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Joe Mullins - Sites of Ohio's Musical Legacy: Memorial Hall [Behind The Scenes Documentary]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2021-03-24T16:19:59.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_-j7wl7oWHqU

Joe Mullins - Sites of Ohio's Musical Legacy: Armco Steel [Behind The Scenes Documentary]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2021-04-02T16:25:36.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_12iJuj_0IaI

Joe Mullins & The Radio Ramblers - "Readin', Rightin', Route 23" [Official Audio]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2021-01-28T15:32:39.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_Rc087XKMGlE

Rhonda Vincent and Caleb Daugherty - "Family Reunion" [Official Audio]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2021-02-17T14:00:32.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_ZtvTK175Yfc

Joe Mullins - Sites of Ohio's Musical Legacy: King Records [Behind The Scenes Documentary]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2021-05-05T20:27:30.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_c-mq9lH1fUs

Bobby Osborne - "We'll Head Back to Harlan" [Official Audio]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2021-03-11T15:00:17.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_hileb1ChOQY

Joe Mullins - Sites of Ohio's Musical Legacy: Antioch College [Behind The Scenes Documentary]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2021-04-20T17:12:07.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_sRGBqWbsW3g

Joe Mullins - Sites of Ohio's Musical Legacy: Herzog Studio [Behind The Scenes Documentary]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2021-03-31T17:43:43.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_u-O8zeOxUo4

Joe Mullins - Sites of Ohio's Musical Legacy: Lake Jewelry [Behind The Scenes Documentary]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2021-04-22T21:01:45.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_xnu3hqkG24g

George Julian Zolnay papers, 1899-1992

Creator:
Zolnay, George Julian, 1862 or 3-1949  Search this
Zolnay, George Julian, 1862 or 3-1949  Search this
Topic:
Sculpture, Modern -- 20th century -- United States  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Diaries  Search this
Record number:
(DSI-AAA_CollID)13483
(DSI-AAA_SIRISBib)209063
AAA_collcode_zolngeor
Theme:
Diaries
Lives of American Artists
Diaries
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209063

Torpedo Factory Art Center records, 1974-1996

Creator:
Torpedo Factory Art Center  Search this
Torpedo Factory Art Center  Search this
Subject:
Torpedo Factory Art Center. Friends  Search this
Torpedo Factory Artists' Association  Search this
Topic:
Art galleries, Commercial -- Virginia -- Alexandria  Search this
Art, Modern -- 20th century -- Virginia  Search this
Art centers -- Virginia -- Alexandria  Search this
Artists -- Virginia  Search this
Artists' studios -- Virginia -- Alexandria  Search this
Theme:
Communities, Organizations, Museums  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)6168
(DSI-AAA_SIRISBib)216402
AAA_collcode_torpfaca
Theme:
Communities, Organizations, Museums
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216402
Online Media:

Oral history interview with Allan Sekula, 2011 August 20-2012 February 14

Interviewee:
Sekula, Allan, 1951-2013  Search this
Sekula, Allan, 1951-2013  Search this
Interviewer:
Panzer, Mary, 1955-  Search this
Subject:
Altoon, John  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Braderman, Joan  Search this
Baldessari, John  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Diddley, Bo  Search this
Brach, Paul  Search this
Burch, Noël  Search this
Burn, Ian  Search this
Captain Beefheart  Search this
Charlesworth, Sarah  Search this
Chayefsky, Paddy  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Evans, Walker  Search this
Farber, Manny  Search this
Feldman, Ronald  Search this
Folks, Homer  Search this
Fox, Terry  Search this
Fried, Howard  Search this
Ginsberg, Allen  Search this
Graham, Dan  Search this
Graves, Michael  Search this
Halleck, DeeDee  Search this
Hanhardt, John G.  Search this
Hassan, Ihab  Search this
Hayes, Woody  Search this
Heinecken, Robert  Search this
Higgins, Dick  Search this
Hine, Lewis Wickes  Search this
Kienholz, Edward  Search this
Kirschenbaum, Baruch David  Search this
Knowles, Alison  Search this
König, Kasper  Search this
Kosuth, Joseph.  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard  Search this
Lonidier, Fred  Search this
Lord, Catherine  Search this
Lunn, Harry  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta  Search this
Mayer, Grace M.  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A.  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff  Search this
Artforum  Search this
California Institute of the Arts  Search this
Ohio State University  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
University of California, San Diego  Search this
Type:
Interviews
Sound recordings
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art -- Exhibitions -- Economic aspects  Search this
Art -- History  Search this
Art, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Record number:
(DSI-AAA_CollID)16239
(DSI-AAA_SIRISBib)370420
AAA_collcode_sekula11
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_370420
Online Media:

