it and water is circulated to run over the rock. Several Japanese touches were incorporated: black sea washed stones under a dogwood, moss, a whimsical dragon 17 feet long made of climbing hydrangea, Japanese lanterns, a splendid stand of Hinoki cypress (Chamaecyparis obtusa 'Nana'), unusual azaleas, hosta and grasses. The garden received the Albert Cameron Burrage Gold medal in 1984 from the Massachusetts Horticultural Society."
Persons associated with the property include: Lower Faulkner (property name).
Related Materials:
Lower Faulkner related holdings consist of 1 folder (20 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Massachusetts -- Norfolk County -- Brookline
Scope and Contents:
The folder includes an information sheet, slide list, garden description, garden plan and a photocopy of an article about the garden.
General:
Michael Van Valkenburgh, landscape architect, transformed this steeply sloping, small suburban rear garden into a forest glade. Sixteen wooden steps descend from a bluestone terrace to a clearing with a green granite water column, adding sound. Ferns, vinca and rhododendron provide background for the twelve multi-trunked white birch that transform the site into a tranquil, naturalistic garden.
Persons associated with the property include: Michael Van Valkenburgh (landscape architect, 1985).
Related Materials:
Birch Tree Garden related holdings consist of 1 folder (6 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Massachusetts -- Cambridge
Scope and Contents:
The folder includes garden plans and a planting list.
General:
This two-thirds of an acre urban garden encloses an 1876 house with a sunken garden between the house and street, and a back garden comprising lawn, an undulating border, a woodlands garden and a carriage house. The gardens have developed over the last 30 years, during which time the trees and evergreen hedges have matured and soared in height, especially those bordering the driveway that runs the length of the property from the street to the carriage house. Low stones walls enclose the sunken garden in front of the house and the mixed border in back, with a tall wooden fence marking off the sunken garden. The borders are planted densely and for sequential bloom so the garden is filled with color from April to October. Numerous sculptures are placed around the property, including unique sculptural benches. The owner, who is an architect, describes this garden as a place to move and to grow interesting specimen plants rather than as a place for relaxation.
The mature evergreen hedge bordering the driveway has a mix of cedar and cypress that replaced hornbeams destroyed in a fire. The incense cedar is sheared to contrast with the other trees, and in other areas trees have been shaped to their location, such as the weeping copper beech that frames a fountain made from a very large cypress wood barrel and a rusted copper pipe in the back garden. A path of stepping stones leads into the woodland garden where shade-loving perennials are the understory, rhododendrons form the middle story and mature evergreen and deciduous trees complete the design. A camellia shrub grown at the edge of the woodland garden is an unusual survivor in the New England climate.
Brattle Street Garden has been awarded two gold medal prizes for Notable Gardens and Outstanding Plant Material from The Massachusetts Horticultural Society. Also the gardens have been open for garden tours in Cambridge.
Persons associated with the garden include: William Bartlett (former owner, 1876-1906); Horace Bright (former owner, 1906-1984); Joanne Holtje (garden design and maintenance, 2003-present); Senta Barton (garden design and maintenance, 2003-present); Ann Sinclair (garden design and maintenance, 2001-2004); Michael Green (sculptor).
Related Materials:
Brattle Street Garden related holdings consist of 1 folder (24 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
