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José de Rivera papers

Creator:
De Rivera, José Ruiz, 1904-1985  Search this
Names:
American Iron and Steel Institute  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
New York World's Fair (1964-1965)  Search this
Smithsonian Institution  Search this
Ashton, Dore  Search this
Goldsmith, Howard  Search this
Marter, Joan M.  Search this
Extent:
5.6 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Collages
Sketchbooks
Interviews
Transcripts
Sketches
Motion pictures (visual works)
Blueprints
Photographs
Date:
1930-1991
Summary:
The papers of sculptor José de Rivera date from 1930 to 1991 and measure 5.6 linear feet. Found within the papers are biographical materials, letters, scattered personal business records, commission files, art work including four sketchbooks, printed material, and photographs. One of the commission files includes a motion picture film.
Scope and Content Note:
The papers of sculptor José de Rivera date from 1930 to 1991 and measure 5.6 linear feet. Found within the papers are biographical materials, letters, scattered personal business records, commission files, art work including four sketchbooks, printed material, and photographs. One of the commission files includes a motion picture film.

Biographical material consists of a biographical account, resumé, military service records, an interview transcript, certificates, addresses, and miscellaneous notes and writings.

Twenty-nine folders of letters are primarily from de Rivera's patron, attorney Howard Goldsmith, but also include single letters from Marcel Breuer, John Canaday, Emlen Etting, Dag Hammarskjold, and G. Vantongerloo.

Scattered personal business records include rental records, sculpture inventories, a contract, receipts, and miscellaneous records.

Commission files contain letters, contracts, receipts, clippings, blueprints, miscellaneous printed material, and photographs concerning several of de Rivera's commissions, including Brussels Construction for the Brussels Universal and International Exhibition, his sculpture for the 1964 New York World's Fair, and Infinity, commissioned for the Smithsonian. A file for Construction #73 completed for the American Iron and Steel Institute also contains a reel of 16mm motion picture film.

Art work consists of four sketchbooks, drawings, and geometric collages including detached cut out shapes.

Printed material includes primarily clippings and exhibition announcements and catalogs. There is also a copy of the book José de Rivera Constructions by Dore Ashton and Joan M. Marter. Photographs are of de Rivera, miscellaneous art-related events, his studio, his art works, and of miscellaneous exhibition installations. Commission files also contain photographs.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Material, 1942-1984 (Box 1; 11 folders)

Series 2: Letters, 1938-1988 (Box 1; 29 folders)

Series 3: Personal Business Records, 1947-1984 (Box 1; 11 folders)

Series 4: Commission Files, 1955-1977 (Box 1-2, 6-7, OV 10, FC 13; 1.1 linear feet)

Series 5: Art Work, 1960-1984 (Box 2, 6, OV 8; 0.9 linear feet)

Series 6: Printed Material, 1931-1991 (Box 2-4, 6; 1.5 linear feet)

Series 7: Photographs, 1930-1985 (Box 4-7, OV 9-OV 10; 1.7 linear feet)
Biographical Note:
José de Rivera (1904-1985) worked primarily in New York as an abstract expressionist sculptor known for twisting steel or bronze bands into space-defining three-dimensional shapes.

José A. Ruiz was born on September 18, 1904 in West Baton Rouge, Louisiana, the son of Joseph and Honorine Montamat Ruiz. He would later take the surname of his maternal grandmother, de Rivera. Early in his life his family moved to New Orleans where his father was a sugar mill engineer on a plantation. De Rivera became adept at repairing machinery and doing blacksmith work with his father. Shortly after completing high school in 1922, de Rivera moved to Chicago where he was employed in foundries and machine shops as a pipe fitter and tool and die maker. His 1926 marriage to Rose Covelli ended in divorce.

Beginning in 1928 de Rivera attended night drawing classes conducted at the Studio School by painter John W. Norton. De Rivera was impressed by the Egyptian collections at the Field Museum. The work of Mondrian, Brancusi, and Georges Vantongerloo also exerted a strong influence on him. In 1932, he traveled through southern Europe and North Africa visiting Spain, Italy, France, Greece, and Egypt. Upon his return to the United States he decided to become a sculptor.

From 1937-1938, de Rivera was employed by the Works Progress Administration-Federal Art Project and created the sculpture Flight for the Newark, New Jersey airport. During World War II, he first served in the U.S. Army Corps from 1942 to 1943. For the following three years, he designed and constructed ship models used as training aids in the U. S. Navy.

De Rivera's first solo exhibition was in 1946 in New York at the Mortimer Levitt Gallery. In 1953, de Rivera taught sculpture at Brooklyn College. For the following three years, he was a critic in sculpture at Yale University and taught at the School of Design at North Carolina State College from 1957 to 1960. De Rivera married Lita Jeronimo in 1955.

In 1961 de Rivera was given a retrospective exhibition at the Whitney Museum of American Art. One of his most notable works Infinity was commissioned by the Smithsonian Institution for the front of its newly built Museum of History and Technology in 1963.

