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"Osunality" (or African eroticism) Nkiru Nzegwu

Author:
Nzegwu, Nkiru  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Type:
Articles
Place:
Africa
Date:
2011
Topic:
Erotica  Search this
Osun (Yoruba deity)  Search this
Sex  Search this
Call number:
HQ18.A35 A38 2011
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_999943

"Women Choose Women" (1973)

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 45, Folder 32
Type:
Archival materials
Date:
1970s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 5: Exhibitions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92771b8dc-725a-4183-8d66-be920df6b19e
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref959
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(Ad)dressing our words : aboriginal perspectives on aboriginal literatures / editor, Armand Garnet Ruffo

Title:
Addressing our words
Dressing our words
Author:
Ruffo, Armand Garnet 1955-  Search this
Physical description:
247 p. ; 23 cm
Type:
Books
Place:
Canada
Date:
2001
Topic:
Canadian literature--Indian authors--History and criticism  Search this
Indian literature--History and criticism  Search this
Intellectual life  Search this
Native peoples in literature  Search this
Indians in literature  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_896293

Freedomways Vol. 9 No. 3

Published by:
Freedomways Associates, Inc., American, 1961 - 1985  Search this
Edited by:
John Henrik Clarke, American, 1915 - 1998  Search this
Esther Cooper Jackson, American, born 1917  Search this
Jack O'Dell, American, 1923 - 2019  Search this
John Devine  Search this
Illustrated by:
John Biggers, American, 1924 - 2001  Search this
Written by:
Lindsay Barrett, Jamaican, born 1941  Search this
George Fishman  Search this
David Henderson  Search this
Subject of:
Amiri Baraka, American, 1934 - 2014  Search this
Paul Robeson, American, 1898 - 1976  Search this
Poor People's Campaign, American, 1967 - 1968  Search this
Medium:
ink on paper with metal
Dimensions:
H x W x D: 9 1/16 × 6 1/16 × 1/4 in. (23 × 15.4 × 0.7 cm)
Type:
magazines (periodicals)
Place printed:
New York City, New York, United States, North and Central America
Place depicted:
Nigeria, Africa
Date:
1969
Topic:
African American  Search this
Activism  Search this
Africa  Search this
Black Press  Search this
Civil Rights  Search this
International affairs  Search this
Literature  Search this
Poetry  Search this
Politics  Search this
U.S. History, 1961-1969  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Maurice Jackson
Object number:
2021.20.6
Restrictions & Rights:
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd59b82a611-b5b9-4811-9fae-1398361c2ea4
EDAN-URL:
edanmdm:nmaahc_2021.20.6
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Advertising in Ms. Magazine

Collection Creator:
Woman's Building (Los Angeles, Calif.)  Search this
Container:
Box 7, Folder 3
Type:
Archival materials
Date:
1976-1980
Collection Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Woman's Building records
Woman's Building records / Series 1: Administrative Files / 1.4: Publicity and Outreach
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9163cb8f0-d4b1-4735-84f5-e61bc1d76fe1
EDAN-URL:
ead_component:sova-aaa-womabuil-ref292
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Advertising in Ms. Magazine

Collection Creator:
Woman's Building (Los Angeles, Calif.)  Search this
Container:
Box 10, Folder 2
Type:
Archival materials
Date:
1980
Collection Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Woman's Building records
Woman's Building records / Series 2: Education Programs / 2.1: Administrative Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d9e141c7-440b-4642-99e5-586c96851891
EDAN-URL:
ead_component:sova-aaa-womabuil-ref437
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African erotica : the essence of African erotica in art and literature / Joseph Toledano

Author:
Tolédano, Joseph  Search this
Physical description:
167 p. : ill. (some col.) ; 19 cm
Type:
Books
Place:
Africa
Date:
2005
C2005
Topic:
Erotic art  Search this
African literature--History and criticism  Search this
Erotica  Search this
Call number:
HQ18.A5
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_970525

American encounters : greater Mexico, the United States, and the erotics of culture / José E. Limón

Author:
Limón, José Eduardo  Search this
Physical description:
251 p. ; 23 cm
Type:
Books
Place:
Mexico
United States
Date:
1998
C1998
Topic:
Acculturation  Search this
Mexican Americans--Ethnic identity  Search this
Mexican Americans in motion pictures  Search this
Mexican Americans in literature  Search this
Erotica--Social aspects  Search this
Relations  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_600720

An unhurried view of erotica / With an introd. by Theodor Reik and pref. by George Jean Nathan

