Search Results

Creator:

Pettrich, Ferdinand, 1798-1872  Search this

Extent:

9 Lithographs

Container:

Folder 4886

Culture:

Sac and Fox (Sauk & Fox)  Search this

Muskogee (Creek)  Search this

Sioux  Search this

Mohegan  Search this

Fox  Search this

Ho-Chunk (Winnebago)  Search this

Sauk  Search this

Type:

Collection descriptions

Archival materials

Graphic Materials

Lithographs

Works of art

Date:

1842

Scope and Contents:

The collection consists of plates from Portraits of Distinguished Indians from Several Tribes Who Visited Washington in 1837. Baltimore: Edward Weber &amp: Co., 1842. The complete work was issued in a large folio containing 5 lithographs depicting a total of 48 figures. The collection contains one complete set of all 5 plates (Plate V is in two parts) and duplicates of Plates I, III, and IV. The collection does not have the title page for the volume. The complete set of plates has been laminated.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Biographical Note:

Ferdinand Pettrich grew up in the city of Dresden, Germany, and apprenticed to his father Franz Johann Pettrich, a court sculptor for the king of Saxony. When he was twenty-one, he traveled to Rome to study with the internationally known Danish sculptor and teacher Albert B. Thorvaldsen. In 1835, Pettrich traveled to America with his wife and settled in Washington, where he modeled portrait busts of political figures and visiting Native Americans. In 1842 he was stabbed in his Washington studio and to recuperate moved to Brazil's warmer climate. He became the court sculptor for Emperor Dom Pedro II and carved monumental statues of the monarch and his court officials before returning to Europe. Pettrich settled in Rome where, after he presented his sculptures of Native Americans to the Museum of St. John Lateran, the Vatican honored him with a life-term papal pension.

Local Numbers:

NAA MS 4886

Variant Title:

Lithographs of American Indians

Related Materials:

The National Anthropological Archives holds Lantern slides of Ferdinand Pettrich sculptures related to Native Americans (Photo Lot 20).

The Smithsonian American Art Museum holds sculptures by Pettrich.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Genre/Form:

Works of art

Lithographs

Citation:

MS 4886 Plates from Portraits of Distinguished Indians from Several Tribes Who Visited Washington in 1837, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS4886

See more items in:

MS 4886 Plates from Portraits of Distinguished Indians from Several Tribes Who Visited Washington in 1837

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw36f72812e-cd16-40c8-a528-e01391d84e16

EDAN-URL:

ead_collection:sova-naa-ms4886

Photographer:

Houlberg, Marilyn  Search this

Extent:

6567 Slides (photographs) (11 Binders, color)

14 Documents (1 Binder)

1,946 Slides (Color, 35 mm)

Culture:

Yoruba (African people)  Search this

Nigerians  Search this

Tuaregs  Search this

Fulani  Search this

Nuba  Search this

Igbo (African people)  Search this

Turkana  Search this

Pokot  Search this

Type:

Collection descriptions

Archival materials

Slides (photographs)

Documents

Slides

Color slides

Photographic prints

Photographs

Place:

Nigeria

Africa

Lagos (Nigeria)

Date:

1961-circa 2005

Summary:

The collection consists of 8,515 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2007. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

Scope and Contents note:

This 6,567 slide collection documents Houlberg's studies in Southwestern Nigeria spanning from 1961 to circa 2005. In 2015, Houlberg donated an additional 1,948 color slides to the Eliot Elisofon Photographic Archives. These slides have been added to the EEPA 2005-002 finding aid, bringing the total to 8,515 slides.

The collection primarily includes photos of people, including the Ogboni, Pokot, Yoruba, Turkana and Igbo, shrines, festivals and rituals, art objects, and artists. A particular strength of the collection are photos of Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg mostly photographed in Ilishan, Ikenne, Ilara, Shagamu, Lagos, Ijebu-Ode, and Egbe.

Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art, wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Several Yoruba art forms, including photography, scarification tattoos, and textiles (both cloth and dress), are represented in the collection. Additionally, there are numerous slides of Yoruba hairstyles, many of which she published in her article, Social Hair: Tradition and Change in Yoruba Hairstyles in Southwestern Nigeria.

Yoruba ritual specialists, such as Ife-olu Solaru, Olufunke, and Yesufu Ejigboye, appear frequently throughout the collection. Houlberg documented her many stays with these individuals over the years.

There is also one binder of manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles.

Arrangement note:

The collection is organized into 29 series according to subject. The series descriptions correspond with particular subjects used in Houlberg's teaching and lectures, and based on donor's notes. All slides were kept in the order in which they were donated.

Series 1: African Hairstyles, circa 1973-1994 (Binder 1; 212 slides)

Series 2: Egungun Festival, 1961-circa 1988 (Binder 1; 362 slides)

Series 3: Gelede, circa 1969-circa 1989 (Binder 2; 301 slides)

Series 4: Ibeji Twins, circa 1969-circa 1990 (Binders 2-3; 854 slides)

Series 5: Ogboni Art Objects and Shrines, circa 1969-circa 1982 (Binder 4; 92 slides)

Series 6: Art Objects Depicting Ogun, circa 1969-circa 1983 (Binder 4; 56 slides)

Series 7: Olojufoforo Art and Festivities, circa 1968-circa 1975 (Binder 4; 21 slides)

Series 8: Yoruba People, Architecture, and Art, circa 1969-circa 1985 (Binder 4; 260 slides)

Series 9: Carving, Art Objects and Artists, and Scenes of Daily Life, circa 1973-circa 1988 (Binder 4; 201 slides)

