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Antoinette Schulte papers, 1923-1973

Creator:
Schulte, Antoinette E., 1897-1981  Search this
Citation:
Antoinette Schulte papers, 1923-1973. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8623
(DSI-AAA_SIRISBib)210803
AAA_collcode_schuanto
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210803

Antoinette Schulte papers

Creator:
Schulte, Antoinette E., 1897-1981  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1923-1973
Summary:
The scattered papers of Antoinette Schulte measure 0.2 linear feet and date from 1923 to 1973. Found is an article by Schulte, and printed material concerning Schulte's career.
Scope and Contents:
The scattered papers of Antoinette Schulte measure 0.2 linear feet and date from 1923 to 1973. Found is an article by Schulte, and printed material concerning Schulte's career.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Antoinette Schulte (1897-1981) was a painter and etcher in New York City, New York. Shulte was known for her still-lifes, portraits, and landscapes.
Provenance:
Donated in 1973 by Antoinette Schulte.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Etchers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Citation:
Antoinette Schulte papers, 1923-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schuanto
See more items in:
Antoinette Schulte papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw986f039f2-a1c3-4271-8235-d183f4f7ce98
EDAN-URL:
ead_collection:sova-aaa-schuanto

Henry Ernest Schnakenberg papers, 1905-1969

Creator:
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Subject:
Angel, John  Search this
Bacon, Peggy  Search this
Barye, Antoine-Louis  Search this
Beal, Gifford  Search this
Bierstadt, Albert  Search this
Billings, Henry  Search this
Bishop, Isabel  Search this
Blume, Peter  Search this
Bouché, Louis  Search this
Brooks, Van Wyck  Search this
Buller, Audrey  Search this
Cadmus, Paul  Search this
Calder, Alexander  Search this
Catherwood, Frederick  Search this
Congdon, William  Search this
Day, Horace Talmage  Search this
Dows, Olin  Search this
Duchamp, Marcel  Search this
Etting, Emlen  Search this
Evergood, Philip  Search this
Faulkner, Barry  Search this
Fiene, Ernest  Search this
Goff, Lloyd Lozés  Search this
Guys, Constantin  Search this
Hardy, Thomas  Search this
Harnett, William Michael  Search this
Hartl, Léon  Search this
Homer, Winslow  Search this
Hoyt, Whitney Ford  Search this
Inness, George  Search this
Ivins, William Mills  Search this
Johnson, Eastman  Search this
Kirstein, Lincoln  Search this
Kroll, Leon  Search this
Kuniyoshi, Yasuo  Search this
Laning, Edward  Search this
Lasker, Joe  Search this
Leighton, Clare  Search this
Locke, Charles  Search this
Low, Sanford B. D. (Sanford Ballard Dole)  Search this
Lucioni, Luigi  Search this
Marsh, Reginald  Search this
Miller, Kenneth Hayes  Search this
Parsons, Betty  Search this
Robus, Hugo  Search this
Saint-Gaudens, Homer  Search this
Savery, Rockland  Search this
Schmidt, Katherine  Search this
Shahn, Ben  Search this
Sheeler, Charles  Search this
Speicher, Eugene Edward  Search this
Stamos, Theodoros  Search this
Tait, Arthur Fitzwilliam  Search this
Watkins, Franklin Chenault  Search this
Watson, Forbes  Search this
Watson, Nan  Search this
Weisgard, Leonard  Search this
Artists Equity Association  Search this
American Academy of Arts and Letters  Search this
Citation:
Henry Ernest Schnakenberg papers, 1905-1969. Archives of American Art, Smithsonian Institution.
Topic:
Art, Prehistoric  Search this
Painting, Modern -- 20th century  Search this
Etching  Search this
Theme:
Diaries  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9102
(DSI-AAA_SIRISBib)211296
AAA_collcode_schnh
Theme:
Diaries
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211296

Charles Lang Freer Papers

Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
131 Linear feet (29 architectural drawings)
Type:
Collection descriptions
Archival materials
Diaries
Financial records
Correspondence
Photographs
Place:
China
Syria
Egypt
India
London (England)
Japan
Boston (Mass.)
Detroit (Mich.)
Washington (D.C.)
Kandy (Sri Lanka)
Sri Lanka
Anuradhapura (Sri Lanka)
Date:
1876-1931
Summary:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.
Scope Content:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, financial material, architectural drawings, and photographs.

Correspondence, circa 1860-1921, includes Freer's correspondence, 1876-1920, with artists, dealers, collectors, museums, and public figures; letterpress books contain copies of Freer's outgoing letters, 1892-1910; correspondence collected by Freer of James McNeill Whistler, and his wife Beatrix, 186?-1909, with Lady Colin Campbell, Thomas R. Way, Alexander Reid, Whistler's mother, Mrs. George W. Whistler, and others; correspondence of Whistler collector Richard A. Canfield, 1904-1913, regarding works in Canfield's collection; and correspondence of Freer's assistant, Katharine Nash Rhoades, 1920-1921, soliciting Freer's letters from his associates, and regarding the settlement of his estate.

Also included are twenty-nine pocket diaries, 1889-1890, 1892-1898, 1900-1919, recording daily activities, people and places visited, observations, and comments; a diary kept by Freer's caretaker, Joseph Stephens Warring, recording daily activities at Freer's Detroit home, 1907-1910. Inventories, n.d. and 1901-1921, of American, European, and Asian art in Freer's collection, often including provenance information; vouchers, 1884-1919, documenting his purchases; five volumes of scrapbooks of clippings on James McNeill Whistler, 1888-1931, labeled "Various," "Peacock Room," "Death, etc.," "Paris, etc.," and "Boston...London" ; three volumes of newsclippings, 1900-1930, concerning Freer and the opening of the Freer Gallery of Art.