Author:
Ginzburg, Ralph  Search this
Physical description:
128 p. ; 27 cm
Type:
Books
Date:
1958
1958]
Topic:
Pornography  Search this
Call number:
HQ471 .G5X
HQ471.G5X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_40126

Analytical survey of Anglo-American traditional erotica

Author:
Hoffmann, Frank  Search this
Physical description:
x, 309 p. 24 cm
Type:
Bibliography
Date:
1973
[1973]
Topic:
Erotic literature  Search this
Erotic literature--Themes, motives, etc  Search this
Erotic films--Film catalogs  Search this
Call number:
Z5865 .H6X
Z5865.H6X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_40820

Antaeotricha erotica

Preparation:
Pinned
Remarks:
M6
Stage:
Adult
Taxonomy:
Animalia, Arthropoda, Insecta, Lepidoptera, Depressariidae, Stenomatinae
Published Name:
Antaeotricha erotica (Meyrick, 1916)
See more items in:
Species Inventory
Data Source:
NMNH - Entomology Dept.
GUID:
http://n2t.net/ark:/65665/3062456a5-7627-442e-accd-f8a56ee98c3a
EDAN-URL:
edanmdm:nmnhentomology_12262576

Archives Center Lesbian Pulp Fiction Collection

Former owner:
Swann Auction Galleries  Search this
Extent:
3.1 Cubic feet (7 boxes)
Type:
Collection descriptions
Archival materials
Date:
1932-1999
Summary:
A collection of pulp fiction titles centering on lesbian characters and lesbianism.
Content Description:
A collection of eighty-five pulp fiction titles dealing with lesbian characters and lesbianism. Parts of this collection are extremely fragile and should be handled with care. The collection is arranged chronologically by date of publication.
Arrangement:
Collection arranged by date of publication into one series.
Biographical / Historical:
Between 1950 and 1965, over 500 distinct lesbian pulp novels were published in the US. These novels were exceptionally influential on lesbian communities in a time where LGBT media was extremely limited. Sold at the counters of grocery stores and in other common shops, these novels became a tangible way for many women to interact with a community they would otherwise have been unable to access. Some of the best loved books were the work of lesbian or bisexual women, many of whom—such as the influential Artemis Smith (Dr. Annselm L.N.V. Morpurgo) and Ann Bannon (Ann Weldy)— went on to become vocal activists and scholars in LGBT matters. Authors of this genre generally used pseudonyms for publication, which helped conceal their identity both as writers of explicit content and potentially as lesbians. Pseudonyms frequently crossed or confused the author's gender, such as in the case of Kay Addams (male author Orrie Hitt), Randy Salem (lesbian author Pat Perdue), and March Hastings (lesbian author Sally Singer). Some writers chose to use multiple pseudonyms, such as Gilbert Fox (published under Dallas Mayo and Paul Russo, among others), and some chose to use a separate name for each genre of pulp novel which they produced. This practice had the benefit of concealing some authors' outright connection to lesbian culture but was also a practice of pulp more generally. Because pulp was poor quality literature, due primarily to the constraints of cheap publishing and quick production, writers often intended these novels to be their introduction to large publishing houses. Authors would begin by writing pulp and then, once they had become accustomed to the industry, would move onto more serious works without having trashy pulp as part of their reputation.

The majority of lesbian pulp novels are original stories created for mass production by American writers. A few key exceptions to this rule existed. The first was reproductions of older lesbian literary works, including Radclyffe Hall's influential The Well of Loneliness (original 1928), Lillian Hellman's script for the play The Children's Hour (original 1934), and Anna Elisabet Weirauch's The Scorpion (original 1919, published in German). The other exception is international works, which would be translated and printed in pulp for the US. Tereska Torrès's Women's Barracks (1950), the novel which started the lesbian pulp genre, was translated from its original French for its mass production in America. Other translated works include Lucie Marchal's, The Mesh (original French, published as pulp in 1959), Francoise Mallet's The Loving and the Daring (original French, also known in English as The Illusionist, published as pulp in 1952), and Torrès's By Cecile (1963). Many of these republished works are among the most favorable to lesbians, as they reflect personal experiences of the author or are canonical entries into broader lesbian literature. While many of the best-regarded novels in the genre were written by lesbian or bisexual women, the bulk of what was produced by American publishers was by male authors for a male audience. Considered perverse erotica, lesbian pulps were written and marketed towards male gratification.

