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Sewickley -- Topiary Folly

Former owner:
Robinson, Stewart, Mrs.  Search this
Devins, Harry  Search this
Devins, Harry Mrs  Search this
Woodland designer:
Smith, Elise Keely  Search this
Gardening services:
Vaccaro, Michele  Search this
Provenance:
Garden Club of Allegheny County  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Topiary Folly (Sewickley, Pennsylvania)
United States of America -- Pennsylvania -- Allegheny -- Sewickley
Scope and Contents:
The folder includes worksheets and a photocopy of an article.
General:
The fenced one-acre property had a sloping terraced garden on three levels with a woodlands in back and a circa 1955 house with French-influenced styling. The holly foundation hedge was diseased, an arbor vitae hedge had grown out of bounds, the perennials and flowering shrubs on the terraces had become unsightly, and the woodlands, which were populated by deer, needed clearing and shaping. The first project was the woodlands: a meandering path and brick seating area were installed and the cleared understory was replanted with azaleas, rhododendrons and oak leaf hydrangeas. Below the woodlands a 30 by 60 feet open space was a trial area for roses and hydrangeas but now is planted with a circle of clipped boxwood surrounding yellow roses and an antique iron urn, with an outer circle of clipped white azaleas surrounding topiary balls.
The three terraces are marked off by low dry stone walls and feature alternating shapes of topiary boxwood and arbor vitae in beds approximately 100 feet long, separated by gravel paths. Occasional statues and planted containers enhance the formality of the terrace garden. At the end of these rows there is a rose arbor that marks the beginning of another garden, perpendicular to the terraces, that has more topiary shapes, roses, perennials and occasionally annuals planted in rows. In front of the house the foundation beds are planted with various shaped topiary, too.
Persons associated with the garden include: Mrs. Stewart Robinson (former owner, 1955-1974); Mr. and Mrs. Harry Devins (former owners, 1974-2006); Elise Keely Smith (woodland designer, 2006); Michele Vaccaro (gardening services, 2006).
Related Materials:
Topiary Folly related holdings consist of 1 folder (13 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Pennsylvania -- Sewickley  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File PA739
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6efcbe440-0c16-4a8b-80c7-12914d569ee8
EDAN-URL:
ead_component:sova-aag-gca-ref16577

Notebook, Freetown Creole, Sierra Leone, B. W. A.

Creator:
Turner, Lorenzo Dow, 1890-1972  Search this
Names:
Turner, Lorenzo Dow, 1890-1972  Search this
Collection Creator:
Turner, Lorenzo Dow, 1890-1972  Search this
Extent:
1 Item (Field Notebook (20 p. ), 12.75 in.)
Container:
Box 17, Folder 8
Type:
Archival materials
Field notes
Place:
Sierra Leone -- Languages
Date:
October 1951
Biographical / Historical:
Lorenzo Dow Turner was born in Elizabeth City, N.C. in 1895. He earned his B.A. in 1914 from Howard University; in 1917, he received an M.A. in English from Harvard University. He received his doctorate in English from the University of Chicago in 1926 while simultaneously serving as chairman and professor of the Department of English at Howard from 1917 to 1928. He held the same positions at Fisk University in Nashville from 1929 to 1946. In 1946 he accepted a professorship in the English department at Roosevelt University in Chicago, where he remained as professor of English and lecturer in African Cultures until his retirement in 1970. Turner was professor emeritus at Roosevelt until his death at age 77 in 1972. Turner's professional and academic interests encompassed both English and linguistics. A noted scholar of African languages and linguistics, he learned numerous West African languages, mastering five of them. He was a noted authority on Gullah, a Creole language spoken in the Sea Islands off the coast of South Carolina and Georgia.
General:
This field notebook was created by Lorenzo Dow Turner in 1951 while conducting field work on the Krio (creole) language in Sierra Leone.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
African languages  Search this
Linguistics  Search this
Genre/Form:
Field notes
Collection Citation:
Lorenzo Dow Turner papers,Anacostia Community Museum Archives, Smithsonian Institution, gift of Lois Turner Williams.
See more items in:
Lorenzo Dow Turner Papers
Lorenzo Dow Turner Papers / Series 4: Research / 4.1: Africa
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7f5b74c30-4e69-43b8-984a-d492b55d5f2e
EDAN-URL:
ead_component:sova-acma-06-017-ref547
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Gertrude Vanderbilt Whitney papers