Contemporary Arts Center records, 1976-1980

Creator:
Contemporary Arts Center (New Orleans, La.)  Search this
Contemporary Arts Center (New Orleans, La.)  Search this
Topic:
Art -- Societies, etc. -- Louisiana -- New Orleans  Search this
Art, Modern -- 20th century -- Louisiana  Search this
Theme:
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)7502
(DSI-AAA_SIRISBib)209661
AAA_collcode_contacno
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209661

Wood and Brooks Company Records

Creator:
Wood & Brooks Company  Search this
Names:
International Association of Machinists  Search this
Pratt, Read and Company  Search this
United Furniture Workers of America  Search this
Extent:
3 Cubic feet (10 boxes)
Type:
Collection descriptions
Archival materials
Business records
Correspondence
Specifications
Date:
1889-1959
Summary:
Collection documents the activities of Wood & Brooks, a manufacturer of piano keys and actions.
Scope and Contents:
The collection conists primarily of correspondence Charles R. Wood, M.S. Brooks and Hilton C. Brooks, financal and sales records, and some photographs documenting the company's work as manufacturer's of ivory piano keys and piano actions.
Arrangement:
The collection is arranged into six series.

Series 1: Executive Records, 1889-1949 Series 2: Correspondence, 1890-1932 Series 3: Financial Records, 1891-1932

Series 4: Photographs, 1902-1959 Series 5: Piano Action and Specification Materials, 1927-1959

Series 6: Miscellaneous, 1958
Biographical / Historical:
Charles Raymond Wood founded Wood and Brooks Company in 1901, in North Tonawanda, New York with financial help from Connecticut entrepreneur, M.S. Brooks. The company manufactured piano keys and piano actions. In 1905, Wood and Brooks acquired Seavern Piano Action Company of Cambridge, Massachusettts and in 1910 purchased Kurtz Action Company of Rockford, Illinois.

Source

Dolge, Alfred. Pianos and Their Makers. Development of the piano, Volume II, 1913.
Related Materials:
Materials in the Archives Center

Pratt, Read and Corporation Records (NMAH.AC.0320)

Warshaw Colletion of Business American, Series: Ivory (NMAH.AC.0060)

Warshaw Colletion of Business American, Series: Pianos (NMAH.AC.0060)

Ernest D. Moore Papers (NMAH.AC.0321)

Otto Gerdau Collection (NMAH.AC.0363)

Sohmer & Co. Records (NMAH.AC.0349)

Steinway & Sons Records and Family Papers (NMAH.AC.0178)

Chickering & Sons Piano Company Collection (NMAH.AC.0264)
Provenance:
Collection donated by Lawrence G. Brady, 1994.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Collective labor agreements  Search this
Factory workers  Search this
Factories  Search this
Ivory  Search this
Ivory industry  Search this
Keyboard instruments  Search this
Photographs  Search this
Piano  Search this
pianos  Search this
stock certificates  Search this
Genre/Form:
Business records
Correspondence -- 19th-20th century
Specifications
Specifications
Citation:
Wood and Brooks Company Records, 1925-1966, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0457
See more items in:
Wood and Brooks Company Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0457

[Industrial pollution near a state park : phototransparency.]

Photographer:
Sultner-Welles, Donald H. (Sultner, Donald Harvey), 1914-1981  Search this
Collection Collector:
Sultner-Welles, Donald H. (Sultner, Donald Harvey), 1914-1981  Search this
Collection Printer:
Janus, Allan  Search this
Collection Interviewee:
Hanfstaengl, Erna  Search this
Extent:
1 Item (phototransparency, Color-dye gelatin on film, 2-1/4" x 2-1/4")
Container:
Box 140, Sheet 26
Type:
Archival materials
Photographs
Place:
Factories -- Indiana
Clifty Falls State Park (Indiana)
Indiana -- 20th century
Date:
undated
Scope and Contents:
Picture shows factory next to Clifty Falls State Park.
Local Numbers:
AC0145-0000045.tif (AC scan no.)

