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Regina Stewart papers

Creator:
Stewart, Regina Serniak, 1942-  Search this
Names:
New York Artists Equity Association  Search this
Blackburn, Robert Hamilton, 1920-  Search this
Candell, Victor, 1903-1977  Search this
Facci, Domenico, 1916-1994  Search this
Kennedy, Edward Moore, 1932-2009  Search this
Kuniyoshi, Sara Mazo  Search this
McMurtry, Larry  Search this
Stewart, Jack, 1926-2005  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Sketches
Date:
1959-2010
Summary:
Three scrapbooks, 1959-2010, assembled by Regina Serniak Stewart document her career as a costume designer, painter, board member and Executive Director of the New York Artists Equity Association.
Scope and Content Note:
Three scrapbooks, 1959-2010, assembled by Regina Serniak Stewart (b. 1942) document her career as a costume designer, painter, board member and Executive Director of the New York Artists Equity Association.

The scrapbooks contain: letters from Robert Blackburn, Victor Candell, Domenico Facci, Edward M. Kennedy, Sara M. Kuniyoshi, Larry McMurtry, Jack Stewart, and letters from various museums and galleries; costume sketches, 1963-1974, for the Paterson, New Jersey Lyric Opera Theatre; curriculum vitae, awards and profiles of the artist; photographs of Stewart, her work, and events; and printed material including clippings, articles, programs, brochures, flyers, and exhibition catalogs. The collection also includes some loose printed materials consisting of collectors' guides to kitchen utensils and stoneware co-written by Stewart and an article and exhibition catalog about her painting.
Arrangement:
The collection is arranged as 2 series:

Series 1: Scrapbooks, 1959-2010 (Boxes 1-2; 0.7 linear ft.)

Series 2: Printed Materials, circa 1977, 2003-2008 (Box 2; 0.1 linear ft.)
Biographical Note:
Regina Serniak Stewart (b. 1942), a painter, administrator, and writer in New York City is the Executive Director of the New York Artists Equity Association.

Stewart is a graduate of the Cooper Union School of Art and Achitecture whose paintings have been exhibited in New York and throughout the United States. In addition to painting, Ms. Stewart was a set and costume designer for the Paterson Lyric Opera Theatre, a jewelry designer, an art consultant, and an art instructor. She was elected to the board of the New York Artists Equity Association in 1989 and is now Executive Director.
Provenance:
Donated by Regina Stewart, July 27, 2010.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Regina Stewart papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Topic:
Women artists -- New York (State) -- New York  Search this
Collagists -- New York (State) -- New York  Search this
Costume designers  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Scrapbooks
Sketches
Citation:
The Regina Stewart papers. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stewregi
See more items in:
Regina Stewart papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stewregi

Polar Bears [art work] / (photographed by Peter A. Juley & Son)

Artist:
Facci, Domenico 1916-1994  Search this
Type:
Photograph
Image number:
JUL J0114055
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_114056

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Facci, Domenico 1916-1994  Search this
Type:
Photograph
Date:
1955*
Image number:
JUL J0114057
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_114058

Giraffes [art work] / (photographed by Peter A. Juley & Son)

Artist:
Facci, Domenico 1916-1994  Search this
Type:
Photograph
Date:
1961*
Image number:
JUL J0114067
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_114068

Feeding Time [art work] / (photographed by Peter A. Juley & Son)

Artist:
Facci, Domenico 1916-1994  Search this
Type:
Photograph
Date:
1966*
Image number:
JUL J0114069
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_114070

Ballerina [art work] / (photographed by Peter A. Juley & Son)

Artist:
Facci, Domenico 1916-1994  Search this
Type:
Photograph
Image number:
JUL J0114070
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_114071

