Skip to main content Smithsonian Institution

Search Results

Collections Search Center
4,815 documents - page 1 of 241

Ivan Karp papers

Creator:
Karp, Ivan  Search this
Names:
Emory University  Search this
National Museum of Natural History (U.S.)  Search this
Smithsonian Institution  Search this
Kratz, Corinne Ann, 1953-  Search this
Masolo, D.A.  Search this
Extent:
16.24 Linear feet (43 boxes and 2 sets of rolled maps)
0.21 Gigabytes
19 Sound recordings
Culture:
Teso (African people)  Search this
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Manuscripts
Field recordings
Photographs
Field notes
Correspondence
Electronic records
Place:
Busia District (Kenya)
Date:
circa 1945-2012
bulk 1969-2012
Summary:
Ivan Karp (1943-2011) was a curator of African Ethnology at the Smithsonian Institution's National Museum of Natural History (NMNH) from 1984 to 1993. He was also a professor at Emory University from 1993 to 2011. He conducted fieldwork among the Iteso (Teso) of Kenya and made significant contributions to the areas of African systems of thought, social theory, museum studies, and public scholarship. His collection contains his research on the Iteso of Kenya; his work at Emory University and the Smithsonian Institution; his reviews of manuscripts and books; recommendations that he wrote for his colleagues and students; his published articles and papers presented at conferences; and his project files on various topics including museum studies, African philosophy, public scholarship, agency and personhood, and the history of social anthropology.
Scope and Contents:
This collection contains the professional papers of Ivan Karp, documenting his work as an anthropologist, professor, and museum curator. The materials include his research on the Iteso of Kenya; his work at Emory University and the Smithsonian Institution; his reviews of manuscripts and books; recommendations that he wrote for his colleagues and students; his published articles and papers presented at conferences; and his project files on various topics including museum studies, African philosophy, public scholarship, agency and personhood, and the history of social anthropology.

Karp's Iteso research files span from the late 1960s to the 1990s. These materials consist of his field notes, in both paper and digital form; household surveys; photographs; sound recordings; maps; grant proposals; bibliographic research; correspondence; notes and drafts of his dissertation; and his other writings. A great deal of the field materials was collected by his field assistants, particularly Steven Omuse. Some field materials were also collected by Karp's first wife, Patricia.

His Smithsonian files are electronic and contain little documentation regarding his administrative work. There are, however, some materials relating to the planning of exhibits at NMNH and a proposal to establish a program focusing on the African continent and the African Diaspora. There is also a memo with Karp's response to questions from a House Subcommittee regarding the National African American Museum and complaints about the NMNH Africa Hall. Other associated materials include his research and papers on museums and exhibits. While there are no files pertaining to the first two museum conferences he organized, a folder titled "Bellagio" contains documentation for the conference and associated workshops on museums and globalization that he organized while at Emory.

Karp's files from Emory are also in digital form and more substantive than his Smithsonian materials. They document his work on the different committees he chaired and programs he directed and founded, including the Center for the Study of Public Scholarship. His Emory files also include his comments on students' dissertations, papers, and proposals.

The digital files also document Karp's other areas of interests, particularly African philosophy; concepts of identity, personhood, and agency; and the relationships between international development and personhood. His work on African philosophy largely consists of files from a number of collaborative projects with Kenyan philosopher Dismas Masolo, including the 1993 conference in Nairobi they organized and the associated volume they edited, African Philosophy as Cultural Inquiry (2000). There are a few files of research on the Luo people. His research on development and personhood focuses on Africa, particularly on Kenya, and includes his papers, notes, and reference sources, which also exist in paper form. There are also files of obituaries and memorials of Karp from numerous publications and events.

Other materials in Karp's collection include his doctorate diploma, his Master's thesis, family photos, and a wedding album from his first marriage.
Arrangement:
This collection is organized into 6 series: 1) Iteso Research; 2) Development Discourse; 3) Personal; 4) Photographs; 5) Sound Recordings; 6) Born Digital Files.
Biographical / Historical:
Ivan Karp (1943-2011) was a curator of African Ethnology at the Smithsonian Institution's National Museum of Natural History (NMNH) from 1984 to 1993. He conducted fieldwork among the Iteso (Teso) of Kenya and made significant contributions to the areas of African systems of thought, museum studies, and public scholarship.

Karp was born on August 27, 1943 in Stamford, Connecticut. He attended the University of Vermont as an undergraduate, majoring in Sociology and Anthropology (1961-1965), and pursued graduate studies in Social Anthroplogy at the University of Rochester (1967-1969). Karp received his M.A. (1969) and Ph.D. (1974) from University of Virginia. As a doctoral student he conducted research among the Iteso from 1969 to 1971. His dissertation, titled Fields of Change Among the Iteso of Kenya, was published in 1978. Karp continued his research on the Iteso into the 1990s and published various papers including "Beer Drinking and Social Experience in African Society" (1980) and "Laughter at Marriage: Subversion in Performance" (1987).

Before his employment at the Smithsonian, Karp held a teaching appointment at Colgate University from 1972 to 1975 and was a professor at Indiana University from 1976 to 1984. At Indiana University, he coedited with Charles S. Bird Explorations in African Systems of Thought (1980), the first of a 34-volume series published under his editorship.

He left Indiana University in 1984 to become the Curator of African Ethnology at the National Museum of Natural History. While at the Smithsonian, he served as Chair of the Ethnology Division and established with William Merrill the Smithsonian Series in Ethnographic Inquiry. It was also during this period that Karp began to critically examine museum practice, concepts of identity and agency, and systems of representation in relation to museum exhibits. He and Steven Lavine organized two major conferences on museums and co-edited the resulting conference proceedings: Exhibiting Cultures: The Poetics and Politics of Museum Display (1991) and Museums and Communities: The Politics of Public Culture (1992).

