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Oral history interview with Frank Romero, 1997 January 17-March 2

Interviewee:
Romero, Frank, 1941-  Search this
Romero, Frank, 1941-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Subject:
Almaraz, Carlos  Search this
Mugnaini, Joseph A.  Search this
Rocha, Roberto de la  Search this
Sanchez Luján, Gilbert  Search this
Sheets, Millard  Search this
Voulkos, Peter  Search this
Four (Art group)  Search this
Otis Art Institute  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Mexican American art  Search this
Street art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Chicano art movement  Search this
Chicano artists  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)13587
(DSI-AAA_SIRISBib)216102
AAA_collcode_romero97
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216102
Online Media:

Prentiss Taylor papers, 1885-1991

Creator:
Taylor, Prentiss, 1907-1991  Search this
Taylor, Prentiss, 1907-1991  Search this
Subject:
Van Vechten, Carl  Search this
Landeck, Armin  Search this
O'Neill, Eugene  Search this
Hurston, Zora Neale  Search this
Kahlo, Frida  Search this
Field, Rachel  Search this
Stein, Gertrude  Search this
Toklas, Alice B.  Search this
Hughes, Langston  Search this
Robinson, Bill  Search this
Rivera, Diego  Search this
Robeson, Paul  Search this
Pinckney, Josephine  Search this
Van Doren, Mark  Search this
Golden Stair Press  Search this
American University (Washington, D.C.)  Search this
Society of Washington Printmakers (Washington, D.C.)  Search this
Type:
Photographs
Scrapbooks
Drawings
Writings
Sketchbooks
Prints
Sound recordings
Topic:
Lithography -- 20th century -- Washington (D.C.)  Search this
Lithographers -- Washington (D.C.)  Search this
Art therapy  Search this
Harlem Renaissance  Search this
Printmakers -- Washington (D.C.)  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9232
(DSI-AAA_SIRISBib)211427
AAA_collcode_taylpren
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211427
Online Media:

Val Laigo papers, 1954-1998

Creator:
Laigo, Val M., 1930-1992  Search this
Laigo, Val M., 1930-1992  Search this
Type:
Video recordings
Topic:
Asian American art  Search this
Asian American artists  Search this
Filipino American art  Search this
Filipino American artists  Search this
Asian American painters  Search this
Asian American muralists  Search this
Mural painting and decoration -- 20th century -- Washington (State) -- Seattle  Search this
Theme:
Asian American  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10455
(DSI-AAA_SIRISBib)213863
AAA_collcode_laigval
Theme:
Asian American
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213863

Captain H.C. Gray Balloon Basket

Materials:
Wicker, wood, rope, metal
Dimensions:
3-D: 96.5 × 96.5 × 144.8cm, 92.5kg (3 ft. 2 in. × 3 ft. 2 in. × 4 ft. 9 in., 204lb.)
Type:
CRAFT-Balloon
Country of Origin:
United States of America
Date:
1927
Credit Line:
Transferred from the U.S. Army Air Corps, War Department
Inventory Number:
A19280013000
Restrictions & Rights:
CC0
See more items in:
National Air and Space Museum Collection
Location:
Steven F. Udvar-Hazy Center in Chantilly, VA
Hangar:
Mary Baker Engen Restoration Hangar
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9088af853-cd3d-48b4-b6ed-8a39f2e66764
EDAN-URL:
edanmdm:nasm_A19280013000
Online Media:

Una Hanbury papers

Creator:
Hanbury, Una, 1904-1990  Search this
Names:
Royal Academy of Arts (Great Britain)  Search this
Saunders Sculpture International  Search this
Carson, Rachel, 1907-1964  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gilpin, Laura  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Oppenheimer, J. Robert, 1904-1967  Search this
Ripley, Sidney Dillon, 1913-2001  Search this
Segovia, Andrés, 1893-  Search this
Extent:
5.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1910-1994
Summary:
The papers of Una Hanbury measure 5.3 linear feet and date from 1910 to 1994, with the bulk of the material from 1966 to 1990. The collection documents the sculptor's career and the dispersal of her estate through business records, project files, subject files, printed material, and photographs. There is also a small amount of material relating to her personal life including correspondence with friends and family and photographs from various stages of her life.
Scope and Contents:
The papers of Una Hanbury measure 5.3 linear feet and date from 1910 to 1994, with the bulk of the material from 1966 to 1990. The collection documents the sculptor's career and the dispersal of her estate through business records, project files, subject files, printed material, and photographs. There is also a small amount of material relating to her personal life including correspondence with friends and family and photographs from various stages of her life.
Arrangement:
The collection is arranged into seven series.