Series 10: Yoruba Art, circa 1971-circa 1983 (Binder 5; 49 slides)

Series 11: Yoruba Textiles, circa 1973-circa 1983 (Binder 5; 84 slides)

Series 12: Yoruba, Miscellaneous, circa 1967-circa 1989 (Binder 5; 251 slides)

Series 13: African Art, Textiles People, and Dwellings, circa 1963-circa 1983 (Binder 6; 58 slides)

Series 14: Ibo Mbari and Igbo Peoples and Artwork, circa 1967-circa 1985 (Binder 6; 212 slides)

Series 15: Art and Ceremonies, circa 1967-circa 1991 (Binder 6; 493 slides)

Series 16: Body Arts, Nuba People (Sudan) and Fulani and Bororo People (Niger), circa 1973-circa 1979 (Binder 7; 64 slides)

Series 17: People, Scenic Views and Animals of Kenya, Sudan, Angola, and Ghana, circa 1972-circa 1985 (Binder 7; 168 slides)

Series 18: Peoples and Arts of Ghana, Mali, and the Ivory Coast, circa 1966-circa 1992 (Binder 7; 406 slides)

Series 19: Published Maps and Photos, circa 1968-circa 1985 (Binder 8; 70 slides)

Series 20: Nigerian Masks and Art Objects, circa 1967-circa 1978 (Binder 8; 396 slides)

Series 21: Yoruba Festivals, People, and Art in Nigeria, circa 1967-circa 1988 (Binders 8-9; 128 slides)

Series 22: Yoruba Photography and Textiles, circa 1975-circa 1983 (Binder 9; 54 slides)

Series 23: Ife-Olu, Ilishan, circa 1980-circa 1988 (Binder 9; 87 slides)

Series 24: Yoruba Festivals, People, Hairstyles, Ibeji Objects, Eshu Figures, and Oya and Orishala Priests, Priestesses, and Shrines, circa 1966-circa 1988 (Binder 9; 168 slides)

Series 25: Shango, circa 1970-circa 1983 (Binder 10, 162 slides)

Series 26: Ara Festival, 1975 (Binder 10; 174 slides)

Series 27: Ceremonies and Festivals, Portraits, Art and Ceremonial Objects, Domestic and Market Scenes, circa 1969-circa 2005 (Binders 10-11; 759 slides)

Series 28: Yoruba Art Objects, and Domestic, Work, and Festival Scenes, circa 1971-circa 1983 (Binder 11; 104 slides)

Series 29: Manuscript and Printed Materials, 1973-circa 2005 (Binder 12)

Biographical/Historical note:

Artist, anthropologist, and art historian Dr. Marilyn Hammersley Houlberg was born in Chicago, Illinois, in 1939. Houlberg received an Associate of Arts degree from Wright Junior College (1959) and a BFA from the University of Chicago (1963). After graduating, she traveled to North Africa and explored Morocco, Algeria, Tunisia, Libya, and Egypt. In 1964, Houlberg researched Haitian art, religion, and indigenous photography in Haiti and in 1965 was awarded a scholarship for graduate study from the University of Chicago. There she completed her MAT in Art History in 1967. Following graduation, Houlberg worked at the Nigerian Museum in Lagos, where she documented Yoruba sculpture, masquerades, religion, body art, and indigenous photography.

She began her teaching career at the University of Chicago as a lecturer on African art and African civilization, working there from 1971 to 1973. At the University of London, Houlberg earned a Masters in Anthropology, producing the thesis Yoruba Twin Sculpture and Ritual (1973). She also extensively photographed her travels abroad in Yorubaland. Between 1974 and 1990, Houlberg taught at the University of Chicago, Columbia College, Kalamazoo College, and Northwestern University. From 1974 to 2008 she continued teaching at The School of the Art Institute of Chicago, lecturing on Yoruba art and ritual in West Africa and the New World, and the art and ritual of Vodou in Haiti.

Houlberg has lectured worldwide at numerous museums and symposiums since 1972, including in Lagos, Nigeria; Jacmel, Haiti; Toronto, Canada; Salvador, Bahia, Brazil; and Cologne, Germany. Her essays have been published in several issues of African Arts. Some of Houlberg's significant publications include Arts of the Water Spirits of Haitian Vodou, in Sacred Waters: Arts for Mami Wata and Other Divinities in Africa and the Diaspora (2008) and Water Spirits of Haitian Vodou: Lasiren, Queen of Mermaids, in Mami-Wata: Arts for Water Spirits in Africa and the African-Atlantic World (2008). The exhibition Mami-Wata at the Smithsonian National Museum of African Art (2009) featured her photographs.

Provenance:

Marilyn Houlberg, 733 West 18th St., Chicago, IL 60616, Donation, 20050320, 2005-0002

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Occupation:

Weavers  Search this

Artists  Search this

Topic:

Shrines  Search this

Masks  Search this

Domestic scenes  Search this

Egúngún (Cult)  Search this

Ethnology -- Nigeria  Search this

Gelede (Yoruba rite)  Search this

Hairstyles -- Africa  Search this

Rites and ceremonies -- Africa  Search this

Clothing and dress -- Africa  Search this

Marketplaces  Search this

Masquerades  Search this

Ere ibeji  Search this

Works of art in situ  Search this

Art, African  Search this

Vernacular architecture  Search this

Festivals  Search this

Genre/Form:

Color slides

Photographic prints

Photographs

Citation:

Marilyn Houlberg Nigeria Collection, EEPA 2005-002, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Identifier:

