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Eyre de Lanux papers

Creator:
Lanux, Eyre de  Search this
Names:
Aragon, Louis, 1897-1982  Search this
Barney, Natalie Clifford  Search this
Casagrande, Paolo  Search this
Eyre, Paul  Search this
Eyre, Wilson, 1858-1944  Search this
Fahlman, Betsy  Search this
Ford, Consuelo  Search this
Lanux, Pierre de Combret, 1887-1955  Search this
Lear, Tobias, 1762-1816  Search this
Lee, Ann  Search this
Lenard, Alexander  Search this
Strong, Anne  Search this
Wyld, Evelyn  Search this
Extent:
10.6 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Diaries
Sketches
Travel journals
Sound recordings
Prints
Paintings
Date:
1865-1995
Summary:
The papers of portrait painter, writer, and designer, Eyre de Lanux (1894-1996) measure 10.6 linear feet and date from 1865 to 1995. The papers include biographical materials, personal business records, sixty-four diaries dating from 1922 through 1988, writings and notes, research files, printed materials, artwork, and photographs of Eyre de Lanux, her family, and friends. There is extensive correspondence with her husband Pierre de Lanux and her long-time lover Paolo Casagrande, as well as with other friends and family.
Scope and Content Note:
The papers of portrait painter, writer, and furnishings designer, Eyre de Lanux (1894-1996) measure 10.6 linear feet and date from 1865 to 1995. The papers reflect Eyre's personal life in Paris with her husband, Pierre de Lanux and her travels with longtime lover Paolo Casagrande. The bulk of the collection consists of diaries spanning 1922 to 1988 and correspondence. Also found are de Lanux's sketches and drawings, some of which depict Parisian scenes and portraits of her lovers and friends. Other materials found include biographical information, personal business records, writings and notes including short stories, research files on Tobias Lear and Wilson Eyre, printed materials, and scattered photographs.

Biographical records include various membership certificates, medical records, travel papers and tickets, and a transcript of a psychic reading. Also found is a sound recording concerning Pierre de Lanux.

Personal business records consist of addresses, a personal calendar, consignment and loan agreements concerning the sale of Eyre's art collection, miscellaneous receipts, rental and lodging forms, stocks, and a copy of a will.

Correspondence spans the years 1922 until 1995 and includes an extensive exchange between Eyre and her husband Pierre, her lover Paolo Casagrande, and her daughter Anne Strong (Bikou.) Other notable correspondents include Louis Aragon, Natalie Barney, Betsy Fahlman, Consuelo Ford, Alexander Lenard, and Evelyn Wyld. Much of the correspondence is personal in nature, however a folder of correspondence between Eyre and her literary editors is found at the end of the series.

The papers include sixty-four diaries dating from 1922 through 1988; there are no diaries for the period 1927 to 1947 with the exception of two small notebooks dated 1938 and 1945. The diaries resume in 1948, with Eyre's arrival in Rome, and continue, with multiple volumes for most years, until the late 1980s when her eyes failed. The handwriting is difficult to read, and moves from one language to another within entries, employing English, French, and Italian. Eyre de Lanux used her diaries to record her impressions of the world rather than to enumerate daily activities.

Writings include drafts, copies, and notes for de Lanux's short stories from the 1920s until the 1980s. There are also annotated entries and drafts of her magazine column, "Letters to Elizabeth", poems, a note written to Paris, and notes concerning interior decoration. Writings by others include poems by Ann Lee, travel journals by Paolo Casagrande and Paul Eyre, and a draft of Pierre de Lanux's "Memoires-Jours de Notre Vivre."

Research files consist of Eyre de Lanux's notes, drafts, photographs, published works, and research correspondence relating to her biography on Tobias Lear, the personal secretary of George Washington and a proposal for a work entitled Illusions of Identity. Other materials include copies of Betsy Fahlman's research on architect Wilson Eyre, de Lanux's uncle.

Printed material is scattered and includes periodicals with copies of writings by Pierre and Eyre de Lanux, one exibition announcement, printed reproductions of works of art, blank postcards, and souvenirs gathered from de Lanux's many trips abroad.