José de Rivera died on March 19, 1985 in New York City.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reel N70-32) including biographical material, correspondence, writings, drawings, printed material, and photographs. Loaned material was returned to the lender and are not described in the collection container inventory.
Provenance:
In 1970, José de Rivera loaned the Archives of Amrican Art material for microfilming. The artist and the Grace Borgenicht Gallery donated additional papers in 1982 and De Rivera's son, Joseph A. Ruiz II, gave more material in 1998.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The José de Rivera papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Hispanic American artists  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, American -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Drawings
Collages
Sketchbooks
Interviews
Transcripts
Sketches
Motion pictures (visual works)
Blueprints
Photographs
Citation:
José de Rivera papers, 1930-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.derijose
See more items in:
José de Rivera papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-derijose

Oral history interview with Phillip A. Bruno

Interviewee:
Bruno, Phillip A.  Search this
Creator:
McElhinney, James Lancel, 1952-  Search this
Widgeon Point Charitable Foundation  Search this
Names:
Barnes Foundation  Search this
Columbia University -- Students  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Grace Borgenicht Gallery  Search this
La Napoule Art Foundation, Henry Clews Memorial  Search this
Marlborough Gallery  Search this
Weyhe Gallery  Search this
Widgeon Point Charitable Foundation  Search this
World House Galleries  Search this
Avery, Milton, 1885-1965  Search this
Bacon, Francis, 1909-1992  Search this
Baskin, Leonard, 1922-2000  Search this
Bertoia, Harry  Search this
Bravo, Claudio, 1936-2011  Search this
Brown, Joan, 1938-1990  Search this
Calder, Alexander, 1898-1976  Search this
Clews, Henry, 1876-1937  Search this
Crawford, Ralston, 1906-1978  Search this
Cuevas, José Luis, 1934-  Search this
Ernst, Max, 1891-1976  Search this
Estes, Richard, 1932-  Search this
Giacometti, Alberto, 1901-1966  Search this
Hefner, Hugh M. (Hugh Marston), 1926-  Search this
Hirshhorn, Joseph H.  Search this
Katz, Alex, 1927-  Search this
Koenig, Fritz, 1924-  Search this
Kubach, Wolfgang, 1936-  Search this
Kubach-Wilmsen, Anna Maria, 1937-  Search this
Matisse, Henri, 1869-1954  Search this
Morgan, Randall, 1920-  Search this
Nagare, Masayuki, 1923-  Search this
Neuberger, Roy R.  Search this
Nevelson, Louise, 1899-1988  Search this
Park, David, 1911-1960  Search this
Peterdi, Gabor  Search this
Rothko, Mark, 1903-1970  Search this
Schapiro, Meyer, 1904-  Search this
Staempfli, George W.  Search this
Willard, Charlotte  Search this
Extent:
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 January 13-21
Scope and Contents:
An interview of Phillip A. Bruno conducted 2009 January 13-21, by James McElhinney, for the Archives of American Art, at the Archives of American Art, in New York, New York.
Bruno speaks of some his earliest impressions of art while growing up in New York and Paris; attending Columbia University, where he majored in the history of painting and architecture and studied under Meyer Schapiro; his first job at the Weyhe Gallery as a gallery assistant; helping create the Grace Borgenicht Gallery, where he served as director for five years; traveling to Mexico, meeting Jose Cuevas and exhibiting his work at the Edward Loeb Gallery in Paris; traveling to Brazil and meeting a family of naturalist painters who emphasized the importance of painting outdoors, unlike many painters from the New York school; working with Henry Clews and the La Napoule Art Foundation; selling a piece of Salvador Dali jewelry made by Carlos Alamanni to Hugh Hefner, founder of Playboy Magazine; working as director of The World House Gallery and selling works by Fancis Bacon and Max Ernst to clients such as Joseph Hirshhorn and Roy Neuberger; organizing a exhibition of artists shown at the Brussels World Fair in 1958 at World House and meeting George Staempfli through the artist Joan Brown; moving from World House to the Staempfli Gallery in 1960 to work as co-director; the Staempfli Gallery's role in the international art world; an original drawing by Leonard Baskin inscribed to Phillip in 1954; selling the work of artists such as Harry Bertoia, Fritz Koening, and David Park; meeting Henri Matisse in Paris at the age of 21; visiting the studios of Alexander Calder and Mark Rothko; the difference between galleries that can spot new talent and galleries that sell certain artists well; the art market becoming less idealistic and more commercial; the rising importance of auction houses and the possibility of their taking the place of traditional art galleries; the move of the Staempfli Gallery to the SoHo neighborhood and soon after, leaving Staempfli for Marlborough, where he was one of the New York directors for 18 years; his appreciation for the creativity of others, retirement and current plans to write his memoirs. Bruno also recalls Milton Avery, Gabor Peterdi, Hans Muller, Ralston Crawford, Randall Morgan, Charlotte Willard, Dorthy Satterlee, Masayuki Nagare, Claude Bemardin, Kubach-Wilmsen, Louise Nevelson, Cladio Bravo, Lopez Garcia, Alberto Giacometti, The Barnes Foundation, Richard Estes, Alex Katz, and Neil Wlliver.
Biographical / Historical:
Phillip A. Bruno (1930- ) is an art collector and director of Marlborough Gallery, New York, New York.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 45 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Topic:
Collectors and collecting -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bruno09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bruno09