EEPA.2005-002

See more items in:

Marilyn Houlberg Nigeria collection

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo729173a75-b645-455f-b66b-ae08d0d2102e

EDAN-URL:

ead_collection:sova-eepa-2005-002

Creator:

Asch, Timothy, 1932-1994  Search this

Correspondent:

Albert, Bruce  Search this

Andrews, Scott  Search this

Balikci, Asen, 1929-  Search this

Beidelman, Tom  Search this

Bermudez, Beatrice  Search this

Brigard, Emilie de  Search this

Cardozo, Jesus  Search this

Carpenter, Edmund, 1922-2011  Search this

Chagnon, Napoleon A., 1938-  Search this

Connor, Linda  Search this

Fox, James  Search this

Freeman, Derek  Search this

Harrison-Pepper, Sally  Search this

Heider, Karl  Search this

Homiak, John P. (John Paul), 1947-  Search this

Jules-Rosette, Benneta  Search this

Kamerling, Lenny  Search this

Lewis, Doug  Search this

Lizot, Jacques  Search this

Loizos, Peter  Search this

Mead, Margaret, 1901-1978  Search this

Mello, James F., 1936-  Search this

Middleton, John  Search this

Piault, Collette  Search this

Preloran, Jorge, 1933-2009  Search this

Rouch, Jean  Search this

Ruby, Jay  Search this

Smith, Patrice  Search this

Storas, Frode  Search this

Tax, Sol, 1907-1995  Search this

Wayang, Mark  Search this

Wayang, Mary  Search this

Young, Tao  Search this

Extent:

62 Linear feet

Type:

Collection descriptions

Archival materials

Sound recordings

Correspondence

Manuscripts

Photographs

Place:

Venezuela

Date:

1947-1995

Summary:

Timothy Asch was an anthropologist and ethnographic film maker who devoted his professional life to using film as a recording and teaching medium. His papers cover the period from 1966 until his premature death in 1994 and reflect his active career in the field. A large portion of the files relates to his work among the Yanomami people of Venezuela and to his concern with bias in film making.

Scope and Contents:

The papers of Timothy Asch document his career as an anthropologist, educator, photographer and filmmaker through correspondence, photographs, research files (articles and notes), and teaching materials (course information and lecture notes). The files relating to Asch's film projects include articles, field notes, and reviews. The major correspondents in this collection are Patsy Asch, Tom Beidelman, Napoleon Chagnon, James Fox, Robert Gardner, Douglas Lewis, Peter Loizos, David & Olga Sapir, and Minor White.

Arrangement:

The collection is arranged into the following 13 series:

Series 1) Correspondence (1953-1994)

Series 2) College and graduate School (1955-1965)

Series 3) Teaching materials (1964-1993)

Series 4) Film projects (1964-1991)

Series 5) Articles and reviews (1972-1994)

Series 6) Alpha-Subject (1955-1989)

Series 7) Conferences, film festivals, and film organizations (1963-1993)

Series 8) Grants (1962-1993)

Series 9) Other people's work (1952-1995)

Series 10) Personal and family (1951-1994)

Series 11) Photographs (1947-1991)

Series 12) Sound recordings (bulk 1960s-1970s)

Series 13) Note slips, rolodexes, and business cards (1987, undated)

Biographical note:

Asch studied photography at the California School of Fine Arts in San Francisco. While serving in the United States Army in Japan from 1951-55 he spent his off-duty hours photographing rice production and household activities in remote Japanese villages. After his military service, he enrolled in Columbia University graduating in 1959 with an undergraduate degree in Anthropology. After graduation, he went to work at the Peabody Museum at Harvard as an assistant editor to John Marshall on the Kung Bushmen film project. In 1964, he received a Masters Degree in Anthropology from Boston University where he studied in the African Studies Progam and read Anthropology with T.O. Beidelman at Harvard. In 1968, Asch and Marshall founded Documentary Educational Resources, a film distribution company. Anthropologist Napoleon Chagnon approached Asch in 1968 to film among the Yanomammmi people of Venezuela. This collaboration led to a major project resulting in over thirty films.

Chronology

1950-1951 -- California School of Fine Arts and Apprenticeships with photographers Minor White, Edward Weston and Ansel Adams

1953-1954 -- Military Service in Korea

1959 -- B.S. in Anthropology Columbia University

1959-1962 -- Ethnographic film consultant, Harvard University's Peabody Museum

1964 -- M.A. in Anthropology Harvard University

1965-1966 -- Curriculum Consultant, Ethnographic studies and the Bushmen Social Studies Curriculum Project (initially Educational Services, Inc., later called Educational Development Center)

1966-1968 -- Lecturer in Anthropology and Theater Arts, Brandeis University

1966-1968 -- Anthropology Curriculum and Media Consultant to the Newton Public Schools

1967-1994 -- Co-Founder and Director of Documentary Educational Resources, Watertown, Massachusetts, a non-profit curriculum development corporation distributing educational media

1968-1970 -- Visiting Assistant Professor, Anthropology Department, New York University

1969-1973 -- Lecturer, Department of Anthropology, Brandeis University

1973-1979 -- Research Fellow in Ethnographic film, Peabody Museum of Archaeology and Ethnology, Harvard University

1974-1976 -- Lecturer, Department of Anthropology, Harvard University

1975 -- Research Cinematographer, National Anthropological Film Center, Smithsonian Institution, Washington, D.C.

