(Dolly Sloan with Exposition of Indian Tribal Arts, Inc.)
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. A fragile original scrapbook is restricted. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Katherine Kaplan Degn, Kraushaar Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation and the Smithsonian Institution Collections Care Fund.
Correspondence, artist files and subject files relate to Oakley's activities as an artist and illustrator, and his involvement with numerous art organizations, including the Philadelphia Art Alliance, the Philadelphia Water Color Club, the Artists' War Relief Committee of Philadelphia, and the Exposition of Indian Tribal Arts. Artist files on Cecilia Beaux, Florence Este, John Taylor Arms, John McLure Hamilton, Christian Brinton, George Morrow, Leila Mechlin, John Harkrider, Alexander Robinson, and Joseph Pennell, among others, primarily contain letters. Some also include photographs and printed matter. Four inches of letters from Beaux discuss working habits, portrait commissions, life in Paris, and personal matters. Letters from Este discuss life in France during the war, French artists, exhibitions at the Philadelphia Water Color Club, and Cecilia Beaux. Other material relates to Oakley's mural for the Franklin Institute.
Arrangement:
I.Finding aid. II.Cecilia Beaux correspondence, 1907-1942. III.Research materials for Oakley's biography of Beaux. IV.Florence Este correspondence, 1914-1925. V.Subject files, 1918-1952. VI.Artist files, 1906-1953.
Biographical / Historical:
Watercolorist and illustrator; Philadephia, Pa.
Provenance:
Microfilmed in 1990 as part of AAA's Philadelphia Arts Documentation Project. The papers were donated to the Brandywine River Museum by Oakley's daughter, Lansdale Oakley Humphreys. Unfilmed portions of the papers relate to publications, the First Unitarian Church of Philadelphia, the National Geographic Society, French and Scandinavian organizations, and war relief efforts, among other topics.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Songs of the Tewa preceded by An essay on American Indian poetry : with a selection of outstanding compositions from North and South America : an appendix contains original Tewa texts and explanatory notes translated by Herbert Joseph Spinden ; co-ordinating editor, Margaret Lefranc ; pref. by Alice Marriott
Museum of the American Indian, Heye Foundation Search this
Collection Director:
Heye, George G. (George Gustav), 1874-1957 Search this
Container:
Box 404, Folder 5
Type:
Archival materials
Date:
1931 - 1934
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Walter Pach papers, 1857-1980. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the initial digitization of the microfilm of this collection was provided by the Gladys K. Delmas Foundation. Funding for the processing of the addition to the Walter Pach papers and digitization of the fully re-processed collection was provided by the Terra Foundation for American Art.
Songs of the Tewa, translated by Herbert Joseph Spinden; preceded by an essay on American Indian poetry, with a selection of outstanding compositions from North and South America; an appendix contains original Tewa texts and explanatory notes