Larry Zim World's Fair Collection

Collector:
Cultural History, Division of (NMAH, SI).  Search this
Cooper-Hewitt Museum.  Search this
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Cultural History, Division of (NMAH, SI).  Search this
Names:
Alaska-Yukon-Pacific Exposition (1909 : Seattle, Wash.)  Search this
Appalachian Exposition. (Knoxville, Tennessee: 1911)  Search this
Art and Techniques Exposition (Paris, France: 1937)  Search this
British Empire Exhibition (London, England : 1924-1925)  Search this
British Empire Exposition (Glasgow, Scotland: 1938)  Search this
Bronx International Exposition (New York, New York: 1917-1918)  Search this
Brussels International (1910 )  Search this
California Midwinter International Exposition (1894 : San Francisco, Calif.)  Search this
California-Pacific International Exposition (San Diego, California: 1935-1936)  Search this
Canadian National Exposition (1937)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Centennial Exposition of the Ohio Valley and Central States (1888 : Cincinnati, Ohio)  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Chicago Autumn Festival (1899)  Search this
Cincinnati Industrial Exposition (1882 : Cincinnati, Ohio)  Search this
Cotton States Exposition (1895 : Atlanta, Ga)  Search this
Esposizione Internationale (1911 : Turin, Italy)  Search this
Esposizione Internationale D'Arte (Venice, Italy: 1910)  Search this
Esposizione Internazionale d'Arte (1895 : Venice, Italy)  Search this
Exhibition of Art Treasures (1857 : Manchester, England)  Search this
Exhibition, Massachusetts Charitable Mechanic Association (1878 : Boston, Massachusetts)  Search this
Expo 67 (Montréal, Québec)  Search this
Exposicion Centro-Americana (1897 : Guatemala City, Guatemala)  Search this
Exposition Coloniale Internationale (Paris, France: 1931)  Search this
Exposition International (1894 : Lyons, France)  Search this
Exposition International Coloniale Maritime et d'Art Flammand (Antwerp, Belgium: 1930)  Search this
Exposition International de Liege (1930)  Search this
Exposition Internationale Maritime (1887 : Le Havre, France)  Search this
Exposition Nationale Belge (1880 : Belgium)  Search this
Exposition Universelle (1885 : Antwerp, Belgium)  Search this
Exposition Universelle de Paris (1855 : Paris, France)  Search this
Exposition Universelle de Paris (1878 : Paris, France)  Search this
Exposition universelle de 1867 (Paris, France)  Search this
Exposition universelle de 1889 (Paris, France)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Fiera di Milano (1939)  Search this
Foreign Exhibition (1883 : Boston, Massachusetts)  Search this
Franco-British Exhibition (London, England: 1908)  Search this
Franklin Institute Exhibition (1874 : Philadelphia, Pennsylvania)  Search this
Gewerbe Austellung (1896 : Berlin, Germany)  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Great Exhibition of 1851 (London, England)  Search this
Great Industrial Exhibition (1853 : Dublin, Ireland)  Search this
Great Lakes Exposition (Cleveland, Ohio: 1936-1937)  Search this
Hemisfair '68 (San Antonio, Texas: 1968)  Search this
Hudson-Fulton Celebration (1909)  Search this
Imperial International Exhibition (London, England: 1909)  Search this
International Exhibition (1897 : Brussels, Belgium)  Search this
International Exhibition of 1862 (London, England)  Search this
International Exhibition of 1871 (London, England)  Search this
International Exhibition of 1872 (London, England)  Search this
International Exhibition of Arts and Manufactures (1865: Dublin, Ireland)  Search this
International Exposition (Barcelona, Spain: 1929-1930)  Search this
International Exposition (Brussels, Belgium: 1935)  Search this
International Exposition of Decorative Arts and Modern Industries (1925 : Paris, France)  Search this
International Exposition on the Environment (Spokane, Washington: 1974)  Search this
International Fire Exhibition 1903 : London, England)  Search this
International Marine Exhibition of Marine Hygiene and Exhibition of the Italian Glories (Genoa, Italy: 1914)  Search this
International Ocean Exposition (Okinawa, Japan: 1975)  Search this
Interstate and West Indian Exposition (Charleston, South Carolina: 1901-1902)  Search this
Italian Exposition (1904 : London, England)  Search this
Jamestown Tercentennial Exposition (Hampton Roads, Virginia: 1907)  Search this
Japan World Exposition (Osaka, Japan: 1970)  Search this
Japan-British Exhibition (London, England: 1910)  Search this
Knoxville International Energy Exposition (1982)  Search this
Lewis and Clark Centennial Exposition (1905 : Portland, Or.)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
National Ecuadorian Exposition (Quito, Ecuador: 1909)  Search this
National Export Exposition (1899 : Philadelphia, Pennsylvania)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
New York World's Fair (1964-1965)  Search this
Pan-American Exposition (1901: Buffalo, N.Y.)  Search this
Panama-California Exposition (1915 : San Diego, Calif.)  Search this
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Scottish National Exposition (Edinburgh, Scotland: 1908)  Search this
Sesqui-Centennial International Exposition (1926 : Philadelphia, Pa.)  Search this
Sydney International Exhibition (Sydney, Australia: 1879)  Search this
Texas Centennial Central Exposition (Dallas, Texas: 1936)  Search this
Universal Exhibition (1873 : Vienna, Austria)  Search this
Western Pennsylvania Exposition (1915 : Pittsburgh, Pennsylvania)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
World's Industrial and Cotton Centennial Exposition (1884-1885 : New Orleans, La.)  Search this
Extent:
46 Cubic feet (123 boxes and 148 map-folders)
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music
Posters
Shopping bags
Photographs
Stereographs
Menus
Place:
Disneyland (California)
Date:
1841-1988
Scope and Contents:
Memorabilia of fairs and World's Fairs throughout history, both in the United States and abroad, including photographs, stereographs, panoramas and slides; printed materials; postcards; sheet music; philatelic material; stationery and greeting cards; menus and food service items; posters; shopping bags; motion picture films; and other items.
Arrangement:
The collection is divided into three series.