1976-1981 -- Senior Research Fellow, Department of Anthropology, Institute of Advanced Studies, the Australian National University, Canberra, Australia

1982 -- Visiting Research Scholar, Department of Anthropology at Macquarie University, Sydney, Australia

1983-1994 -- Director, Center for Visual Anthropology, Department of Anthropology, University of Southern California

Related Materials:

The Human Studies Film Archives holds 93,000 feet (43 hours) of original film footage and the accompanying sound as well as the edited films from the 1968 and 1971 film projects by Timothy Asch and Napoleon Chagnon documenting the Yanomamo Indians of southern Venezuela and northern Brazil (between the Negro and Upper Orinoco rivers).

Provenance:

Donated to the National Anthropological Archives by Patsy Asch in 1996.

Topic:

Anthropology  Search this

Film -- theory  Search this

Language and languages -- Documentation  Search this

Genre/Form:

Sound recordings

Correspondence -- 1953-1994

Manuscripts

Photographs -- 1947-1991

Citation:

Timothy Asch papers, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.1996-16

See more items in:

Timothy Asch papers

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3ebe64d9d-33d2-4af7-9417-8f21f639c754

EDAN-URL:

ead_collection:sova-naa-1996-16

Creator:

Starr, Frederick, 1859-1933  Search this

Photographer:

Lang, Charles B.  Search this

Grabic, Louis  Search this

Extent:

152 Lantern slides

3344 Negatives (photographic)

Culture:

Zoque  Search this

San Felipe Pueblo  Search this

Mazatec [Huautla]  Search this

Zapotec  Search this

Maya  Search this

Wampanoag  Search this

Salish (Flathead)  Search this

Mazahua  Search this

Ute  Search this

Sioux  Search this

Numakiki (Mandan)  Search this

Tzotzil Maya  Search this

Taos Pueblo  Search this

Tzeltal Maya  Search this

Sac and Fox (Sauk & Fox)  Search this

Laguna Pueblo  Search this

Triqui (Trique) [San Joan Copala]  Search this

Shuar  Search this

Niimíipuu (Nez Perce)  Search this

Chol Maya  Search this

Totonac  Search this

Osage  Search this

Chaticks Si Chaticks (Pawnee)  Search this

Tonkawa  Search this

Otomí (Otomi)  Search this

Diné (Navajo)  Search this

Tlingit  Search this

Mixe  Search this

Chinantec  Search this

Mixtec  Search this

Potawatomi  Search this

Chibcha  Search this

Akimel O'odham (Pima)  Search this

Mehináku (Mehinacu)  Search this

Salish (Flathead)  Search this

Apache  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Ponca  Search this

Menominee (Menomini)  Search this

Cahuilla  Search this

Haida  Search this

Karajá (Caraja)  Search this

Cherokee  Search this

Sahnish (Arikara)  Search this

Assiniboine (Stoney)  Search this

Apsáalooke (Crow/Absaroke)  Search this

Caddo  Search this

Kwakwaka'wakw (Kwakiutl)  Search this

Cochiti Pueblo  Search this

Teotihuacán (archaeological culture)  Search this

Isleta Pueblo  Search this

Purepecha (Tarasco)  Search this

Inunaina (Arapaho)  Search this

Iroquois  Search this

Anishinaabe (Chippewa/Ojibwa)  Search this

A:shiwi (Zuni)  Search this

Acoma Pueblo  Search this

Macushi (Macusi)  Search this

Type:

Collection descriptions

Archival materials

Lantern slides

Negatives (photographic)

Negatives

Place:

Colombia

Washington

West Virginia

Kansas

Kentucky

New Mexico

Brazil

Ecuador

Missouri

Wisconsin

Oklahoma

Ohio

New York

Georgia

Mexico

Iowa

Arkansas

Illinois

Pennsylvania

Alaska

Date:

1894-1910

Summary:

The collection includes materials from cultures in the United States, Mexico, Brazil, Guatemala, Colombia, Ecuador, and Guiana: Acoma Pueblo, Apache, Arapaho, Arikara, Assiniboine, Caddo, Cahuilla, Cherokee, Cheyenne, Chibcha, Chinantec, Chippewa (Ojibwa), Choco, Chol, Chontal, Cochiti Pueblo, Crow, Cuicatec, Eskimo, Flathead, Haida, Hopi, Huastec, Huave, Iowa, Iroquois, Isleta, Karaja, Kwakiutl, Laguna Pueblo, Macusi, Mandan, Maya, Mazahua, Mazatec, Mehinaku, Menomini, Mixe, Mixtec, Navajo, Nez Perce, Osage, Otomi, Ottawa, Pawnee, Pima, Ponca, Potawatomi, Salish, San Blas, San Felipe Pueblo, Sauk & Fox, Shuar, Sioux, Taos Pueblo, Tarasco, Teotihuacan, Tepehua, Tlaxcala, Tlingit, Tonkawa, Totonac, Triqui, Tzental, Tzotzil, Ute, Wampanoag, Zapotec, Zoque, Zuni.

Arrangement note:

Collection arranged by item number.

Biographical/Historical note:

Frederick Starr was born in Auburn, New York, on September 2, 1858. He received a Ph.D. in biology in 1884 at Coe College, where he was later appointed professor of biology. Starr did postgraduate work in anthropology at Yale. In 1889 he was appointed head of Ethnology at the American Museum of Natural History, and in 1892 he was chosen by William Harper to organize the Anthropology Department at the new University of Chicago. Starr remained at the University until his retirement in 1923. Besides his field studies with various Indian tribes in the United States, Starr traveled to Mexico, Brazil, Colombia, Guatemala, Ecuador, Guiana, Japan, the Philippines, and Africa. He died in Tokyo, Japan, on August 14, 1933. Starr was the author of several books and scholarly articles.

