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Antoinette Schulte papers

Creator:
Schulte, Antoinette E., 1897-1981  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1923-1973
Summary:
The scattered papers of Antoinette Schulte measure 0.2 linear feet and date from 1923 to 1973. Found is an article by Schulte, and printed material concerning Schulte's career.
Scope and Contents:
The scattered papers of Antoinette Schulte measure 0.2 linear feet and date from 1923 to 1973. Found is an article by Schulte, and printed material concerning Schulte's career.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Antoinette Schulte (1897-1981) was a painter and etcher in New York City, New York. Shulte was known for her still-lifes, portraits, and landscapes.
Provenance:
Donated in 1973 by Antoinette Schulte.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Etchers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Citation:
Antoinette Schulte papers, 1923-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schuanto
See more items in:
Antoinette Schulte papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw986f039f2-a1c3-4271-8235-d183f4f7ce98
EDAN-URL:
ead_collection:sova-aaa-schuanto

Gladys Mock papers

Creator:
Mock, Gladys  Search this
Names:
Society of American Etchers  Search this
Society of American Graphic Artists  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1915-1977
Summary:
The papers of painter, etcher, and engraver, Gladys Mock measure 0.6 linear feet and date from 1915 to 1977. Found are artworks by Kenneth Hayes Miller, biographical materials, correspondence primarily related to the affairs of the Society of American Graphic Artists and the Society of American Etchers, personal business records, photographs, printed material, and scattered writings.
Scope and Contents:
The papers of painter, etcher, and engraver, Gladys Mock measure 0.6 linear feet and date from 1915 to 1977. Found are artworks by Kenneth Hayes Miller, biographical materials, correspondence primarily related to the affairs of the Society of American Graphic Artists and the Society of American Etchers, personal business records, photographs, printed material, and scattered writings.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Gladys Mock (1891-1976) was a painter, etcher, and engraver in New York City, New York. She studied under Kenneth Hayes Miller at the Arts Students League. Active in arts organizations, Mock served as director of the U.S. Committee of the International Association of the Plastic Arts and president of the Society of American Graphic Artists.
Provenance:
Portions of the papers were donated by Gladys Mock in April 1972. Additional material was donated by Renice Alban, Mock's daughter, in 1976.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Etchers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Engravers -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women engravers  Search this
Citation:
Gladys Mock papers, 1915-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mockglad
See more items in:
Gladys Mock papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e5f192ef-af2e-4c7a-8522-20b170902987
EDAN-URL:
ead_collection:sova-aaa-mockglad

Macbeth Gallery records

Creator:
Macbeth Gallery  Search this
Names:
Hartley, Marsden, 1877-1943  Search this
Homer, Winslow, 1836-1910  Search this
Macbeth, Robert W. (Robert Walker), 1884-1940  Search this
Macbeth, William, 1851-1917  Search this
McIntyre, Robert G. (Robert George), b. 1885  Search this
Stuart, Gilbert, 1755-1828  Search this
Weir, Robert Walter, 1803-1889  Search this
Extent:
131.6 Linear feet
Type:
Collection descriptions
Archival materials
Daguerreotypes
Photographs
Scrapbooks
Date:
1947-1948
1838-1968
bulk 1892-1953
Summary:
The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.
Scope and Content Note:
The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. The records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

The gallery's correspondence files form the core of the collection and illuminate most aspects of American art history: the creation and sale of works of art, the development of reputations, the rise of museums and art societies, change and resistance to change in the art market, and the evolution of taste. Ninety-five feet of correspondence house substantial and informative letters from dozens of important American painters and sculptors, including older artists and younger contemporaries of the gallery in its later years. There are also letters from collectors, curators, other galleries, and critics.

The financial files found in the collection offer insight into the changing economic climate in which the gallery operated. They include information ranging from the details of individual sales and the market for individual artists, to consignment activities and artist commissions, to overviews of annual sales. This information is augmented by the firm's inventory records and the photographs of artwork with their accompanying records of paintings sold. The inventory records provide details of all works of art handled by the gallery, both sold and unsold, and the buyers who purchased them; the photographs of artwork include images of artwork sold with accompanying sales information.