These pulp novels occupy a conflicted space in lesbian culture. Because they were published and distributed en masse, these books became a way for closeted lesbian and bisexual women in areas where there were no strong LGBT communities to find self-recognition and connection with others. Some found the books changing how they thought of their sexuality, particularly if they had only experienced straight relationships. However, buying and keeping these books could be taboo, despite their general popularity. Purchasers often tried to buy lesbian pulps as covertly as possible, and many took advantage of the disposable quality of pulp and abandoned or destroyed the books when they had finished reading them. Publishers were willing to produce lesbian novels because they were an extremely profitable genre, but the US Post Office refused to deliver "explicit" materials, including any promotion of lesbian relationships—regardless of the actual sexual content within. Authors circumvented this issue by creating narratives which appeared to condemn lesbianism. Characters would frequently be killed, go insane, convert back to heterosexuality, or be otherwise fatally punished in the conclusion of the book. In others, the entire novel's plot would include a pervasive element of shame or corruption when a young woman would be manipulated into a lesbian relationship. Compounding these issues is the trite or formulaic nature of the plots, which were often a product of the hastened publishing schedule and low budget for production. These factors create difficulty for many in the current lesbian community to relate to the condemning nature of the genre, particularly as many works of far better quality in both writing and representation have appeared in recent decades.

The cover artwork of these novels is another important aspect. Although there were some strong communities of LGBT women, particularly in urban areas, many had difficulty finding or accessing them. Particularly for those who lived in rural areas or with deep homophobia, the covers of pulp novels would be the first time they saw themselves reflected in popular culture. Lesbian pulp covers usually contained a depiction of two or more women, at least one of whom was exhibiting an identifiable lesbian desire. Common themes included women undressing in private or in communal rooms, women ignoring men in favor of gazing at another woman's body, or women in the midst of a romantic encounter. These covers generally teased at the sexual content within the books, which was typical of all pulp romances. Every identified artist for this collection's covers is a man. Although some women did paint for pulp novels and magazines, they would be frequently relegated to less controversial subjects, such as demure heterosexual romances, and in the rare case horrors, mysteries, and thrillers. Many of the artists for the lesbian novels also produced for many other pulp publications. Artists would receive the covers as an assignment from their publishing company, often without any contact with the author. Because of the tight production schedule, they would often be working off skimming the book's contents, its (publisher-generated) title, or in the lucky case a plot synopsis. Due to this, although some covers hint at community subgroups such as butch and femme aesthetics, they are generally inaccurate to the fashion of real lesbian communities.

Some cover artists of the novels remain unidentified, which can be for a multitude of reasons. First, in the early 1950s many pulp publishers did not allow artists to keep the rights to their work, and so the paintings were considered the sole property of the company. Some publishers would even reuse covers, as is the case for Kay Addams's Warped Desire (1960) and Richard Villanova's Her Woman (1962). Although artists were eventually given more rights, many were unable to claim important works as their intellectual property. Second, because of the controversial nature of the genre, many artists chose not to include specific covers in their portfolio. Like the authors, pulp was sometimes considered a way to launch a more extensive fine arts career, although successful artists often committed to long-term work in the industry. It was far more acceptable to use works from other pulp genres like mystery and horror as promotional and professional material. Paul Rader is one of the few artists who was able and willing to sign his covers. Many pulp illustrators were fresh graduates of New York art schools, but Rader entered the industry later in life. Rader's work was exceptionally suited to the demands of romance and lesbian pulps, because he was notably better at depicting "sexy" bodies than painting for other genres, like sci-fi. When Midwood Books was founded in 1957, he was one of the first to paint for them and quickly became a favorite of the publisher. Six of the novels in this collection have covers that can be attributed to Rader.

Lesbian pulps were the backdrop to an extensive fight over the right to produce and sell explicit content. The publication of Women's Barracks is famous as the event which precipitated the formation of the House Select Committee on Current Pornographic Materials from 1952-1953. The Committee ultimately accomplished little in restricting pulp novels, but it did cause editorial changes to the book (the addition of a disapproving narrator) and demonstrated political attitudes towards the genre. In 1956, a bookseller was punished with 30 days of imprisonment for selling copies of Mark Tryon's Sweeter than Life, republished after the lawsuit as The Twisted Loves of Nym O'Sullivan. This case was eventually appealed to the Supreme Court, resulting in the Smith v. California (1959) decision, which voided the California law preventing the sale of "obscene" content on the grounds that it violated the First Amendment right to free speech. Over the course of the 1960s, lawsuits continued to erode the restrictions on explicit content. Rather than boost the lesbian pulp genre, however, this caused its collapse.