Photographs are of Eyre in her studio and of her family and friends including Louis Aragon, Natalie Barney, Paolo Casagrande and family, Alice Delmar, Paul Eyre, Consuelo Ford, Pierre de Lanux, Anne Strong, and Evelyn Wyld. There is a photo of Natalie Barney's 20 Rue Jacob Temple d'Amitie. Other photos are of buildings, travel, interiors, and works of art. Among the photographs of works of art include two portraits, one of Eyre de Lanux by Romaine Brooks and one of Romaine Brooks by Eyre de Lanux.

Artwork include sketches, drawings, prints, and paintings by Eyre de Lanux probably dating from the 1920s to the 1940s. There is a painted sketch of interior decoration from circa 1949. Sketches are of Parisian street scenes, portraits of friends, a design for a perfume advertisement for the fashion house Lucien Lelong, illustrated notes for Consuelo Ford, and miscellaneous subjects.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Information, 1965-1966 (Box 1; 10 folders)

Series 2: Personal Business Records , 1933-1989 (Box 1; 10 folders)

Series 3: Correspondence, 1924-1992 (Boxes 1-4; 3.0 linear feet)

Series 4: Diaries, 1922-1988 (Boxes 4-7; 3.5 linear feet)

Series 5: Writings and Notes, 1917-1995 (Boxes 7-8; 1.3 linear feet)

Series 6: Research Files, circa 1900-1980s (Boxes 8-9; 1.0 linear feet)

Series 7: Printed Material, circa 1910-1987 (Boxes 9, 11; 0.5 linear feet)

Series 8: Photographs, circa 1870-1973 (Box 10, OVs 18-20; 0.5 linear feet)

Series 9: Artwork, circa 1920-circa 1949 (Boxes 10-11, OVs 12-17; 0.8 linear feet)
Biographical Note:
Eyre de Lanux (1894-1996) spent much of her life traveling between Paris, Italy, and New York. In addition to portrait and frescoe painting, de Lanux designed furnishings and was a prolific writer.

Elizabeth Eyre de Lanux was born on March 20, 1894, the eldest daughter of Richard Derby Eyre (1869-1955) and Elizabeth Krieger Eyre (d. 1938). As Elizabeth's mother suffered from depression, the responsibilities of parenthood fell largely to Richard Eyre, a successful patent lawyer.

Elizabeth attended Miss Hazen's School in Pelham Manor, Westchester County, New York and enrolled in classes at the Art Students League in 1912 and during 1914-15. Her teachers were George Bridgman and John C. Johansen. At this time, she resided at 47 Washington Square but soon moved to 15 W. 67th Street. She exhibited two paintings, "L'Arlesienne," and "Allegro," in the first annual exhibition of the Society of Independent Artists in 1917.

In early 1918, while working for the Foreign Press Bureau of the Committee on Public Information, Elizabeth met writer Pierre Combret de Lanux (1887-1955.) They married in New York in a civil ceremony on October 9, 1918. Immediately after the Armistice, they sailed for Paris, settling at Number 19 Rue Jacob. Their daughter, Anne-Françoise, nicknamed "Bikou," was born December 19, 1925.

Possibly from the beginning of their marriage, but certainly from the early 1920s, Eyre and Pierre accorded one another the freedom to take other lovers. From 1923 to 1933, Pierre de Lanux was based mainly in Geneva, where he worked for the League of Nations as director of the Paris Office. The marriage endured until Pierre's death in March 1955.

In Paris, from 1919-20, Elizabeth continued her painting and drawing studies. At this time, she began signing her sketches "Eyre de Lanux." Café society at Le Boeuf sur le Toit was an inexhaustible source for portrait subjects, as were socialite Natalie Clifford Barney's Friday salons. A series of "Outlines of Women," line drawings touched with wash, were exhibited in May 1921 at New York's Kingore Galleries. On view was Eyre's portrait of Barney, identified as "Amazone" in the exhibit leaflet, and those of various high-society figures, including Marion Tiffany, actress Eva Le Gallienne, and tennis champion Julie Lentilhon.