In 1993, Karp left the Smithsonian to direct the Graduate Institute of Liberal Arts (1993-1996) at Emory University. He also served as director of the university's Institute of African Studies (1996-1999) and the Emory Center for International Studies (1996-1999). In addition, he cofounded and codirected with Corinne Kratz, his second wife, the Center for the Study of Public Scholarship (CSPS) from 1994 to 2009 and the Grant Writing Program from 1992 to 2011. Through the CSPS, he and Kratz also established and codirected the Institutions of Public Culture program, a collaboration with South African colleagues that brought together scholars of public culture from universities, museums, NGOs, political and arts organizations and related institutions (2000-2008). Karp also continued to facilitate discussions on museums, working with Kratz and his colleagues at the Rockefeller Foundation to organize a series of international workshops and a conference in 2002 on museums and globalization. He coedited Museum Frictions: Public Cultures/Global Transformations (2006), a collection of papers presented at the conference.

Karp retired from teaching at Emory University in May 2011 but planned to continue working with the Laney Graduate School's Grant Writing Program until full retirement in August 2013. Not long after finishing his last graduate seminar, Ivan Karp died at the age of 68 on September 17, 2011 in New Mexico.

1943 -- Born on August 27 in Stamford, Connecticut.

1961-1965 -- Undergraduate studies at University of Vermont with major in Sociology and Anthropology.

1965-1967 -- Graduate studies in Social Anthropology at the University of Rochester.

1969 -- Earns M.A. from University of Virginia. Begins conducting fieldwork among the Southern Iteso in Busia District, Kenya.

1972-1975 -- Instructor and Assistant Professor of Anthropology at Colgate University.

1974 -- Earns Ph.D. from University of Virginia.

1976-1984 -- Professor of Anthropology at Indiana University.

1984-1993 -- Curator of African Ethnology, National Museum of Natural History, Smithsonian Insitution.

1987 -- Organizes conference on "The Poetics and Politics of Exhibiting Other Cultures."

1988 -- Organizes conference on "Museums and their Communities."

1993-1996 -- Director of Graduate Institute of Liberal Arts, Emory University.

1994-2009 -- Director of Center for the Study of Public Scholarship, Emory University.

1996-1999 -- Director of Emory Center for International Studies, Emory University. Director of Institute of African Studies, Emory University

2000-2008 -- Director of Institutions of Public Culture program through CSPS.

2002 -- Organizes conference on " Museums and Global Public Spheres" held in Italy at Bellagio Conference Center of the Rockefeller Foundation.

2009 -- Moves to Santa Fe, NM where he had bought a home in 2003.

2011 -- Retires from teaching at Emory University. Dies on September 17 at the age of 68.
Related Materials:
Artifacts collected by Ivan Karp can be found in the National Museum of Natural History's Department of Anthropology Collections (Accession #390893 and 416181). Indiana University Archives of Traditional Music holds some of Karp's original Iteso sound recordings.
Separated Materials:
Four DVDs and a videotape were separated from the collection and transferred to the Human Studies Film Archives. One of the recordings is an interview with Karp that Robert Lavenda and Emily Schultz conducted in 1989 to accompany their introductory anthropology textbook, Cultural Anthropology: A Perspective on the Human Condition. The rest of the recordings are of Karp giving presentations.
Provenance:
This collection was donated to the National Anthropological Archives by Corinne Kratz in 2014.
Restrictions:
Recommendations that Karp wrote for his colleagues and students are restricted until 2061.

Access to the Ivan Karp papers requires an appointment.
Topic:
Museum techniques  Search this
Luo (African people)  Search this
Social sciences -- Philosophy  Search this
Philosophy, African  Search this
Language and languages -- Documentation  Search this
Teso language  Search this
Genre/Form:
Sound recordings
Manuscripts
Field recordings
Photographs
Field notes
Correspondence
Electronic records
Citation:
Ivan Karp papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2013-30
See more items in:
Ivan Karp papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-2013-30

Guy N. Collins photographs of Liberia

Creator:
Collins, G. N. (Guy N.), 1872-1938  Search this
Names:
Cook, O. F. (Orator Fuller), 1867-1949  Search this
Extent:
35 Mounted prints (albumen)
Culture:
Kpelle (African people)  Search this
Mende (African people)  Search this
Type:
Collection descriptions
Archival materials
Mounted prints
Photographs
Place:
Liberia
Date:
1891-1911
Scope and Contents note:
Photographs documenting Liberian people and the Liberian natural and built environments, including the Saint Paul River, rock formations, barricades, dwellings, and other structures.
Biographical/Historical note:
Guy N. Collins (1872-1938) was a botanist, geneticist, and plant explorer. While on hiatus from his undergraduate studies at Syracuse, Collins developed an interest in photography during an expedition in Liberia with Orator Fuller Cook. After the Spanish-American War, he worked for the office of Botanical Investigations and Experiments in the US Department of Agriculture. Collins joined Cook's exploration of Puerto Rican plant life, the results of which were published by the Smithsonian Institution in "Economic Plants of Porto Rico." Collins later became Principal Botanist in the USDA's Division of Cereal Crops and Diseases of the Bureau of Plant Industry and was a founder of the Washington Biologists' Field Club.
Local Call Number(s):
NAA Photo Lot 90-27, USNM ACC 374065
Location of Other Archival Materials:
Liberian objects collected by Collins and donated with the photographs can be found in the Department of Anthropology in accession 374065.
Collins's field book from 1915 can be found in the Smithsonian Institution Archives in SIA Acc. 12-011.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Canoes and canoeing  Search this
Plants  Search this
Dwellings  Search this
Botany  Search this
Genre/Form:
Photographs
Citation:
Photo lot 90-27, Guy N. Collins photographs of Liberia, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.90-27
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-90-27