Correspondence regarding Freer's gift and bequest to the Smithsonian Institution, 1902-1916; and photographs, ca. 1880-1930, of Freer, including portraits by Alvin Langdon Coburn and Edward Steichen, Freer with others, Freer in Cairo, China and Japan, Freer's death mask, and his memorial service, Kyoto, 1930; photographs of artists and others, including Thomas Dewing, Ernest Fenollosa, Katharine Rhoades taken by Alfred Stieglitz, Rosalind B. Philip, Augustus Saint-Gaudens, Abbott H. Thayer, Dwight Tryon, and Whistler; and photographs relating to Whistler, including art works depicting him, grave and memorial monuments, works of art, the Peacock Room, and Whistler's memorial exhibition at the Copley Society.
Organization of the Papers:
This collection is organized into twelve series.

Series 1: Genealogical and Biographical Data

Series 2: Correspondence

Series 3: Diaries

Series 4: Freer Colleague Materials

Series 5: Art Inventories

Series 6: Financial Materials

Series 7: Exhibition Loan Files

Series 8: Biblical Manuscripts and Gold Treasure Files

Series 9: American School of Archaeology in China

Series 10: Printed Material

Series 11: Outsize Material

Series 12: Photographs
Biographical Note:
1854 February 25 -- Born in Kingston, New York

1873 -- Appointed accountant and paymaster of New York, Kingston and Syracuse Railroad by Frank J. Hecker (1846-1927)

1876 -- Moves to Indiana to work, with Hecker, for the Detroit and Eel River and Illinois Railroad

1880 -- Moves to Detroit, participates in organization of the Peninsular Car Works with Hecker

1883 -- Becomes vice president and secretary of Peninsular Car Company when it succeeds Peninsular Car Works

1883 -- Begins collecting European prints

1884 -- Peninsular Car Company constructs plant on Ferry Avenue

1887 -- Meets Howard Mansfield (1849-1938)

1887 -- Acquires proofs of 26 etchings, Venice, Second Series(1886), by James McNeill Whistler (1834-1903)

1887 -- Purchases a small Japanese fan attributed to Ogata Korin(1658-1715)

1887 -- Buys land on Ferry Avenue

1889 -- Meets Frederick Stuart Church (1826-1900) and Dwight William Tryon (1849-1925) in New York

1890 -- Commissions Wilson Eyre (1858-1944) to design house on Ferry Avenue, Detroit, Michigan

1890 -- On first trip to London, meets James McNeill Whistler(1834-1903)

1892 -- Moves to Ferry Avenue house

1892 -- Tryon and Thomas Wilmer Dewing (1851-1938) undertake decoration of reception rooms

1893 -- Lends American paintings to World's Columbian Exposition in Chicago

1893 -- Purchases first piece of Chinese art, a small painting of white herons by an anonymous Ming dynasty (1368-1644) artist

1894 -- Begins yearlong trip around the world, which includes visit to the Whistlers in Paris and first trip to Asia, stopping in Ceylon (now Sri Lanka), India, China, and Japan

1896 -- Meets Matsuki Bunkyo (1867-1940) in Boston

1899 -- Takes part in consolidation of railroad-car building companies then retires from active business

1900 -- Attends Exposition International Universelle in Paris

1900 -- Buys villa in Capri with Thomas S. Jerome

1901 -- Meets Siegfried Bing (1838-1905) in Paris and Ernest Fenollosa(1853-1908), who visits Freer in Detroit

1902 -- Meets Dikran Kelekian (1868-1951)

1902 -- Spends summer in Britain building Whistler collection

1902 -- Views Whistler's, Harmony in Blue and Gold: The Peacock Room

1904 -- Purchases Whistler's Peacock Room

1904 -- Offers his art collections and funds to build a museum in which to house them to the Smithsonian Institution

1905 -- Smithsonian committee visits Freer in Detroit

1906 -- United States government formally accepts Freer's gift on January 24

1906 -- Freer signs Deed of Gift to Smithsonian Institution on May 5

1907 -- On second tour of Asia, meets Hara Tomitaro 1868-1939) in Yokohama, Japan

1908 -- Takes third trip to Asia, specifically to West Asia to study Rakka ware

1909 -- Tours Europe to study art museums

1909 -- On fourth trip to Asia, attends memorial ceremony for Fenollosa (d.1908 September) at Miidera, Japan, and meets Duanfang (1861-1911) in China

1910 -- On last trip to Asia, visits Longmen Buddhist caves in China

1911 -- Suffers stroke

1912 -- Lends selection of objects for exhibition at Smithsonian Institution

1913 -- Meets Eugene (1875-1957) and Agnes E. (1887-1970) Meyer

1913 -- Commissions Charles Adams Platt (1861-1933) to design museum building in Washington

1914 -- Meets Katharine Nash Rhoades (1885-1965) in Detroit

1915 -- Settles in New York City

1915 -- Site of future Freer Gallery of Art is determined

1916 -- Platt's plans for Freer Gallery are approved by Smithsonian Regents and Commission of Fine Arts and ground is broken in September

1918 -- After falling ill in Detroit, Freer travels to New York for treatment

1918 -- Work on the museum building is delayed by the war

1919 -- Freer appends codicil to will permitting acquisitions of Asian, Egyptian, and Near Eastern (West Asian) art