New York Artists Equity Association records

Creator:
New York Artists Equity Association  Search this
Names:
Art Bank (U.S.)  Search this
Artists Welfare Fund  Search this
Broome Street Gallery  Search this
Ashford, Doug  Search this
Avery, Frances  Search this
Babin, Angela  Search this
Berger, Ted  Search this
Bibro, Denise  Search this
Bolotsky, Marvin  Search this
Brodski, Judith  Search this
Carswell, Mary  Search this
Cohen, Jean  Search this
Concholar, Dan, 1939-  Search this
Diener, Bert  Search this
Facci, Domenico, 1916-1994  Search this
Fiene, Ernest, 1894-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Fuller, Sue (1914-2006)  Search this
Gillespie, Dorothy, 1920-  Search this
Golub, Leon, 1922-2004  Search this
Goulet, Lorrie, 1925-  Search this
Gross, Chaim, 1904-1991  Search this
Gussow, Alan, 1931-  Search this
Gussow, Roy, 1918-2011  Search this
Hall, Nan  Search this
Hasen, Burt  Search this
Hayter, Stanley William, 1901-1988  Search this
Karp, Ivan C., 1926-2012  Search this
Kertess, Klaus  Search this
Knight, Gwendolyn  Search this
Kotik, Charlotte  Search this
Kramer, Hilton  Search this
Kroll, Leon, 1884-1974  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laufman, Sidney, 1891-  Search this
Lawrence, Jacob, 1917-2000  Search this
Lipsky, Eleanor  Search this
Mandel, Howard, 1917-1999  Search this
Marinoff, Elaine  Search this
Marxer, Donna, 1934-  Search this
Millman, Edward, 1907-1964  Search this
Morris, George L. K., 1905-1975  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Elias, 1903-  Search this
O'Hanlon, Richard E. (Richard Emmett), 1906-1985  Search this
Phillips, Helen, 1913-  Search this
Phillips, Renée  Search this
Poroner, Palmer  Search this
Reeves, Ruth, 1892-1966  Search this
Refregier, Anton, 1905-  Search this
Rothschild, Lincoln, 1902-  Search this
Sandler, Irving, 1925-  Search this
Searles, Charles Robert, 1937-2004  Search this
Simon, Sidney, 1917-1997  Search this
Sloan, John, 1871-1951  Search this
Smart, Bill  Search this
Smith, David, 1906-1965  Search this
Steinbaum, Bernice  Search this
Stirton, Laura  Search this
Teller, Susan  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Waterson, Harry  Search this
Wayne, June, 1918-2011  Search this
Winters, Denny Sonke, 1907-1985  Search this
Zaleski, Jean  Search this
Zerbe, Karl, 1903-1972  Search this
deLisser, Carolyn  Search this
Extent:
26.8 Linear feet
2.99 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Video recordings
Sketches
Scrapbooks
Sound recordings
Date:
1920-2012
Summary:
The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and 2.99 Gb and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed and digital materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events.
Scope and Contents:
The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and 2.99 GB and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed and digital materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events. The President's files appear to be complete and include files for presidents Yasuo Kuniyoshi, Louise Nevelson, Harry Waterson, Roy Gussow, Jacob and Gwendolyn Knight Lawrence, Karl Zerbe, Ernst Fiene, Sidney Laufman, Carolyn deLisser, Burt Hasen, and Bert Diener, among others. Committee files and meeting minutes are found, as well as general administrative and correspondence files which include information pertaining to the national level Association.

Event files include documentation of the Association's Art Thursday series, where they hosted talks and panels by artists. Artists referenced in these files include Jean Cohen, Charles Searles, Leon Golub, Doug Ashford, Bruno Palmer-Poroner, Dom Facci, Susan Teller, Eleanor Lipsky, Ted Berger, Hilton Kramer, Bernice Steinbaum, Laura Stirton, Jean Zaleski, Renee Philips, Denise Bibro, Dan Concholar, Irving Sandler, Angela Babin, Dorothy Gillespe, Donna Marxer, Nan Hall, Ivan Karp, Alan Gussow, Mary Carswell, Bill Smart, Charlotte Kotik, Klaus Kertess, Elaine Marinoff, and Judith Brodski. Additional events covered in this series include the annual awards dinner, masquerade balls, lectures, the Association's 55th Anniversary event, which includes recollections by Helen Frankenthaler, Sidney Simon, and Lorrie Goulet, as well as other events and programs. Videocassette and sound recordings of many of the events are found here.

Artists' and subject files contain mostly printed materials about a few artists and subjects or issues in which the Association was interested.

There are extensive files on individual members that include card files, applications, biographies, and clippings.