William Louis Abbott collection

Creator:
Abbott, William Louis, 1860-1936  Search this
Hough, Walter, 1859-1935  Search this
Kloss, Charles Boden  Search this
Mason, Otis T., 1838-1908  Search this
Photographer:
Raven, Henry Cushier, 1889-1944  Search this
Extent:
13 Linear feet
Culture:
Enggano  Search this
Jakun (Malaysian people)  Search this
Borneo  Search this
Indonesians  Search this
Dyak  Search this
Type:
Collection descriptions
Archival materials
Place:
Trang -- Thailand
Anambas Islands (Indonesia)
Mergui Archipelago
Enggano (Malaysia)
Sumatra
Malaysia
Mentawai Islands (Indonesia)
Nias Island (Indonesia)
Date:
1888-1919
Summary:
The papers in the Abbott collection appear to have been brought together in the Smithsonian's Department of Anthropology in order to process ethnological specimens from Malaya and Indonesia and to prepare an exhibit and publications. Included are some of Abbott's original letters, notes, maps, and a considerable number of photographs. Most of these materials concern the Enggano, Jakun, and Dyak. Many other documents in the collection consist of copies of or extracts from Abbott's letters, the originals of which are now in the Smithsonian Institution Archives. There are also letters and other materials of Otis Tufton Mason and Walter Hough accumulated as they worked on the collection, many simple lists of accessions compiled in the Department of Anthropology, and a few manuscripts. In addition, there are printed materials that were apparently used by the department's staff for reference purposes. Some of the photographs made in Borneo in 1914 are by Henry Cushier Raven, a field assistant of Abbott and, later, a collector financed by Abbott.

Additional materials of Abbott and Raven are in the Smithsonian Institution Archives, and their material (often duplicate photographs) are included in several collections in the National Anthropological Archives.
Scope and Contents:
William Louis Abbott, although formally trained in medicine, chose instead to devote his time and inherited wealth to worldwide exploration and the collection of natural history specimens and ethnological artifacts. The Abbott papers in the National Anthropological Archives reflect his collecting activities in the East Indies, and the work on his collections from that region by United States National Museum personnel, especially Otis Tufton Mason, curator of ethnology. The collection includes correspondence, maps, illustrations of artifacts, manuscripts, lists of objects in the Abbott collection in the Smithsonian Department of Anthropology, and photographic prints and negatives. In addition, there is a subject file which contains information on a variety of topics relating to Indonesia and Malaysia. The materials date from the 1890s to the early decades of this century.

This archival collection forms a valuable complement to the collection of artifacts housed in the National Museum of Natural History. (Abbott's collections from Indonesia are described by Dr. Paul M. Taylor, curator of Asian ethnology, in the Museum Anthropology Newsletter, April, 1985.) The subject file and lists of objects provide data on certain specific artifacts and their uses and Abbott's correspondence contains his observations of the daily life of the various peoples from whom the objects were collected. These documents are supplemented by a generous photographic record and sketch maps which outline the routes he followed. The papers focus on the Malay Peninsula and Archipelago, the region closest to Abbott's heart and to which he dedicated over a decade before eye disease forced him to leave the tropics.

In addition to Abbott's own materials, there are notes by museum staff, including descriptions of artifacts, and manuscripts of articles mostly by Mason who was particularly interested in basketry. The bulk of the correspondence is between Abbott, Otis Mason, Walter Hough, and Cecil Boden Kloss who accompanied Abbott on several expeditions. Other correspondents include Cyrus Adler, Jesse Walter Fewkes, William H. Furness, Alfred Cort Haddon, Ales Hrdlicka, Mary Lois Kissell, Elmer D. Merrill, William Palmer, Richard Rathbun, and Charles Clark Willoughby. Most of the letters are brief and discuss proposed work on the Abbott collections, bibliographic sources, and basketry.

Additional material in the National Anthropological Archives relating to William Louis Abbott is contained in the papers of Ales Hrdlička and of Herbert W. Krieger, the Manuscript and Pamphlet File of the United States National Museum Department of Anthropology, and the photographic collection of the United States National Museum Division of Ethnology. Because Abbott donated material to a variety of departments in the Smithsonian, his original written material is located in several other Smithsonian departments as well. There are personal letters to his mother and sister as well as Smithsonian personnel in the Smithsonian Institution Archives. Field notebooks including detailed sketch maps of collecting stations are in the libraries of the departments of Mammals and of Birds.

The spelling of place names used here are those of Abbott who frequently wrote them as they sounded to him.
Arrangement note:
Collection arranged into 9 series: (1) Correspondence, 1896-1919; (2) Subject file; (3) Register of accessions,1890-1906; (4) Lists of objects by accession number and location;(5) Lists of objects by type or geographic location; (6) Drafts of unpublished articles with working materials; (7) Printed material; (8) Photographic prints; (9) Photographic negatives.
Biographical/Historical note:
William L. Abbott studied medicine at the University of Pennsylvania and, after receiving an M.D., continued his training in London. Although a highly successful student, he seems never to have been fully committed to medicine. Instead, around 1880, using his own resources, he turned to a life of exploration and the study of natural history.

Abbott's early expeditions were in the United States, but, in time, he went abroad, at ever increasing distances, to the Greater Antilles, East Africa, Kashmir, and Turkestan. In 1896, he began work in Malaya and Indonesia that would largely occupy him until 1915. Using Singapore as a base, he sailed his ship, the Terrapin, to points on both coasts of the Malayan Peninsula, Trang in Thailand, the Anambas Islands, the Mergui Archipelago, the Nicobars and Andamans, both costs of Sumatra and the nearby islands (notably Nias, the Mentawai Islands, and Enggano), the Rhio Archipelago, and Borneo. On many of thes voyages, he collected both biologcial and ethnological specimens and photographs. At times, however, he was accompanied by an Englishman, Cecil Boden Kloss, who handled the ethnological work. Kloss retain his own notes and many of his photographs.