1919 -- Dies in New York City on 25 September and is buried in Kingston, New York

1919 -- Construction of Freer Gallery completed

1920 -- John Ellerton Lodge (1876-1942) is appointed director of the Freer Gallery

1923 -- Freer Gallery opens to the public on May 9

1930 -- Memorial ceremony for Freer is held at Koetsuji, Kyoto

Charles Lang Freer was an American industrialist who founded the Freer Gallery of Art. He was a well-known collector of Asian art, and strongly supported the synthesis of Eastern art and Western art. One of his most famous acquisitions was James McNeill Whistler's Peacock Room.
Index:
Index to cross-referenced correspondents in the series Charles Lang Freer correspondence

Beal, Junius E. -- See: -- Warring, Joseph Stephens

Black, George M. -- See: -- Saint-Gaudens, Augustus

Board of Education (Kingston, New York) See: Michael, M. J.

Bonner, Campbell See: University of Michigan

Boughton, George H. See: Yardley, F. C.

British Museum See: Binyon, Laurence; Hobson, R. L.

Brown, Harold H. See: Art Association of Indianapolis

Buchner, Evelyn B. See: Knoedler, M., and Company

Buckholder, C. H. See: Art Institute of Chicago

Butler, S. B. See: Unidentified correspondents

Carnegie Institute See: Balken, Edward Duff; Harshe, Robert B.

Carpenter, Newton H. See: Art Institute of Chicago

Caulkins, Horace James See: Pewabic Pottery

Chao, Shih-chin See: Gunn, Chu Su

Chicago & North Western Railway Co. See: Hughett, Marvin

Clark, Charles Upson See: Clark, Arthur B.

Cleveland Museum of Art See: Whiting, Frederic Allen

Columbia University See: Braun, W. A.; Gottheil, Richard; Hirth, Friederich

Commission of Fine Arts See: Moore, Charles

Corcoran Gallery of Art See: Minnigerode, C. Powell

Crocker, Anna B. See: Portland Art Association

Dannenberg, D. E. See: Karlbeck, Orvar

De Menoncal, Beatrice See: Lien, Hui Ch'ing Collection

De Ricci, Seymour See: Ricci, Seymour de

Defnet, William A., Mrs., See: Franke, Ida M.

DeMotte See: Vigouroux, J.

Detroit Institute of Arts See: Detroit Museum of Art

Detroit Publishing Company See: Livingstone, W. A.

Detroit School of Design See: George Hamilton; Stevens, Henry

DeVinne Press See: Peters, Samuel T.; Witherspoon, A. S.

Dyrenforth, P. C. See: Philip, Rosalind Birnie

Eddy, Arthur J. See: Philip, Rosalind Birnie

Eggers, George Williams See: Art Institute of Chicago

Farr, Daniel H. See: Robinson and Farr

Farrand School (Detroit) See: Yendall, Edith

Field Museum of Natural History (Chicago) See: Laufer, Berthold

Flagg, Frederick J. See: Allen, Horace N.

Fogg Art Museum, Harvard University See: Forbes, Edward; Pope, Arthur Upham; Sachs, Paul J.

French, M. R. See: Art Institute of Chicago

Fu, Lan-ya See: Pang, Lai-ch'en

Fujii, Yoshio See: Yoshio, Fujii

Gerrity, Thomas See: Knoedler, M., and Company

Goupil Gallery See: Marchant, William

Gray, William J. See: Barr, Eva

Great Lakes Engineering Works See: Hoyt, H. W.

Grolier Club See: Philip, Rosalind Birnie

Heinemann, W. See: Philip, Rosalind Birnie

Holden, Edward S. See: West Point, U. S. Military Academy

Hudson, J. L. See: Weber, William C.

Hutchins, Harry B. See: University of Michigan

Hutchins, Charles L. See: Art Institute of Chicago

Kelekian, H. G. See: Kelekian, Dikran G.

Kent, H. W. See: Metropolitan Museum of Art

Lee, Kee Son See: Li, Chi-ch'un

Levy, John See: Schneider, A. K.

Library of Congress See: Rice, Richard A.; Wright, Helen

Louvre (Paris, France) See: Midgeon, Gaston

Matsuki, Z. See: Matsuki, Kihachiro

McKim, Mead and White See: White, Stanford

Mills, A. L., Colonel See: Saint-Gaudens, Augustus

Miner, Luella See: Lien, Hui Ch'ing Collection

Minneapolis Institute of Arts See: Breck, Joseph; Van Derlip, John R.

Monif, R. Khan See: Rathbun, Richard

Museum of Fine Arts, Boston See: Lodge, John Ellerton

Naser, Katen & Nahass See: Katen, K.

Nordlinger, Marie, Miss See: Meyer-Riefstahl, Marie

Panama Pacific International Exposition See: Moore, Charles C.; Trask, John E. D.

Peabody Museum See: Morse, Edward Sylvester

Pennsylvania Academy of the Fine Arts See: Trask, John E. D.

Perry, Mary Chase, Miss., See: Pewabic Pottery

Philip, Ronald M. See: Philip, Rosalind Birnie

Pope, G. D. See: Barr, Eva

Reinhart, A. G. See: Gottschalk, E.

Reitz, Sigisbert Chrétien Bosch See: Bosch-Reitz, Sigisbert Chrétien

Rutgers College See: Van Dyke, John C.