Project and exhibition files include material pertaining to the Artists Welfare Fund, the Art Bank artwork donation, and a few scattered exhibitions. Additional exhibition and event files are found in the series containing the Broome Street Gallery files.

Association publications consist of what appears to be a full run of Association newsletters and reports. The NYAEA newsletter changed its name to The Artists Proof in 1986. Additional printed materials include exhibition catalogs and announcements, programs, clippings, posters, and newsletters of other arts organizations. There are four scrapbooks (two unbound) that contain printed materials, and a few items of correspondence. One of the scrapbooks documents the annual "Bal Fantastique".

Artwork consists mostly of sketches and drawings by artists attending a 1948 dinner in honor of Yasuo Kuniyoshi. Photographs are of members and events. Photographers include Arnold Newman, Marvin Bolotsky, and Frances Avery, among others. Numerous notable artists are depicted in the images.
Arrangement:
The collection is arranged into sixteen series.

Series 1: History and Founding Documents, 1933-2000 (0.3 linear feet; Box 1, 27

Series 2: Presidents' Files, 1927-2007 (2.8 linear feet; Boxes 1-4)

Series 3: Board of Directors' Files, 1947-2003 (1.4 linear feet; Boxes 4-5)

Series 4: Committee and Meeting Files, 1950-2009 (1.5 linear feet; Boxes 5-6)

Series 5: General Administrative and Correspondence Files, circa 1930-2008 (2 linear feet; Boxes 7-8, 0.284 GB; ER01)

Series 6: Financial and Legal Files, 1947-2000 (1 linear foot; Box 9)

Series 7: Events and Programs, 1930-2010 (4.2 linear feet; Boxes 10-14, 27, 0.446 GB; ER02)

Series 8: Artists and Subject Files, 1930-1998 (0.4 linear feet; Box 14)

Series 9: Membership Files, 1920-2009 (4.4 linear feet; Boxes 14-18, 27, 2.26 GB; ER03)

Series 10: Project and Exhibition Files, 1934-2010 (2 linear feet; Boxes 19-20)

Series 11: Broome Street Gallery Files, 1990-2011 (2.7 linear feet; Boxes 21-23, 31)

Series 12: Association Publications, 1947-2012 (1 linear foot; Boxes 23-24)

Series 13: Printed Materials, 1930-2008 (1.6 linear feet; Boxes 24-25, 27, 31, OV 28, OV 29)

Series 14: Scrapbooks, 1947-1969 (0.3 linear feet; Box 25, OV 30)

Series 15: Artwork, 1947-2000 (0.1 linear foot; Box 26, 27)

Series 16: Photographs, 1930s-2004 (0.9 linear feet; Box 26, 27)
Biographical / Historical:
The New York Artists Equity Association (originally the Artists Equity Association) was created in 1947 to promote and support living American artists. Nine prominent New York artists founded the organization and elected Yasuo Kuniyoshi as the organization's first president. The original membership included 160 well-known American artists, but by the end of its first year, membership had grown to over one thousand. By the 1950s, the organization had grown into an influential national organization. Past and present members have included Milton Avery, Will Barnet, Romare Bearden, George Biddle, Isabel Bishop, Robert Blackburn, Paul Cadmus, Charles Burchfield, Stuart Davis, Jose de Creeft, Elaine and Willem de Kooning, Leon Golub, Chaim Gross, Rockwell Kent, Roy Lichtenstein, Robert Motherwell, Alice Neel, Isamu Noguchi, Jules Olitski, Philip Pearlstein, Henry Varnum Poor, Charles Scheeler, Ben Shahn, David Smith, Frank Stella, Andrew Wyeth, and many others.