Eyre and Pierre resided in the United States from September 1920 to April 1922, and lived at the Chelsea Hotel during the spring of 1921. While Pierre traveled, Eyre completed work on a pair of oak doors painted in tempera, vermillion, and gold with the 13th century legend of Sainte Marie l'Égyptienne. The doors went on exhibit in March 1922 at Knoedler Galleries and received a favorable review in The Sun. Eyre would not exhibit again in New York until 1943, when her fresco, "Persiennes, Persiennes" was included in "The Art of 31 Women Show" at Art of This Century Gallery.

Eyre began the study of frescoe painting in the late 1920s with Constantin Brancusi. Exhibits of her later frescoes were held in 1952 at Alexander Iolas in New York and in Paris at Le Sillon in 1960.

During her years in Paris, Eyre was associated with members of the Parisian arts and literary circles. Ezra Pound made corrections to her 1923 poem "Rue Montorgueil." Eyre met Surrealist poet Louis Aragon, who may have fell in love with her. Aragon's 1919 poem, "Isabelle," dedicated cryptically to one "Madame I.R." on its 1926 publication, tells of his love for "une herbe blanche." Their one-year liaison began in earnest in March 1925, soon after Eyre's relationship with Natalie Barney had ended. An affair with political writer Pierre Drieu La Rochelle, initiated in early 1923 and carried on intermittently, also ended at this time.

In 1933 Eyre and Pierre purchased a number of works of contemporary art. These included a Picasso watercolor and drawing from his Cubist period, a Braque, a Berman, two Picabia drawings, an Yves Tanguy, a large Mirà, and two paintings by de Chirico. In future years, gallery-owner Betty Parsons 1900-82), whom Eyre doubtless knew in Paris, would assist her in selling paintings from her collection. Many would be sold at a great loss to meet expenses.

From 1927 to 1933, Eyre collaborated with British carpet designer Evelyn Wyld (1882-1973), creating modernist furniture in glass, cowhide, wood, and lacquer for private clients. Eyre met Wyld while interviewing her for her monthly column, "Letters of Elizabeth," which ran for two years in Town and Country magazine. Eyre and Wyld exhibited their interiors in the 1928 and 1929 annual showings of the Artistes-Décorateurs and in 1930 at the first exhibit of the Société Union des Artistes Modernes. In 1932, the two women opened Décor, a furniture gallery in Cannes. The business, hurt by a decline in demand following the 1929 stock market crash, closed in 1933.

Eyre returned to Paris in 1945 There she met a young Italian writer, Paolo Casagrande. Eyre was 54 years old and he roughly half her age. With his encouragement, she rented a studio at 53 Via Margutta and beganworking on large frescoes and fresco portraits. One of her sitters was Tennessee Williams.

The relationship with Casagrande endured until the end of Eyre's life. Although Casagrande married in 1950 and eventually had children, he and Eyre maintained an almost continuous, passionate correspondence. They traveled for long periods in southern Italy, Sicily, Greece, and Morocco. During their Moroccan sojourn in 1951 and 1952, Eyre began making notes for short stories. "La Place de La Destruction" was published in 1955 in La Nouvelle Revue Française, and "The House in the Medina" appeared in Harper's Bazaar in November 1963. Her sketchbooks, watercolors, and frescoes from this period reveal her fascination with the North African landscape.

In March, 1961, possibly in order to pull away from Casagrande, Eyre left Paris and returned to New York permanently, taking a studio apartment at The Picasso on East 58th Street. In a diary entry made shortly before moving day, she wrote, "Write to Paolo every day, and mail it only occasionally." Her last visit to Paris occurred in 1978. Until legal blindness overtook her, Eyre pursued various research and writing projects.

She began work on a biography of Tobias Lear, a secretary to George Washington and a distant maternal ancestor. She also gathered photographs for "Illusions of Identity," a book of associations between the physical and metaphysical worlds with a preface by Ray Bradbury; the book was never published. In 1980, she supplied paintings to illustrate Overheard in a Bubble Chamber (1981), a book of science poems for children written by her close friend Lillian Morrison. The New Yorker magazine published three of her short stories: "Montegufoni" (1966), "Cot Number Eleven" (1968), and "Putu" (1972). Plans to bring together twelve stories in one volume were never realized.