Abbott's later work, between 1916 and 1923, was carried out in Haiti and the Dominican Republic. After this, he retired to a farm on the Elk River in Maryland.

Abbott has been described as one of the great field natturalists of all time simply for the quantity of material he collected. Virtually the only body of work he left, in fact, is his large collection of specimens and notes, letters, and photographs that relate to them. Although he contributed to the collections of several museums, the chief benefactor of his work was the United States National Museum. Its staff and associated produced around forty publications based on his material. Abbott himself published very little.

CHRONOLOGY OF THE LIFE OF WILLIAM LOUIS ABBOTT

1860 February 23 -- Born in Philadelphia, Pennsylvania

1880 -- Collected birds in Iowa and North Dakota

1881 -- Bachelor of Arts, University of Pennsylvania

1883 -- Collected birds in Cuba and Santo Domingo

1884 -- Doctor of Medicine, University of Pennsylvania

1884-1886 -- Postgraduate work in England Licentiate of Royal College of Surgeons and Royal College of Physicians

1886 -- Received inheritance and discontinued formal practice of medicine

1887-1889 -- Exploration of Taveta region near Mt. Kilimanjaro with William Astor Chandler. Collection donated to United States NationalMuseum

1890 -- Exploration and collection in Zanzibar, Seychelles Islands, and Madagascar

1891 -- Ethnological collections in the U.S. National Museum from Kilima-Njaro, East Africa,Annual Report of the U.S. National Museum for 1891, pages 381-398Exploration and collection in India, including Baltistan, Karachi, Kashmir, and Srinagar

1892 -- Exploration and collection in Vale of Kashmir, Baltistan, Aden, Seychelles Islands, and Aldabra Island

1893 -- Exploration and collection in Seychelles Islands; India, including Kashmir and Srinagar; Leh Ladakh; Sinkiang, China; and Eastern Turkistan

1894 -- Continued exploration and collection in region of Eastern Turkistan, Pakistan, India, and Ceylon

1895 -- Exploration and collection in Madagascar and Kashmir

1896 -- Exploration and collection in Malay Peninsula, including:Jan-Feb – PerakFeb-Mar – CantonApr-Nov – Trang Province, Siam, including Pramon, Tyching, and Penang

1897 -- Exploration and collection:Jan -- TrangApr-May -- PenangMay-Dec -- India

1898 -- Volunteered in Spanish-American War with William A. Chambers as Irregular Horse in Florida, and served in CubaTravel in Singapore and China

1899 -- Construction of schooner TerrapinExploration and collection accompanied by Cecil Boden Kloss:Jan-Mar -- TrangMarch -- SingaporeMar-Apr -- JavaJul-Sept -- Lingga and Anamba islandsOct-Nov - Singapore, PenangDec - Junkseylon

1900 -- Exploration and collection accompanied by Kloss:Jan-Mar -- Burma, Mergui ArchipelagoJun-Aug -- Natuna ArchipelagoNov-Dec -- Penang, Burma, Mergui Archipelago

1901 -- Exploration and collection accompanied by Kloss:Jan -- Andaman IslandsJan-Mar -- Nicobar IslandsApr-Nov -- Northern Sumatra, Rhio-Lingga Archipelago, Johore, PenangNov-Jan 02- Simalur

1902 -- Exploration and collection accompanied by Kloss:Jan-Feb -- Banjak Islands, Lasia, BabiFeb-Mar -- Western SumatraMar -- NiasApr-May -- Pahang, Malaya; Singapore and Straits IslandsAug-Sep -- Bintang, Rhio ArchipelagoOct-Nov -- SimalurNov-Jan 03 -- Pagi Islands

1903 -- Exploration and collection:Jan -- Western SumatraFeb -- Pulo TelloApr -- Penang, SingaporeMay-June -- Karimun IslandsJuly-Aug -- Rhio-Lingga ArchipelagoAug-Sep -- Eastern SumatraOct -- PenangNov-Mar 04 -- Burmese coast, including Victoria Point, Mergui Archipelago, and Tenasserim

1904 -- Exploration and collection:Apr -- Penang and Straits of MalaccaMay-Jun -- Banka IslandJul-Aug -- Billiton IslandAug-Sep -- Karimata IslandOct -- Benkulen, SumatraNov-Dec -- Engano

1905 -- Exploration and collection:Dec 04-Feb- Western SumatraFeb-Mar -- NiasJun-Sep -- Western Borneo, including Pontianak and Kapuas riversNov-Jan 06 -- Eastern Sumatra Designated Honorary Associate in Zoology by the U.S. National Museum

1906 -- Visited Hong Kong and Japan (April-May)Exploration and collection accompanied by Kloss:Oct-Feb 07 -- Easter Sumatra, including Bengkalis and Rupat islands and Siak River

1907 -- Exploration and collectionMar -- Rhio ArchipelagoMay -- Islands of South China Sea, including Direction Island, Datu, Temayer, Lamukutan, Panebangan, and PelapisMay-Sep -- Western Borneo, including Kapuas and Simpang riversNov-Dec -- Java Sea, including Bawean Island

1908 -- Exploration and collection:Dec 07-Mar- Southeastern Borneo, including Pulo Laut and Pulo SebukuJun -- Southwestern BorenoNov -- Java Sea

1909 -- Exploration and collection:Dec 08-Apr -- Pulo Laut and eastern Borneo, including Pasir RiverOnset of partial blindness caused by spirochetosis, and treatment in Aachen, Germany. Illness forced Abbott to suspend collecting activities in tropics.