Creator:
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Names:
American Ambulance Field Hospital (Juilly, France)  Search this
Greenwich House (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Whitney Studio Club  Search this
Cushing, Howard Gardiner, 1869-1916  Search this
De Meyer, Adolf, Baron, 1868-1949  Search this
Miller, Flora Whitney  Search this
Strelecki, Jean de, count  Search this
Watson, Forbes, 1880-1960  Search this
Whitney, Harry Payne, 1872-1930  Search this
Extent:
36.1 Linear feet
Type:
Collection descriptions
Archival materials
Lithographs
Photographs
Interviews
Sketchbooks
Diaries
Scrapbooks
Blueprints
Sketches
Date:
1851-1975
bulk 1888-1942
Summary:
The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.
Scope and Content Note:
The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.

Material relating to more personal aspects of Whitney's life include school papers, a paper doll book dating from her childhood, financial material, interviews, awards and honorary degrees, address and telephone books, committee files, and other items. Correspondence consists of incoming and outgoing letters concerning both personal and professional matters, including her patronage of the arts and sponsorship of artists, her sculpture commissions and exhibitions, and her war relief work and other philantrophic activities. Also found are family correspondence and correspondence received by the Flora Whitney Miller and the Whitney Museum of American Art after Whitney's death. Journals include personal ones that she kept periodically from the time she was a child to near the end of her life, in which she recorded her travels, her impressions of people, her experiences with friends, and her thoughts on art, among other topics; and social ones, in which she recorded dinners and dances attended, and people invited to different social gatherings, and in which she collected invitations received and accepted.

Scattered files can be found that relate to the Whitney Studio Club and the Whitney Museum of American Art, consisting of notebooks, catalogs, a financial report, and other material. Files relating to Whitney's own sculpture projects are more extensive and consist of correspondence, contracts, printed material, notes, financial material for proposed and completed commissions for fountains, memorials, and monuments. The Whitney Museum of American Art, rather than Whitney herself, seems to have kept these files. Files relating to Whitney's philanthropic activities span from the time just before to just after the First World War and consist of correspondence, minutes, reports, and printed material stemming from her contributions to charities and war relief organizations, her sponsorship of the war hospital in Juilly, France, and her support of the Greenwich House Social Settlement.

Whitney's writings include extensive drafts, and handwritten and typed manuscripts and copies of novels, plays, and stories, as well as some autobiographical and early writings, notes and writings on art, and clippings of published writings, documenting her principle means of creative expression towards the end of her life. Also found are some writings by others. Scrapbooks consist of clippings, photographs, letters and other material, compiled by Whitney, Flora Whitney Miller, and possibly others, documenting Whitney's public life, her sculpture commissions and exhibitions, exhibitions at the Whitney Studio, the war hospital in Juilly, France, the death of Harry Payne Whitney in 1930, and the sickness and death of Whitney in 1942.

Photographs include ones of the Whitney and Vanderbilt families, ones of Gertrude Vanderbilt Whitney (including portraits taken by Baron Adolf de Meyer and Count Jean de Strelecki), ones of various Vanderbilt and Whitney residences and of Whitney's studios, ones of Whitney's sculpture exhibitions as well as exhibitions at her studio, and ones of her sculptures, as well as some miscellaneous and unidentified ones. Artwork consists of sketchbooks and sketches by Whitney (including sketches for sculptures) and artwork by others (including a sketchbook of Howard Cushing's containing a sketch of her and albums of World War I lithographs) collected by Whitney. Also found amongst the collection are printed material (clippings, exhibition catalogs, programs, and publications) and blueprints (including drawings for Whitney's studio on MacDougal Alley and various of her sculptures).
Arrangement:
The Gertrude Vanderbilt Whitney papers are arranged into twelve series:

Missing Title

Series 1: Miscellaneous Personal Papers, 1888-1947, 1975 (Boxes 1-3, 33-34, OV 42; 2.5 linear feet)

Series 2: Correspondence, 1889-1949, 1959 (Boxes 3-9; 6 linear feet)

Series 3: Journals, circa 1886-1939 (Boxes 9-12, 33; 2.5 linear feet)

Series 4: Whitney Studio Club and Whitney Museum of American Art Files, 1921-1943 (Box 12; 0.2 linear feet)