Series 1: Personal Papers, 1926-1983 (Box 1; 4 folders)

Series 2: Business Records, 1965-1991 (Boxes 1-2; 1.2 linear feet)

Series 3: Project Files, 1961-1992 (Boxes 2-3; 1.8 linear feet)

Series 4: Subject Files, circa 1924-1985 (Box 4, OV 7; 1.0 linear feet)

Series 5: Estate of Una Hanbury, 1990-1994 (Boxes 4-5; 0.6 linear feet)

Series 6: Printed Material, 1926-1990 (Box 5; 0.4 linear feet)

Series 7: Photographs, 1910-1991 (Boxes 5-6, 0.3 linear feet)
Biographical / Historical:
Una Hanbury (1904-1990) was a sculptor in Washington, D.C. and Santa Fe, New Mexico. Hanbury was born in Middlesex, England, in 1904; the incorrect birth date of 1909 that she submitted to Who's Who and other biographical reference sources is cited in numerous published articles. Hanbury [née Rawnsley] exhibited artistic talent as a young child and received instruction from animal artist Frank Calderon. After graduation from London's Polytechnic School of Art, she studied for three years at the Royal Academy. Jacob Epstein was her most influential teacher.

Soon after completing her formal education, Una Rawnsley became Una Hanbury and devoted herself full-time to being a wife and mother. During World War II she left England for Bermuda and brought her family to the United States once the war was over. Hanbury settled in Washington, D.C., where she resumed her sculpting career, completing many large scale commissions for public buildings such as the Medical Examiners Building, Baltimore, and St. Mark's Lutheran Church, Springfield, Virginia, among others. She developed a fine reputation as a portrait sculptor, and commissions included busts of Rachel Carson, Enrico Fermi, Buckminster Fuller, Laura Gilpin, Richard Neutra, Georgia O'Keeffe, Robert Oppenheimer, S. Dillon Ripley, and Andrés Segovia. In addition, animals--particularly horses--were a favorite subject since childhood; sculptures were commissioned by several zoos, and horse portraits often were commissioned by owners.

In 1970, Una Hanbury relocated to Santa Fe, New Mexico, where she continued working well into old age and became a significant force in the art life of that region.
Provenance:
The Una Hanbury papers were donated to the Archives of American Art by the artist's daughter, Jillian Poole, in 1999 and 2006.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Portrait sculpture -- 20th century -- United States  Search this
Portrait sculpture, American  Search this
Women sculptors -- New Mexico  Search this
Animal sculptors -- Washington (D.C.)  Search this
Animal sculptors -- New Mexico  Search this
Animal sculpture  Search this
Sculptors  Search this
Women sculptors -- Washington (D.C.)  Search this
Genre/Form:
Photographs
Citation:
Una Hanbury papers, 1910-1994, bulk 1966-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hanbuna
See more items in:
Una Hanbury papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hanbuna
Online Media:

Oral history interview with Frank Romero

Interviewee:
Romero, Frank  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Los Four (Art group)  Search this
Otis Art Institute -- Students  Search this
Almaraz, Carlos  Search this
Mugnaini, Joseph A.  Search this
Rocha, Roberto de la  Search this
Sanchez Luján, Gilbert  Search this
Sheets, Millard, 1907-1989  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 January 17-March 2
Scope and Contents:
An interview of Frank Romero conducted 1997 January 17-March 2, by Jeffrey Rangel, for the Archives of American Art, in Romero's studio, in Los Angeles, Calif.
Romero discusses his growing up in East Los Angeles and his large extended family; his earliest art studies in the public schools; attending the Otis Art Institute where he studied with Joe Mugnaini and had contact with Millard Sheets and Peter Voulkos; the "very polyglut culture" of East Los Angeles; the influences of television, western movies, rock-and-roll, and rhythm and blues on his early musical/artistic taste; time spent in New York; returning to Los Angeles in 1969; and his marriage and family.
He describes his move into Carlos Almaraz's house which became the informal meeting place of the artist group Los Four (Almaraz, Romero, Gilbert Sanchez Lujan, and Roberto "Beto" de la Rocha); the Los Four show at the Los Angeles County Museum of Art in 1974; and the stylistic aesthetics of Los Four.
Romero describes the "boys club" nature of Chicano art centers; his contributions to the Chicano art movement; his relationship to the Chicano/Mexican culture and mainstream U.S. culture; murals done by members of Los Four for the Inner City Mural Program; his work for the Metropolitan Transit Authority; the Murals of Aztlan exhibit in 1981 at the Craft and Folk Art Museum; and his shows at the ARCO Center for the Visual Arts. He concludes with his assessment of the Chicano arts movement, the relationship between economic and art cycles, and the role of the more established artists to those of a younger generation.
Biographical / Historical:
Frank Romero (1941- ) is a painter from Los Angeles, Calif.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 4 hr., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the interview provided by the Smithsonian Institution Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Muralists -- California -- Los Angeles -- Interviews  Search this
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Mexican American art  Search this
Street art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Chicano art movement  Search this
Chicano artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.romero97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-romero97

[Photo book for the motion picture Longtime Companion] [book]