Series 1: World's Fair Materials, 1841-1988

Series 2: Reference and Miscellaneous Materials

Series 3: Larry Zim Materials

Series 4: Oversize Materials, 1909-1968
Biographical / Historical:
Larry Zim, whose actual name was Larry Zimmerman, was an industrial designer, a historian of World's Fairs who wrote extensively on the subject, and a collector of World's Fair memorabilia.
Provenance:
Collection by bequest of Larry Zim.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Crystal Palace -- (New York, New York)  Search this
Exhibitions  Search this
Genre/Form:
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music -- 20th century
Posters
Shopping bags
Photographs -- 19th century
Sheet music -- 19th century
Stereographs
Menus
Citation:
Larry Zim World's Fair Collection, 1841-1988, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0519
See more items in:
Larry Zim World's Fair Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0519
Online Media:

James S. Plaut papers

Creator:
Plaut, James S. (James Sachs), 1912-1996  Search this
Names:
Expo 67 (Montréal, Québec)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Museum of Fine Arts, Boston  Search this
World Crafts Council  Search this
Adenauer, Konrad, 1876-1967  Search this
Berman, Eugene, 1899-1972  Search this
Bernstein, Leonard, 1918-1990  Search this
Breuer, Marcel, 1902-  Search this
Eisenhower, Dwight D. (Dwight David), 1890-1969  Search this
Gandhi, Indira, 1917-1984  Search this
Gropius, Walter, 1883-1969  Search this
Kirstein, Lincoln, 1907-  Search this
Kokoschka, Oskar, 1886-  Search this
Milles, Carl, 1875-1955  Search this
Peirce, Waldo, 1884-1970  Search this
Ruckstull, F. W. (Fred Wellington), 1853-1942  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
1.4 Linear feet
2.2 Linear feet (Addition)
4 Volumes (Reels 581 and 5139: Scrapbooks)
Type:
Collection descriptions
Archival materials
Volumes
Interviews
Scrapbooks
Sketchbooks
Sound recordings
Place:
Israel
Date:
[ca. 1929]-1980
Scope and Contents:
Correspondence, business files, academic papers, photographs, clippings, sketchbook, sketches, and miscellaneous notes.
REEL 581: Selected items from 2 family scrapbooks, 1933-1943 and 1946-1956; including clippings, photographs, correspondence, invitations and awards. Most material pertains to Plaut's work as director of the ICA and advisor to the government of Israel. Also included are correspondence from Georges Rouault, Carl Milles, and Oskar Kokoschka; and 6 drawings by Waldo Peirce.
REEL 5139: Two family scrapbooks, 1956-1959 and 1960-1980, containing clippings, invitations, photographs and miscellaneous material from Plaut's work World's Fairs at Brussels, 1958, New York, 1964 and Japan, 1970. Also found are family snapshots of the Plaut's travels, their children and grandchildren and include 7 earlier photographs of Plaut and his parents, ca. 1906-1932, and one photograph of Eleanor Roosevelt, 1959.
UNMICROFILMED: Travel sketchbook of Rome; term papers, honors thesis, and sketches for an architectural history course; files relating to Plaut's positions at the Museum of Fine Arts, Boston, the ICA, the World Crafts Council, and other professional and personal concerns; correspondence, including letters from Eugene Berman, Carl Milles, Lincoln Kirstein, Paul Sachs and others; personal and work related photographs; lecture notes; slides from the World's Craft Fair Council, 1974; 2 untranscribed sound tape reels of an interview made by Plaut for Alfred Auerbach concerning the Brussels World's Fair 1958 and typed list of questions for the interview; and miscellaneous papers.
ADDITION: Resumes and obituaries; correspondence; the book, Waldo Peirce, by Margit Varga, 1941, with insertions of a caricature by Peirce, illustrated postcards, and a letter; photographs of Walter Gropius House, Lincoln, Mass. and 7 photographs of Plaut with Frank Lloyd Wright, Walter Gropius, Marcel Breuer, Konrad Adenauer, Indira Gandhi, Leonard Bernstein, and Dwight David Eisenhower; scrapbook and slides pertaining to Plaut's work for the World's Fair, Brussels, 1958; writings and publications; publications of the ICA and the WCC; the book, The Overcoat, by Nikoli Gogel, presented to Plaut upon retirement from the WCC; publications by others on art and design; and a file on James and Mary Plaut's personal art collection, ca. 1935-1990s.
Biographical / Historical:
Art administrator and museum director; Boston, Mass. Plaut was born to a wealthy family in Cincinnati, Ohio, graduated from HarvardCollege, and received an M.A. from Harvard University. His uncle was Paul Sachs, a connoisseur and influential museology professor at Harvard andsor. Plaut held curatorial positions at the Museum of Fine Arts, Boston, and became Director of Boston's Institute of Modern Art in 1939 (later the Institute of Contemporary Art or ICA) where he staged early exhibitions of contemporary design and European avant-garde paintings and sculpture until his resignation in 1956. Plaut was also involved in many international exhibitions and expositions, serving as Deputy U.S. Commissioner to the World's Fair in Brussels, 1958, and was Secretary General of the World Crafts Council, 1967-1976 and a consultant on industrial design in Israel.
Provenance:
Scrapbooks on reel 581 lent for microfilming by Plaut, 1973; his estate, via the executor Edward M. Condit, Jr., lent those on reel 5139 in 1996. Plaut donated the unmicrofilmed material in 1985 and 1992, and additional papers were received as a bequest in 1996 via the executor of his estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Arts administrators -- Massachusetts -- Boston  Search this
Museum directors -- Massachusetts -- Boston  Search this
Function:
Art museums -- Massachusetts -- Boston
Genre/Form:
Interviews
Scrapbooks
Sketchbooks
Sound recordings
Identifier:
AAA.plaujame
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-plaujame