Series 5: Sculpture Files, 1900-1960 (bulk 1909-1942) (Boxes 12-15; 3 linear feet)

Series 6: Philanthropy Files, 1902-1923 (bulk 1915-1920) (Boxes 15-17; 2 linear feet)

Series 7: Writings, 1889-1942, 1974 (Boxes 17-26; 10 linear feet)

Series 8: Scrapbooks, 1893-1942 (Boxes 26-27, 33, 35; 1.5 linear feet)

Series 9: Printed Material, 1859-1942 (Boxes 27-28, 36; 0.8 linear feet)

Series 10: Photographs, 1862-1942 (Boxes 28-32, 36-41, OV 43-51; 6.4 linear feet)

Series 11: Artwork, 1871-1930s (Boxes 32, 41, OV 52-54; 0.8 linear feet)

Series 12: Blueprints, 1913-1945 (OV 55; 0.1 linear feet)
Biographical/Historical note:
New York art patron and sculptor, Gertrude Vanderbilt Whitney (1875-1942), was the eldest daughter of Cornelius Vanderbilt II and Alice Gwynne Vanderbilt, and founder of the Whitney Museum of American Art.

Whitney was born January 9, 1875 in New York City, the. She was educated by private tutors and attended Brearley School in New York. From the time she was a young girl, she kept journals of her travels and impressions of the people she met, and engaged in creative pursuits such as sketching and writing stories. In 1896, she was married to Harry Payne Whitney. They had three children, Flora, Cornelius, and Barbara.

In 1900, Whitney began to study sculpture under Hendrik Christian Anderson, and then under James Fraser. Later, she studied with Andrew O'Connor in Paris. From the time she started studying sculpture, her interest in art grew, as did her particular concern for American art and artists. In 1907, she organized an art exhibition at the Colony Club, which included several contemporary American paintings. She also opened a studio on MacDougal Alley, which became known as the Whitney Studio and was a place where shows and prize competitions were held. (She also had other studios in Westbury, Long Island and Paris, France.) Over the years, her patronage of art included buying work, commissioning it, sponsoring it, exhibiting it, and financially supporting artists in America and abroad. From 1911 on, she was aided in her work by Juliana Force, who started out as Whitney's secretary, was responsible for art exhibitions at the Whitney Studio, and became the first director of the Whitney Museum of American Art.

The first recognition Whitney received for her sculpture came in 1908 when a project on which she had collaborated (with Grosvenor Atterbury and Hugo Ballin) won a prize for best design from the Architectural League of New York. The following year she received a commission to do a fountain sculpture for the Pan-American Building in Washington, D. C. She went on to do numerous other commissioned works over the next several decades, including: a fountain for the New Arlington Hotel in Washington D.C. (the design of which was reproduced in various sizes and materials, one cast being submitted to the 1915 Panama-Pacific International Exposition where it won a bronze medal and a later cast being installed on the campus of McGill University, Montreal, Canada in 1930); the Titanic Memorial (designed in 1913 and erected in 1930); the Buffalo Bill Memorial (1924) in Cody, Wyoming; the Columbus Memorial (1929) in Port of Palos, Spain; the Peter Stuyvesant statue in Stuyvesant Square (1939); and The Spirit of Flight (1939) for the New York World's Fair. In 1916, she had her first one-man show at the Whitney Studio, another at the Newport Art Association, and a retrospective at the San Francisco Art Association Palace of Fine Arts. A traveling exhibition in the Midwest followed in 1918.

During the First World War, Whitney was involved with numerous war relief activities, most notably establishing and supporting a hospital in Juilly, France. She made several trips to France during the war, keeping a journal and eventually publishing a piece on the hospital in several newspapers. Her sculpture during this period was largely focused on war themes. In 1919, she exhibited some of these works at the Whitney Studio in a show called "Impressions of War." In the years after the war, she was also commissioned to do several war memorials, including the Washington Heights War Memorial (1922) and the St. Nazaire Memorial (1926) commemmorating the landing of the American Expeditionary Force in France in 1917.

In 1918, Whitney opened the Whitney Studio Club, which served as pioneering organization for American art, putting on exhibition programs and offering social space and recreational amenities to its members (one point numbering over four hundred artists living in New York). She planned an "Overseas Exhibition" of American art, which traveled to Paris and other European cities in 1920-1921, and had her own shows in Paris and London in 1921. In 1928, the Whitney Studio Club was transformed into an art gallery, known as the Whitney Studio Galleries and directed by Juliana Force, which eventually became the Whitney Museum of American Art in 1931.