Eyre de Lanux died in August 1996 at the age of 102.
Provenance:
The Eyre de Lanux papers were donated to the Archives of American Art by de Lanux's daughter Anne de Lanux Strong and grandson Paul Eyre in 1996.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Authors -- France -- Paris  Search this
Topic:
Artists' studios -- Photographs  Search this
Women artists  Search this
Art, Modern -- 20th century -- United States  Search this
Designers  Search this
Authors -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Portrait painters -- France -- Paris  Search this
Modernism (Art)  Search this
Genre/Form:
Drawings
Photographs
Diaries
Sketches
Travel journals
Sound recordings
Prints
Paintings
Citation:
Eyre de Lanux papers, 1865-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lanueyre
See more items in:
Eyre de Lanux papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lanueyre
Online Media:

Eyre de Lanux papers, 1865-1995

Creator:
Lanux, Eyre de, 1894-1996  Search this
Subject:
Wyld, Evelyn  Search this
Eyre, Paul  Search this
Fahlman, Betsy  Search this
Aragon, Louis  Search this
Ford, Consuelo  Search this
Eyre, Wilson  Search this
Lanux, Pierre de Combret  Search this
Lee, Ann  Search this
Lear, Tobias  Search this
Barney, Natalie Clifford  Search this
Lenard, Alexander  Search this
Casagrande, Paolo  Search this
Strong, Anne  Search this
Type:
Drawings
Photographs
Diaries
Sketches
Travel journals
Sound recordings
Prints
Paintings
Topic:
Artists' studios -- Photographs  Search this
Women artists  Search this
Art, Modern -- 20th century -- United States  Search this
Designers  Search this
Authors -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Portrait painters -- France -- Paris  Search this
Modernism (Art)  Search this
Record number:
(DSI-AAA_CollID)6668
(DSI-AAA_SIRISBib)215985
AAA_collcode_lanueyre
Theme:
Women
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215985
Online Media:

Fahlman, Betsy; Graham Gallery (New York)

Collection Creator:
Richard York Gallery  Search this
Container:
Box 5, Folder 16
Type:
Archival materials
Date:
2002
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Richard York Gallery records
Richard York Gallery records / Series 1: Correspondence / 1.1: Alphabetical
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-richyorg-ref36

Fahlman, Betsy

Collection Creator:
Lanux, Eyre de  Search this
Container:
Box 2, Folder 22
Type:
Archival materials
Date:
1977-1981
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Eyre de Lanux papers, 1865-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Eyre de Lanux papers
Eyre de Lanux papers / Series 3: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lanueyre-ref63

A Tricentennial celebration, Norfolk, 1682-1982 / Betsy L. Fahlman ... [et al.]

Author:
Fahlman, Betsy  Search this
Chrysler Museum at Norfolk  Search this
Physical description:
208 p. : ill. (some col.) ; 27 cm
Type:
Books
Exhibitions
Place:
Norfolk (Va.)
Date:
1982
C1982
Topic:
History  Search this
Description and travel  Search this
Call number:
F234.N8 T65 1982X
F234.N8T65 1982X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_155748

Self Portrait [sculpture] / (photographed by De Witt Ward)

Artist:
Wright, Alice Morgan 1881-1975  Search this
Photographer:
Ward, De Witt d. 1937  Search this
Subject:
Wright, Alice Morgan  Search this
Type:
Photograph
Topic:
Portrait female--Self Portrait  Search this
Portrait female--Head  Search this
Portrait female--Occupation--Artist  Search this
Occupation--Art--Sculptor  Search this
Image number:
SSC S0002543
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_129260
Online Media:

Model for Off Shore Wind [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Wright, Alice Morgan 1881-1975  Search this
Type:
Photograph
Topic:
Figure female--Full length  Search this
Allegory--Place--Winds  Search this
Study--Model  Search this
Image number:
JUL J0117660
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_117661

Bust of Madame Breshkovsky [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Wright, Alice Morgan 1881-1975  Search this
Subject:
Breshkovsky  Search this
Type:
Photograph
Date:
1919
Topic:
Portrait female--Bust  Search this
Image number:
JUL J0117661
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_117662

Pursuit [sculpture] / (photographed by Peter A. Juley & Son)