Publisher:
Samuel Goldwyn Company  Search this
Names:
Davison, Bruce  Search this
Series Collector:
Archives Center, NMAH, SI.  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Extent:
1 Item (Ink on paper., 11.6" x 8.2".)
Type:
Archival materials
Books
Date:
1990
Local Numbers:
AC1146-0000042.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Archiving the History of an Epdemic: HIV and AIDS, 1985-2009," June 3, 2011-October 3, 2011. Franklin A. Robinson, Jr., curator.
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
HIV and AIDS  Search this
HIV Positive  Search this
Gay rights  Search this
LGBT  Search this
Homosexuality  Search this
Sexuality  Search this
Sexual minorities  Search this
Diseases  Search this
Motion pictures -- 20th century -- United States  Search this
Genre/Form:
Books -- 20th century
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 4: Advertising, Business, and Publications / 4.3: Television, Theater, and Motion Pictures / Longtime Companion, photo book
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2742

Longtime Companion [black-and-white advertisement]

Advertiser:
Samuel Goldwyn Company  Search this
Names:
Mulroney, Dermot  Search this
Series Collector:
Archives Center, NMAH, SI.  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Extent:
1 Item (Ink on paper., 14.4" x 10.8".)
Type:
Archival materials
Date:
1990
Scope and Contents:
"Academy award" campaign advertisement for the 1989 motion picture, "Longtime Companion," with Bruce Davison, Campbell Scott, Patrick Cassidy, and Mary-Louise Parker. The first wide-release theatrical film to deal with the subject of AIDS, the film takes its title from the words The New York Times used to describe the surviving same-sex partner of someone who had died of AIDS during the 1980s.
Local Numbers:
AC1146-0000043.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Archiving the History of an Epdemic: HIV and AIDS, 1985-2009," June 3, 2011-October 3, 2011. Franklin A. Robinson, Jr., curator.
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Academy Awards (Motion pictures)  Search this
Motion pictures -- 20th century -- United States  Search this
HIV and AIDS  Search this
HIV Positive  Search this
Gay rights  Search this
LGBT  Search this
Homosexuality  Search this
Sexuality  Search this
Sexual minorities  Search this
Diseases  Search this
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 4: Advertising, Business, and Publications / 4.3: Television, Theater, and Motion Pictures / Longtime Companion, "for your consideration" advertisement
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2743

Val Laigo papers

Creator:
Laigo, Val M., 1930-1992  Search this
Extent:
0.4 Linear feet
0.4 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Video recordings
Date:
1954-1998
Scope and Contents:
A resume; correspondence, 1954-1991, mainly regarding teaching positions at Seattle University and commissions; 7 sketches for mural projects; art inventories, 1970 and 1987; writings, including biographical notes, and a portion of his M.F.A. thesis "Hard Edge Variations," 1964; exhibition announcements; clippings; photographs of Laigo in his studio, Laigo with his paintings, and his family; 2 video tapes, 1990, taken by Marvin Herard of Laigo discussing his murals at the Seattle University Library.
ADDITION : A chronology; awards; clippings; magazine articles; writings; obituary; correspondence; and two video tapes, including Wing Luke Art Museum's January 29, 1994 Auction Honoring Val Laigo, and Seattle University Laigo Retrospective Show at the Kinsey Gallery, October 6 to November 19, 1992.
Biographical / Historical:
Val Laigo (1930-1992) was a Filipino American painter based in Seattle, Washington. Val Laigo was born in Naguilian, La Union, in the Phillipines. His family moved to the United States in 1931 and to Seattle in 1941. Laigo's full name Valeriano Emerenciano Montante Laigo.
Provenance:
Donated 1990 by Val Laigo and in 1994 and 1998 by his widow Austreberta Laigo.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Artists -- Washington (State) -- Seattle  Search this
Painters -- Washington (State) -- Seattle  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Filipino American art  Search this
Filipino American artists  Search this
Asian American painters  Search this
Asian American muralists  Search this
Mural painting and decoration -- 20th century -- Washington (State) -- Seattle  Search this
Genre/Form:
Video recordings
Identifier:
AAA.laigval
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-laigval