Whitney pursued creative writing throughout her life, but beginning in the 1930s writing became her principle means of creative expression. Over the years, she produced numerous manuscripts for stories, novels, and play. One novel, Walking the Dusk, was published in 1932 under the pseudonym L. J. Webb. Beginning in 1940, Whitney took a "Professional Writing" course at Columbia University with Helen Hull, which resulted in the production of numerous short stories. In 1941, she collaborated with Ronald Bodley to adapt one of her stories as a play and attempted to get it produced, although unsuccessfully.

In 1934, Whitney was involved in a custody battle for her niece, Gloria Vanderbilt (daughter of her late brother, Reginald Vanderbilt and his wife, Gloria Morgan Vanderbilt). In an agreement reached by the court, custody was awarded to Whitney and visitation rights to Gloria's mother. Litigation continued in the ensuing years.

In 1935, Whitney established the World's Fair Five Organization, with Juliana Force and four architects, to work on preparing a plan for the site of the 1939 New York World's Fair at Flushing Meadow, although the fair's own Board of Design ended up coming up with its own plan.

Whitney continued her work in sculpture, writing, art patronage, and philanthropy throughout the remaining years of her life. She died on April 18, 1942.
Related Archival Materials note:
Related material found in the Archives includes Research Material on Gertrude Vanderbilt Whitney compiled by Flora Miller Irving and the Whitney Museum of American Art artists' files and records, available on microfilm only (originals are located in the Whitney Museum of American Art). Also found in the Archives of American Art's Miscellaneous Exhibition Catalog Collection are a bundle of Whitney Studio Club and Mrs. H. P. Whitney's Studio catalogs and announcements.
Provenance:
The Gertrude Vanderbilt Whitney papers were donated in 1981 and 1991 by Whitney's granddaughter, Flora Miller Irving.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Philanthropists -- New York (State) -- New York  Search this
Topic:
Art patrons -- New York (State) -- New York  Search this
Women artists  Search this
Women sculptors  Search this
World War, 1914-1918  Search this
Genre/Form:
Lithographs
Photographs
Interviews
Sketchbooks
Diaries
Scrapbooks
Blueprints
Sketches
Citation:
Whitney Museum of American Art, Gertrude Vanderbilt Whitney Papers, 1851-1975 (bulk 1888-1942). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitgert
See more items in:
Gertrude Vanderbilt Whitney papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9db113d72-cc31-4974-85fe-3e99c53dd62e
EDAN-URL:
ead_collection:sova-aaa-whitgert
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Online Media:

Biographical Data and Chronologies

Collection Creator:
Pollock, Jackson, 1912-1956  Search this
Krasner, Lee, 1908-1984  Search this
Container:
Box 7, Folder 14
Type:
Archival materials
Date:
1964-1983, undated
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Jackson Pollock and Lee Krasner papers
Jackson Pollock and Lee Krasner papers / Series 2: Lee Krasner Papers / 2.1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b0d8ec7-f1fe-4d08-b41c-2ba3d8d636e1
EDAN-URL:
ead_component:sova-aaa-polljack-ref235
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Leo Baekeland Diary Volume 1

Author:
Baekeland, L. H. (Leo Hendrik), 1863-1944  Search this
Collection Creator:
Baekeland, L. H. (Leo Hendrik), 1863-1944  Search this
Extent:
1 Item (6.0" x 3.5".)
Container:
Box 18, Folder 2
Type:
Archival materials
Biographies
Diaries
Place:
Yonkers (N.Y.) -- 1900-1910
Date:
1907 April 3-1908 January 22
Scope and Contents:
Inscription on flyleaf: "I / Journal of / Dr. L.H. Baekeland / Yonkers, NY [sic] / April 3, 1907 / to Jan. 23, 1908." The diary details Baekeland's daily activities. He writes often of his visits and discussions, and the subjects of correspondence he has written and received. It sheds light on the use and distance of travel by automobile in the early twentieth century. In the notes, Baekeland explains increasing time spent in the laboratory at the end of 1907 into 1908.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Laboratories  Search this
Automobiles -- 1900-1910  Search this
Tourism  Search this
Family -- 20th century  Search this
Genre/Form:
Biographies
Diaries -- 20th century
Collection Citation:
Leo Baekeland Papers, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Leo H. Baekeland Papers
Leo H. Baekeland Papers / Series 4: Diaries
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep852e54b23-0721-44a5-9083-4cb812f4220b
EDAN-URL:
ead_component:sova-nmah-ac-0005-ref288
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2 (plantations)