Saint-Gaudens, Augusta H. See: Saint-Gaudens, Augustus

Saint-Gaudens, Homer See: Saint-Gaudens, Augustus

Samurai Shokai See: Nomura, Yozo

San Francisco Art Association See: Laurvik, J. Nilsen

Scribner's, Charles, Sons See: Van Dyke, John C.

Shaw, Wilfred B. See: University of Michigan

Shirae, S. Z. See: Yamanaka and Company

Smith College See: Clark, Arthur B.

Smithsonian Institution See: Holmes, William Henry; Rathbun, Richard; Ravenel, Walcott, Charles D.

Society of Arts and Crafts (Detroit) See: Plumb, Helen

Societe des Beaux-Arts See: Reid, Alexander

Stevens, George W. See: Toledo Museum of Art

Stratton, Mary Chase Perry See: Pewabic Pottery

Tanaka, Kichijiro See: Yamanaka and Company

Tuttle, William F. See: Art Institute of Chicago

Union Trust Company (Detroit) See: Philip, Rosalind Birnie

United States Military Academy See: West Point, U. S. Military Academy

University of Chicago See: Zug, George Breed

University of Pennsylvania, Univ. Mus. See: Gordon, George Bryon

Ushikubo, D. J. R. See: Yamanaka and Company

Wallis & Son See: Barr, Eva; Thompson, C. Croal Ward, Clarence See: Oberlin College

Warren, Edward K. See: Philip, Rosalind Birnie

Warring, Stephen See: Warring, Joseph Stephens

Watkin, Williams R. T. See: Philip, Rosalind Birnie

Watson, Margaret, Miss See: Parker, Margaret Watson

Whistler, Anna See: Stanton, Anna Whistler

Whiting, Almon C. See: Toledo Museum of Art

Williams College See: Rice, Richard A

Wright, F. G. See: Orbach and Company

Yatsuhashi, H. See: Yamanaka and Company
Index to cross-referenced correspondence in the series Whistler correspondence

Bell, William See: Unidentified correspondents

Brown, Ernest See: Painter Etchers' Society, Committee

Cowen, John T. See subseries: Charles Lang Freer Correspondence

Ford, Sheridan See: Reid, Alexander

Haden, Francis Seymour See: Painter Etchers' Society, Committee

Haden, Francis Seymour, Lady See: Haden, Deborah Whistler

Leighton, Frederick, Baron See: Campbell, Lady Colin

Moore, Albert See: Reid, Alexander

Morley, Charles See: Pall Mall Gazette

Morris, Harrison S. See: Reid, Alexander

Pennell, Joseph See: Miscellaneous typescripts

Pennsylvania Academy of the Fine Arts See: Reid, Alexander

Prange, F. G. See: Reid, Alexander

Societe des Beaux-Arts See: Reid, Alexander

Society of Portrait Painters See: Reid, Alexander

Stevens Fine Art See: Reid, Alexander

Studd, Arthur See: Miscellaneous typescripts

[Vanderbilt?], George, Mrs. See: George, Mrs.

Whistler, William McNeill, Mrs. See: Whistler, Nellie

Whistler Memorial Committee See: Miscellaneous typescripts
Related Material:
The Archives of American Art microfilmed portions of the Freer papers in 1992. The microfilm is available at the Archives of American Art's Washington D.C. office, the Freer Gallery of Art Library, and through interlibrary loan.
Provenance:
Gift of the Estate of Charles Lang Freer.
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American -- Collectors and collecting  Search this
Art, Asian -- Collectors and collecting  Search this
Art -- Collectors and collecting  Search this
Architecture -- Asia  Search this
Genre/Form:
Diaries
Financial records
Correspondence
Photographs
Citation:
Charles Lang Freer Papers. FSA.A.01. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01
See more items in:
Charles Lang Freer Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3f1a0e3e0-630c-48d4-ba28-485946b1d615
EDAN-URL:
ead_collection:sova-fsa-a-01
Online Media:

Gladys Mock papers, 1915-1977

Creator:
Mock, Gladys, 1891-1976  Search this
Subject:
Miller, Kenneth Hayes  Search this
Society of American Graphic Artists  Search this
Society of American Etchers  Search this
Citation:
Gladys Mock papers, 1915-1977. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Women engravers  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7920
(DSI-AAA_SIRISBib)210088
AAA_collcode_mockglad
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210088

Nelly Littlehale Murphy papers, 1846-1945

Creator:
Murphy, Nelly Littlehale, 1867-1941  Search this
Subject:
Murphy, Hermann Dudley  Search this
Citation:
Nelly Littlehale Murphy papers, 1846-1945. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Women illustrators  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9701
(DSI-AAA_SIRISBib)211929
AAA_collcode_murpnell
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211929
Online Media:

Nelly Littlehale Murphy papers

Creator:
Murphy, Nelly Littlehale  Search this
Names:
Murphy, Hermann Dudley, 1867-1945  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1846-1945
Summary:
The scattered papers of painter, etcher, and illustrator Nelly Littlehale Murphy, measure 0.2 linear feet and date from 1846 to 1945. Biographical materials, printed materials, and photographs document Murphy's work as a painter and illustrator in the Massachusetts area.
Scope and Contents:
The scattered papers of painter, etcher, and illustrator Nelly Littlehale Murphy, measure 0.2 linear feet and date from 1846 to 1945. Biographical materials, printed materials, and photographs document Murphy's work as a painter and illustrator in the Massachusetts area.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
California-born Nelly Littlehale Murphy (1867-1942) was a painter, illustrator, and etcher active in Massachusetts. She was noted for her watercolor paintings of landscapes and flowers.