Division of Community Life World's Fairs Collection

Donor:
Shafer, Mary C.  Search this
Sheppard, Stephen  Search this
Landor, Josephine  Search this
Landor, Walter  Search this
Lindsay, Elizabeth R.  Search this
Meggars, Edith R.  Search this
Hallwig, Elizabeth Ann  Search this
Hallwig, O.Morton  Search this
Holt, C.W.  Search this
Krause, Roy  Search this
Willcutts, Viola E.  Search this
Carmody, Stella  Search this
Annis, Esther Pauline  Search this
Coppola, John  Search this
Grossman, Walter  Search this
Frick, Margaret  Search this
Annis, Esther Pauline  Search this
Carmody, Stella  Search this
Coppola, John  Search this
Frick, Margaret  Search this
Grossman, Walter  Search this
Hallwig, Elizabeth Ann  Search this
Hallwig, O.Morton  Search this
Holt, C.W.  Search this
Krause, Roy  Search this
Landor, Josephine  Search this
Landor, Walter  Search this
Lindsay, Elizabeth R.  Search this
Meggars, Edith R.  Search this
Shafer, Mary C.  Search this
Sheppard, Stephen  Search this
Willcutts, Viola E.  Search this
Collector:
Vogel, Robert M.  Search this
Political History, Division of (NMAH)  Search this
Community Life, Div. of, NMAH, SI  Search this
Political History, Division of (NMAH)  Search this
Vogel, Robert M.  Search this
Source:
Warner, Peter M.  Search this
Names:
Ameriflora '92 (Columbus, Ohio)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Christopher Columbus Quincentenary Jubilee (Genova, Italy: 1992)  Search this
Expo '93 (Stuttgart, Germany)  Search this
Expo '93 (Taejŏn-si, Korea)  Search this
Exposición Universal de 1992 (Seville, Spain)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Floriade Zoetermeer (The Hague, Netherlands: 1992)  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
New York World's Fair (1964-1965)  Search this
Salon International de l'Aeronautique et de l'Espace (Paris, France: 1991)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Former owner:
Warner, Peter M.  Search this
Extent:
3.3 Cubic feet (10 boxes, 12 map-folders)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Leaflets
Stickers
Guidebooks
Brochures
Commemoratives
Schedules
Stationery
Fans
Calendars
Postcards
Shopping bags
Press releases
Tickets
Certificates
Bumper stickers
Pamphlets
Maps
Catalogs
Date:
1876-1993
Summary:
Collection documents World's Fairs from 1876 to 1993.
Scope and Contents:
The collection is a compilation of gifts from numerous donors, of printed materials and ephemera relating to World's Fairs.
Arrangement:
The collection is arranged into one series chronologically by fair.
Provenance:
Collected from numerous donors by the Division of Community Life (now called the Division of Home and Community Life.) A number of items in the collection were also collected for the National Museum of American History by the Division. Donors include Viola E. Willcuts, Peter M. Warner, Edith B. Meggars, Elizabeth R. Lindsay, C.W. Holt, Walter Grossman, Margaret Frick, Peter M. Warner, Esther Pauline Annis, Roy Krause, Ameriflora, Expo '92, Expo '93, Colombo, O. Morton Hallwig and Elizabeth Ann Hallwig, Mary C. Shafer, Robert Vogel, John Coppola, Stella M. Carmody, Walter and Josephine Landor, and Stephen Sheppard.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Exhibitions  Search this
World's fairs  Search this
Genre/Form:
Photographs -- Color transparencies -- 1950-2000
Programs
Clippings
Leaflets
Stickers
Guidebooks
Brochures
Commemoratives
Schedules
Stationery
Fans
Calendars
Postcards
Shopping bags
Press releases
Tickets
Certificates
Bumper stickers
Pamphlets
Maps
Catalogs
Citation:
Division of Community Life World's Fairs Collection, 1876-1993, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1132
See more items in:
Division of Community Life World's Fairs Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1132