The highlight of the gallery's printed material is the publication Art Notes. Although published only until 1930, Art Notes provides an excellent and detailed view of the gallery's exhibition schedule and the relationship of the gallery owners with many of the artists whose work they handled. It was a house organ that also provided a running commentary on events in the art world. The gallery's 19 fragile scrapbooks, maintained throughout the firm's history, provide further coverage of activities through exhibition catalogs and related news clippings. Printed material from other sources provides a frame of reference for activities in the art world from the mid-19th to the mid-20th-centuries and includes an almost complete run of the rare and important pre-Civil War art publication The Crayon.

Reference files record the interest which the gallery owners took in the work of early portrait painters and in later artists such as George Inness and Winslow Homer. Together with the immense volume of correspondence with buyers and sellers of paintings by the great portraitists and the Hudson River School found in the gallery's correspondence files, these records are still useful sources of information today and underscore the deep interest that the Macbeths and Robert McIntyre took in 18th and 19th-century American art.

The photographs of artists found here are a treasure trove of images of some of the major figures of the 19th and 20th-centuries. There are photographs of artists such as Chester Beach, Emil Carlsen, Charles Melville Dewey, Frederick Carl Frieseke, Childe Hassam, Winslow Homer, George Inness, Maurice Prendergast, and Julian Alden Weir, many of them original prints and the majority of them autographed.

With the exception of the "The Eight" and a few of their contemporaries, an important aspect of art history, the modernist movement, is generally represented in the Macbeth Gallery records only in a negative form as the three successive proprietors of the gallery showed very little interest in this area. Nevertheless, the collection is a highly significant source of information on many of the major and minor figures in American art in the period after 1890.
Arrangement:
The collection is arranged into eight series:

Missing Title

Series 1: Correspondence, 1838-1968 (Box 1-95, 163-164, OV 165; 96.2 linear feet)

Series 2: Financial and Shipping Records, 1892-1956 (Box 96-110; 11.8 linear feet)

Series 3: Inventory Records, 1892-circa 1957 (Box 111-113; 3.0 linear feet)

Series 4: Printed Material, 1838-1963 (Box 114-119, 162; 5.0 linear feet)

Series 5: Scrapbooks, 1892-1952 (Box 120-130; 3.3 linear feet)

Series 6: Reference Files, 1839-1959 (Box 131-132; 0.6 linear feet)

Series 7: Miscellaneous Files, 1912-1956 (Box 133-134; 0.8 linear feet)

Series 8: Photographs, circa 1880-circa 1968 (Box 135-161; 12.1 linear feet)
Historical Note:
The Macbeth Gallery was established in 1892 by William Macbeth, a Scotch-Irish immigrant who had spent ten years with the print dealer Frederick Keppel before he opened his doors to the art-buying public at 237 Fifth Avenue in New York. Despite the prevailing interest in foreign art at that time, particularly in that of the Barbizon and Dutch schools, Macbeth was determined to dedicate his gallery to "the permanent exhibition and sale of American pictures, both in oil and water colors."

Although some of the gallery's earliest exhibitions were of work by European artists, the business soon became the only gallery in continuous operation that kept American art permanently on display. In the January 1917 issue of Art Notes, Macbeth recounts those early days remembering that "The opening of my gallery......was a rash venture under the existing conditions, and disaster was freely predicted." Nevertheless, he struggled through the financial crisis of 1893 and persisted with his devotion to American art; slowly the market for his pictures grew more amenable.

Macbeth moved to more spacious quarters at 450 Fifth Avenue in 1906 and two years later undertook what was to become the major event in the gallery's early history: the 1908 exhibition of "The Eight," featuring work by Arthur B. Davies, Willam J. Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice Prendergast, Everett Shinn, and John Sloan. "The Eight" were an unlikely combination of social realists, visionaries and impressionists eager to challenge the dominating influence of the National Academy. The exhibition received an immense amount of publicity and instantly entered into art history as a successful assault on tradition.