1910-1915 -- Exploration and collection in Kashmir

1912-1915 -- Donated funds to United States National Museum for expedition to Borneo by Henry Cushier Raven

1914 -- Brief visit and collection in Molucca Islands and Celebes, accompanied by his sister

1915-1916 -- Donated funds for expedition by Raven to Dutch East Indies, especially Celebes

1916 -- Exploration and collection in Dominican Republic

1917-1918 -- Exploration and collection in Haiti

1918 -- Interruption of field work by Abbott because of servere illness (dysentary) and by Raven because of the war

1919-1923 -- Exploration and collection in Hispaniola

1920 -- Donated funds to United States National Museum for botanical collection in Haiti by Emery C. Leonard, aid in Division of Plants

1920-1922 -- Donated funds to United States National Museum for expedition to Australia by naturalist Charles M. Hoy

1923-1924 -- Donated funds to United States National Museum for expedition to China by Charles M. Hoy until Hoy's death in the field; workconcluded by Reverend David Crockett Graham

1925-1927 -- Donated funds to United States National Museum for expeditions to Hispaniola

1928 -- Donated funds to United States National Museum for expedition to China

1928 -- Donated funds to United States National Museum for expedition to Hispaniola by Arthur J. Poole, Division of Mammals

1928-1931 -- Donated funds to United States National Museum for archeological expedition to Hispaniola by Herbert William Krieger, curator, Division of Ethnology

1932 -- Donated funds to United States National Museum for archeological expedition to Cuba

1934 -- Purchase and donation of birds of the Himalayas for the United States National Museum

April 2, 1936 -- Death of William Louis Abbott at his farm near North East, Maryland of heart disease after a long illnessBequest to Smithsonian Institution any of books and papers desired (278 volumes accepted) and approximately $100,000 (1/5 of estate) to promote zoological researchers
Provenance:
William Louis Abbott was a self-trained and self-sustaining collector who donated large numbers of ethnological artifacts, zoological specimens, and funds to the United States National Museum of the Smithsonian Institution around the turn of the twentieth century. The Abbott Papers in the National Anthropological Archives were apparently compiled by the staff of the Department of Anthropology, especially Otis Tufton Mason, curator of ethnology, in order to process incoming collections. The correspondence and printed materials relate primarily to Abbott's collecting activities and to Mason's research on Abbott's collections.
Restrictions:
The William Louis Abbott collection is open for research. Access to the William Louis Abbott collection requires an appointment.
Rights:
Contact repository for terms of use.
Citation:
William Louis Abbott Collection, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.XXXX.0228
See more items in:
William Louis Abbott collection
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-xxxx-0228

William F. Wheeler photographs of Africa and Efe people

Creator:
Wheeler, William F. (William Felix), 1943-2008  Search this
Extent:
5,200 Color slides (circa)
Culture:
Maasai (African people)  Search this
Mbuti (African people)  Search this
Tuaregs  Search this
Pygmies  Search this
Efe (African people)  Search this
Type:
Collection descriptions
Archival materials
Color slides
Photographs
Slides (photographs)
Place:
Ituri Forest (Congo)
Algeria
Kenya
Ngorongoro Crater (Tanzania)
Niger
Mali
Date:
1986-1998
Scope and Contents note:
Photographs made by William F. Wheeler during his expeditions to Africa in July 1986, 1987, 1988, 1990, 1993, 1994, 1996, and 1998, mostly documenting the Efe of Akokora in the Ituri forest. Photographs relating to the Efe people of Akokora in the Ituri forest include images of Efe people, camps, musical instruments, dances, archery and poison arrows, hunting, barkcloth making and use, body marking, food, animals and plants of the rainforest, forest treks, villages (including Anduli, Dui, and Akokora). Other photographs include images of ceremonies (including an Olngesherr ceremony in the Loita Hills), Mbuti at Epulu, a Masai village in Kenya, William Wheeler's wedding to Linda Penn in a Masai village (1987), Berber nomads and scenic views in Algeria, markets and Tuaregs during a camel trip through Niger, and aerial views.
Biographical/Historical note:
William F. Wheeler (1943-2008) was born in Blackville, South Carolina, and earned a medical degree from Duke University and a specialty degree in anesthesiology at Massachusetts General in Boston. In 1978, after years of practicing medicine, he began traveling Africa by car, making over twenty-four trips during the next three decades. To gain a more intimate experience, he returned to explore the most remote places on foot. His detailed safari journals, written in the style of 19th century explorers, describe camel journeys in the Sahara, foot safaris with Maasai in Kenya and Tanzania, and hundreds of miles of treks with Efe through the rainforest of the Ituri river basin, a tributary of the Congo River. Wheeler's collection of artifacts and photographs formed the basis of a 2004 exhibit at the San Diego Museum of Man.
Local Call Number(s):
NAA Photo Lot 2005-19, NAA ACC 2010-21
Location of Other Archival Materials:
Photographs previously filed in Photo Lot 2005-19 have been relocated and merged with Photo Lot 2010-21. These photographs were also made by William F. Wheeler in Africa and form part of this collection.
The National Anthropological Archives also holds the William F. Wheeler Efe Pgymy Papers, 1999-2004 (MS 2005-14).
Artifacts collected by Wheeler held in the Department of Anthropology collections in accessions 2036145, 2034089, and 2033754.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Hunting  Search this
Camps  Search this
Rites and ceremonies  Search this
Genre/Form:
Photographs
Slides (photographs)
Citation:
Photo Lot 2005-19, William F. Wheeler photographs of Africa and Efe people, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.2005-19
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-2005-19