Hans Namuth photographs and papers

Creator:
Namuth, Hans  Search this
Names:
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Jewish Museum (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Virginia Museum of Fine Arts  Search this
Yale University. School of Art and Architecture  Search this
Adams, Ansel, 1902-1984  Search this
Boynton, Jack, 1928-2010  Search this
Breuer, Marcel, 1902-  Search this
Cage, John, 1912-1992  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Castelli, Leo  Search this
Copland, Aaron, 1900-1990  Search this
Davis, Stuart, 1892-1964  Search this
De Kooning, Willem, 1904-1997  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Hartigan, Grace  Search this
Hopper, Edward, 1882-1967  Search this
Johns, Jasper, 1930- -- Photographs  Search this
Karpel, Bernard, 1911-1986  Search this
Koch, Kenneth, 1925-  Search this
Krasner, Lee, 1908-1984 -- Photographs  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Navaretta, Cynthia  Search this
Newman, Arnold, 1918-2006  Search this
Noguchi, Isamu, 1904-1988 -- Photographs  Search this
Norman, Dorothy, 1905-1997  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956 -- Photographs  Search this
Rauschenberg, Robert, 1925-2008 -- Photographs  Search this
Rothko, Mark, 1903-1970 -- Photographs  Search this
Shaw, Elizabeth Roberts, 1921-  Search this
Stieglitz, Alfred, 1864-1946  Search this
Wyeth, Andrew, 1917-2009 -- Photographs  Search this
Extent:
4.5 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Transcripts
Place:
Massachusetts -- Boston
Date:
1945-1985
Summary:
The papers of New York photographer and filmmaker Hans Namuth measure 4.5 linear feet and date from 1945 to 1985. The bulk of the collection consists of photographs taken by Namuth of New York artists. Also included are papers regarding Namuth's film about Alfred Stieglitz and other professional files.
Scope and Contents:
The papers of New York photographer and filmmaker Hans Namuth measure 4.5 linear feet and date from 1945 to 1985. The bulk of the collection consists of photographs taken by Namuth of New York artists. Also included are papers regarding Namuth's film about Alfred Stieglitz and other professional files.

The first series contains materials related to the planning and production of Namuth's film Alfred Stieglitz, Photographer. Documentation includes articles, correspondence, exhibition materials, grant program request sheets, magazines and catalogs, photo requests, photographs and photographic materials, notes and research, shot lists, script drafts and fragments, interview transcripts, and correspondence. Interviewees include Ansel Adams, Arnold Newman, Aaron Copland, Dorothy Norman, and others.

The second series contains various writings and papers relating to Namuth's professional activities, including Namuth's exhibition at the 1958 Brussels World Fair, business and financial records, papers on The Construction of Boston by Kennth Koch, correspondence, a notebook, and various printed materials. Namuth's correspondence is with James Boynton, Bernard Karpel, the Museum of Modern Art, Cynthia Navaretta, Elizabeth Shaw, the Virginia Museum of Fine Arts, and the Yale University School of Art and Architecture.

Photographs taken by Hans Namuth depict prominent American (primarily New York-based) artists, architects, writers, musicians, and art critics. Artists are shown in their studios or homes, either at work or posing for the camera, and include Alexander Calder, Stuart Davis, Willem de Kooning, Grace Hartigan, Edward Hopper, Jasper Johns, Lee Krasner, Isamu Noguchi, Jackson Pollock, Robert Rauschenberg, Mark Rothko, and Andrew Wyeth, among many others. Photographs of other individuals include Marcel Breuer, John Cage, Leo Castelli, Buckminster Fuller, and Ludwig Mies van der Rohe, and others. Also found are photographs of exhibitions, openings, and art-related events from the 1950s and 1960s, such as a traveling Picasso exhibit and a Robert Rauschenberg opening at the Jewish Museum. Most photographs are black and white, but a few color prints are included.
Arrangement:
This collection is arranged as 3 series.

