German expressionist woodcuts from the Robert Gore Rifkind Foundation : an exhibition at the de Saisset Art Gallery and Museum, April 11 - May 25, 1980, University of Santa Clara, Santa Clara, California
Collection of the Smithsonian National Museum of African American History and Culture and National Portrait Gallery, Museum Purchase through the American Women’s History Initiative Acquisitions Pool administered by the Smithsonian American Women’s History Initiative and generously supported by American Express
Will Barnet and Laurie Lisle. Interview with Will Barnet, 1982 November 17. Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson, 1902-1990. Archives of American Art, Smithsonian Institution.
0.01 Linear feet (ca. 600 items (on 2 microfilm reels))
Scope and Contents:
Correspondence; biographical material; awards; printed materials; and photographs.
REEL 837: Three scrapbooks containing correspondence, business papers, biographical material, awards, catalogs, announcements, clippings, and photographs of Kasten's works and installations.
REEL 2814: 18 letters from Worth Ryder, 1952-1953; 2 letters from Charles Clark; 3 letters from students; a draft of a letter from Kasten to Ryder; a copy of a letter to Elmer Bischoff; and a photocopy of an obituary for Ryder.
Biographical / Historical:
Painter, printmaker; Berkeley, Calif. Middle name is Albert. Teaches at University of California, Berkeley. Very personal form of Abstract Expressionism characterizes his work. Known for his collographs. "A collograph is printed on an etching press and developed by adding materials to the print plate using acrylic glue."
Donated and lent for microfilming 1974-1978 by Karl Kasten.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
An interview of Ingrid Hutton conducted 1993 March 4, by Rose-Carol Washton Long for the Archives of American Art.
Hutton discusses her and her husband Leonard's origins in Germany and their emigrations to the United States, she in 1960 and he in 1934. She explains how her husband's career as an interior decorator led him to open the Leonard Hutton Gallery and how she became involved with it. Hutton talks of their focus on German expressionism and Russian constructivism, including a discussion of public interest in the movements and patronage trends. She mentions her plans to show contemporary Russian art in the future.
Biographical / Historical:
Ingrid Hutton is an art dealer and part of the Leonard Hutton Galleries in New York, N.Y. Leonard Hutton Galleries changed its name in 1969 to Hutton-Hutschnecker Gallery, and back again to Leonard Hutton Galleries in 1971.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview was provided by the Art Dealers Association.
Transcript available on the Archives of American Art website.
Art dealers -- New York (State) -- New York Search this