William F. Wheeler Efe Pygmy Papers

Creator:
Wheeler, William F. (William Felix), 1943-2008  Search this
Extent:
1 Item (document box (5 inches); 5 oversized boxes (12x17.5 inches); and 1 oversized box (16 x 20 inches)
Culture:
Efe (African people)  Search this
Pygmies  Search this
Type:
Collection descriptions
Archival materials
Field notes
Photographs
Place:
Ituri Rainforest, Belgian Congo (Zaire)
Date:
bulk 1990-2004
Scope and Contents:
William F. Wheeler papers and photographs of Efe Pygmies. A large part, if not all, of these materials are associated with the 2004 exhibit of Wheeler's Efe Pygmies photographs and artifacts at the San Diego Museum of Man titled "Efe: Archers of the Congo." This collection consists of mounted photographs (20 x 30 inches and 11 x 17 inches); text panels; "Safari Diary of William Wheeler" (3 volumes of typed diary transcripts from 1990, 1993, 1994, 1996, and 1998); photocopies of the original handwritten diaires; bound sample pages of drawings from diaries; enlarged and laminated copies of field journal pages used for the exhibit; a photocopy of Efe collection provenance book (relates to artifact collection donated to NMNH Department of Anthropology Collections Management ); and list of those artifacts and items listed herein.
Biographical / Historical:
William F. Wheeler was born in Blackville, S.C. in 1943 and received an M.D. degree from Duke University after completing his internship at UC San Diego and a specialty degree in anesthesiology at Massachusetts General in Boston. After years of practicing medicine, he bought a Land Rover and began traveling Africa on his own, chalking up 40,000 miles over a five year period. To gain a more intimate experience, he returned to the most remote places and began to explore them on foot. His detailed safari journals, written in the style of 19th century explorers, describe camel journeys in the Sahara, foot safaris with Maasai in Kenya and Tanzania, and hundred of miles of treks with Efe through the rainforest of the Ituri river basin, a tributary of the Congo River. He passed away at the age of 65 of bone-marrow cancer in 2008.
Local Numbers:
NAA MS 2005-14
Other Archival Materials:
See Photo Lot 2005-19 for William F. Wheeler's color slides of Efe Pygmies.
A DVD video of Efee culture edited from video material was transferred to HSFA.
Topic:
Exhibitions  Search this
Genre/Form:
Field notes
Photographs
Citation:
Manuscript 2005-14 William Wheeler Efe Pygmy Papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS2005-14
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms2005-14

Smithsonian Folklife Festival records: 1995 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Business records
Sound recordings
Negatives
Video recordings
Correspondence
Plans (drawings)
Memorandums
Photographic prints
Videotapes
Notes
Audiocassettes
Contracts
Slides (photographs)
Audiotapes
Digital images
Date:
June 23-July 4, 1995
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1995 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 6 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: The Cape Verdean Connection

Series 3: The Czech Republic: Tradition and Transformation

Series 4: Heartbeat: The Voices of First Nations Women

Series 5: Russian Roots, American Branches: Music in Two Worlds

Series 6: Special Events
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1995 Festival of American Folklife was produced by the Smithsonian Center for Folklife Programs and Cultural Studies and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The 1995 Festival featured American Indian women's musical traditions, the heritage of the Czech Republic and Czech Americans, music of Russian and Russian American groups, and the cultural life of the Cape Verdean community. These programs testified to the vitality of the human spirit, and to how people, ideas, and forms of cultural expression increasingly cross boundaries of geography, politics, language, race, and gender. Special events included evening concerts devoted to African immigrant communities in the Washington, D.C. area and a memorial concert for Festival founding director, Ralph Rinzler.

Heartbeat: The Voices of First Nations Women presented the musical culture of American Indian women. The program examined how these women express their identity through the use of a variety of musical forms - from traditional songs of home to contemporary songs of Indian life, from the appropriation of men's music to the fusion of root music with country, folk, blues, and gospel.

The Czech Republic: Tradition and Transformation provided a broad survey of the ways national, regional, ethnic, and local traditions have been defined in a complex state located at the crossroads of Central Europe. The "Velvet Revolution" of 1989 and the separation of the Czech and Slovak Republics in 1993 have prompted further examinations of cultural identity, the relationship between the state and popular expression, creativity and tradition. Czech Americans, too, have looked at these changes and the reestablishment of relationships to their ancestral homeland.

A third program, Russian Roots, American Branches: Music in Two Worlds, explored the musical culture of Old Believers and Molokans, Russian religious communities created in the 17th and 18th centuries. The program united immigrant communities long established in the United States with those from Russia, and brought together people who, although separated by generations and different social environments, have nonetheless faced parallel issues with regard to cultural persistence and adaptation.

All these programs involved complex institutional arrangements, local-level research and documentation, and strong commitment to and pride in Festival representation. The Cape Verdean Connection program well demonstrated these processes. Cape Verde is an independent island nation and former Portuguese colony located off the west coast of Africa. Cape Verdean Americans, now numbering about 400,000, most born and raised here, historically settled in New England during the 18th century, playing instrumental roles in the whaling and cranberry industries. Cape Verdeans had an important story to tell about their role in American life, their immigrant and continuing transnational cultural experience, their multiracial heritage, and their enduring sense of community - a story with much to tell others as well. Cape Verdeans provided the impetus for the Festival program, carried out most of the research in concert with Smithsonian scholars, led the effort to raise funds from governments, foundations, corporations, and individuals through benefit dances, auctions, and other community events, and, as is fitting, joined with the Smithsonian to share their experiences with the American public.

The 1995 Festival took place during two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 10th Street and 13th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). It featured four programs and several special events.

The 1995 Program Book included schedules and participant lists for each program; essays provided background on the Festival and each of the four programs.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife Programs & Cultural Studies.