45331 Videodisc frame
Restrictions:
Unrestricted research use on site. Unprotected photographs must be handled with white cotton gloves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Pollution -- Photographs  Search this
Air -- Pollution -- Photographs  Search this
Factory and trade waste -- Environmental aspects  Search this
Visual pollution -- Photographs  Search this
Genre/Form:
Photographs -- 1960-1990 -- Phototransparencies.
See more items in:
Donald H. Sultner-Welles Collection
Donald H. Sultner-Welles Collection / Series 5: Transparencies / 5.7B: Framed Subjects, Topical / Air pollution
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0145-ref11694

Arthur d'Arazien Industrial Photographs

Creator:
d'Arazien, Arthur  Search this
Extent:
11 Cubic feet (28 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Dye destruction process
Photographic prints
Transparencies
Cibachrome (tm)
Tear sheets
Color negatives
Color prints (photographs)
Dye destruction photoprints
Silver-dye bleach process
Type c color prints
Chromogenic processes
Place:
Canada -- Industry -- 1940-1980
Date:
circa 1930-2002
Scope and Contents:
The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and some Canadian) business and industry during a period of expansion a golden age of American industry. Although it represents the photographer's creative and artistic style and skill, the subject matter is appropriate to the National Museum of American History from several viewpoints the visual documentation of industry and technology, as well as advertising, public relations, and business history.

The photographs include black and white negatives and prints from the negatives, as well as color negative and transparency materials, up to 8" x 10" in size. Probably the majority of the transparencies were made in the large size. The black and white materials include pictures of d'Arazien at work some made by famous Life magazine photographer Alfred Eisenstaedt, a colleague at the Famous Photographers School. A number of Dye Transfer prints mounted on illustration board were made by master color printer Don Browning.

In addition to frequently extensive caption information on all of d'Araziens original envelopes and enclosures, many enclosures for color negatives and transparencies bear d'Arazien labels with technical information or instructions for color printing, such as filter pack designations and local printing controls. These enclosures therefore have been retained in the collection, although usually they are not of archival quality.

Of secondary significance are 62 large color prints, mostly Type C, with a few Cibachromes, which were made from the original transparencies for exhibition purposes. Most were made either by K & L laboratories, New York City (stickers on back) or Eastman Kodak professional laboratories, Rochester, N.Y., and have been wet mounted to non archival Masonite. At the time of acquisition, several had faded and/or changed color. These are available for research and exhibition purposes, but are not expected to survive as long as the original transparencies.

The collection contains Mr. d'Arazien's files of printed materials. These include reproductions which indicate how his photographs were used by clients. Included are annual reports, promotional pieces, magazine tearsheets from advertising and editorial uses, and other biographical items.

Series 1: Professional industrial photographs.

Photographs document primarily American business and industry (including some taken in Canada). Black-and-white negatives with prints from these negatives, also color negative and transparency materials. Most transparencies are 8" x 10". The photographs demonstrate the photographer's reputation as a master of dramatic lighting and the coordination of large-scale, complex industrial setups in factories, steel mills, and even outdoor settings. Also 65 color prints, mostly Type C with a few Cibachromes, made from the original transparencies for exhibition purposes, mostly wet-mounted to Masonite. Black-and-white photographs include pictures of d'Arazien at work--some by Life magazine photographer Alfred Eisenstaedt.

Series 2: D'Arazien's files of printed materials, some of which include photomechanical reproductions of his work, indicating how the photographs were used by clients; also annual reports, magazine tearsheets from advertising and editorial uses, and other promotional items, in addition to biographical materials.

2007 addendum: Transparencies, slides, prints and negatives of additional photographs by Arthur d'Arazien, including industrial subjects as well as travel, architectural, agricultural, portrait, art, still life and personal photographs. Also included are miscellaneous papers, mostly relating to d'Arazien's photographic work.
Arrangement:
The collection is divided into three series.

Series 1: Paper Documents

Subseries 1.1: Publications and Reproductions.

Subseries 1.2: Photographer's Labels, Envelopes, Etc.