In 1959, the New York Chapter, with more members than all of the other states combined, re-organized into the New York Artists Equity Association. The Association maintained it own gallery, Broome Street Gallery, from 1991-2011. The organization remains active today and is located in SoHo.
Provenance:
The records were donated to the Archives of American Art by the New York Artists Equity Association in several increments between 1980-2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The New York Artists Equity Association records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to the public for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Artists -- United States  Search this
Art -- Societies, etc. -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Video recordings
Sketches
Scrapbooks
Sound recordings
Citation:
New York Artists Equity Association records, 1920-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nyarteqa
See more items in:
New York Artists Equity Association records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nyarteqa

Audubon Artists records

Creator:
Audubon Artists (New York, N.Y.)  Search this
Names:
Arms, John Taylor, 1887-1953  Search this
Benton, Thomas Hart, 1889-1975  Search this
Blume, Peter, 1906-1992  Search this
Davis, Stuart, 1892-1964  Search this
Disney, Walt, 1901-1966  Search this
Domareki, Joseph  Search this
Engel, Michael M., 1896-1969  Search this
Facci, Domenico, 1916-1994  Search this
Feininger, Lyonel, 1871-1956  Search this
Freeman, Mark, 1908-  Search this
Gary, Jan  Search this
Hoffman, Malvina, 1887-1966  Search this
Lee-Smith, Hughie  Search this
McKay, Renee  Search this
Meyerowitz, William, 1887-1981  Search this
Poor, Henry Varnum, 1887-1970  Search this
Wengenroth, Stow, 1906-  Search this
Whitaker, Frederic  Search this
Young, Stark, 1881-1963  Search this
Extent:
6.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1944-2001
Summary:
The records of New York based Audubon Artists, a national exhibiting organization of painters, sculptors, and graphic artists, measure 6.7 linear feet and date from 1944-2001. The collection documents the organization's adoption of its constitution and first major expansion in the mid-1940s, and its subsequent growth to the present day. The records include correspondence with artist members, administrative files, exhibition files, financial records, printed material including an almost complete run of annual exhibition catalogs and prospectuses, and photographs of artwork, juries, and other groups involved in the annual exhibitions from the 1970s to 1999.
Scope and Contents:
The records of New York based Audubon Artists, a national exhibiting organization of painters, sculptors, and graphic artists, measure 6.7 linear feet and date from 1944-2001. The collection documents the organization's adoption of its constitution and first major expansion in the mid-1940s, and its subsequent growth to the present day. The records include correspondence with artist members, administrative files, exhibition files, financial records, printed material including an almost complete run of annual exhibition catalogs and prospectuses, and photographs of artwork, juries, and other groups involved in the annual exhibitions from the 1970s to 1999.

Administration and correspondence files document all aspects of the organization's activities and include founding documents; records of individual officers including presidents Domenico Facci, Joseph Domareki, Mark Freeman, Hughie Lee-Smith, Renee McKay and Frederic Whitaker, and historians Michael Engel and Jan Gary; correspondence with members and prospective members including artists such as John Taylor Arms, Thomas Hart Benton, Peter Blume, Stuart Davis, Walt Disney, Lyonel Feininger, Malvina Hoffman, William Meyerowitz, Henry Varnum Poor, Stow Wengenroth, and Stark Young; agenda, meeting minutes and reports to the Executive Board; and the correspondence and related records of various committees.

Exhibition files document a variety of activities related to exhibition planning, and include correspondence, entry forms, information on juries and awards, and lists of selected artwork and award winners.

Financial records include scattered treasurer correspondence and notes, records of bills paid, and some reports, investment and tax records from the 1960s-1990s.

Printed material includes an early brochure issued in 1944, and a brochure on the organization's history by Jan Gary, as well as annual exhibition catalogs and/or prospectuses from 1944 to 2000.

Photographic material consists of copy prints and negatives of photographic material used in the annual exhibition catalogs, including photos of artwork, juries and scattered exhibition installations.
Arrangement:
Before processing, much of the collection was unsorted, and there was little indication of original record keeping practices for a large portion of the material. Some of the earlier material from the 1940s had been sorted by name or activity and where possible this arrangement has been maintained. Researcherss should be aware, however, that similar types of material such as correspondence, financial, and administrative records, can be found in various places throughout the collection, particularly throughout Series 1. The collection is arranged as 5 series.