Collection Creator:
Dunham, S. Ann (Stanley Ann)  Search this
Container:
Box 3
Type:
Archival materials
Date:
1982
Collection Restrictions:
The S. Ann Dunham papers are open for research.

Electronic records are unavailable for research. Please contact the reference archivist for additional information.

Access to the S. Ann Dunham papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
S. Ann Dunham papers, National Anthropological Archives, Smithsonian Institution.
See more items in:
S. Ann Dunham papers
S. Ann Dunham papers / Series 1: Field notebooks / WID (Women in Development):
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw38c82accc-aadb-4e77-8c6b-37817a665162
EDAN-URL:
ead_component:sova-naa-2011-04-ref87
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3 (women in coastal villages)

Collection Creator:
Dunham, S. Ann (Stanley Ann)  Search this
Container:
Box 3
Type:
Archival materials
Date:
1983
Collection Restrictions:
The S. Ann Dunham papers are open for research.

Electronic records are unavailable for research. Please contact the reference archivist for additional information.

Access to the S. Ann Dunham papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
S. Ann Dunham papers, National Anthropological Archives, Smithsonian Institution.
See more items in:
S. Ann Dunham papers
S. Ann Dunham papers / Series 1: Field notebooks / WID (Women in Development):
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw36060f967-6ae2-49c7-8199-f2f45fbada58
EDAN-URL:
ead_component:sova-naa-2011-04-ref89
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Contest Letters (non-prize winners), 4237-4472

Collection Creator:
W. Atlee Burpee Company  Search this
Burpee, W. Atlee (Washington Atlee), 1858-1915  Search this
Burpee, David, 1893-1980  Search this
James Vick's Sons (Rochester, N.Y.).  Search this
Wm. Henry Maule (Firm)  Search this
Extent:
1 Folder
Container:
Box 272, Folder 1
Type:
Archival materials
Date:
1924
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, W. Atlee Burpee & Company Records.
See more items in:
W. Atlee Burpee & Company records
W. Atlee Burpee & Company records / Series 2: Business Records / 2.3: Advertising and Promotions / 2.3.C: Customer Testimonials and Contest Letters / What Burpee Seeds Have Done for Me Contest
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb603c3d3b9-9cb9-4848-a1b5-2d2970f67167
EDAN-URL:
ead_component:sova-aag-bur-ref1303
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Ukeles, Mierle Laderman

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 19, Folder 5
Type:
Archival materials
Date:
1977-1988
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95f02fe06-c71b-4dc4-a46a-d4790ab69956
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref2036
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Birds Eye View of Andersonville Prison Ga.

Maker:
Boell, William  Search this
Broom, William D.  Search this
Measurements:
image: 17 1/2 in x 22 1/2 in; 44.45 cm x 57.15 cm
Object Name:
Lithograph
Object Type:
Lithograph
Place made:
United States: Pennsylvania, Philadelphia
Date made:
1866
Subject:
Horses  Search this
Chronology: 1860-1869  Search this
Eating  Search this
Pets  Search this
Civil War  Search this
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.2577
Catalog number:
60.2577
Accession number:
228146
See more items in:
Cultural and Community Life: Domestic Life
Domestic Furnishings
Art
American Civil War Prints
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b5-11fd-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_324890
Online Media:

Detection and Evaluation of Novel Herpesviruses in Routine and Pathological Samples from Asian and African Elephants: Identification of Two New Probosciviruses (EEHV5 and EEHV6) and Two New Gammaherpesviruses (EGHV3B and EGHV5)

Author:
Richman, Laura K.  Search this
Zong, Jian-Chao  Search this
Latimer, Erin  Search this
Hayward, Gary S.  Search this
Heaggans, Sarah Y.  Search this
Object Type:
Smithsonian staff publication
Electronic document
Year:
2010
Topic:
Zoology  Search this
Animals  Search this
Veterinary medicine  Search this
Animal health  Search this
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILSRO_93617