Yasuo Kuniyoshi papers

Creator:
Kuniyoshi, Yasuo, 1889-1953  Search this
Extent:
14.3 Linear feet
2.84 Gigabytes
14.3 Linear feet
2.84 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Scrapbooks
Photographs
Date:
1906-2016
bulk 1920-1990
1906-2016
bulk 1920-1990
Summary:
The papers of artist Yasuo Kuniyoshi measure 14.3 linear feet and 2.84 gigabytes and date from 1906-2016, bulk 1920-1990. The collection documents his career as a painter, graphic artist, and photographer, as well as his involvement in political, social, and art organizations, especially during World War II. Included are biographical material; correspondence; writings and lectures by Kuniyoshi and others; organization records primarily on his participation in various associations and groups he was a member of; professional and gallery records regarding business dealings with American and Japanese galleries, museums, and dealers; exhibition files; printed material; four scrapbooks; artwork; photographs of Kuniyoshi and others in various locations and at events; and artwork records which mostly consist of photographs and provenance information. The collection also contains materials on Kuniyoshi's career and artwork obtained after his death by his widow Sara Mazo Kuniyoshi.
Scope and Content Note:
The papers of artist Yasuo Kuniyoshi measure 14.3 linear feet and 2.84 gigabytes and date from 1906-2013, bulk 1920-1990. The collection documents his career as a painter, graphic artist, and photographer, as well as his involvement in political, social, and art organizations, especially during World War II. Included are biographical material; correspondence; writings and lectures by Kuniyoshi and others; organization records primarily on his participation in various associations and groups he was a member of; professional and gallery records regarding business dealings with American and Japanese galleries, museums, and dealers; exhibition files; printed material; four scrapbooks; artwork; photographs of Kuniyoshi and others in various locations and at events; and artwork records which mostly consist of photographs and provenance information. The collection also contains materials on Kuniyoshi's career and artwork obtained after his death by his widow Sara Mazo Kuniyoshi.

Biographical material consists of a wide range of records such as an address book, resumes, biographical summaries, vital records, citizenship applications, identification documents, travel records, and documentation regarding Kuniyoshi's death. There is some limited biographical material on the artist's widow, Sara Mazo Kuniyoshi, plus interviews with her talking about Kuniyoshi.

Correspondence is divided into correspondence with Yasuo Kuniyoshi and the correspondence with his second wife, Sara Mazo Kuniyoshi. The Yasuo Kuniyoshi correspondence discusses various topics including exhibits and his status as a Japanese American during World War II. The bulk of the series consists of correspondence with Sara after Yasuo's death and usually relates to exhibitions of his work, and reproduction requests for the inclusion of his work in publications. Of note is her correspondence with Alexander Brook, Ritsuko Ozawa, Tom Wolf, and the Yasuo Kuniyoshi Museum in Japan.

Writings and lectures include Kuniyoshi's writings and speeches about other artists, art and the art profession, lithography, and World War II. Also found are statements on his own work and extensive notes for his autobiography. There are two sound recordings of lectures by Kuniyoshi at art schools as well as writings by others, including Sara Mazo Kuniyoshi, about Yasuo Kuniyoshi.

Organization records document Kuniyoshi's involvement in social, political, and art organizations, including the East West Association and the Artists Equity Association. These records include correspondence, speeches, printed material and notes.

Gallery and professional records include material on Kuniyoshi's career and the sales of his work at galleries. Found herein are correspondence, printed material and notes. There are files on projects and commissions, transcripts of the radio broadcast "Japan Against Japan," appraisals of artwork, authentications of artwork, art inventories of his work at various galleries as well as private collections, and records of his participation in the Woodstock Art Conference. Also noteworthy are the records of Sara Mazo Kuniyoshi's dealings with the Downtown Gallery and Zabriskie Galleries.

Exhibition files include a few files on exhibitions while Yasuo Kuniyoshi was alive, but most of the series consists of files created by Sara Mazo Kuniyoshi about exhibitions of Kuniyoshi's works after his death in 1953. Files may include exhibition checklists and planning documents, loan agreements, correspondence, photographs of the exhibition, and press materials.

Printed material consists of books, newspaper, and magazine clippings about Kuniyoshi and about World War II. There are numerous exhibition catalogs and announcements and some magazines, posters, brochures, and bulletins.

There are four scrapbooks of printed material related to Kuniyoshi and his artwork. The scrapbooks contain press clippings, exhibition announcements, checklists, and a few catalogs.

Artwork consists of etchings, numerous sketches and drawings in graphite and ink, sketches painted onto clear acetate which Kuniyoshi used for catalogs, two zinc lithographic plates and their corresponding prints, and a sketchbook. Drawings that Yasuo Kuniyoshi created for the Office of War Information during World War II are in this series. There is one folder of pencil sketches by unidentified artists.

Photographic material are mostly photographs of Kuniyoshi in his studio, at various events and parties, teaching at Mills College and with his wife Sara Mazo Kuniyoshi. Also found are photographs of artists, including Francis Criss, Julian Levi, Doris and Russell Lee, and others, taken by Yasuo Kuniyoshi. Especially noteworthy, are photographs of the Artists Equity Testimonial Dinner held in honor of Kuniyoshi's 1948 retrospective at the Whitney Museum of American Art. There are some slides and snapshots of Sara Mazo Kuniyoshi's travels abroad and a the house in Woodstock she shared with Yasuo, along with other locations.

Artwork photograph records were created by Sara Mazo Kuniyoshi to document works of art created by her husband. Files mostly include photographs of artwork with annotations regarding title, date, sale, and provenance. Some files also include correspondence, notes by Sara Kuniyoshi, exhibition history, and published reproductions. There are also miscellaneous photographs and slides of artwork which mostly consist of duplicates of artwork that can be found in the rest of the series.
Arrangement:
This collection is arranged as 11 series.