Center for Folklife Programs & Cultural Studies

Richard Kurin, Director; Richard Kennedy, Deputy Director; Diana Parker, Festival Director; Anthony Seeger, Director, Smithsonian/Folkways Recordngs; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Senior Ethnomusicologist; Betty Belanus, Olivia Cadaval, Amy Horowitz, Marjorie Hunt, Diana Baird N'Diaye, Curators, Folklorists, Educational and Cultural Specialists; Carla M. Borden, John W. Franklin, Charlene James-Duguid, Program Managers; Felicia Erickson, Arlene L. Reiniger, Mary Van Meter, Program Specialists; Jeffrey Place, Archivist; Kenneth M. Bilby, Roland Freeman, Ivan Karp, Corrine Kratz, Alan Lomax, Worth Long, Yook Jung Park, Kate Rinzler, Research Associates & Collaborators

Folklife Advisory Council and Folkways Advisory Council

Roger Abrahams, Jacinto Arias, Michael Asch, Jane Beck, Don DeVito, Pat Jasper, Ella Jenkins, Jon Kertzer, Barbara Kirshenblatt-Gimblett, John Nixdorf, Bernice Reagon, John Roberts, Carol Robertson, Gilbert Sprauve, Jack Tchen, Ricardo Trimillos, Carlos Vélez-Ibáñez

National Park Service

Roger Kennedy, Director; Robert G. Stanton, Regional Director, National Capital Region
Forms Part Of:
Smithsonian Folklife Festival records: 1995 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Folk art  Search this
arts and crafts  Search this
Food habits  Search this
Folk music  Search this
Folklore  Search this
World music  Search this
Folk festivals  Search this
Genre/Form:
Business records
Sound recordings
Negatives
Video recordings
Correspondence
Plans (drawings)
Memorandums
Photographic prints
Videotapes
Notes
Audiocassettes
Contracts
Slides (photographs)
Audiotapes
Digital images
Citation:
Smithsonian Folklife Festival records: 1995 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1995
See more items in:
Smithsonian Folklife Festival records: 1995 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff-1995

Collected Photographs and Source Images

Collection Artist:
Cornell, Joseph  Search this
Extent:
6.5 Linear feet (Boxes 53-56, 80-86, 93, 106, 128, 133; OV116, OV123-OV124)
86 Nitrate negatives (Box 80)
Type:
Archival materials
Nitrate negatives
Date:
circa 1800s-circa 1970s
Scope and Contents:
Cornell collected all types of vintage photographs, including cartes-de-visite, cabinet cards, stereographs, tintypes, daguerreotypes, glass stereoscopic slides, and antique photograph album pages and partial albums. Files include photographs of people, identified and unidentified, of actresses, authors, circus performers, dancers, royalty, and scientists. Collected photographs of various places, buildings, animals, objects, and artwork are also included. Photographs of artwork are by Brassai, Julia Margaret Cameron, Henri Cartier-Bresson, and a photogravure from "Camera Work" by Alfred Stieglitz. Also included are photographs of Willem de Kooning and family and Edward Hopper's bedroom in Truro by Hans Namuth. Cornell collected photographs of Niagara Falls, New York City, Italy, Japan, and Egypt, as well as other countries, and also vintage family photographs and an album of cartes-de-visite. Among the collected cased photographs are daguerreotypes and tintypes of anonymous men and women, as well as one opalotype in an oval, blue velvet case. From these various photographs Cornell occasionally had photostats produced and incorporated them into his works. He often used photographs of artworks for source material, which are especially found in the file box of "Negatives and Positives, Miscellaneous Explorations."
Collection Restrictions:
Access to the collection requires an advanced appointment. Contact collection staff at least two weeks prior to preferred date, at AmericanArtCornellStudy@si.edu.

Series 9: Artifacts and Ephemera, Series 13: Personal Library and Book Collection, and Series 14: Record Album Collection, are still undergoing processing and preservation and may not be available for research use. Record albums are unavailable for playback. Contact collection staff for full lists of publications and record albums.
Collection Rights:
Unpublished materials are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.
Collection Citation:
Joseph Cornell Study Center collection, 1750-1980, bulk 1930-1972. Joseph Cornell Study Center, Smithsonian American Art Museum.
Identifier:
SAAM.JCSC.1, Subseries 10.3
See more items in:
Joseph Cornell Study Center Collection
Joseph Cornell Study Center Collection / Series 10: Photographic Material
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_component:sova-saam-jcsc-1-ref3187

Désiré Charnay photographs of Mitla, Uxmal, Chichen Itza, and Palenque

Creator:
Charnay, Désiré, 1828-1915  Search this
Extent:
12 Prints (albumen)
1 Print (silver gelatin)
Type:
Collection descriptions
Archival materials
Prints
Photographs
Place:
Uxmal Site (Mexico)
Mitla Site (Mexico)
Palenque Site (Mexico)
Chichén Itzá Site (Mexico)
Mexico -- Antiquities
Date:
circa 1857
Scope and Contents note:
Photographs made by Désiré Charnay depicting the Grand Palace at Mitla, the Governor's Palace at Uxmal, a convent at Chichen Itza, and a large stone tablet at Palenque.
Biographical/Historical note:
Claude Joseph Désiré Charnay (1828-1915), a French archeologist and pioneer of expeditionary photography, explored and documented Mexico and Central America. He was commissioned by the French government in 1857 to collect artifacts and document archeological sites in Mexico. Charnay completed three tours between 1858-1860, 1880-1882, and 1886; the latter two trips were funded by New York resident Pierre Lorillard and were largely photographic expeditions. Charnay later went to Madagascar (1863), North America (1867-70), South America (1875), Australia and Oceania (1878), and Central America (1880-83). He was among the first to use photography to record Meso-American archaeological sites, as well as the Indigenous peoples of Mexico whom he encountered.
Local Call Number(s):
NAA Photo Lot 4449
Location of Other Archival Materials:
Casts made by Charnay held in the anthropology collections of the National Museum of Natural History in accessions 042420 and 013211.
Contained in:
Numbered manuscripts 1850s-1980s (some earlier)
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 4449, Désiré Charnay photographs of Mitla, Uxmal, Chichen Itza, and Palenque, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.4449
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-4449