Series 1: Administration and Correspondence Files, 1944-2000 (2.43 linear feet; Boxes 1-3, OV 8)

Series 2: Exhibition Files, 1944-1999 (0.67 linear feet; Box 3)

Series 3: Financial Records, 1962-1999 (0.5 linear feet; Box 4)

Series 4: Printed Material, 1944-2001 (1.7 linear feet; Boxes 4-6)

Series 5: Photographic Material, circa 1969-1999 (0.9 linear feet; Boxes 6-8)
Biographical / Historical:
Audubon Artists, a national exhibiting society of painters, sculptors, and graphic artists, was founded in New York, New York, in 1940. The organization took its name from the homestead of John James Audubon where it met in December, 1941, to discuss a less regional name than the one it had initially adopted: Professional Arts Group of Washington Heights. The group's association with Audubon, however, begins and ends with the name.

Audubon Artists held its first exhibition at 8th Street Gallery in Apri-May, 1942, with an exhibiting group of 22 members. In 1943 the group was able to attract a wider pool of recognized professional artists, and by 1944 the membership had increased to 60 and the organization issued its first annual exhibition catalog with the newly adopted eagle and palette emblem.

A reorganization meeting took place on March 27, 1944, to address the growing responsibilities for the annual exhibition. President Frederic Whitaker subsequently oversaw the creation of the original consitution, the credo and the 1946 incorporation of the organization, and led a membership campaign designed to attract nationally renowned artists of various aesthetic persuasions and gain the organization more prestige.

Since then, Audubon Artists has continued to hold an annual exhibition in a variety of locations throughout New York City, including the National Academy of Design, National Arts Club, and the Salmagundi Club. The latter has been the exhibition's preferred home since 1997, and with circa 350 members Audubon Artists remains a thriving organization dedicated to "artistic progress" today.
Provenance:
The records were donated by Audubon Artists in 1978 (via Mark Freeman, president) and 2001 (via David Pena, president).
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Audubon Artists records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Societies, etc. -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Audubon Artists records, 1944-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.auduarti
See more items in:
Audubon Artists records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-auduarti

American Society of Contemporary Artists records

Creator:
American Society of Contemporary Artists (New York, N.Y.)  Search this
Brooklyn Society of Artists (New York, N.Y.)  Search this
Names:
Ascher, Mary G. (Mary Goldman), b. 1900  Search this
Connelly, William J. -- Photographs  Search this
Facci, Domenico, 1916-1994  Search this
Fohr, Jenny  Search this
Paris, Dorothy, b. 1899  Search this
Ranson, Nancy Sussman, 1905-1993  Search this
Smul, Ethel Lubell, b. 1897  Search this
Von Wicht, John, 1888-1970  Search this
Extent:
3 Linear feet ((partially microfilmed on 4 reels))
Type:
Collection descriptions
Archival materials
Date:
1917-1985
Scope and Contents:
Correspondence, (1951-1970), business records (1917-1980), scrapbooks (1949-1970), and printed material (1933-1985).
REELS D243-D244: Correspondence (1951-1965) concerning the Society's membership, exhibition activities, and related business topics; a cashbook (1918-1921) listing the payment of dues; a guest register records attendance of exhibitions (1949-1955); two notebooks contain minutes of meetings (1917-1965); minutes of the Board of Governors' meetings (1918-1965); a proclamation concerning travelling exhibitions (1957); printed material; and two scrapbooks.
REELS 1708-1709: Correspondence (1965-1970) concerning general Society business topics, exhibitions, and financial topics. Correspondents include prominent members Domenico Facci, Jenny Fohr, Dorothy Paris, Nancy Ranson, Ethel Smul, and John von Wicht. Also, a history of ASCA; membership lists (1956, 1958, and 1969); a notebook containing minutes of meetings (1965-1970); financial reports (1963-1970); and two scrapbooks.
REEL 1817: Photograph of William J. Connelly, manager of exhibits, Public Relations Department, Union Carbide Corporation, receiving the 1973 American Society of Contemporary Artists Award from Mary Ascher, President of the Society. The photograph was previously microfilmed under Photos of Artists II, and has subsequently been scanned and returned to the American Society of Contemporary Artists records.
REEL 2786: Correspondence (1980), primarily letters to members from ASCA president Harold M. LeRoy concerning exhibitions; minutes of meetings, 1973-44, and 1979-1980; a membership list; printed materials, and reports.
UNMICROFILMED: Letters and printed material, 1983-1985.
Biographical / Historical:
Est. 1917 as Brooklyn Society of Artists. Membership limited to artists living or working in Brooklyn. Exhibitions were held in various galleries including at Abraham and Straus, the Pratt Institute, the Brooklyn Academy of Music, and other cultural centers in Brooklyn. In 1919, membership was extended to artists outside Brooklyn and in 1954, the Society held its first travelling exhibition. As membership grew to encompass the entire United States, the Society's name was changed in 1963 to the American Society of Contemporary Artists, or the ASCA.
Provenance:
Records filmed on reels D243-D244 were originally lent August 1965 via Mrs. Elizabeth Erlanger. They were donated along with new material, which was filmed on reels 1708-1709, in June 1973, via Mary Ascher, president. Constance Scharff, recording secretary, donated 12 items in 1979, Harold LeRoy donated 32 items during his presidency in 1980, and in 1985, an additional 0.2 linear feet of material was donated by Edith L. Abrams, who served as ASCA president from 1983-1985. Provenance of photo on reel 1817 unknown, microfilmed in 1980 as part of AAA's Photographs of Artists Collection-Two.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Art -- Societies, etc. -- New York (State) -- New York  Search this
Art, Modern -- History -- Sources  Search this
Identifier:
AAA.amersoci
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-amersoci