Series 1: Alfred Stieglitz Film Project, 1945-circa 1981 (Box 1, OV 11; 0.8 linear feet)

Series 2: Professional Files, 1953-1985 (Box 1; 0.3 linear feet)

Series 3: Photographs, 1945-1984 (Box 2-10; 3.4 linear feet)
Biographical / Historical:
Hans Namuth (1915-1990) was a German-American photographer and filmmaker who lived and worked in New York. He was primarily known for his work photographing prominent American artists in the 1950s and 1960s.

Namuth was born in Germany but left for France in 1933 after the rise of the Nazi Party. While in France, he struck up a friendship with fellow German Georg Reisner. From 1935 to 1939, Namuth and Reisner worked together as photographers primarily in Paris. His first works to catch the public's attention came from an assignment in Barcelona that accidentally coincided with the beginning of the Spanish Civil War in 1936. Following a short internment in Nazi-occupied France, Namuth left for the United States.

After taking photography classes with Alexey Brodovitch, art director of Harper's Bazaar, Namuth met Jackson Pollock at an exhibition in 1950 and asked to photograph the artist at work. His subsequent photographs of Pollock raised both artists' profiles. Namuth would spend the next three decades photographing major New York artists, architects, and art-related events for commission and for his own studio. He directed a number of films in collaboration with Paul Falkenberg and published several books of photographs. Namuth died in Long Island in 1990.
Related Materials:
Also at the Archives of American Art is an oral history interview with Hans Namuth, Aug. 12-Sept. 8, 1971. Additional Hans Namuth papers are located at the Center for Creative Photography, University of Arizona.
Provenance:
The collection was donated 1972-1985 by Hans Namuth.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Hans Namuth photographs and papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art critics -- New York (State) -- New York  Search this
Musicians -- New York (State) -- New York  Search this
Topic:
Artists -- New York (State) -- New York  Search this
Filmmakers -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Photographs
Transcripts
Citation:
Hans Namuth photographs and papers, 1945-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.namuhans
See more items in:
Hans Namuth photographs and papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-namuhans

Lili Blumenau collection

Creator:
Blumenau, Lili  Search this
Names:
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Blumenau, Lili  Search this
Extent:
2 Items
Type:
Collection descriptions
Archival materials
Date:
1958
Scope and Contents:
A photograph (b&w) of Lili Blumenau at work at a loom, taken by David Vestal, undated; and a certificate "In Recognition of Public Service" issued by the United States Department of State to Blumenau for her "assistance in the American program for the Brussels Universal and International Exhibition, 1958."
Biographical / Historical:
Fiber artist.
Provenance:
Donated 2001 by the American Craft Museum as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. [It is unclear to the Museum why the documents were in their files, and there is not indication whether the photograph was taken at the Brussels Exhibition or whether the two items are related.]
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Fiber artists  Search this
Weavers  Search this
Topic:
Women artists  Search this
Identifier:
AAA.blumlili
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-blumlili

Exposition Universelle et Internationale, Bruxelles, 1958 Congo Belge. Province Orientale. Chez les Mangbetu

Creator:
Photo-Home (Leopoldville)  Search this
Names:
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (photograph., b&w, 9 x 14 cm.)
Container:
Volume 2 CG
Culture:
Mangbetu (African people)  Search this
Type:
Archival materials
Postcards
Postcards
Place:
Africa
Congo (Democratic Republic)
Date:
ca. 1958
Scope and Contents:
Printed caption on verso reads: "Exposition Universelle et Internationale / Bruxelles 1958 / Congo Belge Province Orientale / Chez les Mangbetu."
Translated postcard caption reads, "World's Fair / Brussels 1958 / Belgian Congo. Eastern Province. Among the Mangbetu."
Additional printed text on verso reads: "174 / Copyright Photo-Home / Leopoldville / Fabrication Suisse / 58."
Local Numbers:
EEPA CG-19-02
General:
Title source: Postcard caption.
Citation source: Archives staff.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Music  Search this
Musicians -- Africa  Search this
Musical instruments  Search this
Genre/Form:
Postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA CG 2011-001-0849
See more items in:
African Postcard Collection
African Postcard Collection / Series 11: Congo Belge (CG)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref2783

Exposition Universelle et Internationale, Bruxelles, 1958 Congo Belge, Pygmée

Creator:
Photo-Home (Leopoldville)  Search this
Names:
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (photograph., b&w., 14 x 9 cm.)
Container:
Volume 3 CG
Culture:
Pygmies  Search this
Type:
Archival materials
Postcards
Postcards
Place:
Africa
Congo (Democratic Republic)
Date:
ca. 1958
Scope and Contents:
Printed caption reads: "Exposition Universelle et Internationale / Bruxelles 1958 / Congo Belge Pygmée." Translated postcard caption reads, " Belgian Congo. Pygmy."
Additional printed text on verso reads: "68 / Copyright Photo-Home / Leopoldville / Fabrication Suisse / 58."
Local Numbers:
EEPA CG-20-01
General:
Title source: Postcard caption.
Citation source: Archives staff.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portrait photography  Search this
Genre/Form:
Postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA CG 2011-001-0988
See more items in:
African Postcard Collection
African Postcard Collection / Series 11: Congo Belge (CG)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref2918