General note:

Starr hired professional photographers Charles B. Lang and Louis Grabic to accompany him on his field trips. One lantern slide of Moses Ladd (Menomini) was taken by William H. Jackson.

Provenance:

Dr. Frederick Starr, Purchased, circa 1929

Restrictions:

Access restricted. Researchers should contact the staff of the NMAI Archives for an appointment to access the collection.

Topic:

Indians of South America -- Brazil  Search this

Indians of Mexico  Search this

Indians of North America -- Southwest  Search this

Indians of South America -- Colombia  Search this

Indians of North America -- Alaska  Search this

Indians of North America -- Basin  Search this

Indians of North America -- Plains  Search this

Indians of North America -- Southeast  Search this

Indians of North America -- Plateau  Search this

Indians of Central America -- Guatemala  Search this

Indians of North America -- Northwest  Search this

Indians of North America -- Northeast  Search this

Indians of North America -- Midwest  Search this

Indians of South America -- Ecuador  Search this

Indians of South America -- Guiana  Search this

Genre/Form:

Negatives

Lantern slides

Identifier:

NMAI.AC.052

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv40602e9f6-8984-4da6-a139-bd97c27fa824

EDAN-URL:

ead_collection:sova-nmai-ac-052

Names:

Peace Corps (U.S.)  Search this

Ballendorf, Dirk  Search this

Riesenberg, Saul H.  Search this

Viola, Herman J. (1938-)  Search this

Extent:

25 Linear feet

Type:

Collection descriptions

Archival materials

Diaries

Manuscripts

Letters

Photographs

Printed material

Processed materials

Audiotapes

Administrative records

Place:

Costa Rica

Oman

Dahomey

Swaziland

Tanzania

Dominican Republic

Ecuador

Togo

Upper Volta

El Salvador

Turkey

Ethiopia

Tunisia

Gabon

Ghana

Guatemala

Guinea

Thailand

Honduras

Burkina Faso

Kenya

Jamaica

Iran

Indonesia

Korea

Malaysia

Malawi

Liberia

Marshall Islands

Ceylon

Ivory Coast

Morocco

Cameroon

Central African Republic

Nepal

Niger

Brazil

Botswana

Bolivia

Nigeria

Afghanistan

Micronesia

Antigua

Pakistan

Philippines

Peru

Panama

China

Somalia

Sierra Leone

Senegal

Colombia

India

Chad

Chile

Date:

1920-1984

Scope and Contents:

The collection includes contributions from 101 former volunteers or administrators who served in such countries and regions as Afghanistan, Antigua, Bolivia, Botswana, Brazil, Burkina Faso, Cameroon, Central African Republic, Ceylon, Chad, Chile, China, Colombia, Costa Rica, Dahomey, Dominican Republic, Ecuador, El Salvador, Ethiopia, Gabon, Ghana, Guatemala, Guinea, Honduras, India, Indonesia, Iran, Ivory Coast, Jamaica, Kenya, Korea, Liberia, Malawi, Malaysia, Marshall Islands, Micronesia, Morocco, Nepal, Niger, Nigeria, Oman, Pakistan, Panama, Peru, Philippines, Senegal, Sierra Leone, Somalia, Swaziland,Tanzania, Thailand, Togo, Tunisia, Turkey and Upper Volta.

The volunteers were involved in diverse assignments such as education, community development, agriculture, health work, and service through such special skills as art, surveying, mechanics, and photography. Two additional collections are including materials of missionaries that were offered to the archives as the result of the program to collect Peace Corps materials. Included are diaries, correspondence, writings, printed and processed material, sound recordings, and administrative materials. There are also photographic materials that show such subjects as traditional and modern agriculture, architecture, body scarification, ceremonies, dance, dress, fishing, food preparation and other domestic activities, industry, medicine, and transportation.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Arrangement:

Arranged numerically, with indexes based upon creator names and subject of materials.

Historical note:

In 1975, Herman Joseph Viola, the director of the National Anthropological Archives; Saul Herbert Riesenberg, the curator for Oceania Ethnology in the Smithsonianʹs Department of Anthropology; and Dirk Ballendorf, assistant chief of programs and training for Peace Corps operations in North Africa, the Near East, Asia, and the Pacific, worked out a program whereby the archives would collect materials of former Peace Corps volunteers. In addition to photographic and other materials of potential use to many researchers, the collection was intended to document the impact of the volunteers on host countries and the experiences of the volunteers in working in foreign cultures.

Rights:

Contact the repository for terms of use. In some cases, copyright or literary property rights have been retained by the donor.

Topic:

Cookery  Search this

Agriculture  Search this

Dance  Search this

Fishing  Search this

Rites and ceremonies  Search this

Industry  Search this

Transportation  Search this

Body scarification  Search this

Dress  Search this

Architecture  Search this

Medicine  Search this

Genre/Form:

Diaries

Manuscripts

Letters

Photographs

Printed material

Processed materials

Audiotapes

Administrative records

Citation:

Peace Corps Volunteers collection, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.1975-43

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw36b879838-37b2-42bc-be41-d91ace56fcd9

EDAN-URL:

ead_collection:sova-naa-1975-43

Collection Producer:

Ushiyama, Jun'ichi, 1930-1997  Search this

Extent:

1 Film reel (color sound; 1800 feet, 16mm)

Type:

Archival materials

Film reels

Date:

1976

Scope and Contents:

Film documents an expedition trying to have first contact with an unknown tribe.