Series 2: Photographs

Subseries 2.1: Color Phototransparencies

Subseries 2.2: Color Photonegatives and Color Photoprints

Subseries 2.3: Black and White Photonegatives and Photoprints

Subseries 2.4: Color Photoprints: Enlargements Mounted on Masonite

Material is arranged in each sub-series primarily by client names, in alphabetical order.

Series 3: Oversize prints
Biographical / Historical:
Arthur d'Arazien began his photographic career as an assistant to a famous theatrical photographer, documenting Broadway shows. A distinctive emphasis on dramatic lighting in his later work suggests the heavy influence of the theater. He did fashion and commercial photography, as well as photographing the 1939 World's Fair, for Underwood & Underwood Illustration Studios, East 44th St., New York City, in 1938 1939. He was described in a U.S. Camera Annual article as Aan architect whose interest in photography has caused him to make a profession of it.

D'Arazien taught aerial photography for the U.S. Air Corps Technical Training Command at Lowry Field, Denver, during World War II. He began his career in industrial photography with the De Laval Separator Company, New York City. His energy and creativity led to assignments which often were judged too difficult for lesser photographers. His growing reputation as an industrial photographer kept pace with the dynamic growth of the industrial and technological activities he was photographing during the 1950s through the 1980s.

Robert Vogel, former Curator of Mechanical and Civil Engineering for the National Museum of American History, wrote that d'Arazien: ...became internationally known for his dramatic color views of the American industrial scene at a time when our industry can be said to have been at the height of its powers....He was commissioned by the giants of steel, paper, chemicals, machinery, transportation, automobiles, mining, metal refining, textiles, and the other heavy (and medium) industries. ...He developed a number of special techniques for obtaining the grand, sweeping views that became his trademark, including multiple exposures to achieve dramatic lighting effects, elaborate lighting setups involving multiple flashes from several vantages employing a number of assistants intercommunicating by radio, complex arrangements with transportation lines and the various departments of the subject organization to produce the desired juxtaposition of elements in the photograph, and the like. His MO was anything but that of simply walking onto the scene and snapping the shutter; for many of his breathtaking views he appears to have been more producer and impresario than photographer.

Arthur d'Arazien describes the growth of his spectacular style as an eager response to new subjects, challenges, and photographic materials:

...knowing that color was the coming thing in corporate advertising, I pursued that line. I did lots of experimenting; every assignment gave me an opportunity to try something new, such as combination day and night exposures on a single sheet of film, multiple flash bulbs to light large interiors, multiple exposures on the same film, such as...moving objects ...automobiles, trains...to build up excitement in a picture. Colored gels to change colors. I even used old fashioned flash powder to light ...steel mills, because there were no flashbulbs powerful enough to light these dark, cavernous interiors: this idea was borrowed from the Air Corps night time aerial photography with magnesium flash powder.

A skilled painter and metal sculptor as well as photographer, d'Arazien came from a family of artists. His photographs were made primarily on assignment from industrial corporations for advertising, editorial, and public relations purposes, but have been exhibited and collected as works of art in the Smithsonian Institution (Division of Photographic History), the Metropolitan Museum of Art, and the Cleveland Museum. His work was included in the Photography in the Fine Arts exhibitions organized by Ivan Dimitri, and he was a founding faculty member of the Famous Photographers School, Westport, Connecticut, in the early 1960's.

D'Arazien married Margaret Scott and has two sons. He had a studio in Waterside Plaza, New York, and made his home in New Canaan, Connecticut, until moving to Naples, Florida, upon his retirement in 1988. The collection was brought to the Smithsonian's attention by his son Steven, and was donated to the Archives Center before this move. In anticipation of this gift, Mr. d'Arazien spent several months inspecting his collection, eliminating duplicate and technically unsuccessful images, and captioning photographs.

Sources American Aces, U.S. Camera Annual 1939. Clipping in scrapbook no. 1, box 24, first page.

Robert M. Vogel, memorandum, undated, but written after a December 1987 visit to d'[Arazien's home. In Archives Center collection control file.