Despite the splash that the exhibition made and its implications for the future of American art, nothing that the gallery did subsequently indicated that Macbeth intended to capitalize on its significance. It is true that Macbeth supported many artists later considered leaders in American art when the public would pay no attention to them because of their modernist tendencies; Arthur B. Davies, Paul Dougherty, Maurice Prendergast, Theodore Robinson, and F. Ballard Williams all held their first exhibitions at his gallery. Nevertheless, neither Macbeth nor the gallery's two successive proprietors, Robert G. McIntyre (William's nephew) and Robert Macbeth (William's son), who joined the gallery in 1903 and 1906 respectively, ever developed a true interest in modern art. The November 1930 issue of Art Notes summarizes their collective disdain for modernism, stating: "We believe that, by and large, modern art is amusing. We are heretical enough to believe that much of it was started for the amusement of its creators and that no one was more surprised than they when it was taken seriously by a certain audience to whom the bizarre and the unintelligible always makes an appeal." So while the Macbeths and McIntyre cetainly championed American artists and insisted they deserved as much recognition as the Europeans, their deepest and most abiding interest was undoubtedly the established artists of the 18th and 19th-centuries and those of the early 20th-century who continued in a more conservative style. Artists such as Emil Carlsen, Charles Harold Davis, Frederick C. Frieseke, Robert Henri, Winslow Homer, Chauncey F. Ryder, Abbot Handerson Thayer, J. Francis Murphy, A. H. Wyant were the gallery's bread and butter.

When William Macbeth died in 1917 Robert Macbeth took up the reins with the assistance of Robert G. McIntyre . Although they incorporated the business as William Macbeth, Inc., in 1918 the gallery continued to be known, as it always would be, simply as Macbeth Gallery. Macbeth and McIntyre continued to show work in the same vein as the elder Macbeth. They concentrated primarily on oil paintings at this time, having found by the 1920s that "oils are all that our gallery owners will buy," though they also exhibited an occasional group of watercolors and pastels in addition to bronzes and other sculpture by contemporary American artists such as Chester Beach and Janet Scudder.

Of the early American painters the Macbeths and McIntyre were particularly interested in colonial portraits and miniatures, especially those painted by prominent artists in the latter part of the eighteenth century such as John Singleton Copley, Gilbert Stuart, Thomas Sully and John Trumbull. In its early years the gallery also handled the work of a few prominent American etchers including Frank W. Benson, Emil Fuchs, Daniel Garber, Childe Hassam and Chauncey F. Ryder. The print department was generally discontinued, however, in the late 1930s although the gallery continued to show prints by contemporaries such as Stow Wengenroth.

In 1924 relative prosperity allowed the gallery to move uptown to 15 East Fifty-seventh Street. When the 1930s brought new financial hardship for the gallery Macbeth and McIntyre took a variety of approaches to boosting sales. In 1930 they decided to hold only group exhibitions throughout the season to the exclusion of one-man shows, and also held some special exhibitions of paintings priced at a hundred dollars each in the hope that they could tempt those "willing to take advantage of a rare chance to secure representative examples of good art at a most attractive price." A move to smaller quarters at 15 East Fifty-seventh Street in 1935 was made with the intention of concentrating their efforts on the work of fewer contemporary artists, while continuing to handle the work of the older Americans they had long supported.

When Macbeth died suddenly and unexpectedly in August 1940 following an operation for appendicitis, McIntyre continued to run the gallery with the assistance of Hazel Lewis. During the 1940s McIntyre and Lewis showed primarily contemporary art in a wide range of media including oil, watercolor, pastel, drawing and sculpture, while continuing, as always, to show the occasional group of 19th-century Americans. The great success of the gallery's later years was undeniably Andrew Wyeth whose first exhibition, held at Macbeth Gallery in 1937, resulted in the sale of all twenty-two paintings cataloged.

Although subsequent Wyeth exhibitions were also successful, McIntyre struggled financially throughout the 1940s and periodically considered liquidating the company. Although "vitally interested" in contemporary art by people such as Robert Brackman, Jay Connaway, Carl Gaertner, James Lechay, Herbert Meyer and Ogden M. Pleissner he found that, for the most part, it did not pay. McIntyre continued operations until 1953 when he decided that doing so for profit was not only a financial burden but also ran contrary to his desire to spend more time devoted to his first love, early American art. When the lease expired on 11 East Fifty-seventh Street in April 1953 McIntyre did not renew it. After closing the gallery's doors he sold art from his New York apartment and from his home in Dorset, Vermont. He officially dissolved William Macbeth, Inc., in 1957.