Legacy Keywords: Ethnological expeditions ; Jungles ; Language and culture ; South America ; Brazil

General:

Local Number: HSFA 2004.10.12

Collection Restrictions:

The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

Man TV, Human Studies Film Archives, Smithsonian Institution

See more items in:

Man TV

Archival Repository:

Human Studies Film Archives

GUID:

https://n2t.net/ark:/65665/pc9f6ea8b87-7852-42c4-acec-09f22d79b94e

EDAN-URL:

ead_component:sova-hsfa-2004-10-ref12

Collector:

Phyllis Galembo  Search this

Donor Name:

National Museum of Natural History  Search this

Length - Fan:

36 cm

Width - Fan:

18.5 cm

Maximum Depth - Fan:

1.5 cm

Culture:

Afro-Brazilian, Candomble Practitioner  Search this

Object Type:

Fan

Place:

Brazil (not certain), South America (not certain)

Accession Date:

7 Nov 2019

Topic:

Ethnology  Search this

Accession Number:

2082129

USNM Number:

E436202-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/37f6b3368-8b05-4547-80ce-1c7733ed17a8

EDAN-URL:

edanmdm:nmnhanthropology_14311167

Collector:

Phyllis Galembo  Search this

Donor Name:

National Museum of Natural History  Search this

Length - Tool:

34.5 cm

Maximum Width - Tool:

18 cm

Maximum Depth - Tool:

1.5 cm

Culture:

Afro-Brazilian, Candomble Practitioner  Search this

Object Type:

Fan

Place:

Brazil (not certain), South America (not certain)

Accession Date:

7 Nov 2019

Topic:

Ethnology  Search this

Accession Number:

2082129

USNM Number:

E436205-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/367c26b1a-bb8c-44fb-8cc6-b46db4effbb0

EDAN-URL:

edanmdm:nmnhanthropology_14311253

Collector:

Phyllis Galembo  Search this

Donor Name:

National Museum of Natural History  Search this

Length - Regalia Chain:

65 cm

Maximum Width - Regalia Chain:

9 cm

Culture:

Afro-Brazilian, Candomble Practitioner  Search this

Object Type:

Necklace

Place:

Brazil (not certain), South America (not certain)

Accession Date:

7 Nov 2019

Topic:

Ethnology  Search this

Accession Number:

2082129

USNM Number:

E436208-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/395ebe507-8ea0-4a51-bea5-baa16c07be5f

EDAN-URL:

edanmdm:nmnhanthropology_14311278

Collector:

Phyllis Galembo  Search this

Donor Name:

National Museum of Natural History  Search this

Length - Bell:

28.6 cm

Maximum Diameter - Bell:

13.8 cm

Culture:

Afro-Brazilian, Candomble Practitioner  Search this

Object Type:

Bell

Place:

Brazil (not certain), South America (not certain)

Accession Date:

7 Nov 2019

Topic:

Ethnology  Search this

Accession Number:

2082129

USNM Number:

E436203-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/318322a4f-7bbc-4fb2-bd6b-5231487a4c0f

EDAN-URL:

edanmdm:nmnhanthropology_14366590

Collector:

Phyllis Galembo  Search this

Donor Name:

National Museum of Natural History  Search this

Height - Altar Object:

26.6 cm

Maximum Width - Altar Object:

17.7 cm

Maximum Depth - Altar Object:

10.5 cm

Culture:

Afro-Brazilian, Candomble Practitioner  Search this

Object Type:

Religious Item

Place:

Brazil (not certain), South America (not certain)

Accession Date:

7 Nov 2019

Topic:

Ethnology  Search this

Accession Number:

2082129

USNM Number:

E436225-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/3f5e48ba6-a3a2-4a85-8ea6-cf180446d872

EDAN-URL:

edanmdm:nmnhanthropology_14374314

Collector:

Phyllis Galembo  Search this

Donor Name:

National Museum of Natural History  Search this

Height - Altar Object:

35.4 cm

Maximum Width - Altar Object:

14.8 cm

Maximum Depth - Altar Object:

10.5 cm

Culture:

Afro-Brazilian, Candomble Practitioner  Search this

Object Type:

Religious Item

Place:

Brazil (not certain), South America (not certain)

Accession Date:

7 Nov 2019

Topic:

Ethnology  Search this

Accession Number:

2082129

USNM Number:

E436222-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/341606823-3f7a-45ed-b362-13df12c99cb9

EDAN-URL:

edanmdm:nmnhanthropology_14374337

Collector:

Phyllis Galembo  Search this

Donor Name:

National Museum of Natural History  Search this

Maximum Height - Crown:

15 cm

Maximum Width - Crown:

27 cm

Culture:

Afro-Brazilian, Candomble Practitioner  Search this

Object Type:

Crown

Place:

Brazil (not certain), South America (not certain)

Accession Date:

7 Nov 2019

Topic:

Ethnology  Search this

Accession Number:

2082129

USNM Number:

E436207-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/3cc691264-355a-4fa8-b12a-4ef11794c377

EDAN-URL:

edanmdm:nmnhanthropology_14374501

Collector:

Phyllis Galembo  Search this

Donor Name:

National Museum of Natural History  Search this

Maximum Height - Crown:

14 cm

Maximum Width - Crown:

25.5 cm

Culture:

Afro-Brazilian, Candomble Practitioner  Search this

Object Type:

Crown

Place:

Brazil (not certain), South America (not certain)

Accession Date:

7 Nov 2019

Topic:

Ethnology  Search this

Accession Number:

2082129

USNM Number:

E436206-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/3553c5448-5b34-437e-b2a6-6f4d8c185390

EDAN-URL:

edanmdm:nmnhanthropology_14374515

Collection Creator:

Smithsonian Institution. Bureau of American Ethnology  Search this

Container:

Box 140

Type:

Archival materials

Text

Collection Restrictions:

The Records of the Bureau of American Ethnology are open for research.