Letter to the author, 26 February 1992, in collection control file.
Provenance:
Collection donated by Arthur d'Arazien, December 24, 1988.
Restrictions:
Collection is open for research but the majority of the collection is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Industry -- Photographs -- 1940-1980 -- Canada  Search this
Industry -- Photographs -- 1940-1980 -- United States  Search this
Steel industry and trade -- 1940-1980  Search this
Agriculture -- Photographs -- 20th century  Search this
Travel -- Photographs -- 1930-2000  Search this
Genre/Form:
Photographs -- Black-and-white negatives -- Acetate film
Photographs -- Chromogenic -- 1900-2000
Dye destruction process
Photographic prints
Transparencies
Cibachrome (TM)
Tear sheets
Color negatives
Color prints (photographs)
Dye destruction photoprints
Silver-dye bleach process
Photographs -- Color prints -- 20th century
Type C color prints
Chromogenic processes
Citation:
Arthur d'Arazien Industrial Photographs, ca. 1930-2002, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0314
See more items in:
Arthur d'Arazien Industrial Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0314
Online Media:

[Jones & Laughlin ad campaign; staged image of a grocery check-out with factory in background, Aliquippa : chromogenic color transparency]

Photographer:
d'Arazien, Arthur  Search this
Advertiser:
Jones & Laughlin  Search this
Collection Creator:
d'Arazien, Arthur  Search this
Extent:
1 Item (8" x 10".)
Container:
Box 8, Folder 6
Type:
Archival materials
Advertising
Chromogenic processes
Photographs
Date:
1960
Scope and Contents:
Set includes three female shoppers and cashier at counter, with two children observing. Customer at cash register wears red shorts. "360-C" in white ink on film.
Local Numbers:
AC0314-0000006.tif (AC Scan No.)
General:
From Box 8, folder 6.
Restrictions:
Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Shopping  Search this
Factories -- 20th century  Search this
Shorts (Clothing)  Search this
Steel industry and trade -- 1940-1980  Search this
Supermarkets  Search this
Grocery trade  Search this
Genre/Form:
Advertising
Chromogenic processes
Photographs -- 1900-2000 -- Chromogenic
Collection Citation:
Arthur d'Arazien Industrial Photographs, ca. 1930-2002, Archives Center, National Museum of American History.
See more items in:
Arthur d'Arazien Industrial Photographs
Arthur d'Arazien Industrial Photographs / Series 2: Photographs / 2.1: Color Phototransparencies
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0314-ref274
Online Media:

L'Avion d'aujourd'hui est le fruit d'une collaboration constante entre le laboratoire et l'usine

Artist:
Georges Villa, January 24, 1883-  Search this
Medium:
Poster, Commemorative
Dimensions:
2-D - Unframed (H x W): 80 x 59.7cm (31 1/2 x 23 1/2 in.)
Type:
ART-Posters, Original Art Quality
Country of Origin:
France
Inventory Number:
A19900982000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9f7e30d3f-ed27-4203-bd8b-b948f43613f0
EDAN-URL:
edanmdm:nasm_A19900982000

Different Systems of Sailing in the Air

Medium:
Print, Etching on Paper
Dimensions:
2-D - Unframed (H x W) (Print on Mat Board Backing): 41.9 × 30.2cm (1 ft. 4 1/2 in. × 11 7/8 in.)
2-D - Unframed (H x W) (Overall, Mat Board Folder): 50.8 × 40.6cm (1 ft. 8 in. × 1 ft. 4 in.)
Type:
ART-Prints, Original
Country of Origin:
United Kingdom
Credit Line:
Gift of the Estate of Constance Morss Fiske in memory of Gardiner H. Fiske
Inventory Number:
A19930256000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9c9d93495-1182-4c20-8f24-d7b3e0542bcc
EDAN-URL:
edanmdm:nasm_A19930256000

Defense in the Air Begins on the Ground

Sponsor:
National Association of Manufacturers  Search this
Artist:
Ralph Iligan, 1894-1960  Search this
Medium:
Poster, Military Aviation
Dimensions:
2-D - Unframed (H x W): 50.8 × 40.6cm (1 ft. 8 in. × 1 ft. 4 in.)
Type:
ART-Posters, Original Art Quality
Country of Origin:
United States of America
Date:
1941
Inventory Number:
A19960577000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv92f2da5b3-cb48-485e-9628-75b4c3261b98
EDAN-URL:
edanmdm:nasm_A19960577000

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