The expansion of publishers' rights meant that the Postal Service could no longer deny delivering lesbian-friendly or pornographic novels on content alone. However, mass publishers were not willing to print works which portrayed lesbianism positively or which increased the amount of graphic content. Smaller presses and collectives began to emerge, which were able to siphon the market for pulps with novels that were better written and more satisfying for their audiences. Unable and unwilling to meet this new competition, publishers like Midwood and Beacon-Signal turned towards the other genres of pulp fiction. The year 1965 marks the end of the lesbian pulp era. Though lesbian fiction had improved in quality, smaller presses were unable to reach the same closeted and isolated women that pulps appealed to as they were considerably limited in their geographic distribution by the size of their operations and the cost of shipping. For many lesbians who had relied on pulps in lieu of community, their access to LGBT content became incredibly restricted in the coming decades. However, lesbian pulp fiction incentivized a new generation of writers to produce better literature through the 1970s and 80s. Publishing houses like Naiad Press were established, which were able to support the ambition of these new authors. Although genuine pulp manufacture had ceased, these presses would continue to reprint the most influential lesbian pulps for the next generation to enjoy. (Written by Sara Kunkemueller.)

Sources

Blakemore, Erin. "Pulp Fiction Helped Define American Lesbianism," Jstor Daily, 2019. Accessed through https://daily.jstor.org/pulp-fiction-helped-define-american-lesbianism/.

Fonesca, Sarah. "Reality Is a Drag: I'd Rather Live in Lesbian Pulp Fiction," them, Mar. 2019. Accessed through https://www.them.us/story/lesbian-pulp-fiction.

Frost, Natasha. "The Lesbian Pulp Fiction That Saved Lives," Atlas Obscura, May 2018. Accessed through https://www.atlasobscura.com/articles/lesbian-pulp-fiction-ann-bannon. Hermes, Joke. "Sexuality in Lesbian Romance Fiction," Feminist Review, no. 42, Autumn 1992, pp. 49-66. Accessed through https://www.jstor.org/stable/1395129.

Keller, Yvonne. "'Was It Right to Love Her Brother's Wife so Passionately?': Lesbian Pulp Novels and U.S. Lesbian Identity, 1950-1965," American Quarterly, vol. 57, no. 2, Jun. 2005, pp. 385-410. Accessed through https://www.jstor.org/stable/40068271.

Munroe, Lynn. "The Notebooks of Paul Rader," Lynn Munroe Books, n.d. Accessed through http://lynn-munroe-books.com/list64/RaderHome/RaderNotebooks-home.htm.

Rabinowitz, Paula. "Slips of the Tongue: Uncovering Lesbian Pulp," American Pulp: How Paperbacks Brought Modernism to Main Street, Princeton University Press, 2014, pp. 184-205. Accessed through https://www.jstor.org/stable/j.ctt7zvdxq.11.

Many cover artists for this collection identified through: "Pulp Covers: The Best of the Worst," n.d. Accessed through pulpcovers.com.

Saunders, David. "Alphabetical Index of Pulp Artists," Wild American Field Guide to Pulp Artists, n.d. Accessed through https://www.pulpartists.com/index.html.
Provenance:
Collection purchased from Swann Auction Galleries, New York, New York in September 2021. Funds for purchase provided by the Jackson Fund, NMAH.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Portions of this collection are extremely fragile; any photocopying must first be approved by the on-site reference archivist.
Topic:
Lesbianism  Search this
Pulp literature  Search this
Paperbacks  Search this
Citation:
Archives Center Lesbian Pulp Fiction Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1513
See more items in:
Archives Center Lesbian Pulp Fiction Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep86194bb36-0607-4796-a297-6d86eced7c86
EDAN-URL:
ead_collection:sova-nmah-ac-1513
Online Media:

Ars erotica : an arousing history of erotic art / Edward Lucie-Smith

Author:
Lucie-Smith, Edward  Search this
Physical description:
192 p. : ill. (some col.) ; 29 cm
Type:
Books
Date:
1997
Topic:
Erotic art  Search this
Call number:
N8217.E6 L93a 1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_538069