Access to the Records of the Bureau of American Ethnology requires an appointment.

Collection Rights:

Contact repository for terms of use.

Collection Citation:

Records of the Bureau of American Ethnology, National Anthropological Archives, Smithsonian Institution

See more items in:

Records of the Bureau of American Ethnology

Records of the Bureau of American Ethnology / Series 1: Correspondence / 1.8: Letters Received

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3a5f7c647-fcd0-4787-b6d8-160ec432e15d

EDAN-URL:

ead_component:sova-naa-xxxx-0155-ref3262

Collection Creator:

Smithsonian Institution. Bureau of American Ethnology  Search this

Container:

Box 140

Type:

Archival materials

Text

Collection Restrictions:

The Records of the Bureau of American Ethnology are open for research.

Access to the Records of the Bureau of American Ethnology requires an appointment.

Collection Rights:

Contact repository for terms of use.

Collection Citation:

Records of the Bureau of American Ethnology, National Anthropological Archives, Smithsonian Institution

See more items in:

Records of the Bureau of American Ethnology

Records of the Bureau of American Ethnology / Series 1: Correspondence / 1.8: Letters Received

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw309ab6736-002c-43a7-b321-3900898ee77b

EDAN-URL:

ead_component:sova-naa-xxxx-0155-ref3263

Extent:

8.70 cu. ft. (9 document boxes) (7 12x17 boxes) (1 16x20 box)

Type:

Collection descriptions

Archival materials

Manuscripts

Date:

1846-1995

Descriptive Entry:

These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no manuscript minutes for the period from 1857 through 1890; and researchers must rely on printed minutes published in the Annual Report of the Smithsonian Institution instead. Minutes are transferred regularly from the Secretary's Office to the Archives. Minutes less than 15 years old are closed to researchers. Indexes exist for the period from 1907 to 1946 and can be useful.

Historical Note:

The Smithsonian Institution was created by authority of an Act of Congress approved August 10, 1846. The Act entrusted direction of the Smithsonian to a body called the Establishment, composed of the President; the Vice President; the Chief Justice of the United States; the secretaries of State, War, Navy, Interior, and Agriculture; the Attorney General; and the Postmaster General. In fact, however, the Establishment last met in 1877, and control of the Smithsonian has always been exercised by its Board of Regents. The membership of the Regents consists of the Vice President and the Chief Justice of the United States; three members each of the Senate and House of Representatives; two citizens of the District of Columbia; and seven citizens of the several states, no two from the same state. (Prior to 1970 the category of Citizen Regents not residents of Washington consisted of four members). By custom the Chief Justice is Chancellor. The office was at first held by the Vice President. However, when Millard Fillmore succeeded to the presidency on the death of Zachary Taylor in 1851, Chief Justice Roger Brooke Taney was chosen in his stead. The office has always been filled by the Chief Justice since that time.

The Regents of the Smithsonian have included distinguished Americans from many walks of life. Ex officio members (Vice President) have been: Spiro T. Agnew, Chester A. Arthur, Allen W. Barkley, John C. Breckenridge, George Bush, Schuyler Colfax, Calvin Coolidge, Charles Curtis, George M. Dallas, Charles G. Dawes, Charles W. Fairbanks, Millard Fillmore, Gerald R. Ford, John N. Garner, Hannibal Hamlin, Thomas A. Hendricks, Garret A. Hobart, Hubert H. Humphrey, Andrew Johnson, Lyndon B. Johnson, William R. King, Thomas R. Marshall, Walter F. Mondale, Levi P. Morton, Richard M. Nixon, Nelson A. Rockefeller, Theodore Roosevelt, James S. Sherman, Adlai E. Stevenson, Harry S. Truman, Henry A. Wallace, William A. Wheeler, Henry Wilson.

Ex officio members (Chief Justice) have been: Roger B. Taney, Salmon P. Chase, Nathan Clifford, Morrison R. Waite, Samuel F. Miller, Melville W. Fuller, Edward D. White, William Howard Taft, Charles Evans Hughes, Harlan F. Stone, Fred M. Vinson, Earl Warren, Warren E. Burger.

Regents on the part of the Senate have been: Clinton P. Anderson, Newton Booth, Sidney Breese, Lewis Cass, Robert Milledge Charlton, Bennet Champ Clark, Francis M. Cockrell, Shelby Moore Cullom, Garrett Davis, Jefferson Davis, George Franklin Edmunds, George Evans, Edwin J. Garn, Walter F. George, Barry Goldwater, George Gray, Hannibal Hamlin, Nathaniel Peter Hill, George Frisbie Hoar, Henry French Hollis, Henry M. Jackson, William Lindsay, Henry Cabot Lodge, Medill McCormick, James Murray Mason, Samuel Bell Maxey, Robert B. Morgan, Frank E. Moss, Claiborne Pell, George Wharton Pepper, David A. Reed, Leverett Saltonstall, Hugh Scott, Alexander H. Smith, Robert A. Taft, Lyman Trumbull, Wallace H. White, Jr., Robert Enoch Withers.