Series 1: Biographical Material, 1906-1998 (Box 1, ER01; 0.3 linear feet)

Series 2: Correspondence, 1931-2007 (Boxes 1-2; 1.2 linear feet)

Series 3: Writings and Lectures, 1939-2003 (Box 2; 0.5 linear feet)

Series 4: Organization Records, 1939-2003 (Box 3; 0.4 linear feet)

Series 5: Gallery and Professional Records, circa 1924-2009 (Boxes 3-5, OV 19; 2.1 linear feet)

Series 6: Exhibition Files, 1948-2004 (Boxes 5-6, OVs 19-20; 1.1 linear feet)

Series 7: Printed Material, 1921-2013 (Boxes 6-8, 14, OV 20 ; 2.1 linear feet)

Series 8: Scrapbooks, 1919-1978 (Boxes 8, 13, 15; 0.6 linear feet)

Series 9: Artwork, 1925-1991 (Boxes 8, 14, 16, OV 21-23; 0.8 linear feet)

Series 10: Photographic Material, circa 1920-2005 (Boxes 8-9, 16-17; 1.4 linear feet)

Series 11: Artwork Photograph Records, circa 1920s-2016 (Boxes 9-12, 17-18, OV 22; 3.8 linear feet)
Biographical Note:
Yasuo Kuniyoshi (1889-1953) was a Japanese-American painter, printmaker and photographer based in New York, N.Y.

Kuniyoshi was born in Okayama, Japan. In 1906 he came to the United States and a year later began studying at the Los Angeles School of Art and Design. In 1910 he moved to New York and took courses at the National Academy of Design, the Independent School of Art, and the Art Students League, where he studied with Kenneth Hayes Miller. He was married to fellow artist Katherine Schmidt from 1919 to 1932. After traveling throughout Europe, they moved to the Woodstock, New York, in 1927 and took part in the Woodstock Art Colony. Kuniyoshi studied and later taught at the Art Students League summer school there.

By 1930 Kuniyoshi had established himself as an internationally known painter and graphic artist. In 1935, he received a Guggenheim fellowship and married Sara Mazo. In New York City he taught at the Art Students League, the New School for Social Research, and served as the first president of the Artists Equity Association from 1947 to 1950. Kuniyoshi was active in social organizations, especially Japanese American organizations, such as the Japanese American Committee for Democracy. Although Kuniyoshi was barred from becoming a citizen due to American immgration laws at the time, he viewed himself as American and took an active role in the war effort during World War II, even working with the U.S. Office of War Information department to design posters.

The Whitney Museum of American Art held a retrospective for Kuniyoshi in 1948, making him the first living artist to be honored in such a fashion at the museum. Yasuo Kuniyoshi died of cancer in 1953 and was survived by his second wife Sara Mazo Kuniyoshi who preserved the legacy of his work.
Related Materials:
Also found at the Archives of American Art are the Yasuo Kuniyoshi photographs of artwork, a 1948 letter from Kuniyoshi to E. P. Richardson, and checklists of Yasuo Kuniyoshi prints.
Provenance:
The collection was donated in installments, from 1969 to 1995, by Sara Mazo Kuniyoshi, Yasuo Kuniyoshi's widow. Additional papers were donated in 2014 and 2018 by Stephen Diamond, Sara Mazo Kuniyoshi's nephew.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Photographers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
Art, Modern -- 20th century  Search this
Asian American art  Search this
Asian American artists  Search this
Political clubs  Search this
World War, 1939-1945 -- Japanese Americans  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American painters  Search this
Asian American printmakers  Search this
Asian American photographers  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
Yasuo Kuniyoshi papers, 1906-2016, bulk 1920-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kuniyasu
See more items in:
Yasuo Kuniyoshi papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kuniyasu
Online Media:

Oral history interview with Andrew Chinn

Interviewee:
Chinn, Andrew, 1915-1996  Search this
Interviewer:
Kangas, Matthew  Search this
Names:
Chinese Art Club (Seattle, Wash.)  Search this
Chong, Fay  Search this
Tobey, Mark  Search this
Extent:
56 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1991 August 9
Scope and Contents:
An interview of Andrew Chinn conducted 1991 August 9, by Matthew Kangas, for the Archives of American Art Northwest Asian American Project.
Chinn speaks of his childhood; the formation of the Chinese Art Club in Seattle in the 1930s; exhibitions of his work in the 1940s; the Chinese and Western styles of his paintings; his teaching career; his friendship with Fay Chong; and his opinion of the Asian influence in Mark Tobey's work.
Biographical / Historical:
Andrew Chinn (1915-1995) was a Chinese American painter based in Seattle, Washington.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 46 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Washington (State) -- Seattle  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Asian American painters  Search this
Chinese American art  Search this
Chinese American artists  Search this
Painting, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chinn91
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chinn91