Congo Belge Ruanda, Enfant Watutsi

Creator:
Photo-Home (Leopoldville)  Search this
Names:
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (photograph., b&w, 14 x 9 cm.)
Container:
Volume 1
Culture:
Tutsi (African people)  Search this
Type:
Archival materials
Postcards
Postcards
Picture postcards
Place:
Africa
Rwanda
Date:
[ca. 1958]
Scope and Contents:
Printed text on verso reads: "Exposition Universelle et Internationale / Bruxelles 1958 / Congo Belge Ruanda, Enfant Watutsi." Translated caption reads: "International Exposition [World's Fair] Brussels 1958 / Belgian Congo Rwanda, Watutsi Infant."
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portrait photography  Search this
Genre/Form:
Picture postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA RW 2011-001-0353
See more items in:
African Postcard Collection
African Postcard Collection / Series 36: Rwanda (RW)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref7218

Belgium

Creator:
Meiere, M. Hildreth (Marie Hildreth), 1892-1961  Search this
Subject:
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Type:
Motion Picture Film
Date:
1958
Record number:
(DSI-AAA)17562
See more items in:
Hildreth Meière papers, 1901-2011, bulk 1911-1960
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17562

Statement by James Plaut concerning the Brussels World's Fair

Creator:
Plaut, James S. (James Sachs), 1912-1996  Search this
Subject:
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Type:
Sound Recording
Date:
1958
Record number:
(DSI-AAA)14029
See more items in:
James S. Plaut papers, [ca. 1929]-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14029

Interior view of the United States Pavilion at the Brussels World's Fair, with focus on Saul Steinberg's mural The Americans

Subject:
Steinberg, Saul  Search this
World's fairs  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Type:
Photographs
Place:
Brussels, Belgium
Date:
1958
Topic:
Murals  Search this
Record number:
(DSI-AAA)14589
See more items in:
James S. Plaut papers, [ca. 1929]-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14589

Visitors viewing one of the panels of Saul Steinberg's mural The Americans at the Brussels World's Fair

Subject:
Steinberg, Saul  Search this
World's fairs  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Type:
Photographs
Place:
Brussels, Belgium
Date:
1958
Topic:
Murals  Search this
Record number:
(DSI-AAA)14590
See more items in:
James S. Plaut papers, [ca. 1929]-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14590

Interior view of the United States Pavilion at the Brussels World's Fair, with fashion show in progress

Subject:
World's fairs  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Type:
Photographs
Place:
Brussels, Belgium
Date:
1958
Record number:
(DSI-AAA)14591
See more items in:
James S. Plaut papers, [ca. 1929]-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14591

Interior of the United States Pavilion at the Brussels World's Fair, with eye-level view of Saul Steinberg's mural The Americans

Subject:
Steinberg, Saul  Search this
World's fairs  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Type:
Photographs
Place:
Brussels, Belgium
Date:
1958
Topic:
Murals  Search this
Record number:
(DSI-AAA)14593
See more items in:
James S. Plaut papers, [ca. 1929]-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14593

Interior view of the United States Pavilion at the Brussels World's Fair, with focus on the photo tower and streetscape

Subject:
World's fairs  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Type:
Photographs
Place:
Brussels, Belgium
Date:
1958
Record number:
(DSI-AAA)14594
See more items in:
James S. Plaut papers, [ca. 1929]-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14594

L'architecture, les jardins et l'éclairage : Exposition universelle et internationale de Bruxelles 1958 / [textes et choix des illustrations, Ado Baltus]

Author:
Baltus, Ado  Search this
Subject:
Exposition universelle et internationale (1958 : Brussels, Belgium) Buildings  Search this
Physical description:
193 p. : ill. (some col.), maps ; 27 cm
Type:
Books
Place:
Belgium
Brussels
Date:
1960
1960]
Topic:
Exhibition buildings  Search this
Call number:
NA6750.A2 B4 1960
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_829422

Bruxelles, 1958 : Exposition universelle et internationale : Algemene Wereldtentoonstelling : Universal and International Exhibition : Algemeine Weltausstellung

Author:
Expo (International Exhibitions Bureau) (1958 : Brussels, Belgium)  Search this
Subject:
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Physical description:
[16] leaves : all col. ill. ; 18 x 24 cm
Type:
Books
Pictorial works
Date:
1958
[1958?]
Call number:
T469.C1 B78 1958
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_536633

Plans / Exposition universelle et internationale de Bruxelles 1958 = Algemeine Wereldtentoonstelling te Brussel

Author:
Expo (International Exhibitions Bureau) (1958 : Brussels, Belgium)  Search this
Baltus, Ado Architecture, les jardins, et l'éclairage  Search this
Subject:
Exposition universelle et internationale (1958 : Brussels, Belgium) Buildings  Search this
Physical description:
95 leaves of plates : plans (some folded) ; 52 cm
Type:
Books
Place:
Belgium
Brussels
Date:
1960
1960?]
Topic:
Exhibition buildings  Search this
Call number:
NA6750.A2 B4 1958
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_536656

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