Regents on the part of the House of Representatives have included: Edward P. Boland, Frank T. Bow, William Campbell Breckenridge, Overton Brooks, Benjamin Butterworth, Clarence Cannon, Lucius Cartrell, Hiester Clymer, William Colcock, William P. Cole, Jr., Maurice Connolly, Silvio O. Conte, Edward E. Cox, Edward H. Crump, John Dalzell, Nathaniel Deering, Hugh A. Dinsmore, William English, John Farnsworth, Scott Ferris, Graham Fitch, James Garfield, Charles L. Gifford, T. Alan Goldsborough, Frank L. Greene, Gerry Hazleton, Benjamin Hill, Henry Hilliard, Ebenezer Hoar, William Hough, William M. Howard, Albert Johnson, Leroy Johnson, Joseph Johnston, Michael Kirwan, James T. Lloyd, Robert Luce, Robert McClelland, Samuel K. McConnell, Jr., George H. Mahon, George McCrary, Edward McPherson, James R. Mann, George Perkins Marsh, Norman Y. Mineta, A. J. Monteague, R. Walton Moore, Walter H. Newton, Robert Dale Owen, James Patterson, William Phelps, Luke Poland, John Van Schaick Lansing Pruyn, B. Carroll Reece, Ernest W. Roberts, Otho Robards Singleton, Frank Thompson, Jr., John M. Vorys, Hiram Warner, Joseph Wheeler.

Citizen Regents have been: David C. Acheson, Louis Agassiz, James B. Angell, Anne L. Armstrong, William Backhouse Astor, J. Paul Austin, Alexander Dallas Bache, George Edmund Badger, George Bancroft, Alexander Graham Bell, James Gabriel Berrett, John McPherson Berrien, Robert W. Bingham, Sayles Jenks Bowen, William G. Bowen, Robert S. Brookings, John Nicholas Brown, William A. M. Burden, Vannevar Bush, Charles F. Choate, Jr., Rufus Choate, Arthur H. Compton, Henry David Cooke, Henry Coppee, Samuel Sullivan Cox, Edward H. Crump, James Dwight Dana, Harvey N. Davis, William Lewis Dayton, Everette Lee Degolyer, Richard Delafield, Frederic A. Delano, Charles Devens, Matthew Gault Emery, Cornelius Conway Felton, Robert V. Fleming, Murray Gell-Mann, Robert F. Goheen, Asa Gray, George Gray, Crawford Hallock Greenwalt, Nancy Hanks, Caryl Parker Haskins, Gideon Hawley, John B. Henderson, John B. Henderson, Jr., A. Leon Higginbotham, Jr., Gardner Greene Hubbard, Charles Evans Hughes, Carlisle H. Humelsine, Jerome C. Hunsaker, William Preston Johnston, Irwin B. Laughlin, Walter Lenox, Augustus P. Loring, John Maclean, William Beans Magruder, John Walker Maury, Montgomery Cunningham Meigs, John C. Merriam, R. Walton Moore, Roland S. Morris, Dwight W. Morrow, Richard Olney, Peter Parker, Noah Porter, William Campbell Preston, Owen Josephus Roberts, Richard Rush, William Winston Seaton, Alexander Roby Shepherd, William Tecumseh Sherman, Otho Robards Singleton, Joseph Gilbert Totten, John Thomas Towers, Frederic C. Walcott, Richard Wallach, Thomas J. Watson, Jr., James E. Webb, James Clarke Welling, Andrew Dickson White, Henry White, Theodore Dwight Woolsey.

Topic:

Museums -- Administration  Search this

Museum trustees  Search this

Genre/Form:

Manuscripts

Citation:

Smithsonian Institution Archives, Record Unit 1, Smithsonian Institution, Board of Regents, Minutes

Identifier:

Record Unit 1

See more items in:

Minutes

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_collection:sova-sia-faru0001

Author:

Lowie, Robert H.  Search this

Object Type:

Smithsonian staff publication

Year:

1946

Citation:

Lowie, Robert H. 1946. "Eastern Brazil: An introduction." In Handbook of South American Indians: The Marginal tribes. 381–397. 143 in Bureau of American Ethnology Bulletins.

Identifier:

90347

Data source:

Smithsonian Libraries and Archives

EDAN-URL:

edanmdm:slasro_90347

Collector:

Capt. George M. Wheeler  Search this

Dr. Henry C. Yarrow  Search this

Henry W. Henshaw  Search this

Culture:

Not Given  Search this

Object Type:

Figure

Place:

Pueblos, New Mexico, United States, North America

Accession Date:

1877

Topic:

Ethnology  Search this

Accession Number:

006283

USNM Number:

E31371-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/3beeb7ede-144b-40ac-8f05-4c0b1e0f38af

EDAN-URL:

edanmdm:nmnhanthropology_8389965

Author:

Museu de Etnologia do Ultramar (Portugal)  Search this

Writer of introduction:

Oliveira, Ernesto Veiga de  Search this

Issuing body:

Portugal Junta de Investigações do Ultramar  Search this

Author:

Galeria de Arte Moderna Portuguesa  Search this

Subject:

Museu de Etnologia do Ultramar (Portugal)  Search this

Museu de Etnologia do Ultramar (Portugal) Art collections  Search this

Physical description:

approximately 232 unnumbered pages illustrations, maps 23 cm

Type:

Exhibitions

Expositions

Exhibition catalogs

Place:

Brazil

Africa

Brésil

Afrique

Date:

1972

Topic:

Ethnology  Search this

Folk art  Search this

Sculpture  Search this

Ethnologie  Search this

Art populaire  Search this

Art museums  Search this

Art  Search this

Call number:

N5311 .M98

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_79318