Littlehale was married to Herman Daniel Umbstaetter from 1893-1913, and provided illustrations for The Black Cat magazine which her husband edited. Her second marriage, in 1916, was to painter Hermann Dudley Murphy.
Related Materials:
The Archives of American Art also holds the Hermann Dudley Murphy papers, circa 1878-1982.
Provenance:
The collection was donated in 1985 by Alexander B. Samoiloff and Dudley D. B. Samoiloff, sons of Nelly Littlehale Murphy's stepdaughter, Caroline Bowles Murphy Samoiloff.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Etchers -- Massachusetts  Search this
Painters -- Massachusetts  Search this
Illustrators -- Massachusetts  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women illustrators  Search this
Citation:
Nelly Littlehale Murphy papers, 1846-1945. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.murpnell
See more items in:
Nelly Littlehale Murphy papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e53bad4e-b2d1-4b6f-ab3e-09b4478efa6d
EDAN-URL:
ead_collection:sova-aaa-murpnell

Gladys Mock papers

Creator:
Mock, Gladys  Search this
Names:
Society of American Etchers  Search this
Society of American Graphic Artists  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1915-1977
Summary:
The papers of painter, etcher, and engraver, Gladys Mock measure 0.6 linear feet and date from 1915 to 1977. Found are artworks by Kenneth Hayes Miller, biographical materials, correspondence primarily related to the affairs of the Society of American Graphic Artists and the Society of American Etchers, personal business records, photographs, printed material, and scattered writings.
Scope and Contents:
The papers of painter, etcher, and engraver, Gladys Mock measure 0.6 linear feet and date from 1915 to 1977. Found are artworks by Kenneth Hayes Miller, biographical materials, correspondence primarily related to the affairs of the Society of American Graphic Artists and the Society of American Etchers, personal business records, photographs, printed material, and scattered writings.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Gladys Mock (1891-1976) was a painter, etcher, and engraver in New York City, New York. She studied under Kenneth Hayes Miller at the Arts Students League. Active in arts organizations, Mock served as director of the U.S. Committee of the International Association of the Plastic Arts and president of the Society of American Graphic Artists.
Provenance:
Portions of the papers were donated by Gladys Mock in April 1972. Additional material was donated by Renice Alban, Mock's daughter, in 1976.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Etchers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Engravers -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women engravers  Search this
Citation:
Gladys Mock papers, 1915-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mockglad
See more items in:
Gladys Mock papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e5f192ef-af2e-4c7a-8522-20b170902987
EDAN-URL:
ead_collection:sova-aaa-mockglad

Gladys Mock Papers

Collection Creator:
Mock, Gladys  Search this
Extent:
0.6 Linear feet (Boxes 1-2)
Type:
Archival materials
Date:
1915-1977
Scope and Contents:
Found are extensive prints and proofs of etchings by Kenneth Hayes Miller, some of which are signed and dated. Also found are drawings by Hayes Miller. Biographical materials include awards, membership cards, one portrait of Mock, and resumes. Correspondents includes Ada R. Cecere, Sol Markoff, Kenneth Hayes Miller, Karl Schrag, Lynd Ward, Stow Wengenroth, and others. Much of the correspondence relates to the affairs of the Society of American Graphic Artists and the Society of American Etchers. Personal business records consist of price lists and sales records. Photographs are of works of art. Printed materials concern Mock's career and include clippings, exhibition materials, and periodicals. Writings are by Mock and others and include a gallery talk, scattered notes, and a report of the Society of American Graphic Artists Inc. relating to the expansion of printmaking.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Gladys Mock papers, 1915-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mockglad, Series 1
See more items in:
Gladys Mock papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b998ba5c-9225-4bea-b296-35872f770565
EDAN-URL:
ead_component:sova-aaa-mockglad-ref6

Macbeth Gallery records

Creator:
Macbeth Gallery  Search this
Names:
Hartley, Marsden, 1877-1943  Search this
Homer, Winslow, 1836-1910  Search this
Macbeth, Robert W. (Robert Walker), 1884-1940  Search this
Macbeth, William, 1851-1917  Search this
McIntyre, Robert G. (Robert George), b. 1885  Search this
Stuart, Gilbert, 1755-1828  Search this
Weir, Robert Walter, 1803-1889  Search this
Extent:
131.6 Linear feet
Type:
Collection descriptions
Archival materials
Daguerreotypes
Photographs
Scrapbooks
Date:
1947-1948
1838-1968
bulk 1892-1953
Summary:
The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.
Scope and Content Note:
The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. The records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

The gallery's correspondence files form the core of the collection and illuminate most aspects of American art history: the creation and sale of works of art, the development of reputations, the rise of museums and art societies, change and resistance to change in the art market, and the evolution of taste. Ninety-five feet of correspondence house substantial and informative letters from dozens of important American painters and sculptors, including older artists and younger contemporaries of the gallery in its later years. There are also letters from collectors, curators, other galleries, and critics.

The financial files found in the collection offer insight into the changing economic climate in which the gallery operated. They include information ranging from the details of individual sales and the market for individual artists, to consignment activities and artist commissions, to overviews of annual sales. This information is augmented by the firm's inventory records and the photographs of artwork with their accompanying records of paintings sold. The inventory records provide details of all works of art handled by the gallery, both sold and unsold, and the buyers who purchased them; the photographs of artwork include images of artwork sold with accompanying sales information.