Domenico Facci papers

Creator:
Facci, Domenico, 1916-1994  Search this
Names:
American Society of Contemporary Artists (New York, N.Y.)  Search this
Artists Equity Association  Search this
Audubon Artists (New York, N.Y.)  Search this
National Sculpture Society (U.S.)  Search this
Olympic Games (24th : 1988 : Seoul, Korea)  Search this
United States. Department of the Treasury  Search this
Extent:
1.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Blueprints
Sketchbooks
Awards
Place:
Brooklyn Bridge (New York, N.Y.)
BuschGardens (Williamsburg, Va.)
Date:
1914-1995
Summary:
The Domenico Facci papers are dated 1914 to 1995, with the bulk falling between the years 1950 and 1984. They measure 1.2 linear feet and consist of biographical material, correspondence, artwork relating to sculpture projects, printed material, and photographs. Among the well-documented aspects of Facci's professional career are: his leadership roles in several arts organizations based in New York City, including Audubon Artists, National Sculpture Society, and Artists Equity Association; his work on the United States Treasury's 1988 Olympic Games commemorative coin competition, Brooklyn Bridge 100th Anniversary reliefs, Endangered Species Medal, and Neptune Fountain at Busch Gardens in Williamsburg, VA.
Scope and Content Note:
The Domenico Facci papers are dated 1914 to 1995, with the bulk falling between the years 1950 and 1984. They measure 1.2 linear feet and consist of biographical material, correspondence, artwork relating to sculpture projects, printed material, and photographs. Among the well-documented aspects of Facci's professional career are: his leadership rolses in several arts organizations based in New York City, including Audubon Artists, National Sculpture Society, and Artists Equity Association; his work on the United States Treasury's 1988 Olympic Games commemorative coin competition, Brooklyn Bridge 100th Anniversary reliefs, Endangered Species Medal, and Neptune Fountain at Busch Gardens in Williamsburg, VA.

Biographical material consists of artist's statements; marriage, academic, and military service records; awards; and membership cards and certificates. Correspondence consists mainly of incoming letters related to Facci's activities with arts organizations, among them Audubon Artists, American Society of Contemporary Artists, the Village Art Center, Artists Equity Association, the National Sculpture Society, and Nippon Museum.

Artwork includes two sketchbooks - one for the 1988 Olympic Games commemorative coin competition, and another concerning the Endangered Species Medal. Also found are anatomical study drawings, blueprint plans for the Neptune Fountain project, and miscellaneous sketches.

Printed materials are newspaper clippings, newsletters, exhibition catalogs, programs, press releases, announcements, and brochures. The bulk of this series is comprised of exhibition catalogs from the Audubon Artists, Painters and Sculptors Society of New Jersey, National Arts Club, and National Sculpture Society.

Photographs are of Facci and his work, including completed pieces, the artist at work in his studio and presenting sculpture demonstrations.
Arrangement:
The collection is arranged as 6 series:

Series 1: Biographical Material, 1914-1998 (Box 1; 0.1 linear ft.)