MS 7235 Vocabularies and notes based on material collected by Horatio Hale from enslaved African-Brazilians

Creator:
Hale, Horatio, 1817-1896  Search this
Names:
United States Exploring Expedition (1838-1842)  Search this
Extent:
98 Pages
Type:
Collection descriptions
Archival materials
Pages
Articles
Vocabulary
Place:
Africa -- Linguistics
Date:
undated
Scope and Contents:
This manuscript probably represents what Horatio Hale originally intended to publish on southern Africa in his Philology and Ethnology that is one of the volumes of the report of the United States Exploring Expedition (Wilkes Expedition). It includes several vocabularies, comparative vocabularies, and notes on the location and appearance (especially the cicatrization and other body decoration) of African tribes.
Local Numbers:
NAA ACC 76-120 (part)

SI LIB MS 68 (part)

NAA MS 7235
Local Note:
The manuscript appears to be in Hale's hand. In it, Hale describes how and why he collected material from African slaves in Rio de Janeiro.
Autograph manuscript
Topic:
Body decoration -- Africa  Search this
Makonde language  Search this
Ndau language  Search this
Kongo language  Search this
Makhuwa language  Search this
Language and languages -- Documentation  Search this
Genre/Form:
Articles
Vocabulary
Citation:
Manuscript 7235, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS7235
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms7235
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View MS 7235 Vocabularies and notes based on material collected by Horatio Hale from enslaved African-Brazilians digital asset number 1
Online Media:

"Anduka from Bengela"/Portrait (Front) of Anduka, Tarwani? Man Originally from Zambezi (Zambeze) River Area (in Rhodesia, British Central Africa) and (in Mozambique, East Africa); Apparently a Slave Taken from Benguela, Portuguese West Africa (Angola) ...

Creator:
Agate, Alfred T.  Search this
Annotator:
Agate, Alfred T.  Search this
Names:
United States Exploring Expedition (1838-1842)  Search this
Collection Creator:
Agate, Alfred T.  Search this
Extent:
1 Item (leaf , 006 in x 009 in)
Culture:
Tarwani?  Search this
Type:
Archival materials
Date:
1838
Local Numbers:
NAA INV 08527900

NAA MS 382524
Local Note:
Published: Wilkes, Charles; Narrative, 1845, Vol 1, P 62 (Head Shown Only) Crew List Shows Artist's Name, "Alfred S. Agate" (On Storeship "Relief"); Signed by Artist: A. T. A., Del
Colored pencil Watercolor painting
Place:
Brazil Rio de Janerio Rio de Janerio
Provenance:
Hopkins, M. C. Mr
Topic:
Language and languages -- Documentation  Search this
Works of art  Search this
Collection Citation:
Manuscript 382,524, National Anthropological Archives, Smithsonian Institution
See more items in:
A. T. Agate drawings of Natives of Oceania and ornamental architecture
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-ms382524-ref7

Scientist or Guinea Pig: Science In Space - STEM in 30

Creator:
National Air and Space Museum  Search this
Type:
YouTube Videos
Uploaded:
2016-11-24T00:52:20.000Z
YouTube Category:
Education  Search this
Topic:
Aeronautics;Flight;Space Sciences  Search this
See more by:
airandspace
Data Source:
National Air and Space Museum
YouTube Channel:
airandspace
EDAN-URL:
edanmdm:yt_9s_CSn1N9Bg

Egyptian mummy CT scan video, Smithsonian's National Museum of Natural History

Creator:
Office of Public Affairs  Search this
Type:
YouTube Videos
Uploaded:
2011-08-15T15:13:31.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Science  Search this
See more by:
SmithsonianScience
Data Source:
Office of Public Affairs
YouTube Channel:
SmithsonianScience
EDAN-URL:
edanmdm:yt_puCnWbGvcAU

Baby Elephant Shrew - February 2009

Creator:
National Zoo  Search this
Type:
YouTube Videos
Uploaded:
2009-02-26T20:06:27.000Z
YouTube Category:
Pets & Animals  Search this
Topic:
Zoology;Animals;Veterinary medicine;Animal health  Search this
See more by:
SmithsonianNZP
Data Source:
National Zoo
YouTube Channel:
SmithsonianNZP
EDAN-URL:
edanmdm:yt_-wrIOW8mcvQ

Aga Khan Master Musicians, Hosted by Wu Man, pipa

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2020-11-15T00:30:09.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_UTgSm5fuIAA

ImaginAsia Teen Refugee Art Program

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2012-05-01T20:06:00.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_lpgVj8YF3EA

National Museum of African Art Presents Vernon Reid and Artificial Afrika

Creator:
Smithsonian Institution  Search this
Type:
YouTube Videos
Uploaded:
2011-09-27T21:06:02.000Z
YouTube Category:
Music  Search this
See more by:
SmithsonianVideos
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianVideos
EDAN-URL:
edanmdm:yt_vaj8ih3x0G4

Design Talks | Materializing Beauty with the Haas Brothers and the Haas Sisters of Monkeybiz

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2016-02-13T23:19:27.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_TtHyD83dF1A

The Haas Brothers with Mason Poole - Afreaks Process

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2016-02-10T20:57:13.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_XCUhcbOj7mY

The Haas Brothers with Mason Poole - New Home

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2016-02-10T20:56:07.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_ZEnKgeFc5v4

Harlem Focus | Inspired: Africa, WPA Art and a Unique Hospital Design

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2013-05-23T00:23:13.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_klEHvpcYUj4

Modify Your Search







or


Narrow By