In the Eye of the Cyclops: The Classic Case of Cospeciation and Why Paradigms are Important

Author:
Boeger, Walter A.  Search this
Brooks, Daniel R.  Search this
Hoberg, Eric P.  Search this
Object Type:
Smithsonian staff publication
Electronic document
Year:
2015
Topic:
Invertebrates  Search this
Animals  Search this
Zoology  Search this
Natural History  Search this
See others in:
Invertebrate Zoology
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILSRO_138454

Girl Suffering from Trachoma (Eye Disease) with Face Tattoo And in Costume with Ornaments

Creator:
Elwin, Verrier  Search this
Collection Creator:
Smithsonian Institution. United States National Museum. Department of Anthropology. Division of Ethnology  Search this
Extent:
1 Photographic print (009 in x 011 in)
Culture:
Khowa  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
1954
Local Numbers:
NAA INV.04438900
Local Note:
Black and white photoprint
Place:
India -- Assam/Nefa/Arunachal Pradesh/Kameng FD -- Sinchong Village
Rights:
Photograph cannot be reproduced without permission.
Genre/Form:
Photographs
Citation:
Photo Lot 97 DOE Asia: Assam: Willis Colln: Kameng: Aka 04438900, National Anthropological Archives, Smithsonian Institution
See more items in:
Division of Ethnology photograph collection
Division of Ethnology photograph collection / Asia / Assam / Willis Colln
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3510ad9d8-90a6-4351-aacd-e5787b54a69f
EDAN-URL:
ead_component:sova-naa-photolot-97-ref4831
Online Media:

Figure of Tanzi

Medium:
Jade
Dimensions:
H x W x D: 10.1 x 4.8 x 2.5 cm (4 x 1 7/8 x 1 in)
Type:
Jade
Sculpture
Origin:
China
Date:
14th-17th centuries
Period:
Ming dynasty
Topic:
Ming dynasty (1368 - 1644)  Search this
China  Search this
Chinese Art  Search this
Tanzi  Search this
WWII-era provenance  Search this
Credit Line:
Gift of Arthur M. Sackler
Accession Number:
S1987.759
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye374afc4c1-5d92-4eb4-9580-46fa02263755
EDAN-URL:
edanmdm:fsg_S1987.759

Journal

Creator:
March, Benjamin, 1899-1934  Search this
Names:
Yanjing da xue  Search this
Ferguson, John Calvin, 1866-1945  Search this
March, Benjamin, 1899-1934  Search this
Priest, Alan Reed  Search this
Rowe, Dorothy, 1898-1969  Search this
St. Denis, Ruth, 1880-1968  Search this
Collection Creator:
March, Benjamin, 1899-1934  Search this
Extent:
182 Items (typed unbound pages with solid wood covers)
Container:
Box 1, Folder 9
Type:
Archival materials
Diaries
Place:
China
Beijing (China)
China -- Description and Travel
Date:
1925-1926
Scope and Contents note:
Binding removed, 9 ½" x 6". 182 pages. First entry, 30 June 1925. Last entry, 13 March 1926. Inscribed, "The Memoirs of MA". Wood cover. In the introduction, March wrote, "Chronicles of Benjamin" had, for three years, served as a journal, notebook, and record for himself of places he visited. Said that since he's now not alone that it is fitting to rename his notes, "Memoirs of MA." (Chinese name of his family). ["Chronicles of Benjamin" may be found in Series V, subseries B, photo albums.]
Scope and Contents:
A diary typed by the young Chinese art scholar Benjamin March from June 1925 to March 1926 describing his life in China. Events include March's marriage to the author Dorothy Rowe (1898-1969) in Nanjing, their honeymoon in Hangzhou and Suzhou, and their subsequent life in Beijing. March describes hikes through scenic areas in Hangzhou and Beijing; his acquaintance with scholars such as John Calvin Ferguson and Alan Priest; attending performances by Ruth St. Denis and Mei Lanfang, and his work at Yenching University.
The Memoirs of Ma
Biographical / Historical:
East Asian art historian, curator and lecturer, Benjamin Franklin March Jr., was born in Chicago on July 4, 1899 to Benjamin and Isabel March. He studied, lectured, and wrote in the United States and China and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. March was East Asian art lecturer at the University of Michigan, and curator of Asian art at the Detroit Institute of Art. Although he lived only thirty-five years, Benjamin March was a respected and influential scholar of Asian art.
Local Numbers:
FSA A1995.10 2.3
Collection Restrictions:
Collection is open for research.
Collection Rights:
No restrictions on use.
Topic:
Art, Asian  Search this
Art, Asian -- Research  Search this
Art, Chinese  Search this
Chinese language -- Terms and phrases  Search this
Painting, Chinese  Search this
Genre/Form:
Diaries
Collection Citation:
Benjamin March Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Judith March Davis, 1995
Identifier:
FSA.A1995.10, File FSA A1995.10 2.3
See more items in:
Benjamin March Papers
Benjamin March Papers / Series 2: Diaries
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc36bd63e4b-4db8-4872-ac06-0002023d7c84
EDAN-URL:
ead_component:sova-fsa-a1995-10-ref40
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Scrub cap used by Dr. Stuart Greene