Title:
Forever Panting and Forever Young [sculpture] / (photographed by Peter A. Juley & Son)
Artist:
Wright, Alice Morgan 1881-1975  Search this
Type:
Photograph
Date:
Ca. 1917
Topic:
Figure group  Search this
Image number:
JUL J0117665
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_117666

Model for Off Shore Wind [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Wright, Alice Morgan 1881-1975  Search this
Type:
Photograph
Topic:
Figure female--Full length  Search this
Allegory--Place--Winds  Search this
Study--Model  Search this
Image number:
JUL J0117666
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_117667

The Evening and the Morning Were the Fifth Day [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Wright, Alice Morgan 1881-1975  Search this
Type:
Photograph
Date:
1924
Topic:
Figure male--Full length  Search this
Allegory--Time--Morning  Search this
Allegory--Time--Evening  Search this
Religion--Old Testament--Genesis  Search this
Image number:
JUL J0117669
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_117670

Lady Macbeth [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Wright, Alice Morgan 1881-1975  Search this
Type:
Photograph
Date:
1918
Topic:
Literature--Character--Lady Macbeth  Search this
Literature--Shakespeare--Macbeth  Search this
Image number:
JUL J0117671
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_117672

Self Portrait [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Wright, Alice Morgan 1881-1975  Search this
Subject:
Wright, Alice Morgan  Search this
Type:
Photograph
Date:
1929
Topic:
Portrait female--Self Portrait  Search this
Portrait female--Head  Search this
Portrait female--Occupation--Artist  Search this
Occupation--Art--Sculptor  Search this
Image number:
JUL J0117673
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_117674

Faun [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Wright, Alice Morgan 1881-1975  Search this
Type:
Photograph
Date:
1915
Topic:
Mythology--Classical--Faun  Search this
Object--Musical Instrument--Pipe  Search this
Image number:
JUL J0117674
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_117675

Unto the Least of These My Brethren [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Wright, Alice Morgan 1881-1975  Search this
Type:
Photograph
Date:
1918
Topic:
Religion--New Testament--Christ  Search this
Image number:
JUL J0117675
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_117676

Medea [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Wright, Alice Morgan 1881-1975  Search this
Type:
Photograph
Date:
Ca. 1920-1921
Topic:
Mythology--Classical--Medea  Search this
Image number:
JUL J0117681
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_117682

The Flesh Lusteth Against the Spirit [sculpture] / (photographed by Peter A. Juley & Son)

Artist:
Wright, Alice Morgan 1881-1975  Search this
Type:
Photograph
Topic:
Allegory  Search this
Figure group--Male  Search this
Image number:
JUL J0117683
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_117684

Robert Henri with his class at the Art Students League, New York [photograph] / (photographed by Peter A. Juley & Son)

Photographic firm:
Peter A. Juley & Son  Search this
Beaux Arts Studio (copy after)  Search this
Subject:
Henri, Robert  Search this
Ryerson, Margery  Search this
Teichert, Minerva  Search this
Type:
Photograph
Date:
Ca. 1916
Topic:
Art Students League (New York, NY)  Search this
Portrait male--Full length  Search this
Portrait male--Occupation--Artist  Search this
Occupation--Art--Painter  Search this
Occupation--Education--Teacher  Search this
Occupation--Education--Student  Search this
Portrait female--Occupation--Artist  Search this
Portrait female--Full length  Search this
Portrait group  Search this
Image number:
JUL J0107729
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_107730

The Ace of Spades [painting] / (photographed by Peter A. Juley & Son)

Artist:
Pene du Bois, Guy 1884-1958  Search this
Type:
Photograph
Date:
1945
Topic:
Figure group  Search this
Recreation--Sport & Play--Cards  Search this
Image number:
JUL J0096559
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_96560

Portrait of Yvonne [painting] / (photographed by Peter A. Juley & Son)

Artist:
Pene du Bois, Guy 1884-1958  Search this
Subject:
Du Bois, Yvonne Pène  Search this
Type:
Photograph
Date:
Ca. 1935
Topic:
Portrait female  Search this
Dress--Accessory--Cape  Search this
Dress--Ceremonial--Formal Dress  Search this
Image number:
JUL J0060011
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_60012

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