The highlight of the gallery's printed material is the publication Art Notes. Although published only until 1930, Art Notes provides an excellent and detailed view of the gallery's exhibition schedule and the relationship of the gallery owners with many of the artists whose work they handled. It was a house organ that also provided a running commentary on events in the art world. The gallery's 19 fragile scrapbooks, maintained throughout the firm's history, provide further coverage of activities through exhibition catalogs and related news clippings. Printed material from other sources provides a frame of reference for activities in the art world from the mid-19th to the mid-20th-centuries and includes an almost complete run of the rare and important pre-Civil War art publication The Crayon.

Reference files record the interest which the gallery owners took in the work of early portrait painters and in later artists such as George Inness and Winslow Homer. Together with the immense volume of correspondence with buyers and sellers of paintings by the great portraitists and the Hudson River School found in the gallery's correspondence files, these records are still useful sources of information today and underscore the deep interest that the Macbeths and Robert McIntyre took in 18th and 19th-century American art.

The photographs of artists found here are a treasure trove of images of some of the major figures of the 19th and 20th-centuries. There are photographs of artists such as Chester Beach, Emil Carlsen, Charles Melville Dewey, Frederick Carl Frieseke, Childe Hassam, Winslow Homer, George Inness, Maurice Prendergast, and Julian Alden Weir, many of them original prints and the majority of them autographed.

With the exception of the "The Eight" and a few of their contemporaries, an important aspect of art history, the modernist movement, is generally represented in the Macbeth Gallery records only in a negative form as the three successive proprietors of the gallery showed very little interest in this area. Nevertheless, the collection is a highly significant source of information on many of the major and minor figures in American art in the period after 1890.
Arrangement:
The collection is arranged into eight series:

Missing Title

Series 1: Correspondence, 1838-1968 (Box 1-95, 163-164, OV 165; 96.2 linear feet)

Series 2: Financial and Shipping Records, 1892-1956 (Box 96-110; 11.8 linear feet)

Series 3: Inventory Records, 1892-circa 1957 (Box 111-113; 3.0 linear feet)

Series 4: Printed Material, 1838-1963 (Box 114-119, 162; 5.0 linear feet)

Series 5: Scrapbooks, 1892-1952 (Box 120-130; 3.3 linear feet)

Series 6: Reference Files, 1839-1959 (Box 131-132; 0.6 linear feet)

Series 7: Miscellaneous Files, 1912-1956 (Box 133-134; 0.8 linear feet)

Series 8: Photographs, circa 1880-circa 1968 (Box 135-161; 12.1 linear feet)
Historical Note:
The Macbeth Gallery was established in 1892 by William Macbeth, a Scotch-Irish immigrant who had spent ten years with the print dealer Frederick Keppel before he opened his doors to the art-buying public at 237 Fifth Avenue in New York. Despite the prevailing interest in foreign art at that time, particularly in that of the Barbizon and Dutch schools, Macbeth was determined to dedicate his gallery to "the permanent exhibition and sale of American pictures, both in oil and water colors."

Although some of the gallery's earliest exhibitions were of work by European artists, the business soon became the only gallery in continuous operation that kept American art permanently on display. In the January 1917 issue of Art Notes, Macbeth recounts those early days remembering that "The opening of my gallery......was a rash venture under the existing conditions, and disaster was freely predicted." Nevertheless, he struggled through the financial crisis of 1893 and persisted with his devotion to American art; slowly the market for his pictures grew more amenable.

Macbeth moved to more spacious quarters at 450 Fifth Avenue in 1906 and two years later undertook what was to become the major event in the gallery's early history: the 1908 exhibition of "The Eight," featuring work by Arthur B. Davies, Willam J. Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice Prendergast, Everett Shinn, and John Sloan. "The Eight" were an unlikely combination of social realists, visionaries and impressionists eager to challenge the dominating influence of the National Academy. The exhibition received an immense amount of publicity and instantly entered into art history as a successful assault on tradition.

Despite the splash that the exhibition made and its implications for the future of American art, nothing that the gallery did subsequently indicated that Macbeth intended to capitalize on its significance. It is true that Macbeth supported many artists later considered leaders in American art when the public would pay no attention to them because of their modernist tendencies; Arthur B. Davies, Paul Dougherty, Maurice Prendergast, Theodore Robinson, and F. Ballard Williams all held their first exhibitions at his gallery. Nevertheless, neither Macbeth nor the gallery's two successive proprietors, Robert G. McIntyre (William's nephew) and Robert Macbeth (William's son), who joined the gallery in 1903 and 1906 respectively, ever developed a true interest in modern art. The November 1930 issue of Art Notes summarizes their collective disdain for modernism, stating: "We believe that, by and large, modern art is amusing. We are heretical enough to believe that much of it was started for the amusement of its creators and that no one was more surprised than they when it was taken seriously by a certain audience to whom the bizarre and the unintelligible always makes an appeal." So while the Macbeths and McIntyre cetainly championed American artists and insisted they deserved as much recognition as the Europeans, their deepest and most abiding interest was undoubtedly the established artists of the 18th and 19th-centuries and those of the early 20th-century who continued in a more conservative style. Artists such as Emil Carlsen, Charles Harold Davis, Frederick C. Frieseke, Robert Henri, Winslow Homer, Chauncey F. Ryder, Abbot Handerson Thayer, J. Francis Murphy, A. H. Wyant were the gallery's bread and butter.