Series 2. Correspondence, 1954-1988 (Box 1; 0.3 linear ft.)

Series 3. Artwork, circa 1930-1985 (Box 1; OV 2-3; 0.3 linear ft.)

Series 4. Printed Material, 1933-1988 (Box 1; 0.3 linear ft.)

Series 5. Scrapbook, circa 1940-1985 (Box 1; 1 folder)

Series 6. Photographs, circa 1940-1985 (Box 1; 0.2 linear ft.)
Biographical Note:
Domenico Facci (1914-1994) worked in New York City and was known primarily for commissioned portraits and public sculpture, and for holding leadership positions in several arts organizations based in New York City.

Domenico (Aurelio) Facci was born to Antonio and Grace Facci in Hooversville, Pennsylvana. on February 2, 1916, where his father, Antonio, was a coal miner. His mother was Grace Facci. When he was 10, the family relocated to Brooklyn, New York.

Facci won a scholarship to Roerich Academy (Master Institute of United Arts) where he studied under Pietro Montana and Louis Slobodkin and graduated in 1936. In 1937 he opened his first studio on Fifth Avenue at 15th Street and was immediately commissioned to do several large pieces for the 1939 World's Fair.

Many public and private commissions were executed by Facci in the New York City area, among them: carvings on the tower façade of St. Thomas's church, St. Rita sculpture in Long Island City, lobby for American Express building, 100 feet of plaques on the Brooklyn Bridge walkway, and bronze sculptures for PS 147 in the Bronx. Facci was also awarded portrait commissions of eminent public figures including: Winston Churchill, Albert Einstein, Bob Hope, Lowell Thomas, James Kilpatrick, and Lynn Redgrave, some of which were executed on live television and at other events. Some important commissions in other locations were: a cartouche for bronze doors for St Peter's Cathedral, Philadelphia, PA; exterior bronze for the Court of Appeals Building, Annapolis, MD; St. Paul sculpture, Fredericksburg, MD; Eagle War Monument, Rome, NY; and St. John Divine in Sewanee, TN.

Facci was the recipient of numerous important awards, including the Proctor Award from the National Academy of Design, the Richards Award from the Allied Artists, and the Liskin Award from the Knickerbocker Artists. He was also elected a fellow of the National Sculpture Society. Solo exhibitions of Facci's work were presented at the Silvermine Guild of Artists and the Village Art Center. He participated in group shows at the Whitney Museum of American Art and the National Academy of Design, Jersey City. Facci exhibited annually at numerous New York artists organization, including the Village Art Center, Knickerbocker Artists, and at the Silvermine Guild.

Facci's work is included in the permanent collections of the Florida Southern College, in Lakeland, FL, the Norfolk Museum, VA, and the Polk Museum, FL.

As an active member of numerous professional artists organizations, Facci served as the president of the Village Art Center for a decade, president of the Audubon Artists for 11 years, and president of the American Society of Contemporary Artists. In addition, he was an officer in other organizations, including: Knickerbocker Artists, Allied Artists, New Jersey Painters and Sculptors, National Sculpture Society, Silvermine Guild of Artists, New York Artists' Equity Association, Sculptors League, Salmagundi Club, National Academy of Design, and the American Society of Contemporary Artists.

In addition to his work as a sculptor, Facci was also a teacher. Between 1939 and 1972, he served on the faculty of City College of New York, the Academy of Art at Florida Southern College, Ridgewood Village Art School in New Jersey, and the Craft Student League in New York.

Domenico Facci was married to Penelope (Felicia/Penny) Facci and they had a son, Robert. Domenico Facci died on November 6, 1994.
Provenance:
Gift of Debby Friedman, 2010.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Domenico Facci papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' studios  Search this
Art -- Economic aspects  Search this
Sculptors -- New York (State) -- New York  Search this
Medalists -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Blueprints
Sketchbooks
Awards
Citation:
Domenico Facci papers, 1914-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.faccdome
See more items in:
Domenico Facci papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-faccdome