Physical Description:
fabric (overall material; elastic)
Measurements:
overall: 4 1/2 in x 8 in; 11.43 cm x 20.32 cm
Object Name:
scrub cap
Object Type:
Scrub
Place made:
China
Associated place; used:
United States: Pennsylvania, Abington
Date made:
ca 2020
Used date; vaccination date of Afghan refugees:
2020-09-7
Subject:
Immigrants  Search this
COVID-19 Pandemic, 2020-  Search this
COVID-19 (Disease)  Search this
Medical Procedure- Surgery  Search this
Related event:
COVID-19 Pandemic, 2020-  Search this
Credit Line:
Gift of Dr. Stuart Greene
ID Number:
2021.0166.01
Catalog number:
2021.0166.01
Accession number:
2021.0166
See more items in:
Medicine and Science: Medicine
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng43007ee6a-1175-40f3-b394-8f67f9432f31
EDAN-URL:
edanmdm:nmah_2010857
Online Media:

Kibibi's First Exam

Creator:
National Zoo  Search this
Type:
YouTube Videos
Uploaded:
2011-03-10T16:37:47.000Z
YouTube Category:
Pets & Animals  Search this
Topic:
Zoology;Animals;Veterinary medicine;Animal health  Search this
See more by:
SmithsonianNZP
Data Source:
National Zoo
YouTube Channel:
SmithsonianNZP
EDAN-URL:
edanmdm:yt_jlIp6RzvLkg

Rauschenberg, Robert

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 17, Folder 34
Type:
Archival materials
Date:
1969-1973, 1980-1985
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95095d17e-fa3c-4645-9be0-fa4329ce8de5
EDAN-URL:
ead_component:sova-aaa-leocast-ref8945
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  • View Rauschenberg, Robert digital asset number 1

Clubs and Organizations, Lockbourne Officers' Wives Club

Collection Creator:
Davis, Benjamin O., Jr., 1912-  Search this
Container:
Box 6, Folder 11
Type:
Archival materials
Date:
undated
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Benjamin O. Davis, Jr. Collection, Acc. 1992.0023, National Air and Space Museum, Smithsonian Institution.
See more items in:
Benjamin O. Davis Jr. Collection
Benjamin O. Davis Jr. Collection / Series 2: Military Career / 2.3: Materials Arranged by Posting / 2.3.9: Lockbourne AAB/AAF/AFB (Lockbourne, OH), Base Commander
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg26b593fe4-8444-4d2e-9b13-09244d1f8a45
EDAN-URL:
ead_component:sova-nasm-1992-0023-ref1829
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  • View Clubs and Organizations, Lockbourne Officers' Wives Club digital asset number 1

Manuals, Stewardess Manual (2 of 2)

Collection Creator:
Wheatland, Richard, II, 1923-2009  Search this
Container:
Box 1, Folder 43
Type:
Archival materials
Text
Date:
1962
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
New York Airways Collection, Acc. NASM.1992.0052, National Air and Space Museum, Smithsonian Institution.
See more items in:
New York Airways Collection
New York Airways Collection / Series 1: 1992 Acquisition
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2aee7fc49-ef1e-417b-9702-6c589bb215f2
EDAN-URL:
ead_component:sova-nasm-1992-0052-ref547
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Manuals, Stewardess Manual (2 of 2) digital asset number 1

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