When William Macbeth died in 1917 Robert Macbeth took up the reins with the assistance of Robert G. McIntyre . Although they incorporated the business as William Macbeth, Inc., in 1918 the gallery continued to be known, as it always would be, simply as Macbeth Gallery. Macbeth and McIntyre continued to show work in the same vein as the elder Macbeth. They concentrated primarily on oil paintings at this time, having found by the 1920s that "oils are all that our gallery owners will buy," though they also exhibited an occasional group of watercolors and pastels in addition to bronzes and other sculpture by contemporary American artists such as Chester Beach and Janet Scudder.

Of the early American painters the Macbeths and McIntyre were particularly interested in colonial portraits and miniatures, especially those painted by prominent artists in the latter part of the eighteenth century such as John Singleton Copley, Gilbert Stuart, Thomas Sully and John Trumbull. In its early years the gallery also handled the work of a few prominent American etchers including Frank W. Benson, Emil Fuchs, Daniel Garber, Childe Hassam and Chauncey F. Ryder. The print department was generally discontinued, however, in the late 1930s although the gallery continued to show prints by contemporaries such as Stow Wengenroth.

In 1924 relative prosperity allowed the gallery to move uptown to 15 East Fifty-seventh Street. When the 1930s brought new financial hardship for the gallery Macbeth and McIntyre took a variety of approaches to boosting sales. In 1930 they decided to hold only group exhibitions throughout the season to the exclusion of one-man shows, and also held some special exhibitions of paintings priced at a hundred dollars each in the hope that they could tempt those "willing to take advantage of a rare chance to secure representative examples of good art at a most attractive price." A move to smaller quarters at 15 East Fifty-seventh Street in 1935 was made with the intention of concentrating their efforts on the work of fewer contemporary artists, while continuing to handle the work of the older Americans they had long supported.

When Macbeth died suddenly and unexpectedly in August 1940 following an operation for appendicitis, McIntyre continued to run the gallery with the assistance of Hazel Lewis. During the 1940s McIntyre and Lewis showed primarily contemporary art in a wide range of media including oil, watercolor, pastel, drawing and sculpture, while continuing, as always, to show the occasional group of 19th-century Americans. The great success of the gallery's later years was undeniably Andrew Wyeth whose first exhibition, held at Macbeth Gallery in 1937, resulted in the sale of all twenty-two paintings cataloged.

Although subsequent Wyeth exhibitions were also successful, McIntyre struggled financially throughout the 1940s and periodically considered liquidating the company. Although "vitally interested" in contemporary art by people such as Robert Brackman, Jay Connaway, Carl Gaertner, James Lechay, Herbert Meyer and Ogden M. Pleissner he found that, for the most part, it did not pay. McIntyre continued operations until 1953 when he decided that doing so for profit was not only a financial burden but also ran contrary to his desire to spend more time devoted to his first love, early American art. When the lease expired on 11 East Fifty-seventh Street in April 1953 McIntyre did not renew it. After closing the gallery's doors he sold art from his New York apartment and from his home in Dorset, Vermont. He officially dissolved William Macbeth, Inc., in 1957.

The history of the Macbeth Gallery is a long and distinguished one with each successive proprietor making a significant contribution to art in America. William Macbeth helped establish an audience and a market for American art when few were willing to give it serious consideration. Robert Macbeth continued to cement the gallery's reputation as one of the leading firms in New York and was instrumental in organizing the American Art Dealers Association. Robert G. McIntyre claimed in a letter to Lloyd Goodrich, dated 22 June 1945, that the thing of which he was most proud was "the share I have had in the formation of the collection of the Addison Gallery of American Art, at Andover, Massacusetts." McIntyre was widely respected in the art community as a dealer, as an adviser to curators, and as a scholar whose research and book on Martin Johnson Heade helped "rediscover" an important American artist. One of his most significant and lasting contributions to the history of art in America, however, was undoubtedly his gift of the gallery's historical records to the Archives of American Art.
Related Material:
Among the holdings of the Archives of American are a small collection of scattered Robert McIntyre's papers and 9 items of William Macbeth's papers. Macbeth Gallery exhibition catalogs are also available in the American Art Exhibition Catalog collection and the Brooklyn Museum Records, both loaned and microfilmed collections.

An extensive collection of Macbeth Gallery exhibition catalogs are also held by the Frick Art Reference Library and the Watson Library of the Metropolitan Museum of Art.
Provenance:
The bulk of the Macbeth Gallery records were donated and microfilmed in several installments between 1955 and 1966 by Robert G. McIntyre and Estate. Additional Macbeth Gallery printed material was donated by Phoebe C. and William Macbeth II, grandchildren of William Macbeth, in 1974.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Eight (Group of American artists)  Search this
Artists -- United States  Search this
Art -- Collectors and collecting  Search this
Art, American  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Daguerreotypes
Photographs
Scrapbooks
Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.macbgall
See more items in:
Macbeth Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9755cec30-3318-4f15-a7b7-031c448a7a46
EDAN-URL:
ead_collection:sova-aaa-macbgall
Online Media:

Grace Albee papers, 1890-1971

Creator:
Albee, Grace, 1890-1985  Search this
Subject:
Albee, Percy  Search this
Arms, John Taylor  Search this
Fabri, Ralph  Search this
Type:
Sketchbooks
Diaries
Citation:
Grace Albee papers, 1890-1971. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women printmakers  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5628
(DSI-AAA_SIRISBib)208462
AAA_collcode_albegrac
Theme:
Diaries
Sketches & Sketchbooks
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208462
Online Media:

James E. Allen papers, 1921-1949

Creator:
Allen, James E., 1894-1964  Search this
Subject:
Wetjin, Richard  Search this
Cornwell, Dean  Search this
Dunn, Harvey  Search this
Cook, Howard Norton  Search this
Freeman, Carl E.  Search this
Sass, Herbert Ravenel  Search this
Type:
Scrapbooks
Citation:
James E. Allen papers, 1921-1949. Archives of American Art, Smithsonian Institution.
Topic:
Prints -- Technique  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5633
(DSI-AAA_SIRISBib)208467
AAA_collcode_allejame
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208467

Frederic Remington papers, 1880-1908

Creator:
Remington, Frederic, 1861-1909  Search this
Subject:
Beveridge, Albert Jeremiah  Search this
Bigelow, Poultney  Search this
Church, Frederick S. (Frederick Stuart)  Search this
Clarke, Powhatan Henry  Search this
Clemens, Samuel Langhorne  Search this
Cortissoz, Royal  Search this
Davenport, Homer  Search this
Davis, Richard Harding  Search this
Forsyth, George A.  Search this
Hassam, Childe  Search this
Hepburn, A. Barton (Alonzo Barton)  Search this
Hoeber, Arthur  Search this
Howells, William Dean  Search this
Johnson, Carter Page  Search this
Kipling, Rudyard  Search this
Lamont, Daniel Scott  Search this
Miles, Nelson Appleton  Search this
Pyle, Howard  Search this
Ralph, Julian  Search this
Roosevelt, Theodore  Search this
Wister, Owen  Search this
Wood, Leonard  Search this
Citation:
Frederic Remington papers, 1880-1908. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 19th century -- West (U.S.)  Search this
Sculpture, Modern -- 19th century -- West (U.S.)  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5660
(DSI-AAA_SIRISBib)208494
AAA_collcode_remifrep
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208494

Margery Ryerson papers, circa 1790

Creator:
Ryerson, Margery A., 1886-1989  Search this
Subject:
Henri, Robert  Search this
Saint-Gaudens, Augustus  Search this
Type:
Scrapbooks
Citation:
Margery Ryerson papers, circa 1790. Archives of American Art, Smithsonian Institution.
Topic:
Women painters  Search this
Women artists  Search this
Women printmakers  Search this
Women educators  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5666
(DSI-AAA_SIRISBib)208500
AAA_collcode_ryermarg
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208500
Online Media:

The life and art of Robert Swain Gifford / by Robert Swain Ross, Jr, undated

Creator:
Ross, Robert Swain  Search this
Subject:
Gifford, R. Swain (Robert Swain)  Search this
Citation:
The life and art of Robert Swain Gifford / by Robert Swain Ross, Jr, undated. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5675
(DSI-AAA_SIRISBib)208509
AAA_collcode_rossrobe
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208509

Isidore Klein papers, 1921-1975

Creator:
Klein, I. (Isadore), 1897-1986  Search this
Type:
Scrapbooks
Citation:
Isidore Klein papers, 1921-1975. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5701
(DSI-AAA_SIRISBib)208537
AAA_collcode_kleii
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208537

Doris Kreindler papers, 1930-1975

Creator:
Kreindler, Doris Barsky, 1901-1974  Search this
Subject:
Jacques Seligmann & Co  Search this
Type:
Scrapbooks
Citation:
Doris Kreindler papers, 1930-1975. Archives of American Art, Smithsonian Institution.
Topic:
Art, Abstract  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5755
(DSI-AAA_SIRISBib)208594
AAA_collcode_kreidori
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208594
Online Media:

Carl F. Gaertner papers, 1925-1953

Creator:
Gaertner, Carl F. (Carl Frederick), 1898-1952  Search this
Type:
Drawings
Citation:
Carl F. Gaertner papers, 1925-1953. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5783
(DSI-AAA_SIRISBib)208622
AAA_collcode_gaercarl
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208622

John Taylor Arms diaries, 1923-1953

Creator:
Arms, John Taylor, 1887-1953  Search this
Type:
Diaries
Citation:
John Taylor Arms diaries, 1923-1953. Archives of American Art, Smithsonian Institution.
Theme:
Diaries  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5819
(DSI-AAA_SIRISBib)208659
AAA_collcode_armsjohn
Theme:
Diaries
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208659

John Barber papers, 1911-1975

Creator:
Barber, John, 1893-1965  Search this
Subject:
Sloan, Helen Farr  Search this
Sloan, John  Search this
Eastman, Max  Search this
Etting, Emlen  Search this
Glackens, Edith  Search this
Laurent, Robert  Search this
McKinney, Roland J. (Roland Joseph)  Search this
Mencken, H. L. (Henry Louis)  Search this
Minor, Robert  Search this
Pascin, Jules  Search this
Phillips, Duncan  Search this
Taubes, Frederic  Search this
Werner, Albert  Search this
Young, Art  Search this
Glackens, Ira  Search this
Bullitt, William C. (William Christian)  Search this
Hecht, Ben  Search this
Tholen, William B.  Search this
Becker, Maurice  Search this
Biddle, George  Search this
Blackburn, Morris  Search this
Davis, Stuart  Search this
Durant, Will  Search this
Type:
Sketchbooks
Citation:
John Barber papers, 1911-1975. Archives of American Art, Smithsonian Institution.
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5853
(DSI-AAA_SIRISBib)208693
AAA_collcode_barbjohn
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208693

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