James Graham & Sons records

Creator:
James Graham & Sons  Search this
Names:
Coe Kerr Gallery  Search this
Duveen-Graham (Gallery)  Search this
Graham Gallery  Search this
Graham Modern (Gallery)  Search this
Cicero, Carmen, 1926-  Search this
Coheleach, Guy  Search this
Crile, Susan, 1942-  Search this
De Kooning, Elaine  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Duveen, Albert  Search this
Fogel, Seymour, 1911-1984  Search this
Fried, Nancy  Search this
Graham, Robert Claverhouse, 1913-1994  Search this
Kriesberg, Irving, 1919-  Search this
Melchers, Gari, 1860-1932  Search this
Perrine, Van Dearing, 1869-1955  Search this
Santlofer, Jonathan, 1946-  Search this
Schley, Reeve, 1936-  Search this
Stevens, Peter  Search this
Thorne, Joan, 1943-  Search this
Trieff, Selina, 1934-  Search this
Wyeth, Andrew, 1917-2009  Search this
Wyeth, Jamie, 1946-  Search this
Wyeth, N. C. (Newell Convers), 1882-1945  Search this
Extent:
103.2 Linear feet
Type:
Collection descriptions
Archival materials
Visitors' books
Scrapbooks
Photographs
Date:
1821
1815
circa 1896-2011
Summary:
The records of the New York City gallery James Graham & Sons measure 103.2 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions.. There is a 8.0 linear foot unprocessed addition to this collection donated in 2018 that includes artists' files regarding exhibitions and photographs of works of art.
Scope and Content Note:
The records of the New York City gallery James Graham & Sons measure 103.2 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions of artwork by Jamie Wyeth, and to a lesser extent, Andrew and N.C. Wyeth.

Over the years, the gallery changed names and established contemporary art departments. In addition to records of James Graham & Sons, the collection holds the records of Duveen-Graham Modern Art (in partnership with Albert Duveen), Graham Gallery, Graham Modern, JG|Contemporary, and, to a lesser extent, The Clapp and Graham Co.

Alphabetical files are a mix of business correspondence and business records. The bulk of the series contains correspondence with galleries, museums, other institutions, and, to a lesser extent, clients regarding sales, consignments, and loans of artwork. Also found are materials relevant to the daily operations of the gallery, including correspondence, subject files, and scattered financial, business and legal records.

Exhibition files provide scattered documentation of the gallery's exhibitions through catalogs, clippings, correspondence, guest books, notes, photographs, press materials, price lists, and sales receipts and other financial records.

Artists' Files document the numerous artists who have been represented by the gallery, especially modern American artists. Folders for each artist can contain a variety of materials, including correspondence with the artist or with institutions regarding consignments, loans, sales and exhibitions; photographic materials primarily of artwork; sales invoices; exhibition catalogs, postcards, and other printed materials; press releases; magazine and newspaper clippings; price lists; artist binders; and research materials on artists and artwork. Also found are some subject files, per original arrangement. There is extensive material related to artists Carmen Cicero, Susan Crile, Elaine De Kooning's portrait of President John F. Kennedy, Edwin Dickinson, muralist Seymour Fogel, Nancy Fried, Irving Kriesberg, Gari Melchers, Jonathan Santlofer, Reeve Schley, Peter Stevens, Joan Thorne, and Selina Trieff.

Artwork files document sales, consignments, and loans of artwork primarily from the mid-1980s to 2000s. Materials include agreements and contracts; condition reports; correspondence; invoices and receipts; photographs of artwork; shipping records; and photocopied printed material and other documentation. This series requires written permission from the donor in order to access.

Sales records from 1959-1984 (missing 1974) are found in the Financial Records series. Also found are check stub books from the mid-late 1950s; price lists; records for the Four Seasons Charter Corp.; and scattered banking, consignment, tax, and other financial records. Inventory cards from mid-1950s-1970s and inventory lists, often with notations and prices, are found in the series Inventory Records.

Coe Kerr Gallery Records regarding the Wyeths document Jamie Wyeth's exhibitions primarily from the mid-1970s-early 1980s. Also found is limited material regarding Andrew Wyeth and N.C. Wyeth. Materials include correspondence, photographs, exhibition printed materials, and extensive newspaper clippings.

There are exhibition catalogs, books, announcements, magazines, clippings, postcards, posters and other printed materials related to artists, John Graham & Sons exhibitions, and exhibitions by Graham artists held at other galleries and museums. Also found is an 1815 fifty cent note which was redeemed in 1821.

Seven scrapbooks document discrete aspects of the business, including the gallery's advertising, participation in an art fair, and the careers of artists Guy Coheleach and Van Dearing Perrine. Materials housed in the scrapbooks include clippings, catalogs, photographs, and other printed materials.