Audio Log Sheets

Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival / Series 3: Catalonia / 3.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5cd694714-6de5-41fd-b293-2a66d6544b80
EDAN-URL:
ead_component:sova-cfch-sff-2018-ref1238
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Auto erotica a grand tour through classic car brochures of the 1960s to 1980s Jonny Trunk

Author:
Trunk, Jonny  Search this
Physical description:
237 pages chiefly color illustrations 22 cm
Type:
Pictorial works
Ouvrages illustrés
History
Place:
Great Britain
Grande-Bretagne
Date:
2021
20th century
20e siècle
Topic:
Antique and classic cars  Search this
Automobiles  Search this
Antique and classic cars--History  Search this
Voitures anciennes  Search this
Voitures anciennes--Histoire  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1155053

Best of the Rest II

Creator:
Smithsonian Institution  Search this
Type:
Sound recordings
Podcast
MIME Type:
audio/mpeg
Uploaded:
Wed, 29 Apr 2020 04:00:00 -0000
Topic:
Smithsonian Sidedoor  Search this
See More From Collection:
Sidedoor
Data Source:
Smithsonian Institution
EDAN-URL:
edanmdm:podcasts_a5da7018330085866f9f8b78cdcf01c9

Best of the Rest II

Creator:
Smithsonian Institution  Search this
Type:
Sound recordings
Podcast
MIME Type:
audio/mpeg
Uploaded:
Wed, 29 Apr 2020 04:00:00 -0000
Topic:
Smithsonian Sidedoor  Search this
See More From Collection:
Sidedoor
Data Source:
Smithsonian Institution
EDAN-URL:
edanmdm:podcasts_c0fd2f2e3dac7448ab283d09c9f8b36f

Bill Holman Collection

Creator:
Holman, Bill, 1927-  Search this
Kenton, Stan  Search this
Monk, Thelonious  Search this
Basie, Count, 1904-1984  Search this
Herman, Woody, 1913-1987  Search this
Extent:
12 Cubic feet (68 boxes)
Type:
Collection descriptions
Archival materials
Music
Posters
Business records
Scores
Date:
1951-2000
Scope and Contents:
The Bill Holman Collection consists of original music compositions and arrangements, posters, performance contracts and a photograph dating from 1952 to 1999. The collection is organized into two series: Series 1: Music Manuscripts; and Series 2: Photographs and Business Records.
Arrangement:
The collection is organized into two series.

Series 1: Music Manuscripts, 1952-1999

Series 2: Photographs and Business Records, 1975-1997
Biographical / Historical:
Born Willis Leonard Holman on May 21 in Olive, California, Bill Holman is considered one of the great jazz composers of the last half of the twentieth century. He is best known as one of the architects of the style of jazz defined as "West Coast" and as the major arranger for the Stan Kenton Orchestra from 1952 - 1955.

Holman began playing clarinet in junior high school and tenor saxophone while in high school eventually leading his own band. After serving in the Navy and studying engineering, he chose a career in music instead and attended Westlake College of Music in California from 1948-1950. While attending Westlake, he studied counterpoint with Russ Garcia and one hallmark of a Holman work continues to be the distinguished use of that compositional element.

While performing as a tenor and baritone saxophonist for Charlie Barnet & His Orchestra in 1951, Holman submitted his first composition for a name band to Woody Herman. Originally titled Prez Conference in honor of Lester Young, the piece - which featured solos for four tenors - was recorded in 1954 with a baritone and trumpet introduction and ending tagged on by Herman and re-titled Mulligantawny Stew.

From 1952 - 1954, Holman performed in the reed section of the Stan Kenton Orchestra and there he received international recognition. Within six months, Kenton encouraged Holman's voice as a composer and arranger and he quickly became a principal. His distinctive swinging approach was always evident resulting in songs still beloved by Kenton fans all over the world such as Stomping At The Savoy and Whats New. Taking advantage of his clout in the industry, Stan Kenton facilitated Holman's first recording as a leader in 1954 (Kenton Presents Jazz B Bill Holman: Bill Holman Octet) as one in a series of Capitol recordings featuring Kenton's sidemen as bandleaders. Unfortunately, this was not released until five years later. After returning to the West Coast in 1955, Holman continued as a Kenton staff arranger until 1956 and contributed compositions and arrangements on an occasional basis until the late 1950s.