Biographical Records

Collection Creator:
Facci, Domenico, 1916-1994  Search this
Extent:
(Box 1; 0.1 linear ft.)
Type:
Archival materials
Date:
1914-1998
Scope and Contents note:
Family papers relating to both of Domenico Facci's parents consist of business records, marriage certificates, and funeral and burial arrangements. Resumes and personal records include artist resumes, artist's statements, entries for Who's Who, marriage certificate. Among the educational records are report cards, letters of recommendation, and the announcement of his Roerich Academy of Art (Master Institute of United Arts) scholarship. Military service records include letter of call for duty, assignment posts, application for specialist qualification, and letters from the Veterans Administration. Award and memberships include membership cards and certificates, the Proctor Prize from the National Academy of Design, and awards from New York Artists Equity Association, Kappa Pi, Sigma Phi Epsilon, Silvermine Guild of Artists, Brooklyn Society of Artists, Jersey City Museum, Knickerbocker Artists, Audubon Artists, Allied Artists of America, and others.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Domenico Facci papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Domenico Facci papers, 1914-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.faccdome, Series 1
See more items in:
Domenico Facci papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-faccdome-ref19

Family Papers 1914-1949

Collection Creator:
Facci, Domenico, 1916-1994  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Domenico Facci papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Domenico Facci papers, 1914-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Domenico Facci papers
Domenico Facci papers / Series 1: Biographical Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-faccdome-ref20

Biographical Notes and Documents 1921-1998

Collection Creator:
Facci, Domenico, 1916-1994  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Domenico Facci papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Domenico Facci papers, 1914-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Domenico Facci papers
Domenico Facci papers / Series 1: Biographical Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-faccdome-ref21

Educational Records

Collection Creator:
Facci, Domenico, 1916-1994  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
1933-1950
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Domenico Facci papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Domenico Facci papers, 1914-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Domenico Facci papers
Domenico Facci papers / Series 1: Biographical Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-faccdome-ref22

Military Service

Collection Creator:
Facci, Domenico, 1916-1994  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Date:
1943-1947
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Domenico Facci papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Domenico Facci papers, 1914-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Domenico Facci papers
Domenico Facci papers / Series 1: Biographical Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-faccdome-ref23

Awards and Memberships 1930-1995

Collection Creator:
Facci, Domenico, 1916-1994  Search this
Container:
Box 1, Folder 5
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Domenico Facci papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Domenico Facci papers, 1914-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Domenico Facci papers
Domenico Facci papers / Series 1: Biographical Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-faccdome-ref24

Correspondence

Collection Creator:
Facci, Domenico, 1916-1994  Search this
Extent:
(Box 1; 0.3 linear ft.)
Type:
Archival materials
Date:
1954-1988
Scope and Contents note:
The majority of correspondence consists of incoming letters; the only reciprocal exchanges preserved are with Penelope Facci and his friend Donna Stoddard. Family correspondence includes mostly letters between Penelope and Domenico, a letter from their son Robert, and one from from Guiseppe Facci, a distant relative. The bulk of the incoming letters relate to Domenico Facci's membership and leadership activities with arts organizations such as Audubon Artists, American Society of Contemporary Artists, the Village Art Center, Artists Equity Association, National Sculpture Society, and the Nippon Museum. Also found are personal letters, invitations, and holiday cards.
Arrangement note:
Correspondence is arranged alphabetically.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Domenico Facci papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Domenico Facci papers, 1914-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.faccdome, Series 2
See more items in:
Domenico Facci papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-faccdome-ref27

Added Touch - American Society of Contemporary Artists 1952-1991

Collection Creator:
Facci, Domenico, 1916-1994  Search this
Container:
Box 1, Folder 6
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Domenico Facci papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Domenico Facci papers, 1914-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Domenico Facci papers
Domenico Facci papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-faccdome-ref28

Audubon Artists 1956-1982

Collection Creator:
Facci, Domenico, 1916-1994  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Domenico Facci papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Domenico Facci papers, 1914-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Domenico Facci papers
Domenico Facci papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-faccdome-ref29

Barker, Al - Cooper, Dale Meyer

Collection Creator:
Facci, Domenico, 1916-1994  Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Date:
1943-1989
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Domenico Facci papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Domenico Facci papers, 1914-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Domenico Facci papers
Domenico Facci papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-faccdome-ref30

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