Photographic Materials include mostly black and white photographs, negatives, slides and transparencies of artwork; scattered photographs of installations, artists, and the gallery; and a handful of personal snapshots. The bulk of the photographs are undated, but were likely printed between 1950s-1990s.

There is a 8.0 linear foot unprocessed addition to this collection donated in 2018 that includes artists' files regarding exhibitions and photographs of works of art.
Arrangement:
The collection is arranged as 11 series:

Series 1: Alphabetical Files, circa 1896, 1902-1999, bulk 1955-1986 (Boxes 1-15; 15 linear feet)

Series 2: Exhibition Files, 1912, 1947-2004 (Boxes 16-24; 8 linear feet)

Series 3: Artists' Files, circa 1907-2006, bulk 1955-1999 (Boxes 24-62, 95-96; 39.1 linear feet)

Series 4: Artwork Files, circa early 1900s-2011, bulk mid-1980s-2009 (Boxes 63-71, 94, 101; 9.3 linear feet)

Series 5: Financial Records, circa 1937-1993 (Boxes 72-76, 96; 4.5 linear feet)

Series 6: Inventory Records, circa 1954-1993 (Boxes 76-78, 96; 2.1 linear feet)

Series 7: Coe Kerr Gallery Records Regarding Wyeths, 1964-1988 (Boxes 78-80, 97; 2.7 linear feet)

Series 8: Printed Materials, 1815, 1821, 1949-2006 (Boxes 81-82, 97; 2.1 linear feet)

Series 9: Scrapbooks, 1897-1990s (Boxes 82, 98-100; 0.9 linear feet)

Series 10: Photographic Materials, 1929-1990s (Boxes 83-93, 96, 100-101; 11.5 linear feet)

Series 11: Unprocessed Addition, circa 1940-1980 (Boxes 102-109; 8 linear feet)
Historical Note:
The James Graham & Sons gallery has been owned and managed by the Graham family in New York City since 1857. Throughout its history, the gallery has specialized in decorative arts, antiques, and 19th-early 20th century and contemporary American art.

In 1857, Samuel Graham founded a gallery at 66 Third Street and specialized in furniture. Graham was joined by his son James in the 1880s and expanded the business to include antiques and decorative arts. James A. Graham, the third generation Graham, joined the gallery in the early 20th century. James Graham and antiques dealer Marshall Clapp created Clapp & Graham in 1914, a partnership which was dissolved around 1940.

James R. Graham, the fourth generation Graham, joined the gallery in 1937, followed by his brother Robert Claverhouse Graham, Sr. in 1940. The gallery was then named James Graham & Sons and was located at 514 Madison Avenue. At this time, the gallery specialized in bronzes, ceramics, silver, sculptures, and 19th-early 20th century American art. Robert C. Graham, Sr. introduced modern American art, especially The Eight, into the gallery's inventory.

In 1955, the gallery moved to 1014 Madison Avenue, where it remained until the late 2000s. That same year, Graham opened its first contemporary department with Albert Duveen. Duveen-Graham Modern Art gallery was based on the third floor of the Madison Avenue building and dealt solely in contemporary art until its closing in 1958. Robert C. Graham, Jr. (Robin) joined the gallery in 1963, becoming the fifth generation Graham to run the family business. The gallery is currently located at 32 East 67th Street.

Betsy Fahlman's "James Graham & Sons: A Century and a Half in the Art Business" (2007) was a valuable resource in constructing this Historical Note.
Related Material:
Among the other resources relating to James Graham & Sons in the Archives of American Art is an oral history interview with Robert Claverhouse Graham, November 19, 1976, and the David Herbert papers, 1950-1995.
Provenance:
The James Graham & Sons records were donated in 2007, 2008, and 2012 by Priscilla Caldwell and Jay Grimm of James Graham & Sons and in 2018 by Cameron Shay of James Graham & Sons.
Restrictions:
Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Economic aspects  Search this
Painting -- United States  Search this
Sculpture -- United States  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Genre/Form:
Visitors' books
Scrapbooks
Photographs
Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jamegras
See more items in:
James Graham & Sons records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jamegras
Online Media:

David Sutherland motion picture films relating to Paul Cadmus, 1980-1984

Creator:
Sutherland, David Russell, 1945-  Search this
Sutherland, David Russell, 1945-  Search this
Subject:
Cadmus, Paul  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Figurative painting, American -- New York (State) -- New York  Search this
Theme:
Audio - Visual  Search this
Record number:
(DSI-AAA_CollID)5776
(DSI-AAA_SIRISBib)208615
AAA_collcode_suthdavi
Theme:
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208615

Frans Wildenhain grant application, 1974

Creator:
Wildenhain, Frans, 1905-1980  Search this
Wildenhain, Frans, 1905-1980  Search this
Topic:
Pottery -- United States  Search this
Porcelain -- United States  Search this
Sculpture, Modern -- 20th century -- History -- United States  Search this
Decorative arts  Search this
Theme:
Lives of American Artists  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)5914
(DSI-AAA_SIRISBib)208754
AAA_collcode_wildfrga
Theme:
Lives of American Artists
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208754