The history of the Macbeth Gallery is a long and distinguished one with each successive proprietor making a significant contribution to art in America. William Macbeth helped establish an audience and a market for American art when few were willing to give it serious consideration. Robert Macbeth continued to cement the gallery's reputation as one of the leading firms in New York and was instrumental in organizing the American Art Dealers Association. Robert G. McIntyre claimed in a letter to Lloyd Goodrich, dated 22 June 1945, that the thing of which he was most proud was "the share I have had in the formation of the collection of the Addison Gallery of American Art, at Andover, Massacusetts." McIntyre was widely respected in the art community as a dealer, as an adviser to curators, and as a scholar whose research and book on Martin Johnson Heade helped "rediscover" an important American artist. One of his most significant and lasting contributions to the history of art in America, however, was undoubtedly his gift of the gallery's historical records to the Archives of American Art.
Related Material:
Among the holdings of the Archives of American are a small collection of scattered Robert McIntyre's papers and 9 items of William Macbeth's papers. Macbeth Gallery exhibition catalogs are also available in the American Art Exhibition Catalog collection and the Brooklyn Museum Records, both loaned and microfilmed collections.

An extensive collection of Macbeth Gallery exhibition catalogs are also held by the Frick Art Reference Library and the Watson Library of the Metropolitan Museum of Art.
Provenance:
The bulk of the Macbeth Gallery records were donated and microfilmed in several installments between 1955 and 1966 by Robert G. McIntyre and Estate. Additional Macbeth Gallery printed material was donated by Phoebe C. and William Macbeth II, grandchildren of William Macbeth, in 1974.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Eight (Group of American artists)  Search this
Artists -- United States  Search this
Art -- Collectors and collecting  Search this
Art, American  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Daguerreotypes
Photographs
Scrapbooks
Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.macbgall
See more items in:
Macbeth Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9755cec30-3318-4f15-a7b7-031c448a7a46
EDAN-URL:
ead_collection:sova-aaa-macbgall
Online Media:

Vincent Glinsky papers, 1927-1982

Creator:
Glinsky, Vincent, 1895-1975  Search this
Subject:
Levi, Julian E. (Julian Edwin)  Search this
Architectural League of New York  Search this
Federal Art Project (N.Y.)  Search this
National Academy of Design (U.S.)  Search this
National Sculpture Society (U.S.)  Search this
Citation:
Vincent Glinsky papers, 1927-1982. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture, American -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7269
(DSI-AAA_SIRISBib)209420
AAA_collcode_glinvinc
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209420

Harry Wickey papers, 1918-1973

Creator:
Wickey, Harry, 1892-1968  Search this
Society of American Etchers  Search this
Subject:
Grosz, George  Search this
Myers, Jerome  Search this
Pach, Walter  Search this
Robinson, Boardman  Search this
Sloan, John  Search this
Sternberg, Harry  Search this
Street, Frank  Search this
Arms, John Taylor  Search this
Curry, John Steuart  Search this
Dehn, Adolf  Search this
Kent, Rockwell  Search this
Marsh, Reginald  Search this
Miller, Kenneth Hayes  Search this
Citation:
Harry Wickey papers, 1918-1973. Archives of American Art, Smithsonian Institution.
Topic:
Landscape prints -- 20th century  Search this
Prints -- 20th century -- New York (State)  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7445
(DSI-AAA_SIRISBib)209603
AAA_collcode_wickharr
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209603

Elie Nadelman papers, [ca. 1920]

Creator:
Nadelman, Elie, 1882-1946  Search this
Citation:
Elie Nadelman papers, [ca. 1920]. Archives of American Art, Smithsonian Institution.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8067
(DSI-AAA_SIRISBib)210238
AAA_collcode_nadeelie
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210238

Wood and Adelaide Lawson Gaylor papers, 1866-[circa 1986]