Upon his return to Los Angeles, California in 1955, Holman B as an instrumentalist, composer and arranger B helped shape the sound later dubbed West Coast Jazz. At first, Holman worked in small groups for others including Conte Candoli (1955), Shelly Manne (1955), and Art Pepper (1957) but in 1957 Holman longed to Amake a statement@ for himself and formed his own big band. The band eventually recorded three albums that have become collector=s items among jazz aficionados: The Fabulous Bill Holman (1957), Big Band In A Jazz Orbit, (1958) and Bill Holman's Great Big Band. (1960) Holman continued to work in small group settings as well recording Jive For Five with a quintet co-led by Mel Lewis and Jazz Erotica (re-titled in CD release as West Coast Jazz) in an octet featuring Richie Kamuca.

In 1960, Holman entered into a twenty-seven year hiatus from recording. However, he remained active in the business and was continually sought out as a composer and arranger for both jazz and popular music. His arrangements for Gerry Mulligan, Count Basie, Woody Herman, and Shorty Rogers, among others, are considered the pinnacle of jazz composition and orchestration. Holman=s occasional forays into film, television and popular music include Aquarius as recorded by the Fifth Dimension and The Association=s Never My Love and Cherish. A long relationship with the Tonight Show band directed by Doc Severinson (1967 B 1992) developed eventually awarding him with his first Grammy award for an arrangement of Billy Strayhorn=s Take The >A= Train.

Bill McKay, the co-owner of a Los Angeles night club Donte's, encouraged Holman to re-form his band in 1975 leading to his legendary rehearsal band which still meets most weeks at the Hollywood Musician=s Union. However, the Bill Holman Band did not record until the release of World Class: The Bill Holman Big Band in 1987, followed by A View From the Side. (for which Holman earned a Best Instrumental Composition Grammy for the title track) in 1995. Although Holman's arranging style matured, his characteristic use of line writing, unison sections, uneven bar lengths, and reference for rhythm were distilled and refined rather than complicated in the interim.

Beginning in 1980, Holman received regular commissions from the WDR band in Cologne Germany including ones for extended works and special programs featuring noted jazz instrumentalists such as Lee Konitz, Al Cohn and Phil Woods. Since 1990, he has been conducting that renowned Orchestra. In 1997, Holman embarked on what has become an annual European trip B as a composer/conductor for the Netherlands Metropole Orchestra B and in that same year recorded Further Adventures with them. Holman continues to work extensively in Europe and in 2001 will conduct orchestras in Sweden, Austria and the Netherlands.

Continually sought after by contemporary vocalists, Holman supplied the arrangements (with the exception of the title tune) for Natalie Cole=s 1991 Unforgettable B a tribute to her father Nat King Cole. He continues to provide settings for elite jazz vocalists including Tony Bennett and Carmen McRae. Holman remains active. In 1998, he received a composer=s grant from the International Association of Jazz Educators. The Bill Holman Band still rehearses weekly and appears periodically in the Los Angeles area. Brilliant Corners: The Music of Thelonius Monk is a big band and arrangers tour-de-force and garnered Holman his third Grammy award in 1997.
Restrictions:
Collection is open for research.
Rights:
The Archives Center does not own the reproduction rights to the music of the Bill Holman Collection. All requests for performance or publication of Mr. Holman's compositions and/or arrangements should be directed to Bill Holman at 323-466-8809.
Occupation:
Composers -- 20th century  Search this
Topic:
Music -- 20th century  Search this
Musical arrangers  Search this
Jazz  Search this
Genre/Form:
Music -- Manuscripts
Posters -- 20th century
Business records -- 1950-2000
Scores
Citation:
Bill Holman Collection, 1951-2000, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0733
See more items in:
Bill Holman Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ecf71aef-19e8-455b-bfb2-c604e11f2591
EDAN-URL:
ead_collection:sova-nmah-ac-0733
Online Media:

Black Erotica, May 12, 1993, audiocassette

Container:
Box 5 of 7
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 96-022, Smithsonian Associates. $a Campus on the Mall, Program Recordings
See more items in:
Program Recordings
Program Recordings / Box 5
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa96-022-refidd1e5010

Brown : the last discovery of America / Richard Rodriguez

Author:
Rodriguez, Richard  Search this
Subject:
Rodriguez, Richard  Search this
Physical description:
xv, 232 p. ; 22 cm
Type:
Biography
Place:
United States
Date:
2002
Topic:
Hispanic Americans--Race identity  Search this
Hispanic Americans--History  Search this
Racially mixed people--Race identity  Search this
Racially mixed people--History  Search this
Erotica--Psychological aspects  Search this
Mexican Americans  Search this
Race relations  Search this
Psychological aspects  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_676302

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