Treasury Department Art Projects : painting and sculpture for federal buildings, November seventeen to December thirteen, nineteen hundred thirty-six, Corcoran Gallery of Art / introduction by Forbes Watson, 1936

Creator:
Treasury Relief Art Project  Search this
Treasury Relief Art Project  Search this
Treasury Relief Art Project  Search this
Subject:
Watson, Forbes  Search this
Topic:
Painting, American -- Exhibitions  Search this
Painting, Modern -- 20th century -- United States -- Exhibitions  Search this
Art and state -- United States  Search this
Federal aid to the arts  Search this
Public sculpture -- United States -- Exhibitions  Search this
Sculpture, American -- Exhibitions  Search this
Federal aid to public welfare  Search this
New Deal, 1933-1939  Search this
Public sculpture -- United States -- Exhibitions  Search this
Theme:
Government Sponsorship of the Arts  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)5929
(DSI-AAA_SIRISBib)208761
AAA_collcode_treareli
Theme:
Government Sponsorship of the Arts
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208761

Maurice Sievan papers, 1934-1983

Creator:
Sievan, Maurice, 1898-1981  Search this
Sievan, Maurice, 1898-1981  Search this
Subject:
Avery, Milton  Search this
Gross, Sidney  Search this
Lannan, J. Patrick  Search this
Raemisch, Waldemere  Search this
Schnitzler, Max  Search this
Trajan, Turku  Search this
Walkowitz, Abraham  Search this
Winter, Andrew  Search this
Sievan, Lee  Search this
Piper, Raymond  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6720
(DSI-AAA_SIRISBib)208845
AAA_collcode_sievmaur
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208845

Wilhelm Reinhold Valentiner papers, 1853-1977

Creator:
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Subject:
Colenbrander, H. T. (Herman Theodoor)  Search this
Heise, Carl Georg  Search this
Hofstede de Groot, C. (Cornelis)  Search this
Bode, Wilhelm von  Search this
Wills, Helen  Search this
Sarre, Maria  Search this
Mellon, Andrew W. (Andrew William)  Search this
McIlhenny, John  Search this
Ford, Edsel  Search this
Morgan, Anne Tracy  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Detroit Institute of Arts  Search this
Type:
Scrapbooks
Sketches
Prints
Photographs
Diaries
Place:
Germany -- Politics and government -- 1918-1933
Topic:
Art museums -- United States  Search this
Museum directors -- New York (State) -- New York  Search this
Art, Dutch  Search this
Art -- Collectors and collecting -- United States  Search this
Art, Modern -- 20th century  Search this
Art, Italian  Search this
Theme:
Diaries  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)13492
(DSI-AAA_SIRISBib)209035
AAA_collcode_valewilh
Theme:
Diaries
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209035
Online Media:

Day N. Schnabel papers, 1916-1980

Creator:
Schnabel, Day N., 1905-1991  Search this
Schnabel, Day N., 1905-1991  Search this
Type:
Sketchbooks
Topic:
Painting, Modern -- 20th century -- France -- Paris -- History  Search this
Sculpture, Modern -- 20th century -- France -- Paris -- History  Search this
Painting -- France -- Paris  Search this
Theme:
Diaries  Search this
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)13405
(DSI-AAA_SIRISBib)209041
AAA_collcode_schnday
Theme:
Diaries
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209041

Feodor Zakharov papers, 1929-1961

Creator:
Zakharov, Feodor, 1882-1967  Search this
Zakharov, Feodor, 1882-1967  Search this
Topic:
Painting, Modern -- 20th century -- United States  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6925
(DSI-AAA_SIRISBib)209054
AAA_collcode_zakhfeod
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209054

Lee Woodward Zeigler papers, 1911-1968

Creator:
Zeigler, Lee Woodward, 1868-1952  Search this
Zeigler, Lee Woodward, 1868-1952  Search this
Subject:
Grainger, Percy  Search this
Leiber, Fritz  Search this
Bruce, Edward  Search this
Cram, Ralph Adams, 1863-1942  Search this
Force, Juliana  Search this
Murray, Oscar H.  Search this
Osgood, Charles Grosvenor  Search this
Wheeler, Joseph Lewis  Search this
Enoch Pratt Free Library  Search this
Public Works of Art Project  Search this
Federal Art Project (U.S.)  Search this
United States  Search this
Topic:
Mural painting and decoration -- 20th century -- United States  Search this
Mural painting and decoration -- 20th century -- Maryland -- Baltimore  Search this
Mural painting and decoration, American  Search this
Church decoration and ornament -- United States  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6927
(DSI-AAA_SIRISBib)209056
AAA_collcode_zeiglee
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209056

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