Creator:
Gaylor, Wood, 1883-1957  Search this
Gaylor, Adelaide Lawson, 1889-1986  Search this
Subject:
Bacon, Peggy  Search this
Brook, Alexander  Search this
Cahill, Holger  Search this
David, Hermine  Search this
Dos Passos, John  Search this
Field, Hamilton Easter  Search this
Ganso, Emil  Search this
Gwozdecki, Gustaw  Search this
Hart, George Overbury  Search this
La Guardia, Fiorello H. (Fiorello Henry)  Search this
Morrison, David H. (David Herron)  Search this
Osborn, Frank C.  Search this
Pascin, Jules  Search this
Schmidt, Katherine  Search this
Frost, A. B. (Arthur Burdett)  Search this
Frost, John  Search this
Gellert, Hugo  Search this
Halpert, Edith Gregor  Search this
Hirsch, Stefan  Search this
Howland, Isabella  Search this
Kuniyoshi, Yasuo  Search this
Laurent, Robert  Search this
Lawson, John Howard  Search this
Lie, Jonas  Search this
Mager, Gus  Search this
Newton, Alice  Search this
Strater, Henry  Search this
Schack, William  Search this
Baker, Josephine  Search this
Coady, Robert J.  Search this
Frueh, Alfred Joseph  Search this
Downtown Gallery (New York, N.Y.)  Search this
Association of American Painters and Sculptors (New York, N.Y.)  Search this
Friends of the Young Artists  Search this
Hamilton Easter Field Art Foundation  Search this
Municipal Art Committee (New York, N.Y.)  Search this
New York Society of Women Artists  Search this
Penguin Club (New York, N.Y.)  Search this
Salons of America, Inc.  Search this
Thumb Box Gallery (New York, N.Y.)  Search this
Wanamaker Gallery of Modern Decorative Art  Search this
Armory Show (1913: New York, N.Y.)  Search this
Type:
Sketchbooks
Citation:
Wood and Adelaide Lawson Gaylor papers, 1866-[circa 1986]. Archives of American Art, Smithsonian Institution.
Topic:
Quill  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Modernism (Art)  Search this
Women artists  Search this
Artist couples  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8195
(DSI-AAA_SIRISBib)210366
AAA_collcode_gaylwood
Theme:
Diaries
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210366

Morton Ralph Goldsmith letters from Ernest Fiene and Boris Grigore̓̓v, 1923-1964

Creator:
Goldsmith, Morton Ralph, 1882-1971  Search this
Fiene, Ernest, 1894-1965 or 1966  Search this
Subject:
Grigorʹev, Boris  Search this
Citation:
Morton Ralph Goldsmith letters from Ernest Fiene and Boris Grigore̓̓v, 1923-1964. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- New York (State)  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8227
(DSI-AAA_SIRISBib)210398
AAA_collcode_goldmort
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210398

Abram Tromka papers, 1932-1967

Creator:
Tromka, Abram, 1896-1954  Search this
Citation:
Abram Tromka papers, 1932-1967. Archives of American Art, Smithsonian Institution.
Topic:
Art, American -- New York (State) -- Brooklyn  Search this
Artists' studios -- Photographs  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8551
(DSI-AAA_SIRISBib)210729
AAA_collcode_tromabra
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210729

Anton Schutz papers, 1911-1977

Creator:
Schutz, Anton (Joseph Friedrich), 1894-1977  Search this
Type:
Scrapbooks
Citation:
Anton Schutz papers, 1911-1977. Archives of American Art, Smithsonian Institution.
Topic:
Engraving -- Printing -- New York (State) -- New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8588
(DSI-AAA_SIRISBib)210767
AAA_collcode_schuzant
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210767

Louis McClellan Potter papers, 1893-1917

Creator:
Potter, Louis McClellan, 1873-1912  Search this
Citation:
Louis McClellan Potter papers, 1893-1917. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture, Modern -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8822
(DSI-AAA_SIRISBib)211007
AAA_collcode_pottloui
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211007

Ralph Fabri papers, circa 1870s-1975, bulk 1918-1975

Creator:
Fabri, Ralph, 1894-  Search this
Subject:
Artists for Victory, Inc.  Search this
American Watercolor Society  Search this
Today's art  Search this
Society of American Etchers  Search this
Type:
Photographs
Christmas cards
Scrapbooks
Video recordings
Drawings
Diaries
Watercolors
Sketches
Sketchbooks
Illustrated letters -- Local
Citation:
Ralph Fabri papers, circa 1870s-1975, bulk 1918-1975. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York  Search this
Art -- Study and teaching -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Educators -- New York (State) -- New York  Search this
Art criticism -- New York (State) -- New York  Search this
Painting, American -- New York (State) -- New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8896
(DSI-AAA_SIRISBib)211081
AAA_collcode_fabrralp
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211081
Online Media:

Reginald Marsh papers, 1897-1955

Creator:
Marsh, Reginald, 1898-1954  Search this
Subject:
Marsh, Felicia Meyer  Search this
Kuniyoshi, Yasuo  Search this
Benton, William  Search this
Woodhouse, Betty Burroughs  Search this
Schmidt, Katherine  Search this
Powys, Llewelyn  Search this
Marsh, Fred Dana  Search this
Type:
Photographs
Diaries
Sketchbooks
Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
Topic:
Etchers -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Illustrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Art -- Philosophy  Search this
Painting, American  Search this
Painting -- Technique  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9072
(DSI-AAA_SIRISBib)211265
AAA_collcode_marsregi
Theme:
Diaries
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211265
Online Media:

Philip Reisman papers, 1904-1994

Creator:
Reisman, Philip, 1904-1992  Search this
Type:
Sketchbooks
Citation:
Philip Reisman papers, 1904-1994. Archives of American Art, Smithsonian Institution.
Topic:
Illustration of books  Search this
Mural painting and decoration -- 20th century -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9196
(DSI-AAA_SIRISBib)211391
AAA_collcode_reisphil
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211391

Abraham Walkowitz papers, 1904-1969

Creator:
Walkowitz, Abraham, 1880-1965  Search this
Subject:
Valente, Alfredo  Search this
Weber, Max  Search this
White, Clarence H.  Search this
Genthe, Arnold  Search this
Kleinholz, Frank  Search this
Maria-Theresa  Search this
Van Vechten, Carl  Search this
Olinsky, Ivan G. (Ivan Gregorewitch)  Search this
Biddle, George  Search this
Pach, Walter  Search this
Stieglitz, Alfred  Search this
Traubel, Horace  Search this
Jacobi, Lotte  Search this
Haldeman-Julius, E. (Emanuel)  Search this
Eliasoph, Paula  Search this
Duncan, Elizabeth  Search this
Arms, John Taylor  Search this
Dunaif, George M.  Search this
Newman, Arnold  Search this
Schapiro, Louis  Search this
Type:
Photographs
Transcripts
Interviews
Citation:
Abraham Walkowitz papers, 1904-1969. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York  Search this
Painting, American  Search this
Art -- Collectors and collecting  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9263
(DSI-AAA_SIRISBib)211458
AAA_collcode_walkabra
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211458
Online Media:

Harry Sternberg papers, 1927-2000

Creator:
Sternberg, Harry, 1904-2001  Search this
Subject:
Warner, Malcolm  Search this
Walker, Hudson D. (Hudson Dean)  Search this
Zigrosser, Carl  Search this
Wickey, Harry  Search this
Secunda, Arthur  Search this
Kent, Rockwell  Search this
Siqueiros, David Alfaro  Search this
Blume, Peter  Search this
Evergood, Philip  Search this
Art Students League (New York, N.Y.)  Search this
Idyllwild School and Museum for the Arts  Search this
Type:
Video recordings
Notes
Manuscripts
Interviews
Scrapbooks
Drafts (documents)
Sound recordings
Photographs
Sketchbooks
Drawings
Citation:
Harry Sternberg papers, 1927-2000. Archives of American Art, Smithsonian Institution.
Topic:
Printmakers -- California  Search this
Printmakers -- New York (State) -- New York  Search this
Educators -- California  Search this
Painting, American  Search this
Educators -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Painters -- New York (State) -- New York  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9477
(DSI-AAA_SIRISBib)211675
AAA_collcode_sterharr
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211675
Online Media:

National Arts Club records, 1898-1960

Creator:
National Arts Club (New York, N.Y.)  Search this
Subject:
De Kay, Charles  Search this
Arts Realty  Search this
Type:
Scrapbooks
Citation:
National Arts Club records, 1898-1960. Archives of American Art, Smithsonian Institution.
Topic:
Photography -- Exhibitions  Search this
Bibliographical exhibitions -- New York (State) -- New York  Search this
Clubhouses -- New York (State) -- New York  Search this
Handicraft  Search this
Decorative arts  Search this
Theme:
Photography  Search this
Art organizations  Search this
Record number:
(DSI-AAA_CollID)9697
(DSI-AAA_SIRISBib)211920
AAA_collcode_natiartc
Theme:
Photography
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211920
Online Media:

Walter Pach papers, 1857-1980

Creator:
Pach, Walter, 1883-1958  Search this
Subject:
Renoir, Auguste  Search this
Rivera, Diego  Search this
Schamberg, Morton L.  Search this
Pach, Raymond  Search this
Picasso, Pablo  Search this
Villon, Jacques  Search this
Orozco, José Clemente  Search this
Pach, Nikifora  Search this
Pach, Magda  Search this
Prendergast, Maurice Brazil  Search this
Sloan, John  Search this
Chase, William Merritt  Search this
Davies, Arthur B. (Arthur Bowen)  Search this
Burroughs, Bryson  Search this
Brooks, Van Wyck  Search this
Miró, Joan  Search this
Avery, Milton  Search this
Barye, Antoine-Louis  Search this
Matisse, Henri  Search this
Marsh, Reginald  Search this
Lipchitz, Jacques  Search this
Henri, Robert  Search this
Faure, Elie  Search this
Duchamp-Villon, Raymond  Search this
Duchamp, Marcel  Search this
Ogihara, Moriye  Search this
Of, George F. (George Ferdinand)  Search this
Charlot, Jean  Search this
Monet, Claude  Search this
Laurel Gallery  Search this
Association of American Painters and Sculptors (New York, N.Y.)  Search this
New York School of Art  Search this
Armory Show (1913: New York, N.Y.)  Search this
Brummer Gallery (New York, N.Y.)  Search this
Type:
Sketchbooks
Scrapbooks
Prints
Drawings
Diaries
Travel diaries
Photographs
Citation:
Walter Pach papers, 1857-1980. Archives of American Art, Smithsonian Institution.
Topic:
Art schools -- Photographs  Search this
Art criticism  Search this
Art -- Study and teaching  Search this
Art -- Expertising  Search this
Mural painting and decoration, Mexican  Search this
Curators -- New York (State) -- New York  Search this
Modernism (Art)  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)16128
(DSI-AAA_SIRISBib)212350
AAA_collcode_pachwalt2
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212350
Online Media:

William Henry Shelton autobiography, 1840-1890

Creator:
Shelton, W. H. (William Henry), 1840-1932  Search this
Subject:
Quartley, Arthur  Search this
Reinhart, Charles Stanley  Search this
Smith, Francis Hopkinson  Search this
Tile Club  Search this
Salmagundi Club  Search this
Harper's Magazine Foundation  Search this
Citation:
William Henry Shelton autobiography, 1840-1890. Archives of American Art, Smithsonian Institution.
Topic:
Century illustrated monthly magazine  Search this
Frank Leslie's illustrated newspaper  Search this
New York ledger  Search this
Art, American -- New York (State) -- New York  Search this
Theme:
Diaries  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)13464
(DSI-AAA_SIRISBib)213146
AAA_collcode_shelwill
Theme:
Diaries
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213146

Benson Bond Moore papers, 1902-1995

Creator:
Moore, Benson Bond, 1882-1974  Search this
Subject:
Seaton, Charles  Search this
Bransom, Paul  Search this
Sayre, Francis Bowes  Search this
Rolle, A. H. O. (August H. O.)  Search this
Lyon, Rowland  Search this
Lowe, James Russell  Search this
Cornett, Robert G.  Search this
Clark, Herbert F.  Search this
Berryman, Clifford Kennedy  Search this
Society of Animal Artists  Search this
Washington Landscape Club  Search this
Type:
Etchings
Christmas cards
Paintings
Drawings
Travel sketches
Sketches
Poems
Awards
Photographs
Prints
Scrapbooks
Place:
New York (State)
Citation:
Benson Bond Moore papers, 1902-1995. Archives of American Art, Smithsonian Institution.
Topic:
Landscape painting -- 20th century -- Washington (D.C.)  Search this
Relief (Sculpture)  Search this
Artists -- Washington (D.C.)  Search this
Etchers -- Washington (D.C.)  Search this
Landscape painters -- New York (State)  Search this
Printmakers -- Washington (D.C.)  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6095
(DSI-AAA_SIRISBib)216268
AAA_collcode_moorbens
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216268
Online Media:

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